Owen Teale Movies

Alan Rickman and Janeane Garofalo headline writer/director Mike Binder's comedy about an American businessman who is summoned to London under the auspice of overseeing an impending business merger, only to discover that he is actually being groomed to replace his British counterpart - who unfortunately has no intentions of giving up his job. Matthew Barnes (Binder) and his wife (Garofalo) thought they were going to London for a brief business trip, little did they realize Matthew's employer had something a bit more permanent in mind. It seems that the powers that be would like to see Matthew's British counterpart John Gissing (Rickman) fired, and would love for Matthew to step in as his official replacement. But John is no dummy, and he's seen this storm brewing on the horizon for quite some time. Now, instead of stepping down peacefully and allowing the situation to play out as his superiors have planned, John schemes to make the American couple's stay in London as unpleasant as humanly possible by sending them on a series of disastrous and humiliating misadventures. ~ Jason Buchanan, All Movie Guide

The epic saga of the Queen of Egypt gets yet another retelling in Cleopatra, a four-hour, two-part spectacular produced for television. Leonor Varela plays Cleopatra, the Egyptian monarch who uses her wisdom, charm, ruthlessness, and seductive powers to work her way into the heart (and bed) of Roman leader Julius Caesar (Timothy Dalton). But Cleopatra shifts her romantic alliances to Marc Anthony (Billy Zane) just in time for Caesar's death and Anthony's rise to the throne. When Rome goes to war, however, Cleopatra realizes that she can only remain in power for so long, eventually making a late date with an asp when things get especially grim. This is at least the 12th film based on Cleopatra's life (the best-known being the infamously expensive 1962 version starring Elizabeth Taylor and Richard Burton). Produced by Hallmark for NBC television, this version first aired as a two-part miniseries in May 1999. ~ Mark Deming, All Movie Guide

The Gasworth police squad faces a new onslaught of crises large and small in this episode written by series creator Ben Elton. WPC Maggie Habib develops a crush on a local fireman, only to find out that the object of her affections is more interested in Constable Kevin Goody! At the same time, Detective Inspector Grim does his best -- which is none too good -- to crack a case involving drug dealers. As for Inspector Raymond Fowler, he has his hands full with an inveterate practical joker. "Fire and Terror" first aired on November 20, 1995. ~ Hal Erickson, All Movie Guide

Initially conceived as a theatrical feature, but originally aired on television in the United States, Robin Hood puts slight, but effective, twists on the legendary tale. Starring Patrick Bergin in the title role, the film follows Robin and his group of bandits as they fight Prince John and save Maid Marion (Uma Thurman). This version is a little grittier than both Errol Flynn's classic movie or the contemporary extravaganza starring Kevin Costner, since Bergin is quite down-to-earth and Thurman makes Marion into a brat, not a helpless maiden. However, these qualities and the stately photography make the film quite entertaining, and it easily equals Costner's version, even if it can't match Flynn's timeless movie. ~ Stephen Thomas Erlewine, All Movie Guide

The first BBC television film to be given a British theatrical release, Derek Jarman's War Requiem is a cinematic interpretation of composer Benjamin Britten's famed oratorio. Narrated by Lord Laurence Olivier, whose last film this was, War Requiem combines Britten's music with the words of English poet (and World War 1 casualty Wilfred Owen) and Jarman's stark, symbolic images--filmed, appropriately enough, in an old mental hospital. Throughout, the sacrifice of young lives to the horrors of war is likened to the Supreme Sacrifice of Jesus Christ. As always, Jarman uses every opportunity to poke holes in Brtain's hidebound traditionalism. Though unrated, the violence quotient in War Requiem is enough to render the film unsuitable for young children. ~ Hal Erickson, All Movie Guide

In the conclusion of the two-part story "Vengeance on Varos," the Doctor (Colin Baker) and Peri (Nicola Bryant) are trapped on the former prison planet Varos, where the population is held in mental slavery by a network of video screens, which offer a 24-hour diet of televised tortures (shades of the "video nasties" which were briefly popular in England during this period). The instigator of this outrage is a slug-like monstrosity called Sil (Nabil Shaban), the greedy representative of a despotic mining company. Written by Philip Martin, the "Vengeance on Varos" was originally telecast on January 19 and January 26, 1985; the two 45-minute episodes have since been recut into a four-part cliffhanger for American television. ~ Hal Erickson, All Movie Guide