William Taylor Movies

The time: June 1998. The place: The sleepy town of Jasper, TX. Three young, self-styled white supremists overpower a 49-year-old black man named James Byrd Jr., chain him to the back of their pickup, and literally drag him to death. What follows is a media firestorm, exacerbated by scores of network and cable-TV news services, the grim pronouncements of so-called pundits, and the intrusion upon Jasper of several extremist activists, ranging from members of the Ku Klux Klan to the newly formed Black Panthers. As the frenzy continues, the heretofore peaceful, if somewhat tenuous, relationship between the white and black residents of Jasper is severely strained, with echoes of past racism resounding throughout the area. In the center of the controversy are two decent, hard-working public servants: R.C. Horn, the first black mayor of Jasper, and Billy Rowles, the town's white sheriff. Also profoundly affected by the appalling murder of Byrd are the respective parents of the victim and the killers. Happily, when the dust clears, justice is done (two of the murderers are condemned to death, the third sentenced to life imprisonment), and, instead of being wrenched apart, the black and white communities of Jasper draw closer together than they have ever been. Made for cable TV, this feature-length reenactment stars Louis Gossett Jr. as Horn and Jon Voight as Rowles. Although certain liberties are taken (the actor playing Byrd is clearly much younger than his real-life counterpart and the Black Panthers and KKK are incorrectly shown descending upon Jasper the same day), the film is, by and large, accurate. Better still, there is a minimum of preaching and proselytizing. Previewed at the Philadelphia Film Festival, Jasper, Texas was given its official Showtime network cable premiere on June 8, 2003 -- almost five years to the day after Byrd's death. ~ Hal Erickson, Rovi

Die Hard meets Cliffhanger in this two-fisted action flick full of cool guns and exploding racists. One cop stands between order and lawlessness when a nefarious band of white supremacists invade a ski resort and take the guests hostage. ~ Jonathan Crow, Rovi

A woman is terrorized by her former lover in her apartment, which he remodeled to his own specifications. ~ Tana Hobart, Rovi

An innocent law student gets accused of murdering a mob chief's son when a casino poker game turns into a fistfight that ends with a fatality. Soon the mob and the corrupt local police are after the kid whose only respite in this film is a short romance with a new-found sweetheart. ~ Rovi

Chris Walas, the makeup and animatronics director on David Cronenberg's remake of The Fly, takes a stab at directorial duties in this sequel. Before Seth Brundle morphed into scrap metal in the original The Fly, he managed to leave behind the seed of his legacy, and at the start of The Fly 2 his son, Martin (Eric Stoltz), has suffered an accelerated growth, thanks to his fly genes. Although played by Stoltz, Martin is supposed to be only five human years old, and unaware of his imminent transformation into a fly. All his life, Martin has been confined to a laboratory at Bartok Industries, where evil CEO Bartok (Lee Richardson) plans to breed a new race of super flies. Martin spends his days working in the lab experimenting with teleportation. But then Martin meets Beth (Daphne Zuniga), an attractive researcher. Martin is attracted to her, but not only do his hormones kick in, so do his fly genes. Soon, Martin begins to transform into a bug just like his father. Desperate to stop his transformation, he wreaks revenge upon Bartok while trying the find a mate with which to swap his unwanted fly genes before it's too late. ~ Paul Brenner, Rovi

A wealthy woman (Robin Givens) is stalked by her ex-boyfriend, who escaped from an asylum. He traps her in her penthouse. ~ Rovi

One can only hope that the real-life marriage of actors Michael Tucker and Jill Eikenberry is more harmonious than the one depicted in the made-for-TV Assault and Matrimony. Tucker plays a meek New England accountant and Eikenberry portrays his nitpicking wife-who becomes even nitpickier when the couple purchases a historic home. When he's driven to distraction by Eikenberry's nagging, Tucker hatches a murder scheme. At the same time, she comes up with a plot to bump off her husband. Adapted from James Anderson's novel by John Binder, this frenetic farce first aired September 28, 1987. ~ Hal Erickson, Rovi

Marlo Thomas fully justifies her star status in the made-for-television Nobody's Child. Ms. Thomas portrays the real-life Marie Balter, a Massachusetts woman consigned to a mental hospital after a suicide attempt at age 16. For the next 20 years, Marie is and out of the institution, mostly under the care of a sensitive doctor (Caroline Cava) who treats her for panic disorder and depression. Finally able to curb her inner demons without the use of drugs and therapy, Marie leaves the hospital for good, hoping to pursue a normal life. She falls in love with another ex-mental patient (Ray Baker), and strives successfully to earn a college diploma (she later became a health administrator). Aside from Marlo Thomas' Emmy-winning performance, Nobody's Child boasts the stunning camerawork of longtime Ingmar Bergman associate Sven Nykvist. One scene, in which Marie Balter imagines she sees serpents emerging from a typewriter, is as frightening a piece of celluloid as has ever been presented on television. ~ Hal Erickson, Rovi

Christmas Star is a two-hour whimsy assault, originally telecast December 14, 1986 on The Disney Sunday Movie. Ed Asner plays an escaped convict who adopts a stolen Santa Claus suit as a disguise. Several impressionable youngsters, believing Asner to be the genuine Santa, latch onto him. He decides to use these moppets to help him find his ill-gotten loot, which his partner has hidden in department store Christmas decorations. The ending is as misty-eyed as it is predictable. ~ Hal Erickson, Rovi

Produced for HBO, The Glitter Dome is based on the crime novel by Joseph Wambaugh. Manhattan detectives Al Mackey (James Garner) is forced to wade his way through the glamorous cesspool known as Hollywood. Mackey's quarry is the unknown person who brutally murdered studio mogul Malcolm Sinclair (Alistair MacDuff). Providing a brief diversion for the diligent Mackey is Margot Kidder as eccentric young actress Willie. Also on hand is James Garner's Rockford Files cohort Stuart Margolin, who, in addition to directing the film, plays the murder victim's smarmy nephew. When first telecast on November 11, 1984, The Glitter Dome was criticized for a brief bondage sequence involving Margot Kidder: in retrospect, however, the scene serves to affirm the integrity and decency of the character played by Garner. ~ Hal Erickson, Rovi