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Lili Taylor Movies

One of the most versatile actresses working in film today, Lili Taylor is known for taking on complex, thorny roles that many of her more glamorous colleagues avoid. In the 1990s, she became a staple of the independent film circuit, turning in one engaging performance after another in films like The Addiction (1995), Girls Town (1996), and Pecker (1998).
A native of Glencoe, IL, where she was born on February 20, 1967, Taylor was raised in a comfortable middle-class household as the second youngest of six children. She started acting in grade school and briefly attended DePaul University's Goodman Theater School before launching her professional career in local and regional theater. She acted for a time with Evanston's Piven Theater, performing in the company of such future notables as John Cusack, Aidan Quinn, and Jeremy Piven. In 1987, she spent a season on-stage in Czechoslovakia, returning stateside the following year to make her New York City stage debut in a production of What Did He See?
That same year, Taylor ventured into feature films with a bit part in the John Hughes comedy She's Having a Baby. Though the role brought Taylor little recognition, she scored big with her sophomore effort, a starring role in Mystic Pizza (1988) as one of three amorous pizzeria girls (the other two were Julia Roberts and Annabeth Gish) working in a small Connecticut coastal town. More recognition followed for Say Anything... (1989), in which Taylor played John Cusack's hilariously obsessive best friend; she continued to shine in films like Bright Angel (1991), in which she was cast as the drifter sister of a jailbird, and in Dogfight (1991), in which she was the obligatory "ugly duckling" who both transformed and was transformed by her reluctant date, River Phoenix.
From the late '80s through the 1990s, Taylor proved to be a willing and able ensemble player in the works of several respected directors: Oliver Stone's Born on the Fourth of July (1989), Nancy Savoca's Household Saints (1993), Robert Altman's Short Cuts (1993), and Alan Rudolph's Mrs. Parker and the Vicious Circle (1994). She also did notable work in independent films, starring in Abel Ferrara's The Addiction (1995); Girls Town (1996), a drama about four high school girls trying to cope with everyday hardship, for which she also co-wrote the screenplay; and I Shot Andy Warhol (1996), which cast her in one of her most memorable roles as the mad, murderous Valerie Solanas.
In 1998, Taylor played the uncharacteristically glamorous role of an art dealer who tries to seduce the young hero of John Waters' Pecker, and also tried her hand at screwball comedy with Stanley Tucci's The Imposters. Having demonstrated her range in a number of genres, Taylor then took on big-budget horror in 1999 with her starring role in Jan de Bont's The Haunting. However, staying true to her indie loyalties, she could also be seen playing an ordinary woman who begins to lead an extraordinary life in Toni Kalem's adaptation of Anne Tyler's A Slipping Down Life, which premiered at the Sundance Film Festival in January of that year.

As the new century began Taylor could be seen alongside her old co-star John Cusack in High Fidelity, and in 2001 she tackled the historical role of Miep Gies in a retelling of Anne Frank. She had a memorable role on the HBO series Six Feet Under. She continued to work steadily in diverse projects such as The Secret, Starting Out in the Evening, Brooklyn's Finest, Public Enemies, and Being Flynn. ~ Hal Erickson, Rovi
2003  
 
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Love and death (and the problems they bring) remain the constants in the third season of the HBO drama series Six Feet Under. In season three, now that Federico (Freddy Rodriguez) has bought a 25 percent interest in the funeral home, the name changes from Fisher and Sons to Fisher and Diaz, and he sees to it that his presence is felt in the business. Nate (Peter Krause) has a series of bizarre and troubling dreams, and his relationship with Lisa (Lili Taylor) becomes strained; he becomes all the more conflicted in his feelings about her when she disappears en route to a visit with her sister. Keith (Mathew St. Patrick) and David (Michael C. Hall) hit a rocky patch in their romance, with the two trying counseling, vacations, and even threesomes in hopes of smoothing things out. Ruth's (Frances Conroy) loneliness manifests itself in not one but two romances. And Claire (Lauren Ambrose) finds her love life becoming quite complicated as she becomes involved with a crematorium employee as well as a troubled fellow student, and must also fend off the advances of a lecherous art teacher. The 13 episodes in the show's third season originally aired between March and June of 2003. ~ Mark Deming, Rovi

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Starring:
Michael C. HallMathew St. Patrick, (more)
 
2002  
 
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As America geared itself for another possible armed conflict in Iraq, the HBO cable service offered a dramatization of events surrounding the 1991 Persian Gulf War. Originally telecast on December 8, 2002, Live From Baghdad recounted the efforts by the CNN network to be first on the scene when hostilities broke out in the Gulf in late 1990. Inaugurating round-the-clock coverage of the warfare with the invasion of Kuwait, dauntless CNN producers Robert Wiener (Michael Keaton) and Ingrid Formanek (Helena Bonham Carter), aided and abetted by on-the-scene reporters Bernard Shaw (Robert Wisdom), Peter Arnett (Bruce McGill), and John Holliman (John Carroll Lynch), among many others, represented the only American news service on the scene during the first night of bombing on January 16, 1991. Not only does Live From Baghdad celebrate the heroism (and meticulous fairness) of the CNN crew, but it also vividly demonstrates how a tiny but tenacious basic cable channel managed to out-scoop the Big Three networks, thereby becoming one of the most powerful and influential journalistic forces in the world. ~ Hal Erickson, Rovi

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Starring:
Michael KeatonHelena Bonham Carter, (more)
 
2001  
 
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Anne Frank was an ordinary girl forced by circumstances to bear witness to the most extraordinary tragedy of the 20th century, and the diary she left behind became one of the best known and most affecting documents of those who struggled to survive the Holocaust under Nazi occupation during World War II. Anne Frank is a four-hour television miniseries that retells the well-known story of the Frank family as they hid from Nazi occupation forces in an attic in Amsterdam between 1942 and 1944, but it also takes a look at the life Anne and her family led before the pogrom swept through Germany and Holland, as well as the harrowing details of the grim fate that awaited the Franks in the Bergen-Belsen concentration camp. Hannah Taylor Gordon stars as Anne Frank, with Ben Kingsley as her father Otto, Jessica Manley as her sister Margot, Brenda Blethyn as Auguste Van Pels, and Lily Taylor as Miep Gies; the real-life Miep Gies, one of the Frank family's benefactors, served as a consultant to the producers of this project. Anne Frank (also advertised as Anne Frank: The Whole Story) was first aired by the ABC television network on May 20 and May 21, 2001. ~ Mark Deming, Rovi

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Starring:
Ben KingsleyHannah Taylor-Gordon, (more)
 
2001  
 
The overworked Chiana (Gigi Edgley) and Jool (Tammy MacIntosh) need a break from their duties, while Pilot needs relief from the ceaseless arguments between Crichton (Ben Browder) and D'Argo (Anthony Simcoe). There is nothing else to do but to seek out a brief respite on the pleasure planet LoMo. Predictably, however, the crew experiences precious little pleasure, thanks to a dangerously addictive (or, rather, seductive) drug called Freslin. "Scratch 'n' Sniff" originally aired on July 20, 2001. ~ Hal Erickson, Rovi

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2001  
R  
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An American abroad finds herself falling in with an eccentric group of fellow expatriates in Spain in this comedy. Cassandra (Judy Davis) is a nomadic American who finds herself stranded in Spain, where she's found temporary work translating books into English. However, Cassandra's limited translating skills are not bringing home the bacon, so when she encounters a strange woman named Frankie (Marcia Gay Harden), she's willing to help her find a missing friend for a price. Cassandra soon discovers Frankie isn't a strange woman after all -- she's a man living as a woman in preparation for a future sex change operation. It seems Frankie's significant other, a seriously butch lesbian named Ben (Lili Taylor), has walked out on her and taken their daughter Delilah (Courtney Jines) with her; Frankie wants Cassandra to help her find the two of them. As it turns out, Ben has moved on to new pastures, becoming involved with April (Juliette Lewis), a head-in-the-clouds bohemian, and with the help of wealthy art patron and part-time magician Hamilton Kincaid (Christopher Bowen), Ben, April, and Delilah are happily squatting in a spare wing at La Pedrera, Spain's best-known gallery. As Cassandra tries to persuade Ben to reconcile with Frankie, she gets fast-talked by Hamilton into performing as part of his magic act. Gaudi Afternoon was directed by Susan Seidelman; it was her first dramatic theatrical feature since Cookie in 1989, after spending over a decade making documentaries and television projects. ~ Mark Deming, Rovi

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Starring:
Judy DavisMarcia Gay Harden, (more)
 
2001  
 
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One woman's decision to improve her mind has unexpected, life-changing results in this drama. Hoboken-born housewife Julie Johnson (Lili Taylor) left high school at the wishes of Rick (Noah Emmerich), who was then her boyfriend and is now her husband; Julie spends her days cleaning house and looking after her two children, Lisa (Mischa Barton) and Franky (Gideon Jacobs). Julie, who likes to read Scientific American in her spare time, has always dreamed of going back to school, but loutish Rick strictly forbids it. Without Rick's knowledge, Julie and her best friend Claire (Courtney Love) enroll in an "Introduction to Computers" course at a local community college, where instructor Mr. Miranda (Spalding Gray) quickly senses Julie has a tremendous intellectual potential she's never tapped. With Mr. Miranda's coaching, Julie breezes through the computer course and is soon tackling advanced mathematical and scientific theory with other members of the college's faculty. Rick eventually gets wind of Julie's new academic career and isn't the least bit pleased, but Julie, whose accomplishments have done wonders for her self-confidence, responds by kicking him out of the house. Claire, impressed by Julie's stand against Rick, decides it's time to leave her abusive husband Mike (Patrick Fitzgerald), and she moves in with Julie while looking for a new place. As Mr. Miranda urges Julie to obtain a high-school equivalency certificate and move on to a four-year college (where he'll be able to arrange an academic scholarship), Julie and Claire discover their new independence has stirred new feelings within them, and they move from being close friends to tentative lovers. Julie Johnson was based on the play by Wendy Hammond, who co-wrote the screenplay with director Bob Gosse. ~ Mark Deming, Rovi

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Starring:
Lili TaylorCourtney Love, (more)
 
2000  
R  
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A man discovers that there's more to love than a good mixed tape in this dramatic comedy about music and relationships. Rob (John Cusack), an obsessive record collector in his mid-thirties, is struggling to reconcile his adolescent enthusiasm for pop music with adult responsibilities and a more mature outlook. He runs a record shop with his friends Barry (Jack Black) and Dick (Todd Louiso), who are known to drive away customers whose taste in music doesn't match their exacting standards -- which may have something to do with why the shop is losing money. But Rob's biggest problem is his failing relationship with Laura (Iben Hjejle), a lawyer who needs more out of the relationship than Rob is capable of giving. To Rob's horror, Laura starts dating Ian (Tim Robbins), his upstairs neighbor, known throughout the building for his long and noisy sex sessions. Rob, on the other hand, finds himself catching the attention of singer/songwriter Marie DeSalle (Lisa Bonet), as he tries to deal with his breakup by tracking down his previous ex-girlfriends and taking a fresh look at what he's been doing wrong. Based on the acclaimed novel by Nick Hornby, High Fidelity also features Catherine Zeta-Jones, Lili Taylor, and Joelle Carter as three of Rob's ex-lovers, and Sara Gilbert as Dick's new girlfriend, who gets a crash course in U.K. punk bands that influenced Green Day. ~ Mark Deming, Rovi

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Starring:
John CusackIben Hjejle, (more)
 
2000  
 
Moya and her crew knew that someday, somehow, the past of Nebari criminal Chiana (Gigi Edgley) would catch up to her. But when this inevitability finally occurs, the truth of the matter startles everyone. But that's nothing compared to actions of the Nebari who've arrived to "collect" Chiana -- and who also subject the crew to a radical mind-cleansing, robbing them of their free will. What do the Nebari really have in store for Chiana, Moya, and the universe? "A Clockwork Nebari" was first broadcast on September 11, 2000. ~ Hal Erickson, Rovi

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2000  
 
Hoping to revive the glory days of Lou Grant, NBC, in association with Law & Order creator Dick Wolf, came forth with the weekly, one-hour newspaper drama Deadline. Oliver Platt starred as Wallace Benton, a Pulitzer Prize-winning investigative reporter whose dauntless dedication was matched by his short temper and gift for deception. Aided by Beth Khambu (Christina Chang) and Charles Foster (Damon Gupton), two students from the graduate journalism class that he taught in his spare time (what spare time?), Benton regularly riffed on the rich, powerful, and corrupt in his daily column "Nothing But the Truth." Because he ignored such journalistic niceties as press passes and off-the-record statements, Benton was the source of many a headache for his lawsuit-fearing publisher Si Beekman (Tom Conti) and his managing editor Nikki Masucci (Bebe Neuwirth). And because he cared more about "The Truth" than financial compensation, Benton was forever behind in alimony payments to his three ex-wives -- one of whom, Brooke Benton (Hope Davis, worked side-by-side with Benton on the same newspaper. Also featured was that singular actress Lily Taylor as Hildy Baker. Debuting October 2, 2000, Deadline was almost universally panned by real-life journalists, who complained that the sort of melodramatic pyrotechnics engaged in by Wallace Benton hadn't been used since the gonzo days of The Front Page -- and even worse, Benton was a poor and clumsy writer, whose stilted headlines and purple prose seemed calculated to drive readers to other sources of news. Undaunted, the series' producers described Deadline as "Columbo in a newspaper office," so the viewer knew exactly what to expect. ~ Hal Erickson, Rovi

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Starring:
Oliver PlattChristina Chang, (more)
 
1999  
PG13  
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In the 1860's, industrialist Hugh Crain financed the construction of Hill House, a beautiful but forbidding mansion where Crain hoped to house a wife and children. However, Crain died an unexplained death at Hill House, and ever since tales have circulated that the mansion is haunted by evil spirits. 130 years later, Dr. David Marrow (Liam Neeson), long fascinated by the Hill House legend, brings three people there for what he tells them will be a study in sleep disorders. Theo (Catherine Zeta-Jones) is outwardly brave, but it soon becomes evident that Hill House's sinister reputation has her on edge. Luke (Owen Wilson) quickly finds himself wondering: if this is really about studying sleep, why bring everyone to a haunted house? And Nell (Lili Taylor) finds herself inexplicably drawn to the mansion, with a fascination that soon bears terrifying fruit as the true story of Hill House is revealed. The Haunting was directed by Jan de Bont; the screenplay was written by David Self and based on Shirley Jackson's novel The Haunting Of Hill House, which was also the basis for Robert Wise's 1963 film The Haunting, widely regarded as one of the screen's finest ghost stories. ~ Mark Deming, Rovi

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Starring:
Liam NeesonCatherine Zeta-Jones, (more)
 
1999  
R  
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Making its world premiere at the 1999 Sundance Film Festival, this story adapted for the screen and directed by first-timer Toni Kalem is based on the Anne Tyler novel of the same name. The story deals with finding love in a dead-end life. Evie (Lili Taylor) is a loner, living with her widowed father, who works at an aging kiddie park where she is a costumed cartoon character. One night she hears the words and music of a musician named Drumstrings Casey (Guy Pearce) on the radio, and Evie is immediately infatuated by him. She attends his concerts and falls in love with him. The problem is he doesn't know she exists, so Evie decides to carve Casey's name on her forehead with broken glass. The resulting media attention gets her an introduction to Drumstrings Casey himself. From there, a relationship develops as Casey needs Evie for creative support and Evie needs Casey for emotional stability. Soon after, they get married; unfortunately their problems only get worse as Casey's career takes a nosedive and Evie's father passes away. Will these two people make something of themselves or will they forever just be slipping down life? ~ Chris Gore, Rovi

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Starring:
Lili TaylorGuy Pearce, (more)
 
1998  
R  
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Brandon Cole directed this romantic comedy-drama with a revenge angle. Schoolteacher Rachel (Lili Taylor) leaves her car at the O.K. Garage run by small-time crook Yannick (Olek Krupa) who rips off his customers. Rachel's oddball neighbor Sean (Will Patton) likes lizards. Sean hangs with his pal, welder Johnny (John Turturro), who can't overcome his shyness to secure what he envisions as "the perfect relationship." However, a meeting with Rachel puts Johnny in a gentleman-caller mode and opens the doors to a restrained romance of sorts. Sean is curious, since there are no women in his life apart from his mother (Gemma Jones). Meanwhile, with Rachel's car eating up her savings, the trio decides to get revenge during a final showdown at the O.K. Garage. Shown at the 1998 L.A. Independent Film Festival. ~ Bhob Stewart, Rovi

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Starring:
John TurturroLili Taylor, (more)
 
1998  
R  
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John Waters wrote and directed this $6.5 million satire on the Manhattan art world, a rags-to-riches comedy about 18-year-old amateur photographer Pecker (so named because he pecks at his food). Pecker (Edward Furlong) is a blue-collar kid who works in a Baltimore sandwich shop and takes snapshots of family, friends, and customers. His mom, Joyce (Mary Kay Place) runs a thrift shop where she offers fashion advice to the homeless, while sis Tina (Martha Plimpton) recruits go-go boys to dance at the local Fudge Palace. Pecker's younger sister, Little Chrissy (Lauren Hulsey), has a sugar addiction, and his grandmother, Memama (Jean Schertler), the "pit beef" queen of Baltimore, conducts prayer meetings with her talking statue of Mary. After hip Manhattan art dealer Rorey Wheeler (Lili Taylor) becomes fascinated with Pecker's photos, a big exhibition is in the offing, followed by overnight fame as the young man becomes the new darling of the New York art scene. Soon Pecker discovers that fame has its price. Shown at the 1998 Toronto Film Festival. ~ Bhob Stewart, Rovi

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Starring:
Edward FurlongChristina Ricci, (more)
 
1998  
R  
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Actor Stanley Tucci made his directorial debut with a strong cast in this Depression Era farce focusing on two struggling two New York actors. In opening scenes, Maurice (Oliver Platt) and Arthur (Tucci) fabricate a fake fight at an outdoor cafe, do acting exercises, audition for a theater director (Woody Allen in an uncredited cameo), stage a pastry shop argument (to get food), and watch over-the-top, Barrymoresque actor Jeremy Burtom (Alfred Molina) on Broadway in Hamlet. Later, Burtom overhears himself insulted by a drunken Maurice and gives chase, forcing Arthur and Maurice to hide in a box. When they awaken, the box has been moved onto a luxury liner bound for France. To evade Burtom, they pose as stewards, meeting passengers and crew members: Staff director Meistrich (Campbell Scott) fancies head stewardess Lily (Lili Taylor), who goes for ship detective Marco (Matt McGrath). Others on board include Greek wrestling enthusiast Sparks (Billy Connelly); a former European queen (Isabella Rossellini); a suicidal lounge vocalist (Steve Buscemi); and a revolutionary (Tony Shalhoub) planning to bomb the liner. Shown in the Certain Regard section at the 1998 Cannes Film Festival. ~ Bhob Stewart, Rovi

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Starring:
Oliver PlattStanley Tucci, (more)
 
1998  
 
Paul and Jamie Buchman (Paul Reiser, Helen Hunt) try to play matchmaker with their dogwalker, Nat (Hank Azaria), and their babysitter, Arley (Lili Taylor). Thing of it is, Nat and Arley don't need any help -- though that's not the story they tell the Buchmans. On other fronts, a sleep clinic serves as the setting for a startling revelation, and Paul's cousin Ira (John Pankow) vows to abstain from sex. This was one of two episodes telecast on May 19, 1998, as Mad About You's sixth-season finale (the other, appropriately enough, was "The Finale"). ~ Rovi

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1997  
R  
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Subways provide the common setting for this modern anthology comprised of distinct vignettes made by ten of Hollywood's top directors. The episodes are based on real stories submitted by scores of New York City subway regulars. ~ Sandra Brennan, Rovi

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Starring:
Rosie PerezMercedes Ruehl, (more)
 
1997  
 
After several unworthy candidates, new parents Paul and Jamie Buchman (Paul Reiser, Helen Hunt) believe they've found the perfect babysitter in the form of a lass named Arley (Lili Taylor). Now the Buchmans are secure enough to take their first evening out in months. Unfortunately, fate intervenes in the form of a pair of pants and an errant scoop of ice cream. Friends regular Lisa Kudrow briefly reprises her Mad About You role as Ursula Buffay. ~ Hal Erickson, Rovi

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1997  
R  
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Director Matthew Harrison and star Kevin Corrigan co-wrote this offbeat comedy about a man trying to map out a future in the midst of a very confusing present. Redmond (Corrigan) is a self-styled poet and philosopher who frequently ponders his personal journey of self-discovery, which doesn't leave him much time to hold down a steady job. Needing cash, Redmond agrees to do a favor for his Uncle Sam (James Woods), a small-time scam artist; Sam gives him a bag to deliver to someone at a subway station, neglecting to tell him that he's actually making a cocaine drop. The delivery turns into a gun battle, and Redmond soon finds himself on the run, with gangster Jack (Burt Young) eager to catch up with him. Without an apartment and needing a place to hole up, Redmond persuades his buddy Stretch (Michael Rapaport), a man with a tremendous enthusiasm for his work as a beer distributor, to take him in. As he ponders his next move, Redmond falls into a sudden romance with a beautiful airline attendant, Megan (Linda Fiorentino), while his former girlfriend Happy (Lili Taylor) stays on his tail, and Redmond keeps thinking about the Hindenberg. Martin Scorsese served as executive producer. ~ Mark Deming, Rovi

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Starring:
Kevin CorriganLinda Fiorentino, (more)
 
1996  
R  
This convoluted crime drama offers a haunting view of the violent and ruthless world of three Miami drug dealers: Dante, his lover Micki and Cisco. Though only in their mid-'20s, all three are veterans in the field and have made their fortunes selling heroin to upper-middle-class clients at the city's hottest nightspots via teenage couriers. The operation is overseen by a friendly but crooked-to-the-core policeman. Together the threesome has fashioned a stable, well-ordered world that borders on respectability, but that world is shattered when Dante learns that former partner Gabriel is getting out of prison and has sworn his vengeance upon the three who he believes framed him. ~ Sandra Brennan, Rovi

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Starring:
Michael RapaportLili Taylor, (more)
 
1996  
NR  
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Filmed in St. Helens, Oregon, this comedy-drama centers on highly educated Anne, a young woman forced by circumstance to work in a photographic equipment store. Poor Anne goes into a terrible funk after her lover, a foreign correspondent assigned to Eastern Europe, dumps her via telephone. This, on top her general disillusionment with her current life, drives Anne to attempt suicide. She wasn't terribly serious about it an survives. Realizing she needs help, Anne calls a suicide hot-line and begins talking to Don, a slightly older fellow with few goals and aspirations who works in real estate for his father. Don has worked the Hope Line for many years and nothing really surprises or even interests him anymore, but when Anne calls, something about her touches him. He inadvertently learns her identity and launches a tentative romance with her, even though she doesn't know exactly who he is. Meanwhile Anne makes a maudlin series of video-tapes to send to her lover in hopes of explaining herself to him. Unbeknownst to her, the videos are grabbed and kept by Paul, the delivery boy who has a secret crush upon her. ~ Sandra Brennan, Rovi

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Starring:
Lili TaylorAndrew McCarthy, (more)
 
1996  
R  
When one of their friends commits suicide, three young women learn to stand up for themselves and strike back against male-dominated society in this drama. Patti (Lili Taylor), Emma (Anna Grace), Angela (Bruklin Harris), and Nikki (Aunjanue Ellis) are four teenage girls who attend the same high school in inner-city New York. Patti is an unwed mother struggling to complete her education as she deals with her irresponsible boyfriend, while the other three are good students going on to college after completing their final year of high school. One day, seemingly without warning, Nikki kills herself. Struggling for clues to explain the tragedy, the other three girls discover her diary and learn that she had been raped while serving an internship at a magazine. As the girls compare notes, they realize that they've all been treated badly by men; Emma was also raped, and Patti sardonically says that if rape is having sex when you don't really want to, then she's been raped by practically every guy she's ever gone out with. Eventually, the three decide that it's time to stand up for themselves and retaliate against the men who have wronged them; they begin by vandalizing the car of Emma's attacker and then formulate a plan to punish the man who raped Nikki. Screenwriter Denise Casano and writer/director Jim McKay developed much of their screenplay through improvisations with the four leading actresses, giving the film's dialogue a natural rhythm and feel. ~ Mark Deming, Rovi

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Starring:
Lili TaylorAnna Grace, (more)
 
1996  
R  
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The true story of Valerie Solanas, the radical feminist who became notorious after shooting art world icon Andy Warhol, is portrayed in this fact-based drama. In an attempt to present a fair assessment of her actions, writer-director Mary Harron focuses on Solanas' troubled life, from her childhood as an abuse victim to her life as teenage prostitute in New York City. These experiences left Solanas (played by Lili Taylor) deeply scarred, contributing to a hatred of men that later found full flower in her famous "SCUM Manifesto," an extremist tract calling for the establishment of a "Society for Cutting Up Men." Deeply troubled, she nevertheless briefly finds hope after befriending young transvestite Candy Darling (played by Stephen Dorff) and discovering herself on the fringes of the wild, colorful world surrounding the eccentric Warhol. She becomes obsessed with the idea that Warhol's support could change her life, only to become violently enraged when the artist and his friends begin to turn away from her. ~ Judd Blaise, Rovi

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Starring:
Lili TaylorJared Harris, (more)
 
1996  
R  
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Ron Howard directed this thriller which stars Mel Gibson as Tom Mullen, a former fighter pilot who built a ramshackle one-plane airline into a major multinational service fleet. Mullen has a multi-million dollar fortune, a beautiful wife, Kate (Rene Russo) and a nine-year-old son, Sean (Brawley Nolte) that he dotes on. However, Mullen's life comes crashing down around him when Sean is kidnapped. The FBI are called in, but Mullen is wary -- he was the recent target of an FBI investigation in which he was found to have bribed union officials while negotiating a contract. FBI Agent Hawkins (Delroy Lindo) advises Mullen to make the $2 million dollar drop to pay the kidnappers, which will make it easier to track the criminals, but when the tradeoff goes wrong, Mullen takes a new tactic -- he goes on television and offers a $2 million bounty for the heads of the people who kidnapped his child. Meanwhile, it becomes clear the kidnappers include Maris Connor (Lili Taylor), who once worked for the Mullens, and Jimmy Shaker (Gary Sinise), one of the cops who investigated Mullen for bribery. This remake of the 1956 Glenn Ford vehicle of the same name was scripted by Richard Price, who has a bit part as a police detective. ~ Mark Deming, Rovi

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Starring:
Mel GibsonRene Russo, (more)
 
1995  
R  
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Four of the most celebrated directors in the independent film community pooled their talents for this episodic comedy. Ted (Tim Roth) is the new bellboy at a beautiful but decaying luxury hotel; he is not having a good time of it on New Year's Eve, his first night on the job. In one room, a coven of witches are trying to summon the spirit of the goddess Diana; each of the witches must bring a different bodily fluid for their spell to work, but Eva (Ione Skye), who was supposed to bring semen, managed to lose her supplies, and needs Ted's help for a last-minute replacement. Another room, where Ted was supposed to deliver some ice, turns out to house an angry husband (David Proval), who is holding his bound-and-gagged wife (Jennifer Beals) at gunpoint. A third room is taken by a tough-talking gangster (Antonio Banderas), his doormat wife (Tamlyn Tomita), and their two children; the gangster demands that Ted watch over the kids, who turn out to be mischievous terrors beyond Ted's wildest imagination. And room number four is where an arrogant film actor (Quentin Tarantino) is holding a party. One of his guests makes a bet that he can get a Zippo lighter to light ten times in a row, with his finger at stake if he loses. Allison Anders directed the first segment, which also featured Madonna, Valeria Golino, and Lili Taylor. The second segment was directed by Alexandre Rockwell, husband of his frequent leading lady Jennifer Beals. Robert Rodriguez directed the third story, while the finale was directed by its star, Quentin Tarantino; the final segment also features Bruce Willis, who appeared unbilled. ~ Mark Deming, Rovi

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Starring:
Tim RothValeria Golino, (more)
 
1995  
R  
Based on a true story, this psychological study concerns Henry Lesser (Robert Sean Leonard), a prison guard who witnesses the brutal beating of an inmate, Carl Panzram (James Woods), who attempted to escape. Lesser tries to befriend the convict, whom he senses has an intelligence that has gone unrecognized by his jailers; he gives Panzram a notebook and pencils and encourages him to keep a journal. Panzram responds by writing the story of his life of crime -- a shocking litany of violence and brutality in which he takes credit for 21 murders, numerous armed robberies, several acts of arson, and over 1,000 homosexual rapes. Lesser has a difficult time reconciling the intelligent, articulate man he sees in his cell every day with the monster documented in his writings (though as far as anyone can tell, his claims are entirely accurate). Lesser believes that there's a humanity in Panzram that can be brought out, and that he can be redeemed and perhaps rehabilitated. Panzram, however, doesn't seem so convinced; his violent behavior continues behind bars, and attempts by opponents of the death penalty to prevent his execution only inspire his scorn -- as he sees it, society made him a killer, and it's society's responsibility to stop him once and for all. Killer: A Journal of Murder was the first directorial project for screenwriter Tim Metcalfe. ~ Mark Deming, Rovi

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Starring:
James WoodsRobert Sean Leonard, (more)