Renée Taylor Movies
Habitues of the late-night Jack Paar Program first became aware of the offbeat comic talents of Renee Taylor during her semi-regular appearances in the years 1959 through 1962. In films, Taylor has usually been seen in such small but distinctive roles as whispering dress extra in Jerry Lewis' The Errand Boy and Eva Braun (yes, Eva Braun) in Mel Brooks' The Producers. In 1965, she married actor/writer Joseph Bologna, becoming his partner both professionally and in life. In 1969, Taylor and Bologna wrote and starred in the Broadway comedy Lovers and Other Strangers; the play was transferred to the screen in 1970, minus the authors' on-screen presence but with all their comic insights and witticisms intact. Taylor and Bologna went on to create the 1973 TV series Calucci's Department, co-direct such films as 1989's It Had to Be You, and co-star in such projects as the 1976 TV-movie remake of Woman of the Year. In 1972, they shared an Emmy Award for their scriptwork on the 1972 television special Acts of Love-And Other Comedies. On her own, Renee Taylor has been a TV-series regular on 1977's Mary Hartman, Mary Hartman (as Annabelle) and 1993's Daddy Dearest (as Helen Mitchell, the mother of Richard Lewis and estranged wife of Don Rickles). ~ Hal Erickson, All Movie Guide- 1976
Renee Taylor and Joseph Bologna cowrote as well as starred in this 1976 TV remake of the 1941 Tracy-Hepburn vehicle Woman of the Year. Except for a handful of updated details, the storyline is substantially the same in both versions: A down-to-earth male sportswriter (Bologna, in the Spencer Tracy part) marries a high-profile female international news commentator (Taylor, in the Katharine Hepburn part). In fine "golden age" tradition, the stars are complemented with an excellent supporting cast, including Richard Bakalyan as a punch-drunk bartender, Leon Belasco as a refugee Russian musician and John Fiedler as a justice of the peace. Only Anthony Holland's swishy male secretary strikes a discordant note. The remake's "reconciliation" finale wisely avoids the ponderous, sexist slapstick setpiece at the end of the original film, wherein Katharine Hepburn nearly destroys her kitchen by cooking her first breakfast. A surefire audience pleaser, Woman of the Year was curiously premiered in July of 1976, a time when most potential viewers were out of the house. ~ Hal Erickson, All Movie Guide
Based on a play by Neil Simon, this comedy concerns Barney Cashman (Alan Arkin), the owner of successful seafood restaurant who is stuck in the depths of a mid-life crisis. Barney's marriage is no longer providing him with a sense of romantic adventure, and when he discovers his mother's apartment is empty one day a week, he decides that a series of extra-marital affairs is just what he needs. However, Barney's career as a spoiler of women quickly proves to be laughably unsuccessful; he's able to lure three different women to his make-shift love nest -- Elaine (Sally Kellerman), Bobbi (Paula Prentiss), and Janette (Renee Taylor) -- but try as he might, he can't convince any of them to sleep with him, and in the end, Barney has to settle for seducing his wife. Last of the Red Hot Lovers was the fourth of five Neil Simon adaptations that director Gene Saks would bring to the screen; Saks also directed a number of Simon's successes on Broadway. ~ Mark Deming, All Movie Guide
- Starring:
- Alan Arkin, Sally Kellerman, (more)
- 1971
- R
One of a number of films that dealt with addiction following the explosion of recreational drug use in the 1960s, Jennifer on My Mind opens as footloose twentysomething Marcus (Michael Brandon) is wandering through Europe. In Venice, he meets a beautiful young woman named Jenny (Tippy Walker); they fall in love, start travelling together, and smoke an awful lot of marijuana. When Jenny decides to return to the United States and heads back to New York, Marcus tags along, but before long (as usually happens in films of this sort), Jenny moves from pot to harder drugs, and Marcus has to deal with the fact the woman he loves has become a heroin addict. Written by Erich Segal, who had earlier gained fame for Love Story, Jennifer on My Mind also features a prescient supporting performance by Robert DeNiro, who plays a taxi driver. ~ Mark Deming, All Movie Guide
- Starring:
- Michael Brandon, Tippy Walker, (more)
- 1971
- G
Elaine May wrote and directed (credits May attempted to have removed after the studio made extensive cuts in the film) this dark and funny comedy about marriage, murder, and money. May also stars as Henrietta, a shy and clumsy wallflower, who is also heir to a large pile of money. Indigent playboy Graham (Walter Matthau), who has squandered his inherited trust fund and needs to get a new source of money, begins to ply his affections upon Henrietta. When his butler (George Rose) recommends that Graham should marry Henrietta and gain control of her funds, Graham borrows money from his miserable uncle (James Coco) and wines and dines Henrietta. Graham's dastardly plan is to marry Henrietta, take her off on a trip to the mountains, and murder her. Graham can then return from her funeral and inherit his wealth. But thrown into his path toward the perfect murder are a collection of Henrietta's loyal -- and not so loyal -- retainers and the small dim light of Graham's own conscience. ~ Paul Brenner, All Movie Guide
- Starring:
- Walter Matthau, Elaine May, (more)
- 1971
- PG13
In this semi-autobiographical romantic comedy starring Joseph Bologna and Renee Taylor (who also wrote the script together) two lonely hearts find each other in group therapy. ~ Sandra Brennan, All Movie Guide
Lovers and Other Strangers became a "sleeper" hit, based on a play by Renée Taylor and Joseph Bologna. The story is essentially a series of vignettes and anecdotes, unified by an impending marriage. Father of the bride Hal (Gig Young) has problems with his long-suffering mistress, Cathy (Anne Jackson), who spends much of the film sitting on the toilet, crying her eyes out; Wilma (Anne Meara), the bride's sex-starved sister, can't wrest her husband, Johnny (Harry Guardino), away from the TV; and Frank (Richard S. Castellano), as the groom's father, slips comfortably into Bartlett's Familiar Quotations with his oft-repeated query "So what's the story?" Twelfth-billed Diane Keaton makes her film debut as a garrulous wedding guest. ~ Hal Erickson, All Movie Guide
- Starring:
- Bea Arthur, Bonnie Bedelia, (more)
Theatrical producer Max Bialystock (Zero Mostel) was once the toast of Broadway. Now he lives in his seedy office, cadging cash contributions from wealthy old ladies in exchange for sexual favors. Even worse, he's reduced to wearing a cardboard belt. Max's new accountant, Leo Bloom (Gene Wilder), the soul of honesty, suggests that Max produce a hit to try to recoup his losses, but Max knows that it's too late for that. Offhandedly, Leo muses that, if Max found investors for a flop, he could legally keep all the extra money. Suddenly, Max's eyes light up -- and in that moment, Leo Bloom is gloriously corruptible. "I want everything I've ever seen in the movies!" cries Leo as Max embraces him. Together, Max and Leo conspire to select the worst play, the worst playwright, the worst director, and the worst actor to collaborate on their guaranteed flop. That play is Springtime for Hitler, "a delightful romp...with Adolf Hitler and Eva Braun." The playwright is Franz Liebkind (Kenneth Mars), an unreconstructed Nazi who, in drunken delirium, insists that Hitler was a better painter than Churchill -- "He could paint an entire apartment in one afternoon, two coats!" The director is pompous transvestite Roger De Bris (Christopher Hewett), who is preparing to go to a costume party garbed as Marie Antoinette when Max and Leo come calling ("Max, Max, he's wearing a dress"). And the star, selected after extensive auditions, is hippie-freak Lorenzo St. DuBois (Dick Shawn) -- "L.S.D." for short.
At the end of several weeks, Max has sold 25,000 percent of the show; and, as a finishing touch, Max bribes the opening-night critics for a favorable review, knowing full well that such a gesture is the kiss of death. The curtains part, and Springtime for Hitler opens with perhaps the most tasteless production number in the history of films. At the end of this extravaganza, the audience sits in dumbfounded silence. Gleefully, Max and Leo repair to a corner bar to celebrate their failure. But then.... The first directorial effort of Mel Brooks, The Producers didn't do so well on its first release, but since that time it has taken its place as one of the all-time great movie comedies. ~ Hal Erickson, All Movie Guide
At the end of several weeks, Max has sold 25,000 percent of the show; and, as a finishing touch, Max bribes the opening-night critics for a favorable review, knowing full well that such a gesture is the kiss of death. The curtains part, and Springtime for Hitler opens with perhaps the most tasteless production number in the history of films. At the end of this extravaganza, the audience sits in dumbfounded silence. Gleefully, Max and Leo repair to a corner bar to celebrate their failure. But then.... The first directorial effort of Mel Brooks, The Producers didn't do so well on its first release, but since that time it has taken its place as one of the all-time great movie comedies. ~ Hal Erickson, All Movie Guide
- Starring:
- Zero Mostel, Gene Wilder, (more)
Frank Sinatra gives a gritty performance in the crime thriller The Detective. When Teddy Leikman, the homosexual son of a politically connected department-store magnate, is murdered, detective Joe Leland (Frank Sinatra) is sent in to investigate. Leland drags in Teddy's psychotic former roommate Felix Tesla (Tony Musante) and forces a confession out of him; for his work on the case Leland gets a promotion, which troubles him. Afterwards, Norma MacIver (Jacqueline Bisset), the widow of a well-heeled accountant, comes to see Leland. Her husband was killed after falling off the grandstand at a racetrack -- but Norma thinks he was pushed. She asks Leland to investigate her husband's death. Reopening the case, Leland discovers that the police are opposed to him scratching around any further, and after an attempt on his life, he uncovers some startling evidence that may connect the two deaths. ~ Paul Brenner, All Movie Guide
- Starring:
- Frank Sinatra, Lee Remick, (more)
Sean Connery attempted to make a clean break from his "James Bond" image in the boisterous comedy A Fine Madness. Connery plays Samson Shillitoe, a Brendan Behan-like poet with a mile-wide misogynistic streak. Try as he might to complete his latest masterpiece, Shillitoe is constantly interrupted by the women in his life. Driven to a nervous breakdown, he seeks help from the medical establishment -- and ends up a babbling shell of his former self. The film takes scattered potshots at a repressive society that forces the truly creative among us into near-madness; at times, it is sidesplittingly funny, though never quite as potent as the Elliot Baker novel upon which it is based. Sean Connery is brilliant, but the public wanted James Bond to behave himself, thus the film didn't do as well at the box office as it should have. ~ Hal Erickson, All Movie Guide
- Starring:
- Sean Connery, Joanne Woodward, (more)
The second of Jerry Lewis' directorial endeavors, The Errand Boy, like its predecessor The Bellboy, is essentially a series of "spot gags," some hilarious, others only moderately amusing. The gossamer-thin plot finds Morty Tashman (Lewis) being hired by the CEO of "Paramutuel Pictures" (Brian Donlevy) to spy on studio employees and report any incidents of wastefulness and sloth. This gives Morty a chance to wander all over the Paramutuel Pictures lot, inadvertently interfering with work in progress, encountering strange characters and inexplicable events, and overall making as much of a nuisance of himself as possible. Some of the better gags include Morty's chaotic behavior at the "wrap party" for a vainglorious movie queen (Iris Adrian); his attempts to eat lunch while a noisy battle scene from a war picture rages all around him; his misguided effort to dub in the singing voice of a tone-deaf actress; the "Mr. Baebrosenthal" bit; and Morty's tete-a-tete in the studio swimming pool with a scuba diver. The weakest scenes involve Morty's sugary encounters with the Ritts Puppets, and a smug curtain speech about the importance of laughmakers in this troubled world. The huge supporting cast includes such reliable chucklemeisters as Howard McNear, Sig Ruman, Milton Frome, Benny Rubin, Fritz Feld, Doodles Weaver, Joey Forman, Dick Wesson and Joe Besser; also making fleeting appearances are actress/writer/director Renee Taylor, veteran movie tough guy Mike Mazurki (in drag!), silent film comic Snub Pollard, and the four stars from TV's Bonanza. Even non-Jerry Lewis fans will come down with a case of loose chuckles while watching The Errand Boy. ~ Hal Erickson, All Movie Guide
- Starring:
- Jerry Lewis, Brian Donlevy, (more)
