Russie Taylor Movies

A young pig fights convention to become a sheep dog -- or, rather, sheep pig -- in this charming Australian family film, which became an unexpected international success due to superior special effects and an intelligent script. The title refers to the name bestowed on a piglet soon after his separation from his family, when he finds himself on a strange farm. Confused and sad, Babe is adopted by a friendly dog and slowly adjusts to his new home. Discovering that the fate of most pigs is the dinner table, Babe devotes himself to becoming a useful member of the farm by trying to learn how to herd sheep, despite the skepticism of the other animals and the kindly but conventional Farmer Hoggett (James Cromwell). Because technically impeccable animatronics and computer graphics allow the farm animals to converse easily among themselves, first-time director Chris Noonan can treat the film's menagerie as actual characters, playing scene not for cuteness but for real emotions. The result is often surprisingly touching, with Noonan and George Miller's script, based on Dick King-Smith's children's book and, indirectly, a true story, seamlessly combining gentle whimsy and sincere feeling. These same qualities are embodied by in Cromwell's beautifully understated performance as Farmer Hoggett, which anchors the film. Despite its unlikely premise and low profile, Babe's inspirational story was embraced by audiences and critics, and the movie became an international sleeper that won an Academy Award nomination for Best Picture. It was followed in 1999 by the less successful Babe: Pig in the City. ~ Judd Blaise, All Movie Guide

This rental contains both Babe and Babe: Pig in the City

Bernard (voice of Bob Newhart) and Miss Bianca (voice of Eva Gabor), the intrepid mouse squad from the International Rescue Society of The Rescuers, return to help a little boy from the Australian outback named Cody (voice of Adam Ryen), who has been kidnapped by an evil poacher named McLeach (voice of George C. Scott). Enlisting the air services of Wilbur the Albatross (voice of John Candy), the two mice travel to the wasteland of Australia. McLeach is a dark complexioned exploiter who scours the Outback in a giant hovercraft, intent on capturing endangered species and selling them for a hefty profit. Bernard and Miss Bianca befriend a Paul Hogan-type mouse named Jake (Tristan Rogers), but to battle against the evil McLeach, Bernard's wisdom is required in order to save the day. Disney got its feet wet in computer animation with several impressive flight sequences, which bracket the film. ~ Paul Brenner, Rovi

In Robert Zemeckis's trailblazing combination of animation and live-action, Hollywood's 1940s cartoon stars are a subjugated minority, living in the ghettolike "Toontown" where their movements are sharply monitored by the human power establishment. The Toons are permitted to perform in a Cotton Club-style nightspot but are forbidden to patronize the joint. One of Toontown's leading citizens, whacked-out Roger Rabbit, is framed for the murder of human nightclub owner Marvin Acme (Stubby Kaye). Private detective Eddie Valiant (Bob Hoskins), whose prejudice against Toons stems from the time that his brother was killed by a falling cartoon piano, reluctantly agrees to clear Roger of the accusation. Most of the sociopolitical undertones of the original novel were weeded out out of the 1988 film version, with emphasis shifted to its basic "evil land developer" plotline --and, more enjoyably, to a stream of eye-popping special effects. With the combined facilities of animator Richard Williams, Disney, Warner Bros., Steven Spielberg's Amblin Entertainment, and George Lucas's Industrial Light and Magic, the film allows us to believe (at least for 90 minutes) that "toons" exist, and that they are capable of interacting with 3-dimensional human beings. Virtually every major cartoon character of the late 1940s shows up, with the exceptions of Felix the Cat and Popeye the Sailor, whose licensees couldn't come to terms with the producers. Of the film's newly minted Toons, the most memorable is Roger Rabbit's curvaceous bride Jessica (voiced, uncredited, by Kathleen Turner). The human element is well-represented by Hoskins, Christopher Lloyd, and Joanna Cassidy; also watch for action-film producer Joel Silver as Roger Rabbit's Tex Avery-style director. ~ Hal Erickson, Rovi

In this Western drama, some friends of gunfighter Josey Wales (Michael Parks, who also directed) are killed South of the border, so he heads to Mexico to confront a crooked local chief of police and get a good buddy out of jail. After Josey arrives, he manages to free an Apache woman and two inmates, as well as his friend Ten Spot. But soon the going gets rougher for everyone concerned. This sequel to Clint Eastwood's classic The Outlaw Josey Wales is a rendering of good guys versus bad, with an emphasis on gunfights. ~ Eleanor Mannikka, Rovi

This emotional true story is about Annie O'Farrell (Tina Arhondis -- who suffered brain damage at birth and as a result was later institutionalized with other children like herself, physically unable to mature past the age of 8 or 9, even though in chronological years they are much older. When therapist Jessica Hathaway (Angela Punch McGregor meets Annie for the first time, her interactions with the girl tell her that she has been misdiagnosed. Convinced that Annie's mind is functioning perfectly well, Jessica runs up against solid opposition from Annie's parents and has to bide her time until the girl reaches the age of 18. At that point, Jessica obtains an injunction to get Annie released from the home -- and begins her own session of therapy. Due to the non-fictional content of the film, the disagreements between Jessica and Annie's parents are sidelined, and, as in many other films of this type, the unusual court battles and subsequent change in the disabled patient are dramatic but not in keeping with the day-to-day reality of patients and clinical staff working to make small steps towards progress -- with never a chance for any miraculous recovery in the vast majority of cases. ~ Eleanor Mannikka, Rovi