Andre Tayir Movies

TV movies dealing with Elvis Presley are always good for a few vital extra rating points, and Elvis and the Beauty Queen was no exception to this rule. The King, here played by Don Johnson, is first seen here at the age of 37. Elvis falls in love with 21-year-old Miss Universe contestant Linda Thompson (Stephanie Zimbalist), and the two stay together for five years, remaining as close as it's possible to be a world populated of managers, gophers and sycophants. Linda tries to wean Presley off drugs, but you and I and everyone in the universe knows how that turned out. There's nothing here that hasn't already been trampled to death by the tabloids, but diehard Elvis fanatics will be satisfied. Three surprises: Elvis and the Beauty Queen was not telecast on Elvis' birthday; it wasn't telecast on the anniversary of his death; and it premiered in March of 1981, several weeks after the February "sweeps". ~ Hal Erickson, All Movie Guide

Pop singers Sonny and Cher are featured in this fluffy film that chronicles the popular duo's ideas for the film in which they are to make their cinematic debut. Much of the story centers around Sonny's movie fantasies as he tries to convince the studio head to use a more interesting script than the one he wants to present. Songs include: "I Got You Babe," "It's The Little Things," "Good Times," "Trust Me," "Don't Talk To Strangers," "I'm Gonna Love You" and "Just A Name." ~ Sandra Brennan, All Movie Guide

Romeo and Juliet is updated to the tenements of New York City in this Oscar-winning musical landmark. Adapted by Ernest Lehman from the Broadway production, the movie opens with an overhead shot of Manhattan, an effect that director Robert Wise would repeat over the Alps in The Sound of Music four years later. We are introduced to two rival street gangs: the Jets, second-generation American teens, and the Sharks, Puerto Rican immigrants. When the war between the Jets and Sharks reaches a fever pitch, Jets leader Riff (Russ Tamblyn) decides to challenge the Sharks to one last "winner take all" rumble. He decides to meet Sharks leader Bernardo (George Chakiris) for a war council at a gymnasium dance; to bolster his argument, Riff wants his old pal Tony (Richard Beymer), the cofounder of the Jets, to come along. But Tony has set his sights on vistas beyond the neighborhood and has fallen in love with Bernardo's sister, Maria (Natalie Wood), a love that, as in Romeo and Juliet, will eventually end in tragedy. In contrast to the usual slash-and-burn policy of Hollywood musical adaptations, all the songs written by Leonard Bernstein and Stephen Sondheim for the original Broadway production of West Side Story were retained for the film version, although some alterations were made to appease the Hollywood censors, and the original order of two songs was reversed for stronger dramatic impact. The movie more than retains the original choreography of Jerome Robbins, which is recreated in some of the most startling and balletic dance sequences ever recorded on film. West Side Story won an almost-record ten Oscars, including Best Picture, supporting awards to Chakiris and Rita Moreno as Bernardo's girlfriend, Anita, and Best Director to Robbins and Wise. Richard Beymer's singing was dubbed by Jimmy Bryant, Natalie Wood's by Marni Nixon (who also dubbed Audrey Hepburn in My Fair Lady), and Rita Moreno's by Betty Wand. The film's New York tenement locations were later razed to make room for Lincoln Center. ~ Hal Erickson, All Movie Guide