Russ Tamblyn Movies

Russ Tamblyn guest-stars as Capt. Maynard, an old war buddy of Captain Sheridan's. Maynard's arrival prompts Sheridan to realign his priorities --- and then disaster strikes. On other fronts, Delenn runs afoul of the Delenn hierarchy, while Dr. Franklin tries to administer nutritional advice to some unwilling patients. The episode rushes to a conclusion with a desperate rescue mission, launched from hyperspace. Written by D.C. Fontana, "A Distant Star" was originally telecast on November 23, 1994. ~ Hal Erickson, All Movie Guide

Originally broadcast on April 26, 1990, episode three of Twin Peaks, "Rest in Pain," takes place the day of Laura Palmer's funeral. After having breakfast with Audrey (Sherilyn Fenn), Agent Cooper (Kyle MacLachlan) explains his dream to Sheriff Harry Truman (Michael Ontkean), claiming it is a code that reveals the identity of Laura's killer. At the morgue, Albert Rosenfield (Miguel Ferrer) wants to continue the autopsy while Doctor Hayward (Warren Frost) wants to release the body for the funeral. Albert doles out insults and Harry punches him out. The autopsy report reveals that Laura had been tied up and cut on the night of her death, and that she was addicted to cocaine. Laura's cousin, Madeline (also played by Sheryl Lee), arrives for the funeral, where Bobby (Dana Ashbrook) and James (James Marshall) get into a fight and Leland Palmer (Ray Wise) loses control. That evening is a full moon, and Cooper gets introduced to the Bookhouse Boys, a secret society formed to get rid of the evil presence in the woods. They find out somebody is running drugs across the Canadian border into Twin Peaks and they capture Bernard Renault (Clay Wilcox). ~ Andrea LeVasseur, All Movie Guide

The first official episode of Twin Peaks, entitled "Traces to Nowhere," originally aired on April 12, 1990. Special Agent Dale Cooper (Kyle MacLachlan) of the FBI continues to investigate the mysterious death of Laura Palmer. He interrogates James Hurley (James Marshall), Bobby Briggs (Dana Ashbrook), and Mike Nelson (Gary Hershberger), and James is released from jail. Meanwhile, Bobby's secret girlfriend, Shelley Johnson (Madchen Amick), finds blood on the shirt of her abusive husband, Leo Johnson (Eric Da Re). Big Ed Hurley (Everett McGill) tells Sheriff Truman (Michael Ontkean) that his drink was drugged the previous night at the Roadhouse, and he believes Jacques Renault was tending bar. At the Great Northern Hotel, Audrey Horne (Sherilyn Fenn) begins her pattern of flirting with Agent Cooper. Also at the Great Northern, Catherine Martell (Piper Laurie) and secret lover Benjamin Horne (Richard Beymer) reveal their scheme to take over Packard Sawmill. After being released from their cell, Bobby and Mike swear to get revenge on James. ~ Andrea LeVasseur, All Movie Guide

Episode six in the first season of Twin Peaks, "Realization Time," originally aired May 17, 1990, and was directed by Oscar-nominated cinematographer Caleb Deschanel. The wounded suspect Leo Johnson (Eric Da Re), shot by Shelly (Madchen Amick) in self-defense, tries to kill Bobby Briggs (Dana Ashbrook), but instead runs off in an attempt to silence the mynah bird Waldo. Donna (Lara Flynn Boyle) and James (James Marshall) listen to the audio tapes Maddy (Sheryl Lee) found of Laura's confessions to Dr. Lawrence Jacoby (Russ Tamblyn). Meanwhile, Josie (Joan Chen) confesses to Sheriff Truman (Michael Ontkean) that she knows Catherine is planning to burn the mill. That evening, most of the action happens at One-Eyed Jacks, just over the Canadian border, where suspect Jacques Renault (Walter Olkewicz) is working as a blackjack dealer. Agent Cooper (Kyle MacLachlan) and Ed Hurley (Everett McGill) go undercover as "Fred" and "Barney" and head for the casino. After eavesdropping at the perfume counter, Audrey Horne (Sherilyn Fenn) also goes undercover, getting hired at One-Eyed Jacks by impressing madam Blackie O'Reilly (Victoria Catlin) with her cherry stem trick. Also that evening, Donna and James disguise Maddy as Laura Palmer in a plot to lure Dr. Jacoby out of his house. Once inside, they search for Laura's missing audio tapes, but their plan is threatened by sabotage. ~ Andrea LeVasseur, All Movie Guide

The fourth episode of Twin Peaks' first season, "The One-Armed Man," was originally broadcast on May 3, 1990, and directed by Tim Hunter (River's Edge). Deputy Andy Brennan sketches Sarah Palmer's visions of Killer Bob, resembling the Bob in Agent Cooper's dream from episode two. Another of Cooper's visions appears at a nearby motel, where Deputy Hawk (Michael Horse) finds the One-Armed Man (Al Strobel). Ben Horne and Catherine are also at the same hotel, making plans to burn the mill, while Josie spies on them. Agent Cooper questions the One-Armed Man, who claims to be named Philip Michael Gerard, about his connection to BOB. At the Double R Diner, Norma Jennings (Peggy Lipton) gets word that her husband, Hank Jennings (Chris Mulkey), is up for parole, and he is granted release after she defends him in court. Audrey Horne begs her father for a job at his department store, where Laura Palmer once worked. She plans to conduct her own secret investigation with the additional help of Donna Hayward. Leo Johnson's bloody shirt is found in Jacques Renault's apartment, while Leo and Ben make plans concerning the mill. Later that evening, Donna and James Hurley look for the other half of the gold heart necklace that they had buried. This episode features the voice of series creator David Lynch as Cooper's hard-of-hearing supervisor, Gordon Cole. ~ Andrea LeVasseur, All Movie Guide

The groundbreaking and influential Twin Peaks series originally ran on the ABC network for the short time between April 1990 and June 1991. Created by film director David Lynch (Blue Velvet) and writer Mark Frost (Hill Street Blues), it gained an enormous following of viewers while challenging genre conventions and changing the standard of television programming. The story begins with Special Agent Dale Cooper (Kyle MacLachlan) of the FBI arriving in the small town of Twin Peaks, WA, to investigate the murder of a popular high school girl named Laura Palmer. When the first season ended without answering the pressing question of "Who killed Laura Palmer?", the loyal audience had to wait all summer until next season to find out. However, the series proved to be more than just an engaging soap opera or juicy murder mystery. The dark supernatural subject matter was offset by moments of absurd humor, and the haunting musical score from Angelo Badalamenti was well suited to the cinematically rendered images. The creators succeeded in blending a very human drama into a humorous and entertaining crime show against a small-town background of eccentric characters and places. Offering plenty of symbolism, the series became highly discussed for exposing the darkness underneath apple-pie America, among other issues. For a series that gains layers of meaning with repeated viewing, it was also accused of alienating casual viewers. Some of the audience just lost interest during the second season, after the central mystery was solved. Nevertheless, the eerie mood and unusual themes of Twin Peaks continue to influence numerous television series from Northern Exposure to The X-Files. A rebroadcast on the Bravo cable channel in the late '90s added the Log Lady opening introductions to each episode of the series. ~ Andrea LeVasseur, All Movie Guide

Set in a post-apocalyptic 21st Century, Aftershock offers us a world ruled by an unseen female voice, where scuzzy paramilitary groups wipe out anyone remotely intellectual. Held for interrogation by government flunkey John Saxon is empty-headed mystery woman Sabina (Elizabeth Kaitan). Sabina is rescued by a pair of resistance fighters (Jay Roberts Jr. and Chuck Jeffreys). Once she arrives at rebel headquarters, Sabina proves to be a lot smarter than we think-as well she should be, since she's a visitor from another galaxy. Having come to earth in the misguided belief that the world has reached a state of peace and harmony, Sabina decides to return to her home planet, only to be captured again by Saxon and his minions ~ Hal Erickson, All Movie Guide

This gory medical thriller managed to pre-date an early-'90s spate of direct-to-video exploitation films dealing with sleazy black-market organ banks. The plot centers on the activities of the "Body Organ Replacement Network," a secret criminal organization (led by ubiquitous movie villain William Smith) which obtains donor organs -- by any means possible -- for anyone willing to meet their prices and keep their mouths shut. Their methods usually involve patrolling the city in an ambulance looking for unwilling "donors" (usually female), who are promptly chopped up on the operating table. The sinister wheels are put in motion again when a wealthy family approaches the B.O.R.N. network about obtaining a replacement heart for their ailing daughter. Though not quite as gory as it sounds, this is still a pretty sleazy exercise which plays like a tabloid-flavored version of Robin Cook's novel Coma, without the clever insight of Michael Crichton's 1978 film. ~ Cavett Binion, All Movie Guide

Rock legend Neil Young directed this bizarre bit of sci-fi-accented satire under his nom de cinema Bernard Shakey, as well as starring as Lionel Switch, an amiable but half-bright auto mechanic who has a furious crush on Charlotte Goodnight (Charlotte Stewart), a waitress at the diner next door to his garage. Lionel dreams of becoming a professional musician, and idolizes Frankie Fontaine (also played by Young), a particularly sleazy lounge singer. One day, to Lionel's astonishment, Fontaine rolls up to his garage in a limousine, and Lionel has the spine-tingling honor of working on his car. Meanwhile, suspicious-looking bad guy Otto Quartz (Dean Stockwell) is scheming to buy the diner, which has something to do with a plot against the rattletrap nuclear power plant just down the road (the plant's maintenance staff is played by members of the pioneering new wave band Devo). Along the way, we're also treated to Lionel hanging out with his equally slow-witted pal Fred (Russ Tamblyn), enjoy the residents of the desert community performing an enthusiastic rendition of the old Kingston Trio chestnut "Worried Man," and witness Lionel and Devo jamming on a long and wildly discordant version of "Hey Hey My My (Into the Black)." Financed by Young out of his pocket, and featuring Stockwell, Tamblyn, Dennis Hopper, and Sally Kirkland several years before they enjoyed critical rediscovery, Human Highway received a mostly puzzled reaction from audiences during its handful of theatrical engagements. It went largely unseen until it was released on home video more than ten years after it was completed (with the box featuring a quote from one of Young's associates: "This is so bad, it's going to be huge!"). ~ Mark Deming, All Movie Guide

With a barrage of cinematic distancing devices at hand (flashbacks and flash-forwards, super-imposed titles, missing frames, projectionist cue-marks placed in the wrong locations in a film reel), Dennis Hopper concocts a hallucinatory acid-trip concerning an American movie company making a western in Peru. In a remote mountain village in Peru, a Hollywood film company wraps up shooting a western and returns to California. Staying behind is a young stunt man, Kansas (Dennis Hopper). In the village, he takes up with the resident whore, Maria (Stella Garcia). At this point, the film flash-forwards to Kansas being crucified by the villagers. Back in the old time frame, the Peruvians decide that they want to make their own movie. Not having the necessary film equipment, but plenty of local raw material, the villagers construct the needed cameras, microphones, and sound recorders out of bamboo, and although the equipment is faked, the villagers substitute real, bloody violence for the make-believe violence of Hollywood. During this eruption of violence in the Peruvian village, the local priest (Tomas Milian) blames Kansas for the carnage. The priest decides that movies are the root of all worldly evil and convinces the villagers to seize Kansas. ~ Paul Brenner, All Movie Guide

In this western set during 1877 along the Mexican-American border, outlaws attack a stagecoach and find themselves defeated by an ace gunman with a hatred for evil-doers. The gunman decides to take off after the group leader, but the good guy shootist is hit while defending a beleaguered rancher from Mexican banditos. Later the rancher's daughter and the gunman fall in love. The gunslinger and a bounty hunter take off after the outlaw. Unfortunately, when push comes to shove, the outlaw refuses to fight without the gunman because he cannot bear to kill his own son. This does not stop the gunman's partner from taking a shot; the outlaw is wounded, causing his son to rally to his aid, and the gunslinger rides back to keep the banditos from stealing the ranch. They are finally stopped but not before the bandito leader and the outlaw fatally shoot each other. Afterwards, the gunman gives up shooting and begins leading a pacifistic life with his new bride. ~ Sandra Brennan, All Movie Guide

Filmed in panoramic Cinerama, this star-studded, epic Western adventure is a true cinematic classic. Three legendary directors (Henry Hathaway, John Ford, and George Marshall) combine their skills to tell the story of three families and their travels from the Erie Canal to California between 1839 and 1889. Spencer Tracy narrates the film, which cost an estimated 15 million dollars to complete. In the first segment, "The Rivers," pioneer Zebulon Prescott (Karl Malden) sets out to settle in the West with his wife (Agnes Moorehead) and their four children. Along with other settlers and river pirates, they run into mountain man Linus Rawlings (James Stewart), who sells animal hides. The Prescotts try to raft down the Ohio River in a raft, but only daughters Lilith (Debbie Reynolds) and Eve (Carroll Baker) survive. Eve and Linus get married, while Lilith continues on. In the second segment, "The Plains," Lilith ends up singing in a saloon in St. Louis, but she really wants to head west in a wagon train led by Roger Morgan (Robert Preston). Along the way, she's accompanied by the roguish gambler Cleve Van Valen (Gregory Peck), who claims he can protect her. After he saves her life during an Indian attack, they get married and move to San Francisco. In the third segment, "The Civil War," Eve and Linus' son, Zeb (George Peppard), fights for the Union. After he's forced to kill his Confederate friend, he returns home and gives the family farm to his brother. In the fourth segment, "The Railroads," Zeb fights with his railroad boss (Richard Widmark), who wants to cut straight through Indian territory. Zeb's co-worker Jethro (Henry Fonda) refuses to cut through the land, so he quits and moves to the mountains. After the railway camp is destroyed, Zeb heads for the mountains to visit him. In the fifth segment, "The Outlaws," Lilith is an old widow traveling from California to Arizona to stay with her nephew Zeb on his ranch. However, he has to fight a gang of desperadoes first. How the West Was Won garnered three Oscars, for screenplay, film editing, and sound production. ~ Andrea LeVasseur, All Movie Guide