Renée Taylor Movies

The second of Jerry Lewis' directorial endeavors, The Errand Boy, like its predecessor The Bellboy, is essentially a series of "spot gags," some hilarious, others only moderately amusing. The gossamer-thin plot finds Morty Tashman (Lewis) being hired by the CEO of "Paramutuel Pictures" (Brian Donlevy) to spy on studio employees and report any incidents of wastefulness and sloth. This gives Morty a chance to wander all over the Paramutuel Pictures lot, inadvertently interfering with work in progress, encountering strange characters and inexplicable events, and overall making as much of a nuisance of himself as possible. Some of the better gags include Morty's chaotic behavior at the "wrap party" for a vainglorious movie queen (Iris Adrian); his attempts to eat lunch while a noisy battle scene from a war picture rages all around him; his misguided effort to dub in the singing voice of a tone-deaf actress; the "Mr. Baebrosenthal" bit; and Morty's tete-a-tete in the studio swimming pool with a scuba diver. The weakest scenes involve Morty's sugary encounters with the Ritts Puppets, and a smug curtain speech about the importance of laughmakers in this troubled world. The huge supporting cast includes such reliable chucklemeisters as Howard McNear, Sig Ruman, Milton Frome, Benny Rubin, Fritz Feld, Doodles Weaver, Joey Forman, Dick Wesson and Joe Besser; also making fleeting appearances are actress/writer/director Renee Taylor, veteran movie tough guy Mike Mazurki (in drag!), silent film comic Snub Pollard, and the four stars from TV's Bonanza. Even non-Jerry Lewis fans will come down with a case of loose chuckles while watching The Errand Boy. ~ Hal Erickson, All Movie Guide

Theatrical producer Max Bialystock (Zero Mostel) was once the toast of Broadway. Now he lives in his seedy office, cadging cash contributions from wealthy old ladies in exchange for sexual favors. Even worse, he's reduced to wearing a cardboard belt. Max's new accountant, Leo Bloom (Gene Wilder), the soul of honesty, suggests that Max produce a hit to try to recoup his losses, but Max knows that it's too late for that. Offhandedly, Leo muses that, if Max found investors for a flop, he could legally keep all the extra money. Suddenly, Max's eyes light up -- and in that moment, Leo Bloom is gloriously corruptible. "I want everything I've ever seen in the movies!" cries Leo as Max embraces him. Together, Max and Leo conspire to select the worst play, the worst playwright, the worst director, and the worst actor to collaborate on their guaranteed flop. That play is Springtime for Hitler, "a delightful romp...with Adolf Hitler and Eva Braun." The playwright is Franz Liebkind (Kenneth Mars), an unreconstructed Nazi who, in drunken delirium, insists that Hitler was a better painter than Churchill -- "He could paint an entire apartment in one afternoon, two coats!" The director is pompous transvestite Roger De Bris (Christopher Hewett), who is preparing to go to a costume party garbed as Marie Antoinette when Max and Leo come calling ("Max, Max, he's wearing a dress"). And the star, selected after extensive auditions, is hippie-freak Lorenzo St. DuBois (Dick Shawn) -- "L.S.D." for short.

At the end of several weeks, Max has sold 25,000 percent of the show; and, as a finishing touch, Max bribes the opening-night critics for a favorable review, knowing full well that such a gesture is the kiss of death. The curtains part, and Springtime for Hitler opens with perhaps the most tasteless production number in the history of films. At the end of this extravaganza, the audience sits in dumbfounded silence. Gleefully, Max and Leo repair to a corner bar to celebrate their failure. But then.... The first directorial effort of Mel Brooks, The Producers didn't do so well on its first release, but since that time it has taken its place as one of the all-time great movie comedies. ~ Hal Erickson, All Movie Guide

Lovers and Other Strangers became a "sleeper" hit, based on a play by Renée Taylor and Joseph Bologna. The story is essentially a series of vignettes and anecdotes, unified by an impending marriage. Father of the bride Hal (Gig Young) has problems with his long-suffering mistress, Cathy (Anne Jackson), who spends much of the film sitting on the toilet, crying her eyes out; Wilma (Anne Meara), the bride's sex-starved sister, can't wrest her husband, Johnny (Harry Guardino), away from the TV; and Frank (Richard S. Castellano), as the groom's father, slips comfortably into Bartlett's Familiar Quotations with his oft-repeated query "So what's the story?" Twelfth-billed Diane Keaton makes her film debut as a garrulous wedding guest. ~ Hal Erickson, All Movie Guide

Elaine May wrote and directed (credits May attempted to have removed after the studio made extensive cuts in the film) this dark and funny comedy about marriage, murder, and money. May also stars as Henrietta, a shy and clumsy wallflower, who is also heir to a large pile of money. Indigent playboy Graham (Walter Matthau), who has squandered his inherited trust fund and needs to get a new source of money, begins to ply his affections upon Henrietta. When his butler (George Rose) recommends that Graham should marry Henrietta and gain control of her funds, Graham borrows money from his miserable uncle (James Coco) and wines and dines Henrietta. Graham's dastardly plan is to marry Henrietta, take her off on a trip to the mountains, and murder her. Graham can then return from her funeral and inherit his wealth. But thrown into his path toward the perfect murder are a collection of Henrietta's loyal -- and not so loyal -- retainers and the small dim light of Graham's own conscience. ~ Paul Brenner, All Movie Guide

Based on a play by Neil Simon, this comedy concerns Barney Cashman (Alan Arkin), the owner of successful seafood restaurant who is stuck in the depths of a mid-life crisis. Barney's marriage is no longer providing him with a sense of romantic adventure, and when he discovers his mother's apartment is empty one day a week, he decides that a series of extra-marital affairs is just what he needs. However, Barney's career as a spoiler of women quickly proves to be laughably unsuccessful; he's able to lure three different women to his make-shift love nest -- Elaine (Sally Kellerman), Bobbi (Paula Prentiss), and Janette (Renee Taylor) -- but try as he might, he can't convince any of them to sleep with him, and in the end, Barney has to settle for seducing his wife. Last of the Red Hot Lovers was the fourth of five Neil Simon adaptations that director Gene Saks would bring to the screen; Saks also directed a number of Simon's successes on Broadway. ~ Mark Deming, All Movie Guide

Jill Robinson's Bed-Time-Story, inspired by actual events, was the source for the made-for-TV A Cry for Love. Divorcee Susan Blakely, with no alimony and two kids to support, begins turning to amphetamines. While at her lowest ebb, she meets Powers Boothe, an alcoholic and three-time loser in marriage--who, incredibly, turns out to be the ideal man for her! Joseph Bologna and Renee Taylor were the guiding hands behind the Cry For Love teleplay. The film debuted on October 20, 1980. ~ Hal Erickson, All Movie Guide

Actress Theda Blau is well on the wrong side of forty, but she's gamely pretending to be thirty. Though it's hard to believe, she nonetheless manages enough of the ancient siren's song to get a middle-aged producer of TV commercials to come back to her apartment with her. She gets him to stay by "accidentally" spilling water on him - but she's not trying to get him into bed. Her game is to get him to stick around long enough to read the screenplay she's written, and maybe (just maybe) decide that he's good for more than just making commercials. ~ Clarke Fountain, All Movie Guide

Screenwriters Ted Tally and Alvin Sargent adapted the novel by Glenn Savan into this intelligent comedy-drama about a May-December romance where the woman is the senior partner. James Spader is Max Baron, a 27-year-old St. Louis advertising executive who has completely shut himself off from the world in the two years since the auto accident death of his wife. When he meets free-spirited, 43-year-old burger joint waitress Nora Baker (Susan Sarandon), his attraction to the earthy, outspoken woman is immediate and overpowering. The difference in age isn't their only obstacle happiness: Nora's into Marilyn Monroe, drinking beer, and lives in Dogtown, the city's low-rent district, while Max is cultured, sophisticated, and wealthy. Despite their differences, Max and Nora are alike in their suffering and in their deep need for connection, but their charged relationship is put to the emotional test when it becomes clear that Max is hiding his affair with Nora from his upper middle-class, Jewish social circle. White Palace co-stars Renée Taylor, Eileen Brennan, Kathy Bates, Jason Alexander, and Corey Parker. ~ Karl Williams, All Movie Guide

John Candy plays Jack Gable, a soap-opera writer who finds himself trapped inside his own television program with a magic typewriter in this toothless comedy. Jack finds himself embroiled in protecting his beloved Laura (Emma Samms), an actress who plays Rachel Hedison in Jack's show -- "Beyond Our Dreams" -- from having her character being killed off by the program's producers, the Sherwoods (Jerry Orbach, Renee Taylor). Laura has recently broken off with her co-star and lover Dennis (David Rasche) and is heading off for a weekend with Jack. As Jack unloads Laura's luggage, he conks himself on the head and knocks himself out. He awakens in a town bearing a name similar to the town in his soap opera. Dennis is on hand, but as his character in the show -- Dr. Paul Kirkland. Jack realizes that he has found himself in an alternative world made up of his soap opera world -- particularly apparent when he is recognized as Jack Gates, "the Wolf of Wall Street." Jack then meets Laura, who, in this soap opera world, is actually Janet Dubois, the daughter of a late biochemist who invented a pill that allows anyone to eat whatever they want and not gain any weight. The unscrupulous Hedison family (Raymond Burr, Charles Rocket, Dylan Baker) want to steal the formula for the pill and make a fortune for their pharmaceutical company. Jack then discovers that he can exit and re-enter the show at will and can alter the narrative of the show however he wants by typing up new plot points on his typewriter. In order to save Laura's character from the Sherwoods, Jack re-writes the show to save Janet by having his own character come to her rescue at the last minute. ~ Paul Brenner, All Movie Guide

Forever: A Ghost of a Love Story was inspired by the unsolved murder of movie director William Desmond Taylor in 1922. High-living music video director Keith Coogan moves into a crumbling Hollywood mansion. Here he is visited by a friendly and very beautiful wraith (Sean Young), who turns out to be the ghost of long-ago screen star Mary Miles Minter, the late Mr. Taylor's lover. Coogan's ectoplasmic romance is complicated by his sexually aggressive--and very much alive--female agent (Sally Kirkland). The film's in-the-know screenplay manages to conjure up the ghosts of silent movie favorites Fatty Arbuckle, Mabel Normand and Wallace Reid, all of whom, like Minter and Taylor, were destroyed under spectacularly scandalous circumstances. ~ Hal Erickson, All Movie Guide

Moving from Wednesdays to Mondays, The Nanny begins its second season on CBS, with Fran Drescher as the title character. Offering 26 episodes this season (up from the previous year's 22), the series provides ample time and space for abrasive, down-to-earth Fran Fine (Drescher) to gleefully upset the decorum of the posh town house owned by her widowed employer, Broadway producer Maxwell Sheffield (Charles Shaughnessy). Despite Fran's million-and-one social gaffes, Maxwell could never bring himself to fire her as the family's nanny, especially since his children, Maggie (Nicholle Tom), Brighton (Benjamin Salisbury), and Grace (Madeline Zima), dote upon our heroine. Even the Sheffields' haughty butler, Niles (Daniel Davis), has warmed up to Fran, if for no other reason than she provides a potential threat to Niles' sworn enemy: Maxwell's bitchy, predatory business partner C.C. Babock (Laura Lane) -- who has been trying to manipulate Maxwell into marriage for years. This season, the possibility begins to arise that the relationship between Fran and Maxwell will eventually blossom into something more than "strictly business." The first clue occurs in the season opener, "Fran-Lite, in which Fran encourages Maxwell to re-enter the dating scene, only to have him go out with a woman who is exactly like her! Other episodes of note include "Everybody Needs a Bubby," in which Fran's freewheeling grandmother Yetta (Ann Morgan Guilbert) briefly moves into the Sheffield household (and now it's Fran's turn to go into the "snob" act!); "A Star Is Born," in which Fran finds herself on-stage playing Juliet, with Fran Drescher's then real-life husband, Peter Marc Jacobson, as Romeo; and the season finale, "Fran Gets Mugged," which not only offers a delightful spin on an old urban legend, but also sets up a situation whereby Fran and Maxwell come very, very close to exchanging their first romantic kiss. As in the previous season, The Nanny exploits the fact that Maxwell Sheffield is supposed to be a major producer by featuring several celebrity guest stars, cast as "themselves": Bob Barker, Sally Jessy Raphael, Steve Lawrence, Eydie Gorme, Shari Lewis, and Billy Ray Cyrus, to name but a few. ~ Hal Erickson, All Movie Guide

Romeo and Juliet gets updated -- and played for laughs -- in this romantic comedy set in the City Island section of the Bronx. Mike and Sadie Cappamezza (Joseph Bologna and Lainie Kazan) are a hard-working couple who have run a family-style Italian restaurant for years. The Cappamezzas' fiercest rivals have long been Count and Countess Malacici (Paul Sorvino and Barbara Carrera), who operate a pretentiously upscale Neapolitan eatery (and whose titled nobility seems to be in question). The Malacicis don't like the Cappamezzas any more than the Cappamezzas like them, and for years they've been trying to run each other out of business. So no one is pleased when Rosario Cappamezza (Nathaniel Marston), Mike and Sadie's son, and Gina Malacici (Angelina Jolie), the daughter of the Count and Countess, are cast in a student production of Romeo and Juliet -- and annoyance gives way to shock when Rosario and Gina fall in love offstage as well as on. The husband and wife team of Joseph Bologna and Renee Taylor co-wrote and co-directed this film; Taylor also appears in a small role as a psychic. While completed in 1994, Love Is All There Is didn't enjoy a theatrical release until 1996. ~ Mark Deming, All Movie Guide

Season five of The Nanny begins with a wrap-up of the cliffhanger established at the end of season four, with Broadway producer Maxwell Sheffield (Charles Shaughnessy) firmly and without hesitation declaring his love for Fran Fine (Fran Drescher), the down-to-earth nanny for Maxwell's three children. Unlike the "false start" of the previous season, in which Maxwell took back his words of love, this season he fully intends to march Fran down the aisle -- which indeed happens in the season's two-part finale, with a genuine rabbi presiding over a traditional Jewish wedding ceremony. Even allow for this golden moment, season five ends on yet another cliffhanger. It seems that Fran is so enchanted by the prospect of a honeymoon cruise with Maxwell that she falls overboard -- whereupon her dutiful husband dives into the briny deep after her! Guest stars appearing this season include Roseanne as Fran's cousin Sheila in "The Morning After"; Lainie Kazan, repeating her off-and-on role as our heroine's Auntie Frieda in "The Ex-Niles"; Ray Charles, as the uncle (!) of TV personality Bryant Gumbel in "Fair Weather Fran"; Harry Hamlin as a college philosophy teacher idolized by Maxwell's daughter Maggie (Nicholle Tom) in "Educating Fran"; Scott Baio as a fledgling doctor in "Rash to Judgment"; Ray Romano in his Everybody Loves Raymond guise as Ray Barone in "The Reunion Show"; and even Nanny regular Charles Shaughnessy, appearing in the dual role of Maxwell Sheffield and a Middle Eastern sultan in "Not Without My Nanny." And we haven't even mentioned those celebrities who appear as themselves during season five, notably Elton John, Chevy Chase, Michael Bolton, columnist Cindy Adams and "The Donald's" then-inamorata, Marla Maples. ~ Hal Erickson, All Movie Guide