Margaret Blye Movies

2007  
PG13  
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A young man learns something about making his fantasies into reality from an older man who has already been there in this coming-of-age drama. Cameron (Michael Angarano) is a teenage film buff living in Los Angeles who dreams of making movies himself someday, an ambition that doesn't impress his parents very much. Cameron doesn't have many friends beyond fellow outcast Murphy (Joshua Boyd), and wealthy and popular classmate Brett (Taber Schroeder) takes great pleasure in making Cameron's life miserable. A major film school in L.A. has announced a competition for young filmmakers, but while Cameron has talent and ideas, Brett has the money to buy film stock and rent equipment, and Cameron wonders if he stands any chance at all. One evening, while attending a screening of Orson Welles's Touch of Evil at a revival theater, Cameron sees an elderly man who shouts at the screen about his old pal Orson. Cameron is thus introduced to Flash Madden (Christopher Plummer), who worked as a lighting man during the Golden Age of Hollywood and really did work with some of the most respected names in the business, including Welles. While cranky Flash doesn't much care for Cameron at first, in time he sees a kindred spirit in the movie-mad teenager, and offers his technical know-how and sources of equipment to the would-be director. Flash also introduces Cameron to Mickey Hopkins (M. Emmet Walsh), a former screenwriter who helped script a number of silver screen classics but is now living in a shabby Old Folks home, and in Hopkins Cameron finds the inspiration for just the sort of movie he wants to make. ~ Mark Deming, All Movie Guide

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Starring:
Christopher PlummerMichael Angarano, (more)
2005  
 
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A deranged psychopath returns from the grave in the form of a delicious but deadly treat in B-movie specialist Charles Band's bloody tale of baked goods gone bad. When psychotic killer Millard Findlemeyer (Gary Busey) entered a small-town diner and rained a shower of lead upon the Leigh family, the only family member to survive the horrifying ordeal was devoted daughter Sara Leigh (Robin Sydney). It was Sara's heartfelt testimony that sent Findlemeyer to fry in the electric chair, and also caused the killer's vengeful mother to cook up a diabolical plot for the ultimate revenge. After placing an ancient curse on her son's ashes, Mrs. Findlemeyer mixes the remains into a secret gingerbread cookie recipe and has the malicious mix sent to Sara Leigh's bakery. When bakery employee Brick Fields (Jonathon Chase) cuts himself while preparing the cookies and a drop of his blood spills into the mix, a twelve-inch tall terror emerges from the oven determined to finish the job that he failed to complete the first time around. ~ Jason Buchanan, All Movie Guide

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Starring:
Gary Busey
1999  
 
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In this thriller, a detective stalks a multiple murderer whose methods are as peculiar as they are deadly. Vincent Swan (Dennis Hopper) is a veteran police investigator obsessed with catching a serial killer making his way down the West Coast. When the killer begins doing his grisly work in Los Angeles, Swan leaves Seattle for L.A., though the local police regard him as a loose cannon and aren't so sure they want his help. The murderer enjoys playing cat and mouse with Swan, calling him to discuss his crimes, but his modus operandi becomes even more bizarre, and the murders turn into a strange game, with Swan desperate to piece together the killer's clues before he strikes again. The Prophet's Game also stars Robert Yocum, Stephanie Zimbalist, Joe Penny, and Sondra Locke. ~ Mark Deming, All Movie Guide

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Starring:
Dennis HopperStephanie Zimbalist, (more)
1991  
 
Silhouette, an excellent made-for-cable thriller, is the story of a businesswoman who is stranded by car trouble in a small town and who is the only witness to a murder. Samantha Kimball (Faye Dunaway), while waiting for her car to be repaired, stays in a rundown hotel in a small town. There, unable to sleep, she watches through her window as a car drives up to the home of a local waitress. She sees the shadow of a man get out and a violent attack and murder take place inside the home. After having made her statement to the police, Samantha becomes increasingly frightened as the killer begins to stalk her and her daughter, afraid that he can be identified. Dunaway is terrific as the woman who must fight to protect herself and her child, and she gives a cool, nuanced performance in a somewhat cliched role. The identify of the killer, not revealed until the bloody finale of the film, is not much of a surprise, but Silhouette, fast-paced and nicely directed by Carl Schenkel, makes the most of its familiar material and delivers an exciting, suspenseful lady-in-distress thriller. ~ Linda Rasmussen, All Movie Guide

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1990  
 
In the first episode of Hunter's two-part Season Six finale, Hunter (Fred Dryer) goes after a vicious fence who is persecuting homeless war veterans. It turns out that the perpetrator, a lunatic known as "The Captain", is obsessed with medals of valor and purple hearts; unfortunately, before he can make an arrest, Hunter is ordered off the case by his police mentor Dave Peterson (Ryan Cutrona). Meanwhile, McCall (Stepfanie Kramer) rekindles an old romance with Dr. Alex Turnan (Robert Connor Newman). ~ Hal Erickson, All Movie Guide

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1985  
 
Love Lives On is the apotheosis of all made-for-TV "problem" films. The focus is on 15-year-old Susan Wallace (Mary Stuart Masterson), who in the course of the film's 97 minutes runs the gamut of crises from drug addiction to unwed pregnancy to cancer. In the climax, poor Susan must decide whether or not to bring into the world a baby that may be even less healthy than she. Add to this mixture the alcoholic father and battered mother of Susan's erstwhile boy friend, and one has the quintessential "disease of the week" flick--though, incredibly, it is all based on actual events. The film earned an Emmy award for "Lullaby", an original song by Douglas Brayfield and James Di Pasquale. Love Lives On made its ABC network debut on April 1, 1985. ~ Hal Erickson, All Movie Guide

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1985  
R  
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This entertaining teen comedy is set in the effervescent 1950s and involves the friendship of the introverted, clumsy Jonathan (Doug McKeon) and the nonconformist, extroverted Gene (Chris Nash). Jonathan's main objective is to win over the sexy Marilyn (Kelly Preston), in spite of his shyness, while Gene has his own love-life to maintain with his girlfriend Bunny (Catherine Mary Stewart) -- as well as counseling Jonathan on how to attract women. Gene also has to defend himself against Kenny (D.W. Brown) the class bully while trying to work out a borderline relationship with his widowed father, who has zero tolerance for his often wild escapades. As Jonathan and Gene handle life's challenges, the 1950s emerges as a potent presence on screen in the form of background setting, including movies and music, as well as dress and customs that were popular in that distinctive era. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Doug McKeonCatherine Stewart, (more)
1983  
 
Prominently displaying red-white-and-blue title colors, this subtly patriotic fact-based movie about kids who succeed is dated by the fact that all these daring youngsters are white, without any discernible ethnicity. Dickie (Scott Schwartz) is an enterprising kid on a ranch in southern California who puts his business tendencies to practical use in several successful ventures, aided and abetted by his siblings and other friends. When Dickie & Co. become too successful, they are taken to court by their adult business rivals, but they refuse a lawyer and defend themselves. The kids win their case against their adult competitors and their lawyers, leaving the courtroom to cheers and upraised fists from a sea of youngsters outside. Three years of law school at exorbitant costs, plus a two-year internship and years of moving up a densely-runged ladder -- just to lose to an 11-year old, amazing. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Scott SchwartzCinnamon Idles, (more)
1982  
PG  
Against the wishes of both families, a poor boy (Matt Dillon) and a wealthy banker's daughter (Cindy Fisher) elope, only to discover that their immaturity and incompatibility may be the downfall of their relationship. ~ Jason Ankeny, All Movie Guide

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Starring:
Matt DillonCindy Fisher, (more)
1982  
R  
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Another "true story" of dubious authenticity, The Entity concerns a libidinous invisible presence. This unseen force repeatedly rapes poor Barbara Hershey, who can't get anyone to believe her stories of sexual assault. Frankly, she doesn't believe them herself until she undergoes therapy conducted by experts in both psychology and the supernatural. The entity, a great, hairy blob, is ultimately tricked into materializing, an act of revelation that proves to be its downfall. The Entity was adapted by Frank de Felitta from his own novel. ~ Hal Erickson, All Movie Guide

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Starring:
Barbara HersheyRon Silver, (more)
1980  
R  
Little Darlings is a teen sex comedy about a group of 15-year-old girls at a summer camp who establish a contest to see which one of them will lose their virginity first. Tatum O'Neal stars as Ferris, a naive but sexually aware rich girl on the make with the older camp swimming instructor Gary (Armand Assante). Her rival in this race for deflowering is Angel (Kristy McNichol), who is quick to point out, "Don't let the name fool you." She sets her sights on the young Randy (Matt Dillon). But the contest gets obscured by inter-personal crises: Cinder (Krista Errickson), a young tease in a bunny suit, seduces Randy away from Angel, while Ferris has second thoughts about offering herself to the camp counselor. ~ Paul Brenner, All Movie Guide

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Starring:
Tatum O'NealKristy McNichol, (more)
1979  
 
Jim (James Garner) reluctantly serves on the jury in the trial of George Bassett (Mills Watson), who has been charged with manslaughter while driving drunk. When a mistrial is declaring thanks to a hung jury, Bassett hires Jim to prove his innocence. The key to the solution would seem to be in the hands of a woman claiming to be the victim's sister--but let's not discount those two brothers (Robert Sampson, James Karen) who run the law firm where George is employed. ~ Hal Erickson, All Movie Guide

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1976  
 
Mayday at 40,000 Feet is a regulation crisis-in-the-air TV movie distinguished by the accomplished direction of Robert (Hill Street Blues) Butler. David Janssen pilots a 747 chock full of guest stars, battling a snowstorm in order to find his way back to the airport. The plane develops engine trouble, threatening to dump its celebrity cargo in the icy drink. Adding to Janssen's growing list of problems is a maniac who goes on a shooting rampage in the first-class section. It's doubtful that anyone on November 12, 1976 stayed tuned to Mayday at 40,000 Feet upon discovering that its competition on another network was the John Travolta vehicle The Boy in the Plastic Bubble. ~ Hal Erickson, All Movie Guide

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1975  
PG  
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Also known as The Streetfighter, Hard Times stars Charles Bronson as Chaney, an aging bare-knuckle boxer, trying to scratch out a living in the middle of the Depression. "Speed" (James Coburn) is the two-bit promoter who books Chaney in the tank towns of the South and Midwest. He is briefly reinvigorated by an affair with the lovely Lucy (Jill Ireland, Mrs. Bronson in real life), but it's back to the seedy realm before too long. Hard Times represented the directorial debut of Walter Hill, who even at this early stage demonstrated the gritty verisimilitude that he'd bring to such future projects as The Warriors (1979) and 48 Hrs. (1984). ~ Hal Erickson, All Movie Guide

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Starring:
Charles BronsonJames Coburn, (more)
1974  
 
Melvin Purvis: G-Man was one of two TV pilot films intended to launch a series based on the life of famed FBI agent Purvis. Dale Robertson played the title role in both, emphasizing the heroics and downpedalling Purvis' shameless self-aggrandizement (he was so rabid a publicity hound that many historians have come to doubt the veracity of his accomplishments). The "public enemy" tackled by Purvis in this 90-minute film is kidnapper/bandit Machine Gun Kelly (Harris Yulin). The script accurately portrays Kelly as a cowardly dolt, completely dominated by his ambitious wife (played by Maggie Blye). First aired April 9, 1974, Melvin Purvis: G-Man was followed by The Kansas City Massacre (1975). ~ Hal Erickson, All Movie Guide

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1973  
 
A woman undergoes a surgeon's scalpel in a last-ditch attempt to win back her husband in this drama. Barbara Sawyer (Elizabeth Taylor) has been married to her husband, Mark (Henry Fonda), for 30 years, and she's afraid the spark has gone out of their relationship. Barbara is convinced the problem is her appearance -- the years have taken a heavy toll on her, and her haggard, saggy appearance is a far cry from the beauty she possessed in her youth. Determined to save her marriage, Barbara checks into a clinic in Switzerland for extensive plastic surgery, and arranges to meet Mark at a nearby ski lodge once she's recovered. After having her face, breasts, and bottom lifted, Barbara leaves the hospital looking as beautiful as Elizabeth Taylor, and as she waits for Mark to arrive in Switzerland, she allows herself to be seduced by Erich (Helmut Berger), a handsome young playboy, to prove to herself she has regained her allure. However, her new face and figure isn't enough to save her marriage when Mark informs her he's decided to leave her for another woman. Ash Wednesday features detailed footage of actual plastic surgical procedures, some of which were far too bloody for the comfort of most audiences. ~ Mark Deming, All Movie Guide

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Starring:
Elizabeth TaylorHenry Fonda, (more)
1973  
 
Young Joey Grant (Ike Eisenmann) is thrown for a loop when his parents (played by Beau Bridges and Margaret Blye) split up. Even worse, Joey's dad has been ordered out of the house, and must take up residence in a hotel room. What happens following this traumatic incident is told (sometimes literally) from Joey's point-of-view -- and don't expect everything to be tied up in a nice, neat, "happily ever after" package. My Dad Lives in a Downtown Hotel was adapted from Peggy Mann's book of the same name. ~ All Movie Guide

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Starring:
Beau BridgesMargaret Blye, (more)
1971  
R  
This exploitative melodrama is set in northern Michigan where an exclusive private hunting club is located. There some of the country's richest, most powerful men come to relax and get closer to nature. Unfortunately, that means that they become engaged in debauchery and become brutal, amoral killers. ~ Sandra Brennan, All Movie Guide

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1969  
 
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The quintessential British caper film of the 1960s, The Italian Job is a flashy, fast romp that chases a team of career criminals throughout one of the biggest international gold heists in history. Michael Caine is Charlie Croker, a stylish robber and skirt-chaser just out of British prison. Shunning rehabilitation for recidivism, Croker takes over "The Italian Job," a complicated plan to hijack gold bullion from Italy -- right from underneath the noses of the Italian Police and the Mafia. The job, whose original mastermind was murdered, clearly requires the sponsorship of a richer, more established criminal than Croker. He turns to the auspices of the eccentric Mr. Bridger (Noël Coward in his last film role), a suave, regal, incarcerated English crime boss with a peculiar fascination with the Queen. Bridger provides Croker with a quirky group of Britain's most infamous computer hackers (including a lascivious Benny Hill), bank robbers, hijackers, and getaway drivers -- the ex-con is soon well on his way to relieving Italy of the gold. ~ Aubry Anne D'Arminio, All Movie Guide

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Starring:
Michael CaineNoël Coward, (more)
1967  
 
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Yes, Paul Newman is a blue-eyed Indian in Hombre, but this apparent ethnic error is carefully justified in the body of the story. Newman plays a white man who was raised by the Apaches, and ever since has straddled two worlds, feeling truly comfortable in neither. While riding a stagecoach, Newman is subject to the racial bias of banker Fredric March and his snooty wife Barbara Rush. In truth, March is an embezzler, and has no reason to feel superior to anyone. This fact comes out when the coach is held up by murderous bandit-chief Richard Boone. When the passengers fight back, Boone takes Rush as a hostage. Newman, who by rights should be supremely satisfied that his tormentors are themselves tormented, proves himself the bravest of the passengers, sacrificing his own life to save Rush and put an end to Boone's reign of terror. Hombre is based on a novel by suspense specialist Elmore Leonard. ~ Hal Erickson, All Movie Guide

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Starring:
Paul NewmanFredric March, (more)

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