Lili Taylor Movies
One of the most versatile actresses working in film today, Lili Taylor is known for taking on complex, thorny roles that many of her more glamorous colleagues avoid. In the 1990s, she became a staple of the independent film circuit, turning in one engaging performance after another in films like The Addiction (1995), Girls Town (1996), and Pecker (1998).A native of Glencoe, IL, where she was born on February 20, 1967, Taylor was raised in a comfortable middle-class household as the second youngest of six children. She started acting in grade school and briefly attended DePaul University's Goodman Theater School before launching her professional career in local and regional theater. She acted for a time with Evanston's Piven Theater, performing in the company of such future notables as John Cusack, Aidan Quinn, and Jeremy Piven. In 1987, she spent a season on-stage in Czechoslovakia, returning stateside the following year to make her New York City stage debut in a production of What Did He See?
That same year, Taylor ventured into feature films with a bit part in the John Hughes comedy She's Having a Baby. Though the role brought Taylor little recognition, she scored big with her sophomore effort, a starring role in Mystic Pizza (1988) as one of three amorous pizzeria girls (the other two were Julia Roberts and Annabeth Gish) working in a small Connecticut coastal town. More recognition followed for Say Anything... (1989), in which Taylor played John Cusack's hilariously obsessive best friend; she continued to shine in films like Bright Angel (1991), in which she was cast as the drifter sister of a jailbird, and in Dogfight (1991), in which she was the obligatory "ugly duckling" who both transformed and was transformed by her reluctant date, River Phoenix.
From the late '80s through the 1990s, Taylor proved to be a willing and able ensemble player in the works of several respected directors: Oliver Stone's Born on the Fourth of July (1989), Nancy Savoca's Household Saints (1993), Robert Altman's Short Cuts (1993), and Alan Rudolph's Mrs. Parker and the Vicious Circle (1994). She also did notable work in independent films, starring in Abel Ferrara's The Addiction (1995); Girls Town (1996), a drama about four high school girls trying to cope with everyday hardship, for which she also co-wrote the screenplay; and I Shot Andy Warhol (1996), which cast her in one of her most memorable roles as the mad, murderous Valerie Solanas.
In 1998, Taylor played the uncharacteristically glamorous role of an art dealer who tries to seduce the young hero of John Waters' Pecker, and also tried her hand at screwball comedy with Stanley Tucci's The Imposters. Having demonstrated her range in a number of genres, Taylor then took on big-budget horror in 1999 with her starring role in Jan de Bont's The Haunting. However, staying true to her indie loyalties, she could also be seen playing an ordinary woman who begins to lead an extraordinary life in Toni Kalem's adaptation of Anne Tyler's A Slipping Down Life, which premiered at the Sundance Film Festival in January of that year. ~ Hal Erickson, All Movie Guide
- 2004
Gini Reticker and Lesli Klainberg direct the 74-minute documentary In the Company of Women, a production of the Independent Film Channel. The film offers an introduction to the major women of independent filmmaking, starting in the 1980s. It includes commentary from directors Allison Anders, Lisa Cholodenko, and Nicole Holofcener. Actresses Patricia Clarkson, Maggie Gyllenhaal, and Rosie Perez also offer insight and comments. In the Company of Women was shown in a special screening at the 2004 Sundance Film Festival before making its broadcast premiere on the Independent Film Channel. ~ Andrea LeVasseur, All Movie Guide
- Starring:
- Allison Anders, Lisa Cholodenko, (more)
- 2003
Lisa (Lili Taylor) has been missing for two weeks, leaving Nate (Peter Krause) to stew and the rest of the family to slowly lose hope. Despite -- or perhaps because of -- her certainty that her daughter-in-law is dead, Ruth (Frances Conroy) plunges into a new romance with George Sibley (James Cromwell), the handsome mourner who comforted her during a recent funeral (see "Death Works Overtime"). The Fisher matriarch even toys with wedding her new beau until she learns of his six previous marriages and decides to proceed more carefully. David (Michael C. Hall), in contrast, decides the time for caution is over. After impulsively sleeping with his friend Patrick (David Hornsby), he dumps Keith (Mathew St. Patrick) and moves out of their apartment. Nate, too, goes in for some reckless sex; he beds Allison Williman (Anne Dudek), the troubled daughter of a serial killer (Graham Beckel) who recently received the death penalty and was buried by Fisher and Diaz. Afterwards, however, Nate feels just as empty and distraught about Lisa as ever. Not that he's ready for comfort -- at least not from Brenda (Rachel Griffiths), who gets an angry brush-off when she turns up at the house to offer her support. But Claire (Lauren Ambrose), who just happens to witness the end of their argument, does receive some assistance from Brenda, who agrees to accompany her on a trip to an abortion clinic. Originally broadcast May 18, 2003, on HBO, "Twilight" marked season three, episode 12 of the made-for-cable drama. Although her character, Bettina, had been absent from the show since mid-season, actress/director Kathy Bates steps in to helm this episode. ~ Brian J. Dillard, All Movie Guide
- 2003
With Lisa (Lili Taylor) still missing, mortality hangs heavily in the air as Six Feet Under begins its third-season finale. Simultaneously, however, romantic and sexual liaisons spring -- and cling -- to life. Brenda (Rachel Griffiths) enjoys a chaste, quirky date with a sexy neighbor, while Federico (Freddy Rodriguez) finds solace from his marital problems in the arms of a stripper, David (Michael C. Hall) reluctantly agrees to reconcile with Keith (Mathew St. Patrick), and a defiant Ruth (Frances Conroy) decides to marry George (James Cromwell) after all. Her announcement elicits a variety of negative reactions from her children. A distraught Nate (Peter Krause) drips with contempt, while diplomatic David says the timing is just bad. Pouty Claire (Lauren Ambrose) can't believe her mother would try to replace the late Nathaniel (Richard Jenkins) so suddenly. But as Claire embarks on a fanciful tour of the afterlife, her departed father tells her that her hang-ups about the impending nuptials are her own problem. While wandering around the great beyond, Claire encounters a variety of deceased characters -- including, to her surprise, ex-boyfriend Gabe (Eric Balfour) and her own recently aborted child, who's being cared for by Lisa herself. Whether Claire's wanderings are a dream or a visitation, one thing's for certain: Lisa really is dead. Nate receives a fateful phone call confirming that her nearly unidentifiable body has been discovered. Unaware of the news, his siblings reluctantly attend their mother's wedding while Nate drinks himself into a stupor and instigates a bar brawl. Bloody and broken, he nearly drunk-drives to his own death, but instead he turns to the one person he's been fleeing from all season: Brenda. Originally broadcast June 1, 2003, on HBO, "I'm Sorry, I'm Lost" marked season three, episode 13 of the made-for-cable drama. In addition to the show's typical corpse-of-the-week opening, a second white title card eventually appears to announce the death of "Lisa Kimmel Fisher, 1973-2003." ~ Brian J. Dillard, All Movie Guide
- 2003
Given that the opening sequence of each Six Feet Under episode begins with the death of a future Fisher & Sons client, it's rarely a good sign to see a major character appear right after the credits. But exactly two seasons after the series pilot that chronicled his father's death, Nate (Peter Krause) bites the big one -- or does he? After poking around with his ghostly father (Richard Jenkins) in a number of alternate realities in which Nate dies, becomes an invalid, or was never even born, Nate finally settles into a timeline in which he survives his brain surgery, marries Lisa (Lili Taylor) and eases into domesticity. As for the other Fisher siblings, David (Michael C. Hall) ekes out emotional progress with Keith (Mathew St. Patrick) in couples therapy, while Claire (Lauren Ambrose) blows off art-school classes to hang out with a hot, tattooed musician (J.P. Pitoc) whom she meets in a crematory. Meanwhile, family matriarch Ruth (Frances Conroy) enjoys time with her granddaughter but butts heads with her new daughter-in-law over child-rearing methods. On the business side of things, Federico (Freddy Rodriguez) revels in his new role as full partner in the renamed Fisher & Diaz funeral home, while Lisa tries to attend to every whim of her shrill, high-strung movie-producer boss (Catherine O'Hara). As for Brenda (Rachel Griffiths), she's nowhere to be found -- except in the anesthetized dream in which Nate married her instead of Lisa. Originally broadcast March 2, 2003, on HBO, "Perfect Circles" marked season three, episode one of the made-for-cable drama. ~ Brian J. Dillard, All Movie Guide
- 2003
When Fisher & Diaz is called upon to provide funeral services for a disgruntled former office worker who died in the middle of a murderous rampage, moralistic Federico (Freddy Rodriguez) tries to put his foot down and refuse the business. The resulting friction with new partners David (Michael C. Hall) and Nate (Peter Krause) fuels Rico's longstanding resentment against the Fishers. Meanwhile, Lisa (Lili Taylor) deals with a whole different sort of office politics as she scurries around attending to Carol (Catherine O'Hara), the maniacal movie-exec boss with whom she and Nate reside. Although she's supposed to be merely Carol's personal chef, Lisa's duties are so extensive that she and Nate can barely find time to have uninterrupted sex. Claire (Lauren Ambrose), however, does almost nothing but have sex with Phil (J.P. Pitoc), the muscular musician she's been dating. But while Phil's off enjoying extracurricular relationships with other women, Claire finds time to bond with Russell (Ben Foster), a fellow art student. Ruth (Frances Conroy), too, makes a new friend: Bettina (Kathy Bates), a pal of her artsy sister Sarah (Patricia Clarkson). Deep in withdrawal from prescription painkillers and under Bettina's strict watch, Sarah tries to trick naïve Ruth into giving her some relief; instead, Ruth pops pills and bonds with straight-talking Bettina. As for Keith (Mathew St. Patrick), he's had enough bonding with David during their joint counseling sessions. Attending a one-on-one session with their shrink, he finally unloads some of his relationship angst. These feelings spill out again later at a dinner party during which Nate and Lisa find themselves sizing up David and Keith's relationship, and vice versa. Originally broadcast March 9, 2003, on HBO, "You Never Know" marked season three, episode two of the made-for-cable drama. ~ Brian J. Dillard, All Movie Guide
Sam Green and Bill Siegel's documentary about a radical group whose stated goal was the violent overthrow of the U.S. government details a valuable chapter in the history of the '60s protest movement and leftism in America. The Weathermen were a faction of Students for a Democratic Society (SDS), one of the driving forces behind the period's mass protests against social injustice and the Vietnam War. Frustrated by SDS's adherence to non-violent dissent, the Weathermen broke off and adopted a more combative approach. As the student protests ebbed in the 1970s, the group went underground and shifted tactics, embarking on a terrorist campaign against the U.S. government. For years, the Weather Underground evaded the authorities' grasp, even as it pulled off high-profile bombings against government targets. Their momentum petered out in the 1980s, as one by one the organization's members surrendered after years on the run. The Weather Underground uses extensive archival footage and revealing interviews with the surviving members to trace the group's evolution and place their actions in the context of the period's tumultuous events. ~ Elbert Ventura, All Movie Guide
- 2003
As the lives of the Fisher clan drift into isolation, the funeral of Keith's great aunt (Ann Weldon) sets the stage for a major showdown between discontented lovers Keith (Mathew St. Patrick) and David (Michael C. Hall). En route to San Diego for the memorial, the couple quarrel over Keith's continuing enthusiasm for extracurricular sex -- and David's emerging distaste for same. But the real conflict comes when Keith decides that it's time to confront his father (James Pickens Jr.) about the physical abuse he once heaped on his kids. The outraged patriarch lashes out, and when David comes to Keith's defense, Keith tells him to butt out of his family business. A disconsolate David heads back to L.A., where Nate (Peter Krause) is growing worried about his wife, Lisa (Lili Taylor), who hasn't checked in since leaving on a road trip. Nate busies himself by consoling Brenda (Rachel Griffiths) over an icky run-in with her insane brother Billy (Jeremy Sisto). Confessing that his latest antics include a stab at physical, instead of the usual emotional, incest, she nonetheless finds herself breaking her own sexual taboos during an impassioned, although abortive, kiss with Nate. Claire (Lauren Ambrose) learns that Russell (Ben Foster), too, has gone beyond the pale when he confesses to a sexual dalliance with bisexual art teacher Olivier (Peter MacDissi). The youngest Fisher dumps her boyfriend as forcefully as possible, although Russell doesn't seem to get the hint. As for the Fisher matriarch, Ruth (Frances Conroy) gets the hint that shy embalmer Arthur (Rainn Wilson) isn't capable of the physical relationship she craves. She, too, dumps her man. Originally broadcast May 4, 2003, on HBO, "Everyone Leaves" marked season three, episode ten of the made-for-cable drama. ~ Brian J. Dillard, All Movie Guide
- 2003
An attractive, middle-aged woman (Donna Bullock) dies while waiting in line at a self-help seminar, the apparent victim of a massive blood clot from a long-ago nose job. But it's another corpse -- an awesomely large one that falls out of its casket in the middle of the night -- that presents a headache for Federico (Freddy Rodriguez) and his new intern, Arthur (Rainn Wilson). On watch at the funeral home while Nate (Peter Krause) and Lisa (Lili Taylor) go camping with another couple, the hapless undertakers must enlist the help of Claire (Lauren Ambrose) and Russell (Ben Foster) in returning the voluminous body to its oversized coffin. Russell is on hand because, despite her decision not to date him, Claire has somehow ended up taking his virginity instead. This turn of events pleases her until David (Michael C. Hall) insinuates that Russell is gay, after all -- a notion she dismisses out of hand. Ruth (Frances Conroy), too, finds herself falling for a man of indeterminate sexual proclivities: stuffy, virginal Arthur, whose old-fashioned manners and idiosyncrasies charm her despite their large age gap. As for Nate, he's none too charmed by the constraints that new fatherhood imposes on his camping trip with his wife. Unable to get gloriously stoned or go off on walkabout like he did as a bachelor, he instead finds himself clashing with Lisa, who's freaking out about the deficiencies in their love life since she gave birth to Maya. Eventually, she and Nate reconcile with some seriously twisted al fresco sex. But Nate is haunted by a daydream about Brenda (Rachel Griffiths) stalking him. Originally broadcast April 6, 2003, on HBO, "Making Love Work" marked season three, episode six of the made-for-cable drama. ~ Brian J. Dillard, All Movie Guide
- 2003
While wife Lisa (Lili Taylor) is away at a cooking convention, Nate (Peter Krause) once again finds himself face to face with former fiancée Brenda (Rachel Griffiths). But the occasion isn't a happy or even a nostalgic one: Bernard Chenowith (Robert Foxworth), Brenda's psychiatrist father, has died of cancer, and Nate feels honor-bound to attend the funeral. Federico (Freddy Rodriguez) offers to have his wife watch the baby, but Vanessa (Justina Machado) seems so depressed and flighty that Nate just brings Maya to the funeral with him instead. Given the assorted tics of the surviving Chenowiths, the memorial proves anything but typical. But Lisa offers a standard-issue reaction to Nate's having exposed her daughter to death (and to the touch of his dreaded ex): She throws a hissy fit. Meanwhile, Ruth (Frances Conroy) is all atwitter about Arthur (Rainn Wilson), the strangely beatific junior mortician who now lodges in her home; she dotes on him so devotedly it's like she's the youngster, not him. Russell (Ben Foster) also lavishes Claire (Lauren Ambrose) with similar fervor as the youngest Fisher grows more attached to her pal-turned-lover. Elsewhere, Keith (Mathew St. Patrick) and David (Michael C. Hall) clash during a shrill if fabulous brunch thrown by David's flamboyant, Hollywood-obsessed friends from the gay men's chorus. Originally broadcast April 13, 2003, on HBO, "Timing & Space" marked season three, episode seven of the made-for-cable drama. ~ Brian J. Dillard, All Movie Guide
- 2003
Threesomes, romantic triangles, and even polygamy intersect in the lives of the Fisher family when they're asked to bury Daddy (Leon Rippy), the patriarch of a commune known as "The People." Nate (Peter Krause) and Ruth (Frances Conroy) both find themselves charmed by Daddy's unorthodox clan -- Nate by one of his daughters and Ruth by one of his wives. Meanwhile, Keith (Mathew St. Patrick) and David (Michael C. Hall) bring an unconventional element into their own union: Sarge (Josh Stamberg), a burly hunk who ends up in their bed after an afternoon of paintball and an evening of hard drinking. Claire (Lauren Ambrose) isn't quite so willing to share her man; she freaks out when she suspects there may be something going on between her boyfriend, Russell (Ben Foster), and her Machiavellian art professor, Olivier (Peter MacDissi). By these standards, Ruth's furtive crush on intern Arthur (Rainn Wilson) seems downright wholesome, although her feelings don't remain hidden for long once she starts kissing him. Lisa, however, is perfectly capable of keeping a secret, and she does so after meeting Brenda (Rachel Griffiths) under an assumed name by posing as a massage client and picking her brain. Originally broadcast April 20, 2003, on HBO, "Tears, Bones and Desire" marked season three, episode eight of the made-for-cable drama. ~ Brian J. Dillard, All Movie Guide
- 2003
The suicide of a recently jilted woman hits close to home for Federico (Freddy Rodriguez) -- who continues to worry that his own wife (Justina Machado) is clinically depressed -- and for Nate (Peter Krause), who sympathizes with the woman's boyfriend's desire to end a relationship that stifled him. Nate's misgivings about his marriage come to a head at an art show featuring works by Claire (Lauren Ambrose), her boyfriend Russell (Ben Foster), and Billy Chenowith (Jeremy Sisto). There, Brenda (Rachel Griffiths) officially meets Lisa (Lili Taylor) and immediately recognizes that her massage appointment (in the episode "Tears, Bones and Desire") was actually an undercover reconnaissance mission. Brenda privately reassures Lisa that Nate is all hers, but tensions between the couple continue to run high. Ultimately, though, they realize it's time to stop pretending, and they resolve to settle for being friends, lovers and co-parents rather than picture-perfect husband and wife. David (Michael C. Hall), meanwhile, pretends to be okay with the threesomes in which he and Keith (Mathew St. Patrick) are now frequently engaging. Actually, however, he has deep misgivings about the hookups -- and the relationship. Claire feels none too secure about her own romance, especially after Billy confirms, through personal experience, that Olivier (Peter MacDissi), their mutual mentor, has a thing for sleeping with his students regardless of gender. As it turns out, though, Olivier's trysting partner for the evening is none other than Margaret Chenowith (Joanna Cassidy), Brenda and Billy's recently widowed mother. If only Ruth (Frances Conroy) were as sexually forthright as Margaret, perhaps she wouldn't end up sleeping alone, rebuffed by virginal junior mortician Arthur (Rainn Wilson). Originally broadcast April 27, 2003, on HBO, "The Opening" marked season three, episode nine of the made-for-cable drama. ~ Brian J. Dillard, All Movie Guide
- 2003
The third season of Six Feet Under continues its long, slow setup with another episode devoted to patient character development. Claire (Lauren Ambrose) finally decides she's had enough of her hottie beau's philandering; she kicks Phil (J.P. Pitoc) to the curb and throws herself into art school, where new friend Russell (Ben Foster) and new instructor Olivier (Peter MacDissi) liven things up. Lisa (Lili Taylor), meanwhile, escapes a toxic relationship of her own by walking out on Carol (Catherine O'Hara), her neurotic movie-exec boss. A frustrated Nate (Peter Krause) resigns himself to moving his young family back into his mother's home. Ruth (Frances Conroy) is overjoyed at Nate's return, although she's also busy enjoying the hijinks of Bettina (Kathy Bates), her straight-talking, shoplifting new insta-best friend. As for David (Michael C. Hall) and Keith (Mathew St. Patrick), they struggle to loosen up and enjoy a poolside vacation together. Fun is eventually had, although their return to the city soon destroys any easygoing momentum they've attained. Amidst such minutiae, the biggest drama occurs with this week's featured death: a young woman (Megan Austin Oberle) mowed down by a car as a direct result of a cruel prank played by friends. Originally broadcast March 16, 2003, on HBO, "The Eye Inside" marked season three, episode three of the made-for-cable drama. ~ Brian J. Dillard, All Movie Guide
- 2003
Although Six Feet Under often dwells on death -- such as this week's depiction of a scenic designer named Kevin Lamb (Dennis Christopher) who stages his lover's funeral as a miniature opera -- "Nobody Sleeps" also revolves around the birthday of the Fisher matriarch. Electrified by her daring, naughty new friend Bettina (Kathy Bates), Ruth (Frances Conroy) loosens up a little and actually has some fun on her special day. Part of that is thanks to Lisa (Lili Taylor), who, despite the objections of husband Nate (Peter Krause), manages to throw a lovely and somewhat rowdy party for her mother-in-law. Even David (Michael C. Hall) has fun, despite his continuing troubles with Keith (Mathew St. Patrick), which have been thrown into sharp relief by Kevin's elaborate tribute to his late partner. The only person to miss the festivities is Claire (Lauren Ambrose). She's busy having the night of her life getting drunk and talking trash with her pal Russell (Ben Foster), her art teacher Olivier (Peter MacDissi) and one of Olivier's big-wig artist friends. A drunken Nate, also enjoys some rambling conversation -- with the taunting specter of his stultified father (Richard Jenkins), whom Nate fears he's becoming. Originally broadcast March 23, 2003, on HBO, "Nobody Sleeps" marked season three, episode four of the made-for-cable drama. ~ Brian J. Dillard, All Movie Guide
- 2003
Nate (Peter Krause) continues his descent into quiet desperation as Fisher & Diaz prepares to bury the recently unearthed remains of a young husband and father who disappeared without a trace decades earlier. Adding to Nate's just-married angst, Lisa (Lili Taylor) spends her time micromanaging his finances instead of finding a new job of her own. She also goes ballistic when Brenda (Rachel Griffiths) turns up to make amends with Nate as part of a 12-step recovery program for sex addicts. Nate and Brenda share a few drinks, but he keeps his guard up and expresses none of his doubts about his sudden matrimony. David (Michael C. Hall), too, is haunted by an old lover: Terry (Matt Winston), a fellow singer in the gay men's chorus, who reminds David of their brief and frenzied encounter years ago in a department-store men's room. Ashamed of his own past repression, David is relieved to realize he's finally at peace with his sexual identity. Speaking of which, Claire (Lauren Ambrose) finds her feelings in disarray when Russell (Ben Foster), her supposedly gay best friend, declares that he's actually straight and wants to date her. She considers it -- until Olivier (Peter MacDissi), her manipulative art professor, advises her to shun emotional intimacy if she wants to become a great artist. Blowing Russell off, Claire focuses on her new job as Olivier's assistant. Federico (Freddy Rodriguez), too, hires a new sidekick: Arthur (Rainn Wilson), a mortuary school student who agrees to work for nothing but room and board at the Fisher house. As for Keith (Mathew St. Patrick), he's still stuck in the same terrible job as a rent-a-cop. A disturbing altercation with a fellow security guard, however, convinces him it's time to look for other employment. Originally broadcast March 30, 2003, on HBO, "The Trap" marked season three, episode five of the made-for-cable drama. ~ Brian J. Dillard, All Movie Guide
Love and death (and the problems they bring) remain the constants in the third season of the HBO drama series Six Feet Under. In season three, now that Federico (Freddy Rodriguez) has bought a 25 percent interest in the funeral home, the name changes from Fisher and Sons to Fisher and Diaz, and he sees to it that his presence is felt in the business. Nate (Peter Krause) has a series of bizarre and troubling dreams, and his relationship with Lisa (Lili Taylor) becomes strained; he becomes all the more conflicted in his feelings about her when she disappears en route to a visit with her sister. Keith (Mathew St. Patrick) and David (Michael C. Hall) hit a rocky patch in their romance, with the two trying counseling, vacations, and even threesomes in hopes of smoothing things out. Ruth's (Frances Conroy) loneliness manifests itself in not one but two romances. And Claire (Lauren Ambrose) finds her love life becoming quite complicated as she becomes involved with a crematorium employee as well as a troubled fellow student, and must also fend off the advances of a lecherous art teacher. The 13 episodes in the show's third season originally aired between March and June of 2003. ~ Mark Deming, All Movie Guide
- Starring:
- Michael C. Hall, Mathew St. Patrick, (more)
As America geared itself for another possible armed conflict in Iraq, the HBO cable service offered a dramatization of events surrounding the 1991 Persian Gulf War. Originally telecast on December 8, 2002, Live From Baghdad recounted the efforts by the CNN network to be first on the scene when hostilities broke out in the Gulf in late 1990. Inaugurating round-the-clock coverage of the warfare with the invasion of Kuwait, dauntless CNN producers Robert Wiener (Michael Keaton) and Ingrid Formanek (Helena Bonham Carter), aided and abetted by on-the-scene reporters Bernard Shaw (Robert Wisdom), Peter Arnett (Bruce McGill), and John Holliman (John Carroll Lynch), among many others, represented the only American news service on the scene during the first night of bombing on January 16, 1991. Not only does Live From Baghdad celebrate the heroism (and meticulous fairness) of the CNN crew, but it also vividly demonstrates how a tiny but tenacious basic cable channel managed to out-scoop the Big Three networks, thereby becoming one of the most powerful and influential journalistic forces in the world. ~ Hal Erickson, All Movie Guide
- Starring:
- Michael Keaton, Helena Bonham Carter, (more)
Anne Frank was an ordinary girl forced by circumstances to bear witness to the most extraordinary tragedy of the 20th century, and the diary she left behind became one of the best known and most affecting documents of those who struggled to survive the Holocaust under Nazi occupation during World War II. Anne Frank is a four-hour television miniseries that retells the well-known story of the Frank family as they hid from Nazi occupation forces in an attic in Amsterdam between 1942 and 1944, but it also takes a look at the life Anne and her family led before the pogrom swept through Germany and Holland, as well as the harrowing details of the grim fate that awaited the Franks in the Bergen-Belsen concentration camp. Hannah Taylor Gordon stars as Anne Frank, with Ben Kingsley as her father Otto, Jessica Manley as her sister Margot, Brenda Blethyn as Auguste Van Pels, and Lily Taylor as Miep Gies; the real-life Miep Gies, one of the Frank family's benefactors, served as a consultant to the producers of this project. Anne Frank (also advertised as Anne Frank: The Whole Story) was first aired by the ABC television network on May 20 and May 21, 2001. ~ Mark Deming, All Movie Guide
- Starring:
- Ben Kingsley, Hannah Taylor-Gordon, (more)
- 2001
The overworked Chiana (Gigi Edgley) and Jool (Tammy MacIntosh) need a break from their duties, while Pilot needs relief from the ceaseless arguments between Crichton (Ben Browder) and D'Argo (Anthony Simcoe). There is nothing else to do but to seek out a brief respite on the pleasure planet LoMo. Predictably, however, the crew experiences precious little pleasure, thanks to a dangerously addictive (or, rather, seductive) drug called Freslin. "Scratch 'n' Sniff" originally aired on July 20, 2001. ~ Hal Erickson, All Movie Guide
One woman's decision to improve her mind has unexpected, life-changing results in this drama. Hoboken-born housewife Julie Johnson (Lili Taylor) left high school at the wishes of Rick (Noah Emmerich), who was then her boyfriend and is now her husband; Julie spends her days cleaning house and looking after her two children, Lisa (Mischa Barton) and Franky (Gideon Jacobs). Julie, who likes to read Scientific American in her spare time, has always dreamed of going back to school, but loutish Rick strictly forbids it. Without Rick's knowledge, Julie and her best friend Claire (Courtney Love) enroll in an "Introduction to Computers" course at a local community college, where instructor Mr. Miranda (Spalding Gray) quickly senses Julie has a tremendous intellectual potential she's never tapped. With Mr. Miranda's coaching, Julie breezes through the computer course and is soon tackling advanced mathematical and scientific theory with other members of the college's faculty. Rick eventually gets wind of Julie's new academic career and isn't the least bit pleased, but Julie, whose accomplishments have done wonders for her self-confidence, responds by kicking him out of the house. Claire, impressed by Julie's stand against Rick, decides it's time to leave her abusive husband Mike (Patrick Fitzgerald), and she moves in with Julie while looking for a new place. As Mr. Miranda urges Julie to obtain a high-school equivalency certificate and move on to a four-year college (where he'll be able to arrange an academic scholarship), Julie and Claire discover their new independence has stirred new feelings within them, and they move from being close friends to tentative lovers. Julie Johnson was based on the play by Wendy Hammond, who co-wrote the screenplay with director Bob Gosse. ~ Mark Deming, All Movie Guide
- Starring:
- Lili Taylor, Courtney Love, (more)
- 2000
Moya and her crew knew that someday, somehow, the past of Nebari criminal Chiana (Gigi Edgley) would catch up to her. But when this inevitability finally occurs, the truth of the matter startles everyone. But that's nothing compared to actions of the Nebari who've arrived to "collect" Chiana -- and who also subject the crew to a radical mind-cleansing, robbing them of their free will. What do the Nebari really have in store for Chiana, Moya, and the universe? "A Clockwork Nebari" was first broadcast on September 11, 2000. ~ Hal Erickson, All Movie Guide
- 2000
Hoping to revive the glory days of Lou Grant, NBC, in association with Law & Order creator Dick Wolf, came forth with the weekly, one-hour newspaper drama Deadline. Oliver Platt starred as Wallace Benton, a Pulitzer Prize-winning investigative reporter whose dauntless dedication was matched by his short temper and gift for deception. Aided by Beth Khambu (Christina Chang) and Charles Foster (Damon Gupton), two students from the graduate journalism class that he taught in his spare time (what spare time?), Benton regularly riffed on the rich, powerful, and corrupt in his daily column "Nothing But the Truth." Because he ignored such journalistic niceties as press passes and off-the-record statements, Benton was the source of many a headache for his lawsuit-fearing publisher Si Beekman (Tom Conti) and his managing editor Nikki Masucci (Bebe Neuwirth). And because he cared more about "The Truth" than financial compensation, Benton was forever behind in alimony payments to his three ex-wives -- one of whom, Brooke Benton (Hope Davis, worked side-by-side with Benton on the same newspaper. Also featured was that singular actress Lily Taylor as Hildy Baker. Debuting October 2, 2000, Deadline was almost universally panned by real-life journalists, who complained that the sort of melodramatic pyrotechnics engaged in by Wallace Benton hadn't been used since the gonzo days of The Front Page -- and even worse, Benton was a poor and clumsy writer, whose stilted headlines and purple prose seemed calculated to drive readers to other sources of news. Undaunted, the series' producers described Deadline as "Columbo in a newspaper office," so the viewer knew exactly what to expect. ~ Hal Erickson, All Movie Guide
- Starring:
- Oliver Platt, Christina Chang, (more)
Making its world premiere at the 1999 Sundance Film Festival, this story adapted for the screen and directed by first-timer Toni Kalem is based on the Anne Tyler novel of the same name. The story deals with finding love in a dead-end life. Evie (Lili Taylor) is a loner, living with her widowed father, who works at an aging kiddie park where she is a costumed cartoon character. One night she hears the words and music of a musician named Drumstrings Casey (Guy Pearce) on the radio, and Evie is immediately infatuated by him. She attends his concerts and falls in love with him. The problem is he doesn't know she exists, so Evie decides to carve Casey's name on her forehead with broken glass. The resulting media attention gets her an introduction to Drumstrings Casey himself. From there, a relationship develops as Casey needs Evie for creative support and Evie needs Casey for emotional stability. Soon after, they get married; unfortunately their problems only get worse as Casey's career takes a nosedive and Evie's father passes away. Will these two people make something of themselves or will they forever just be slipping down life? ~ Chris Gore, All Movie Guide
- Starring:
- Lili Taylor, Guy Pearce, (more)
Brandon Cole directed this romantic comedy-drama with a revenge angle. Schoolteacher Rachel (Lili Taylor) leaves her car at the O.K. Garage run by small-time crook Yannick (Olek Krupa) who rips off his customers. Rachel's oddball neighbor Sean (Will Patton) likes lizards. Sean hangs with his pal, welder Johnny (John Turturro), who can't overcome his shyness to secure what he envisions as "the perfect relationship." However, a meeting with Rachel puts Johnny in a gentleman-caller mode and opens the doors to a restrained romance of sorts. Sean is curious, since there are no women in his life apart from his mother (Gemma Jones). Meanwhile, with Rachel's car eating up her savings, the trio decides to get revenge during a final showdown at the O.K. Garage. Shown at the 1998 L.A. Independent Film Festival. ~ Bhob Stewart, All Movie Guide
- Starring:
- John Turturro, Lili Taylor, (more)
- 1998
Paul and Jamie Buchman (Paul Reiser, Helen Hunt) try to play matchmaker with their dogwalker, Nat (Hank Azaria), and their babysitter, Arley (Lili Taylor). Thing of it is, Nat and Arley don't need any help -- though that's not the story they tell the Buchmans. On other fronts, a sleep clinic serves as the setting for a startling revelation, and Paul's cousin Ira (John Pankow) vows to abstain from sex. This was one of two episodes telecast on May 19, 1998, as Mad About You's sixth-season finale (the other, appropriately enough, was "The Finale"). ~ All Movie Guide
