Rod Taylor Movies

A group of hardened Nazi killers stalk their prey in Nazi-occupied France as a Jewish cinema owner plots to take down top-ranking SS officers during the official premiere of a high-profile German propaganda film. As far as Lt. Aldo Raine (aka Aldo the Apache," Brad Pitt) -- is concerned, the only good Nazi is a dead Nazi. Raine's mission is to strike fear into the heart of Adolf Hitler by brutally murdering as many goose-steppers as possible, or die trying. In order to accomplish that goal, Lt. Raine recruits a ruthless team of cold-blooded killers known as "The Basterds" which includes baseball-bat-wielding Bostonian Sgt. Donnie Donowitz (aka "The Bear Jew," Eli Roth) and steely psychopath Sgt. Hugo Stiglitz (Til Schweiger), among others. When the Basterds' secret rendezvous with turncoat German actress Bridget von Hammersmark (Diane Kruger) goes awry, they learn that the Nazis will be staging the French premiere of "The Nation's Pride," a rousing propaganda film based on the exploits of German hero Fredrick Zoller (Daniel Brühl), at a modest theater owned by Jewish cinephile Shoshanna Dreyfus (Mélanie Laurent), posing as a Gentile after the brutal murder of her family by the ruthless Col. Hans Landa (Christoph Waltz). As the Basterds hatch an explosive plan to take out as many Nazis as possible at the premiere, they remain completely oblivious to the fact that Shoshanna, too, longs to bring the Third Reich to its knees, and that she's willing to sacrifice her beloved theater in the process. ~ Jason Buchanan, Rovi

In part, filmmaker Stephan Elliott (best known for The Adventures of Priscilla Queen of the Desert) made this black, surrealistic and subversive comedy to bid farewell to Australian cultural traditions (i.e. excessive beer drinking, racism and sexism) that are rapidly disappearing due to the increasing infiltration of urban sophistication and political correctness into even the county's most remote regions. Unfortunately, Elliot's outrageous tribute to past 'traditions' is presented with such vulgar abandon that many Australians are sure to be offended, not tickled, even though Elliot did try to tone down the mean spirit of the original script which was first titled 'Big Red.' The story centers on Teddy, a fugitive con-artist who has fled New York and gone into the Australian outback. His troubles begin when he is picked up at a lonely gas station by the blonde and brassy Angie who quickly seduces him and then knocks him out cold. Teddy awakens to find himself in the dusty town of Woop Woop. Surrounded by steep cliffs, the town, which was built near a now-defunct asbestos mine, is ruled by Angie's father Daddy-O, who is as much a warden as he is a local leader, deciding when and who will enter and leave Woop Woop. A weird place that is supported by a kangaroo-meat dog-food factory, it is populated by beer-swilling rednecks, crude eccentrics (and a giant kangaroo named Big Red) who find endless entertainment listening to Oscar & Hammerstein musicals (the town's ramshackle drive-in runs The Sound of Music and South Pacific continuously). Teddy quickly discovers that he is in effect the burg's newest prisoner and is expected to constantly service the sexually insatiable Angie. Not willing to remain a captive, Teddy begins planning his escape. The story's surrealism comes from Elliot's deliberately inappropriate use of musical numbers to punctuate events. ~ Sandra Brennan, Rovi

During her annual visit to Ireland, Jessica (Angela Lansbury) enjoys the hospitality of a fishing lodge near Kilcleer. Coinciding with Jessica's stay is the arrival of a consortium which wants to buy the lodge in order to begin strip-mining the property. Before long, the lodge's owner, Tom Dempsey (Rod Taylor) is under suspicion for the death of a tourist found floating in a local wishing well. ~ Hal Erickson, Rovi

In the conclusion of a two-part story, Jessica (Angela Lansbury) is still in Ireland, investigating the mysterious (and deadly) goings-on at ancient Ballynook Castle. In her efforts to prove that a legendary ghost was not responsible for the death of a kitchen worker, Jessica had become trapped in the castle's dank and gloomy dungeon. Meanwhile, the genuine culprits, who may or may not be involved in an intricate antique-smuggling scheme, remain at large. Rod Taylor and Fionnula Flanagan, both of whom had appeared in previous episodes filmed in Ireland, show up here in different roles. ~ Hal Erickson, Rovi

Danielle Steel's Palomino opens with a female photographer named Samantha Taylor visiting the California ranch of her good friend in order to get herself together after Samantha's marriage dissolves. While there Samantha falls for Tate Jordan, one of the ranch hands, but he feels he is unworthy because her ex-husband is a famous television personality. He breaks off their relationship. Samantha works through her grief by photographing cowboys. Soon she suffers a terrible accident that leaves her paralyzed. She goes through a painful rehabilitation. Her friend passes away, leaving Samantha the ranch in the will. Samantha returns to the ranch and begins to put her life back together yet again when Tate returns and the pair confronts the lingering pain from their brief time together. ~ Perry Seibert, Rovi

Picking up where Season Seven of Falcon Crest left off, Season Eight finds the scheming Melissa (Ana Alicia), former wife of powerful vintner Angela Channing's grandson Lance (Lorenzo Lamas), assuming full charge of the Falcon Crest winery, unceremoniously evicting Angela (Jane Wyman) from the premises. Unfortunately for Melissa, her triumph will prove to be short-lived: after losing both her child and her lover, she goes bonkers, setting fire to Falcon Crest and perishing in the conflagration. But while Melissa is definitely out of the picture, Angela's son Richard Channing (David Selby), presumed killed by the sinister organization "The Thirteen" at the end of the previous season, is actually still alive. As for "The Thirteen", the entire group is assassinated en masse by the unhinged Senator Ryder (Charles Frank), who also tries to bump off Richard before he is himself dispatched by Richard's wife Maggie (Susan Sullivan). Meanwhile, Angela's efforts to regain control of her financial empire are blocked by Pilar Ortega (Kristian Alfonso), the daughter of Falcon Crest's foreman Cesar Ortega (Castulo Guera). Pilar has married Lance, who is now in league with Richard to industrialize the Tuscany valley's wine fields with the help of a phony humanitarian organization run by "The Consortium" (apparently his brush with death vis-à-vis "The Thirteen" has not taught Richard a thing) In a further effort to take over Angela's business, Richard kidnaps Angela and subjects her to a "haunting" from the late Melissa (actually a lookalike)--and when she escapes his clutches, Richard claims the incident never happened and suggests that Angela has gone crazy. But before Richard can be named conservator of his mother's estate, Angela suddenly weds Frank Agretti (Rod Taylor), a relative of the departed Melissa. Astonishingly, this hasty action proves that Angela is in her right mind, and ultimately leads to Richard's arrest! ~ Hal Erickson, Rovi

In this sci-fi western four bank robbers and the sheriff that pursues them find themselves suddenly transported from the Old West into modern Houston during a tremendous electrical storm. ~ Sandra Brennan, Rovi

While at a Spanish resort town, a wealthy man is lifted of $3 million as part of a nefarious scheme. ~ John Bush, Rovi

Most of you know what this is about. For the benefit of the two of you who've never read a tabloid, Prince Charles of England married Lady Diana Spencer in a pomp-and-circumstance wedding telecast all over the world in 1981. David Robb plays Bonnie Prince Charlie, while Caroline Bliss portrays Lady Di. This TV movie came out almost simultaneously with The Royal Romance of Charles and Diana, a far superior (and equally unsuspenseful) production starring Christopher Baines and Catherine Oxenberg. Caroline Bliss faded into obscurity, but Catherine Oxenberg was back for the 1992 TV-movie "sequel" (dictated by Destiny, as it were), titled Charles and Diana: Unhappily Ever After. ~ Hal Erickson, Rovi

In this routine but still interesting "B"-movie, Harry (Paul Winfield) is an escaped convict from the U.S. who has found shelter for awhile in Australia, at least until he meets Paul (Beau Cox), an orphan who has just witnessed an assassination. Because of what he saw, Paul becomes the next target of Payette (Rod Taylor) the man behind the assassination (also Paul's uncle). Payette is also ex-con Harry's boss -- throwing Harry and young Paul together as they both try to elude the killer in the scenic landscape and mountains on the outskirts of Sydney. ~ Eleanor Mannikka, Rovi

In his first major TV project since Kojak, Telly Savalas stars as maverick Philadelphia criminal lawyer Nick Hellinger. He heads to Houston to defend a syndicate accountant accused of murder. The government seems inordinately interested in the case, as well it should be: The accountant is actually an undercover agent. Mob boss (Rod Taylor) also puts pressure on Hellinger in regards to the case. Hellinger's Law was the pilot for a series that looked as though it was an easy sell; but when it came down to the line, CBS, despite allegedly ordering several scripts to be written, decided not to go with the show. ~ Hal Erickson, Rovi

Hosted by the American Film Institute, this video is a tribute to Alfred Hitchcock's filmmaking career. Included are scenes from Psycho, The 39 Steps and Vertigo. ~ Tana Hobart, Rovi