John Blythe Movies

Made for television, Love Among the Ruins was a precious one-time-only collaboration between stars Katharine Hepburn and Laurence Oliver, and director George Cukor. The scene is Victorian London, where wealthy widow Hepburn is being sued for breach of promise by her much-younger ex-fiance. Olivier is the highly respected barrister engaged to defend Hepburn in court. The usually reserved Olivier relishes the opportunity to see Hepburn, who 40 years earlier had been his lover. He is driven to hilarious distraction by Hepburn's adamant insistence that she has never seen him before in her life! Written by Emmy-winning TV veteran James Costigan, Love Among the Ruins was first telecast March 6, 1975. ~ Hal Erickson, All Movie Guide

Terrence Rattigan, the playwright who brought us the multicharactered, multistoried Separate Tables, again offers us an episodic cross-section of humanity in The V.I.P.'s. When a heavy London fog paralyzes all air traffic, the lives of several people are profoundly affected. As indicated by the title, most of the characters in this portmanteau film are of the social and/or financial elite. Elizabeth Taylor wishes to leave her enormously wealthy husband Richard Burton in favor of playboy Louis Jourdan. Peripatetic European film producer Orson Welles is hoping to escape London with his newest protegee Elsa Martinelli in order to avoid paying his income tax. Australian businessman Rod Taylor, accompanied by his devoted (and adoring) secretary Maggie Smith, is anxious to head to New York to stave off a hostile takeover of his firm. And impoverished aristocrat Margaret Rutherford (who won an Oscar for her performance) would rather not go to Florida to accept a job as a social arbiter, but the wolf must be kept from the door. Before the fog disperses, you can be sure that at least one of the many plotlines will intersect with another. David Frost, in a tiny part as a reporter, was fond of recalling in later years that, while the major stars of The VIPS were introduced in the opening titles with animated limousines, he was consigned a tiny Volkswagen; alas, no such cartoon joke appears in the film, though on occasion the actors-particularly Mr. Welles-behave as though they were cartoons. Mercilessly skewered by the critics, The VIPS was a winner at the box-office, due in great part to the Cleopatra-inspired publicity concerning the top-billed Liz Taylor and Dick Burton. ~ Hal Erickson, All Movie Guide

An honest news agent realizes that his 2 sons are corrupt. When one criminal son is in jail, the other breaks him out to help with a job. ~ All Movie Guide

In this espionage drama, Soviet spies use a Cornish salmon poacher to ferry them across the English Channel. When the man realizes who they are, he maroons them. He becomes a hero. Then he finds himself up on poaching charges. ~ Sandra Brennan, All Movie Guide

A dog's best friend is not always his man, as is seen in this comedy set against the backdrop of professional dog racing. The story centers around a man and his supposedly beloved greyhound. The man spends most of his time caring for the speedy canine. But when the man hears of a dog that could actually beat his, he actually goes out and bets against his own. ~ Sandra Brennan, All Movie Guide

Frank Randle tones down the impurities of his music hall routines in the British service comedy It's a Grand Life. Randle plays a put-upon private, while zaftig Diana Dors co-stars as a female corporal. Surprise: Randle's not in love with Dors, but his friend Dan Young is head over heels. In time-honored Cyrano tradition, Randle gets Dors' attention by rescuing her from the unwanted advances of sergeant-major Michael Brennan, then points her in Young's direction. As was his custom, Frank Randle collaborated on the screenplay of It's A Grand Life, reserving for himself as many smirky one-liners as the footage would allow. ~ Hal Erickson, All Movie Guide

In this crime drama, a junk dealer's son breaks his father's heart when his poor grades get him tossed out of Oxford. The boy then involves himself with the very jewel thieves that use his father, unknown to the boy, as a fence. The father tries to subtly keep his boy from becoming too involved, but it is to no avail and the lad is killed. ~ Sandra Brennan, All Movie Guide

Lilli Marlene was inspired by the popular wartime German ballad. Lisa Daniely plays a French songstress who achieves radio fame during the Nazi occupation. She is spirited out of France by an American radio broadcaster (Hugh McDermott), but is recaptured by the Nazis and forced to make "Axis Sally" style pro-German propaganda speeches. After the war, the girl is tried for treason, but is cleared by the American who'd earlier gotten her out of France. Distressingly shoddy, Lilli Marlene was nonetheless a hit, thanks to the built-in popularity of the title song. It was followed by a less successful sequel, The Wedding of Lilli Marlene. ~ Hal Erickson, All Movie Guide

The Huggets Abroad is the last and most contrived of Britain's "Huggetts" film series. The titular family members, first introduced in the 1947 film Holiday Camp, are played by Jack Warner, Kathleen Harrison, Susan Shaw and Petula Clark (the same). Mr. Huggett feels he's in a rut, so he quits his jobs and packs himself and his family off to Africa. In quick order, the innocents abroad (a) become involved with diamond smugglers and (b) wind up in jail. When his job becomes available again, the chastened Mr. Huggett returns to his own back yard. Four writers were required to concoct this tired British Ma and Pa Kettle equivalent. ~ Hal Erickson, All Movie Guide

Brown is the color of the uniforms worn by the residents of a British borstal (boy's reformatory). Jack Warner plays the governor (warden) of the institution, struggling to maintain an even keel with his tempestuous charges. The film aims for a veneer of reality by using an optical camera device to blend actual backgrounds with studio sets, a special effect that works about half the time. The Boys in Brown was based on a British stage play by Reginald Beckwith. Perhaps it was more effective on stage, where the advanced ages of the "boys" were not quite so detectable. ~ Hal Erickson, All Movie Guide

In this drama, black market smugglers do all they can to keep away from the police. ~ Sandra Brennan, All Movie Guide

The fictional Hugget Family makes the first of three film appearances in this domestic comedy from Great Britain. ~ Sandra Brennan, All Movie Guide