Ferris Taylor Movies

Bucolic lawyer John Wayne takes on big-city corruption in A Man Betrayed. He sets out to prove that an above-suspicion politician (Edward Ellis) is actually a crook. The price of integrity is sweet in this instance, since Wayne happens to be in love with the politician's daughter (Frances Dee). Man Betrayed can be viewed from the vantage point of the 1990s as an attempt by Republic Pictures to broaden the range of its biggest star, John Wayne. That it doesn't quite work is forgotten as the audience luxuriates in the sheer professionalism of the whole endeavor--and besides, the Duke does get to put up his dukes on more than one occasion. Man Betrayed has been released under two alternate titles: Wheel of Fortune for American television, and Citadel of Crime (coincidentally the title of a like-vintage Republic "B" picture) for British audiences. ~ Hal Erickson, All Movie Guide

Of the many MGM Our Gang comedies focused on whiny child actor Robert Blake, the one-reel All About Hash is often cited as the worst of the bunch. It seems that little Mickey (Blake) is upset over the fact that his parents (Louis Jean Heydt and Peggy Shannon) spend every Monday night arguing. The reason: Mickey's mom invariably serves hash from the Sunday-dinner leftovers, and Mickey's dad hates hash. To teach the two adults a lesson, the Our Gang kids stage a skit on a local radio program, ending with a heartfelt plea by Mickey to stop the quarrelling. All About Hash was originally released on March 30, 1940. ~ Hal Erickson, All Movie Guide

Female musicians Sally Richards (Jane Frazee) and Sue Ford (Judy Clark) are Beautiful but Broke in this frantic Columbia musical comedy. Sally and Sue's violinist pal Dottie Duncan (Joan Davis) is equally broke, though not quite as beautiful. The three girls try pass themselves off as an all-girl orchestra, with the help of fast-buck theatrical agent Waldo Main (John Eldredge). Vamping for time until they can gather up a few more musicians, the girls don several disguises to fool a potential client, nightclub owner Putnam (John Dilson). Once this crisis is passed, the orchestra finds itself stranded in the middle of nowhere. The finale borrows a page from Buster Keaton when Sally, Sue and Dottie take refuge in a deserted house slated for Army target practice. ~ Hal Erickson, All Movie Guide

Otto Preminger directed this romantic musical (something of a change of pace for the rather serious-minded director) set in Philadephia in 1876. The upcoming Centennial Exposition is the talk of the town, and sisters Julia (Jeanne Crain) and Edith (Linda Darnell) find themselves romantic rivals when they both fall for Philippe (Cornel Wilde), a suave Frenchman in town for the celebration. Their mother Harriet (Dorothy Gish) might offer more advice if she weren't busy looking after her husband Jesse (Walter Brennan), who is busy tinkering with inventions that he's convinced will make him a rich man. Jerome Kern composed the film's'score and co-wrote several songs, including "Up with the Lark," "The Right Romance," and "All Through the Day." It was the last film work he would complete prior to his death in 1945. ~ Mark Deming, All Movie Guide

Based on a novel by Barry Fleming, Colonel Effingham's Raid stars Charles Coburn in the title role. Upon retiring from the army, Effingham returns to his home town of Fredericksville, Georgia. Dismayed by the town's paucity of civic pride, the Colonel begins writing a newspaper column honoring Fredericksville's old traditions and chastizing those who would tear those traditions down. His pet peeve is the city administration's plan to rename Confederate Square after the pompous, mildly corrupt town mayor (Thurston Hall). When it seems that his protests are falling upon deaf ears, Colonel Effingham literally stage a "military assault" against City Hall, which in real life would get him thrown in the looney bin but which in a whimsical comedy of this nature results in a smashing success for the "good guys". If Colonel Effingham's Raid seems to be popping up on TV at a rate of once a day, it is because the film lapsed into public domain in 1973. ~ Hal Erickson, All Movie Guide

Who better to direct Warner Bros.' Daredevil Drivers than B. Reeves "Breezy" Eason, the fast-action specialist who staged the chariot race sequence in 1925's Ben-Hur? Dick Purcell stars as suspended racecar driver Bill Foster who lands a job with a disreputable bus company. This puts him on the outs with his girlfriend Jerry Neeley (Beverly Roberts), the owner of a rival (and honest) bus firm. Bill gets back into Jerry's good graces when he exposes the criminal element running the company for which he works. As proof that everything's "relative" in Hollywood, Daredevil Drivers features Gloria Blondell, the sister of Warners contractee Joan Blondell, in a supporting role, while Charley Foy, the brother of the studio's B-movie unit supervisor Bryan Foy, provides comic relief. ~ Hal Erickson, All Movie Guide

Characterized by some critics as a "South African western", Diamond Frontier stars Victor McLaglen as ruthless diamond hunter Regan. The villain's reign of terror as he searches for the precious gems is checked by Charles Clayton (John Loder), freshly escaped from a brutal penal colony. A wild escape through the jungle enables Universal Pictures to exercise its usual prerogative of lifting great chunks of celluloid from its stock-footage library. Anne Nagel is the faithful heroine who anxious awaits the falsely-convicted Clayton's return, while Cecil Kellaway plays the standard comedy-relief mercenary. The primary source for Diamond Frontier is indicated by the title of the story upon which the screenplay was based: A Modern Monte Cristo. ~ Hal Erickson, All Movie Guide

The title states the case in Monogram's Don't Gamble with Strangers. It's all about a pair of crooked gamblers, Mike (Kane Richmond) and Fay (Bernardine Hayes), who pose as brother and sister to lure in suckers. After several months of penny-ante activities, Mike and Fay take over a posh gambling joint. Their downfall is assured when Fay begins exhibiting unsiblinglike jealousy over Mike's attentions to gorgeous Ruth Hamilton (Gloria Warren). Mike is shot full of holes; the police believe that Ruth did it, while the audience thinks that Fay did it, but a ballistics tests proves everyone wrong. An unexpected denouement reveals that crime does pay once in a while. ~ Hal Erickson, All Movie Guide

It's nearly the End of the Road for condemned prisoner Chris Martin (John Abbott), slated to be executed for a murder he says he didn't commit. Martin manages to convince crime novelist Robert Kirby (Edward Norris) of his innocence, but Kirby can't get the cops to go along. Thus, the novelist turns sleuth, reassessing the clues and seeking out the real murderer. Only when heroine Kitty McDougal (June Storey) is herself nearly bumped off by the villain does Kirby solve the case. Without tipping off the identity of the killer, it can be noted that the supporting cast includes such murder-mystery stalwarts as Jonathan Hale, Kenne Duncan, Pierre Watkin and Edward Van Sloan. ~ Hal Erickson, All Movie Guide

A barely disguised rip-off of 20th Century-Fox's all-female Tail Spin (39), Warner Bros.' Flight Angels is an inexpensive "tribute" to airline stewardesses. Among the angels of the title are haughty Virginia Bruce and hoydenish Jane Wyman, who in one scene actually come to blows over their long-simmering rivalry. Dennis Morgan, Wayne Morris and Ralph Bellamy are among the men who do the "real" work above the clouds. The climax involves a pilot who loses his sight, compelling the stewardess on board to perform "above and beyond " etc. Keep an eye out for Flight Angels bit players Jan Clayton, later Tommy Rettig's mother on the TV series Lassie; and DeWolfe Hopper Jr., who changed his name to William Hopper and played Paul Drake on Perry Mason. ~ Hal Erickson, All Movie Guide

Fourteen scriptwriters spent five years toiling over a movie adaptation of war correspondent Vincent Sheehan's Personal History before producer Walter Wanger brought the property to the screen as Foreign Correspondent. What emerged was approximately 2 parts Sheehan and 8 parts director Alfred Hitchcock--and what's wrong with that? Joel McCrea stars as an American journalist sent by his newspaper to cover the volatile war scene in Europe in the years 1938 to 1940. He has barely arrived in Holland before he witnesses the assassination of Dutch diplomat Albert Basserman: at least, that's what he thinks he sees. McCrea makes the acquaintance of peace-activist Herbert Marshall, his like-minded daughter Laraine Day, and cheeky British secret agent George Sanders. A wild chase through the streets of Amsterdam, with McCrea dodging bullets, leads to the classic "alternating windmills" scene, which tips Our Hero to the existence of a formidable subversive organization. McCrea returns to England, where he nearly falls victim to the machinations of jovial hired-killer Edmund Gwenn. The leader of the spy ring is revealed during the climactic plane-crash sequence--which, like the aforementioned windmill scene, is a cinematic tour de force for director Hitchcock and cinematographer Rudolph Mate. Producer Wanger kept abreast of breaking news events all through the filming of Foreign Correspondent, enabling him to keep the picture as "hot" as possible: the final scene, with McCrea broadcasting to a "sleeping" America from London while Nazi bombs drop all around him, was filmed only a short time after the actual London blitz. The script was co-written by Robert Benchley, who has a wonderful supporting role as an eternally tippling newsman. Foreign Correspondent was Alfred Hitchcock's second American film, and remained one of his (and his fans') personal favorites. ~ Hal Erickson, All Movie Guide

Though they may seem as corny as Kansas in August when seen today, the Weaver Brothers and Elviry was one of the most popular music-and-comedy aggregations on the Country-Western circuit in the early 1940s. The group consisted of Leon Weaver as Abner, Frank Weaver as Cicero (who never spoke, a la Harpo Marx) and June Weaver as Elviry, talented tunesmiths all who knew how to make the most of the wheeziest comedy material. In Grand Ole Opry, the Weavers get mixed up in politics, with Abner Weaver rather incongruously running for Governor. It's all part of a plan concocted by a group of crooked politicians, but Abner and the voters end up having the last laugh. Like most of the Weavers' Republic movie vehicles, Grand Ole Opry benefits from a stellar supporting cast, including Henry Kolker as the crooked publisher who sets the plot in motion and Claire Carleton as a brassy femme fatale. And per the film's title, Grand Ole Opry is chock full of talent gleaned from the same-named WSM radio series, including Uncle Dave Macon and Dorrie, George Dewey Bay and Roy Acuff and the Smoky Mountain Boys. ~ Hal Erickson, All Movie Guide

Tom Brown, an actor who "borrowed" his professional name from 1932's Tom Brown of Culver, finds himself back in the collegiate pool in 1942's Hello Annapolis. Brown and up-and-coming Larry Parks sign up at the titular Naval academy, battling both in and out of uniform over the affections of Jean Parker. This pre-Pearl Harbor comedy has plenty of energy and little in the way of truth, but who wanted 62 minutes' worth of truth on the bottom half of a double bill? Silent movie buffs might want to keep a lookout for veterans Herbert Rawlinson and Mae Busch in the supporting cast. Hello Annapolis is augmented with background footage lensed at the real-life Annapolis. ~ Hal Erickson, All Movie Guide