Ann Blyth Movies

A Woman's Vengeance concerns a "likely" murderer, Henry Maurier, played by Charles Boyer. It is no secret that Maurier is enamored with young Doris (Ann Blyth), but is his love for the girl motive enough for Maurier to murder his invalid wife? Only family friend Dr. Libbard (Sir Cedric Hardwicke) believes in Maurier, and it is Libbard who eventually extracts a confession from the real killer -- just seconds before Maurier is to be executed. Without giving the game away, we'll note that the supporting cast includes Jessica Tandy, Mildred Natwick, and John Williams (Rachel Kempson couldn't have played the murderer, inasmuch as she's the victim). A Woman's Vengeance was adapted by Aldous Huxley (the same) from his own story The Gioconda Smile. ~ Hal Erickson, Rovi

Another Part Of The Forest begins some twenty years before the events of Lillian Hellman's play and movie The Little Foxes and shows how that film's Hubbard family became the ruthless, greedy lot they were. It's fifteen years after the Civil War, and the Hubbards dominate their small Southern town financially, if not socially; The patriarch of the family (Fredric March) sold salt for $8 a pound to the Confederate Army at a time when they needed it most. Edmond O'Brien and Dan Duryea play his sons, the former as mean as his father, the latter and younger one a weakling. When the elder child finds out that his father was responsible for the death of Southern troops during the war, he threatens to expose the truth unless the family fortune is placed in his hands. In the end, only Hubbard's wife (Florence Eldridge) stands by her husband during his inevitable fall, and she banishes her own children from their house. Brilliant acting by all, especially March, Duryea, and O'Brien, plus a sharp script, make this unrelentingly grim melodrama fascinating to watch. ~ Don Kaye, Rovi

Two Bowery vaudevillians compete to be the first to produce shows on Broadway. They might be friends were they not so convinced that each has stolen ideas from the others. This bouncy musical chronicles their rivalry and the success they find after they finally team up. Unfortunately the success is short-lived when one of them suddenly departs to work for a beautiful woman. This time the feud erupts with a vengeance. Fortunately, their paths again cross and a happy ending follows. Songs include: "Just Because You Made Dem Goo Goo Eyes at Me", "There'll Always Be a Moon", "Coney Island Waltz", "Yippie-I-Addy-I-Ay", and "Wait Till the Sun Shines Nellie". ~ Sandra Brennan, Rovi

A musical comedy star whose career is just starting to take off returns home from military school. En route, he meets a pretty girl whom he begins to woo. Unfortunately his hometown girl friend is waiting for him at the station and typical romantic mayhem ensues amidst many lively songs and dances. Songs include: "Is It Good or Is It Bad?" "Mighty Nice to Have Met You," "Spelling Prep," "I Gotta Give My Feet A Break," "Love Is Like Music," "My Song," and "Sailor Song." ~ Sandra Brennan, Rovi

I'll Never Forget You is an updated remake of 1933's Berkeley Square; both films used John L. Balderston's stage play as a launching pad. Tyrone Power stars as an American atomic scientist working in London. He lives in an ancestral home which dates back to the 18th century. Late one rainy evening, Power is struck down by lightning just as he enters his home. When he awakens, he finds himself transported back to the 1700s, in the person of his own ancestor. As he falls in love with his beautiful cousin Ann Blyth, Power tries to bring some 20th century technology to his "backward" forebears (this is a departure from the original Berkeley Square, in which the hero so loved the 18th century that he wanted to become part of it). Branded as a lunatic for his "hallucinations" of the future, Power is about to be carted off to Bedlam when he lapses again into unconsciousness. He awakens in his own time, to discover that his long-ago love Ann Blyth was so enamored of him that she died young, without ever marrying. At this point in the original play, the hero shuts himself off from the world, to await his ultimate reunion with his lost love in the afterlife. But I'll Never Forget You couldn't do that to virile matinee idol Tyrone Power, so the adaptors contrive to have him meet a woman who looks just like the girl he left behind 200 years ago. In the tradition of The Wizard of Oz, I'll Never Forget You opens in black and white, then switches to color when Power is sent back in time. ~ Hal Erickson, Rovi

In one of his first "adult" roles (he made his last Andy Hardy vehicle only a year earlier), Mickey Rooney plays Tommy McCoy, a dancer who performs in a going-nowhere nightclub act with his alcoholic father, Brian (James Dunn). Johnny Martin (Mickey Knox), a lightweight boxing champ who is headlining the show that Tommy and his Dad are currently working, admires Tommy's footwork and tells him that he might have a future in the ring. Tommy gives the fight game a try, and he soon proves he's got the goods as a slugger. Before long, Tommy is fighting Johnny for the lightweight title, and after a hard-fought match, Tommy wins -- and Johnny dies. Now dubbed "Killer" McCoy by the press and boxing fans, a distraught Tommy allows his career to be taken over by Jim Caighn (Brian Donlevy), an unscrupulous manager with a gambling problem. Jim drags Tommy through the dirtiest and most dishonest levels of the fight game, but Jim's daughter Sheila (Ann Blyth) sees Tommy's decent side and tries to rescue him. Killer McCoy was a remake of the 1938 Robert Taylor vehicle The Crowd Roars. ~ Mark Deming, Rovi

Joan Crawford won an Academy Award for her bravura portrayal of the titular heroine in Mildred Pierce. The original James M. Cain novel concerns a wife and mother who works her way to financial security to provide a rosy future for her beloved daughter, but encounters difficulties and tragedies along the way. Ranald McDougall's screenplay tones down the sexual content, enhancing its film noir value by adding a sordid murder. The film opens with oily lounge lizard Monte Beragon (Zachary Scott) being pumped full of bullets. Croaking out the name "Mildred", he collapses and dies. Both the police and the audience are led to believe that the murderer is chain-restaurant entrepreneur Mildred Pierce (Crawford), who takes the time to relate some of her sordid history. As the flashback begins, we see Mildred unhappily married to philandering Bert Pierce (Bruce Bennett). She divorces him, keeping custody of her two beloved daughters, Veda (Ann Blyth) and Kay (Jo Anne Marlowe). To keep oldest daughter Veda in comparative luxury, Mildred ends up taking a waitressing position at a local restaurant. With the help of slimy real estate agent Wally Fay (Jack Carson), she eventually buys her own establishment, which grows into a chain of restaurants throughout Southern California. Meanwhile, Mildred smothers Veda in affection and creature comforts. She goes so far as to enter into a loveless marriage with the wealthy Monty Beragon in order to improve her social standing; Beragon repays the favor by living the life of a layabout playboy, much to Mildred's dismay -- and possible financial ruin. ~ Hal Erickson, Rovi

Ann Blyth guest stars as Franchesca Lodge, an old friend of mystery writer Jessica Fletcher (Angela Lansbury). Recently married to a much-younger man named Scott (Stacey Nelkin), Franchesca has been terrorized of late by what seems to be the ghost of her first husband. Since Franchesca has had a history of mental problems and profound lapses of memory, the authorities doubt her "haunting" story--and when her second husband is murdered, those same authorities jump to the conclusion that Franchesca has gone completely insane and committed murder. Jessica of course refuses to believe this, and thus does the sleuthing commence! ~ Hal Erickson, Rovi

This Korean War drama is essentially a vehicle for RKO's top male star Robert Mitchum. He plays war-weary "Colonel Steve," obliged to contend with the North Korean forces while keeping troublesome UN official Linda Day (Ann Blyth) at arm's length. Some authentic Korean combat footage is well-integrated into the story. For all its talk about jet planes, Reds and atomic energy, the film is at base a redressed WW II drama. Good supporting performances are provided Charles McGraw as a tough sergeant and William Talman as a jet pilot. Reportedly budgeted at over two million dollars, One Minute to Zero had trouble making back its cost, despite the box-office pull of Robert Mitchum. ~ Hal Erickson, Rovi

Embarking upon their honeymoon, Quincy (Jack Klugman) and Emily (Anita Gillette) accept the invitation of an old friend, Judge Blake, to spend a "private" weekend at a ski lodge. Alas, the weekend proves anything but private when several other guests, all of them in the law-enforcement business, start pouring into the lodge. Making matters worse, an unknown maniac is murdering the assembled guests one by one--and a raging blizzard has cut off all avenues of escape. Yes, it's "Ten Little Indians", Quincy-style, with a dash of the 1932 film classic The Old Dark House thrown in via guest star Henry Gibson's portrayal of an inscrutably mute caretaker. ~ Hal Erickson, Rovi

Red Canyon was one of several medium-budget, Technicolor westerns turned out by Universal-International between 1949 and 1959. Howard Duff plays wandering cowpoke Lin Sloane, who spends most of the film trying to capture a fabled wild stallion. While thus occupied, he finds time to romance Lucy Bostel (Ann Blyth), daughter of the region's most influential horsebreeder (George Brent). Conflicts arise when Lucy intends to race the captured stallion, much to the dismay of her father; there's also a major brouhaha involving Sloane's disreputable family heritage. Red Canyon was adapted by Maurice Geraghty from a rugged novel by Zane Grey. ~ Hal Erickson, Rovi

Young Sally Moyne (Ann Blyth) seldom makes a move in life without first consulting Saint Anne, patron saint of all young girls. Sally's faith in the efficacy of St. Anne has a salutary affect on all those in her orbit. It can also be said that Sally's tight relationship with her patron saint is of invaluable help in her family's Herculean efforts to save their home and hearth from the machinations of land-grabbing alderman Goldtooth McCarthy (John McIntyre). The sublime supporting cast includes Frances "Aunt Bee" Bavier and Otto Hullett as Sally's parents, Edmund Gwenn as her supposedly invalid grandfather, and Jack Kelly and Lamont Johnson as her looney brothers. One of the last of the "crazy family" comedies inspired by the success of You Can't Take It With You, Sally and St. Anne is also one of the best of its kind. ~ Hal Erickson, Rovi

One of many films of the late 1940s examining the impact of WWII on post-war domestic life in the U.S., The Swell Guy is the story of an unprincipled war correspondent, Jim Duncan (Sonny Tufts). Jim has returned to his hometown following the war and tries to milk his wartime status and pose as a hero. He's actually a corrupt con man who exploits the good graces of his brother Martin (William Gargan) and tries to woo Martin's wife Ann (Ruth Warrick). Jim cheats the townspeople by staging rigged craps games, and he engages in other nefarious schemes that depend on the local citizens' naïve trust in the supposed war hero. Jim finally steals money from the town's charity campaign for war veterans and tries to leave town before his misdeeds catch up to him. But Jim gets a chance for redemption and real heroism when he alone can save his nephew's life. This film was directed by Frank Tuttle and based on the book The Hero by Gilbert Emery. ~ Michael Betzold, Rovi