Jack Blum Movies

The action in Canadian provocateur Atom Egoyan's cryptic Exotica revolves largely around the strip club, which lends the film its name, a faux-tropical hothouse where young female dancers cater to their customers' sexual and psychological needs. Among the regulars is Francis (Bruce Greenwood), a troubled taxman haunted by Christina, a young stripper played by Mia Kirshner. As the film hypnotically unfolds, their relationship is slowly explored, the narrative dovetailing with the stories of a gay pet shop owner (Don McKellar), the Exotica's pregnant owner (Arsinee Khanjian), and its embittered DJ (Elias Koteas). Like all of Egoyan's films, Exotica is a riddle, its answers only fostering more questions. The director's recurring themes of family breakdowns, voyeurism and obsession are all in the mix here as well, but essayed with a new clarity of vision and intensity. ~ Jason Ankeny, All Movie Guide

Director Jack Sholder followed his surprise sleeper hit The Hidden (1987) with this action drama that re-teamed Young Guns (1988) co-stars Kiefer Sutherland and Lou Diamond Phillips. Sutherland stars as Buster McHenry, a Philadelphia cop working undercover as a thief in the gang of wealthy, sadistic Marino (Rob Knepper). When the gang's heist of some diamonds goes awry, a few innocents are shot, and a valuable Native American spear is stolen landing Buster in bureaucratic hot water. Along comes Hank Storm (Phillips), intent upon retrieving the relic of his Sioux tribesmen and avenge the death of his brother. Hank and Buster team up to take Marino down and expose police corruption in the process. ~ Karl Williams, All Movie Guide

Made for Canadian television, Shell Game stars Brenda Robins as a high-profile defense attorney. Right now, Brenda is defending client Germain Houde, who's been charged with murder. Vital evidence is twisted and tainted by certain interested parties. It is soon obvious that at least one of our protagonists has been set up for a precipitous fall. This Shell Game should not be confused with the 1975 American TV movie of the same name, nor the 1987 weekly series Shell Game ~ Hal Erickson, All Movie Guide

The Siege gets under way with an attack on a Canadian gay bar by a neo-fascist group called "The New Order." One of the patrons escapes, and the New Order goes after him, killing everyone who gets in their way. When the right-wing thugs come back to the bar and try to take over the building, the patrons form a united front and a bloody battle ensues. And where are the cops during all this? They're on strike, and considering the violence infecting this remote Nova Scotia community, one can hardly blame the police for their "blue flu". As far as head-basher films go, Siege is pretty good, with a particular tense climax. ~ Hal Erickson, All Movie Guide

Certainly the low point in Glenn Ford's acting career, this Canadian production is, nevertheless, one of the slickest-looking slasher films from that subgenre's early-'80s heyday. The plot (what one can make of it) involves an unseen killer stalking a group of college students at the prestigious Crawford Academy. The well-staged murders are mysteriously linked to the slightly off-kilter Virginia (Melissa Sue Anderson, formerly of Little House on the Prairie), whose disturbing past holds the key to the killer's identity. Though this film brought nothing new to the psycho-horror field, it did feature one of the more interesting ad campaigns of the period. One-sheets loudly boasted, "Six of the most bizarre murders you've ever seen!" and barred all late-arriving patrons from entering the theater during the final ten minutes (a promotional stunt stolen from Psycho). This hype proved less than apropos since the murders in question are not particularly bizarre or original (aside from the shish-kabob impalement depicted in the ads), and the film's climax is so painfully contrived that latecomers may be more able to comprehend it than those bemused viewers who watched the film from the beginning. ~ Cavett Binion, All Movie Guide

This pilot film for the TV detective series Cagney and Lacey stars Loretta Swit as Chris Cagney and Tyne Daly as Mary Beth Lacey. C and L are NYPD undercover officers, spending their first week on the job disguised as hookers. It's all part of a plan to flush out the person who's been going around beating up prostitutes. The storyline, which also includes the murder of a diamond merchant, shifts from Cagney and Lacey's street duty to their constant struggle against sexism at precinct headquarters and at home. Executive producer Barney Rosenzweig claimed that he'd come up with the idea of Cagney and Lacey after reading a Molly Haskell piece concerning the patronizing treatment of women in films. First telecast on October 8, 1981, the pilot film for Cagney and Lacey held its own opposite the season premiere of Taxi, leading to a weekly series which lasted from 1982 to 1988. But when the series proper went into production, Loretta Swit was replaced by Meg Foster, who in turn was replaced by Sharon Gless (later the wife of executive producer Rosenzweig). ~ Hal Erickson, All Movie Guide

Set at a low-end summer camp and aimed squarely at a teen audience, Meatballs is a light screwball comedy that turned its low-budget Canadian roots into a very profitable box-office run. The biggest reason for the film's success is Bill Murray who stars as Tripper, the head counselor who runs things at Camp Northstar with the help of his love interest Roxanne (Kate Lynch) and the camp's director Morty (Harvey Atkins), who is affectionately known as Mickey. Camp opens with Tripper and Morty preparing the misfit counselors-in-training -- Spaz, Fink, Crockett, A.L., Candace, Wendy, and Wheels among them -- for the arrival of their hyperactive little charges. After settling in, kids and counselors begin their activities with a soccer game in which depressed 11-year-old Rudy (Chris Makepeace) accidentally loses the game. Cast out by the other children, Rudy runs away only to come across Tripper, who befriends the boy and makes him his running partner. Romance, sexy fun, and comic hijinx -- usually with the heavy-sleeping Morty as their target -- lead up to an annual Olympiad in which Camp Northstar battles the wealthier and athletically superior residents of Camp Mohawk. The challenging events include cup stacking, potato-sack racing, and a nauseating hot dog-eating contest in which the portly Fink devours his way to victory. With the two-day event tied up, it comes down to the cross-country run, in which Tripper enters Rudy. Meatballs was the first major directorial effort by multi-talented filmmaker Ivan Reitman, whose name has since become synonymous with the comedy genre. ~ Patrick Legare, All Movie Guide