Ben Taggart Movies

Within its brisk 78 minutes, Jam Session manages to accommodate the singing, dancing and acting talents of Ann Miller, a romantic main plot, a comic subplot-and no fewer than six big-name orchestras. The story is the old saw about a small-town girl named Terry Baxter (Miller), who wins a trip to Hollywood. Unable to impress any of the tinseltown bigwigs, Terry is about to pack it in and head home until she meets go-getting screenwriter George Carter Haven (Jess Barker). Several mishaps and setbacks later, Terry not only lands a studio contract, but Haven as well. In addition to the terpsichorean talents of Ann Miller, the film spotlights such major big-band names as Charlie Barnet (playing "Cherokee," of course!), Louis Armstrong, Alvino Ray, Jan Garber, Glen Gray and Teddy Powell, along with vocalists Nan Wynn and the Pied Pipers. A tantalizingly brief clip of Jam Session was featured (wildly out of context!) in the 1968 Monkees film vehicle Head. ~ Hal Erickson, All Movie Guide

The year is 1942: Mr. Winkle (Edward G. Robinson), a mild-mannered bank clerk, decides to quit his job and open a fix-it shop in his garage. Winkle's wife Amy (Ruth Warrick) disapproves of this, and orders her husband to move into his little shop. Tired of being browbeaten, Winkle is delighted when his draft notice shows up. Fitted for a uniform, Winkle has the wind taken out of his sails in basic training, but soon finds that army life agrees with him; when given a chance to go home when the draft age is lowered to 38, he refuses to do so. Transferred to the South Pacific, Winkle instinctively performs a conspicuous act of bravery. He returns home a much-decorated hero, but he's too shy to partake in the ceremonies in his honor, opting instead to return to his shop, and to his now-loving wife Amy. A tailor-made Edward G. Robinson vehicle, Mr. Winkle Goes to War was adapted by Waldo Salt, George Corey and Louis Solomon from a novel by Theodore Pratt. Watch for Robert Mitchum, Hugh Beaumont and Miss Jeff Donnell in unbilled bits. ~ Hal Erickson, All Movie Guide

This 91-minute Republic "special" stars Michael O'Shea as Matt Braddock, an aggressive Henry Kaiser-like shipbuilder operating in 1880s California Though his business innovations are brilliant, Braddock's pugnacious attitude loses him the support of the locals when he plans to build a big new shipyard in a small coastal community. Eventually he perseveres, bringing the story to a rousing conclusion. Along the way, however, there's a bit too much emphasis on the hot-and-cold romance between Braddock and the lovely Diana Kennedy (Anne Shirley). Tommy Bond, the former Butch in the "Our Gang" comedies, registers well in a sympathetic supporting role (Bond later noted that this was one of his favorite films). ~ Hal Erickson, All Movie Guide

Mitchell Leisen utilizes his stylistic pizzazz to enliven this romantic comedy that proves the old adage "opposites attract" -- but only after three or four reels. Claudette Colbert is Katherine Grant, an upper-crust fashion photographer who has a gang of admirers snapping at her heels. When her vindictive editor tries to teach her a lesson for her snobbishness by giving her an assignment photographing lower-class workers digging a tunnel, she falls for Jim Ryan (Fred MacMurray). Ryan is also attracted to her, so when she leaves her camera tripod in the tunnel, Ryan obligingly returns it to her. When Ryan returns to the job site, he is ribbed by his co-workers. Ryan loses his head and gets into a fight and is subsequently suspended from his job. Katherine, feeling guilty about Ryan being suspended from his job (and also looking for an excuse to have him around), hires him as her assistant. But in his new job, Ryan starts to put the make on one of Katherine's flirtatious models, Darlene (June Havoc). Katherine must now find a way to overcome her superior attitude and make her true feelings known to Ryan. ~ Paul Brenner, All Movie Guide

Though it ain't Noel Coward, Chatterbox is the funniest of the two Judy Canova-Joe E. Brown vehicles for Republic. Brown is hilariously cast as Rex Vane, a pompous radio cowboy star who's never been any further west than his living room. When Rex is signed to appear in a film, it becomes painfully apparent that he can neither ride nor shoot. But rambunctious Judy Boggs (Judy Canova) can do both, and it is Judy who helps guide the vain Vane through his moviemaking experiences. Rex proves himself to be a genuine hero in a slapstick finale "borrowed" from Chaplin's The Gold Rush. Naturally, both Brown and Canova are given ample opportunity to sing, as are guest performers Spade Cooley and the Mills Brothers. ~ Hal Erickson, All Movie Guide

Andrew Jackson is very happy to serve as the secretary of the society that honors his presidential namesake until he is arrested for embezzling from the town coffers. With no one to speak on his behalf, poor innocent Jackson is tossed into jail. There he finds himself haunted by several ghosts, including Presidents Andrew Jackson, George Washington, Benjamin Franklin, Thomas Jefferson and Supreme Court Justice John Marshall. Each of this sagacious specters offers his advice to the incarcerated Andrew. Then Jesse James shows up and helps Andrew, the only one who can see them, escape and with their help, bring the real crooks to justice. When not helping Andrew, the ghosts have great fun adjusting to the modern world. ~ Sandra Brennan, All Movie Guide

In this espionage caper, a government spy must keep enemy agents from spying upon a defense plant. His work is made easier by his newest invention, a word scrambler which makes it difficult for the enemy agent. The good guy spy then hires a crack team to assist him; among them is the pretty young plant worker he inadvertently got fired. ~ Sandra Brennan, All Movie Guide

In this low-budget thriller (which developed something of a cult following among film buffs in the '60s and '70s), Peter Lorre plays Janos Szabo, an immigrant from Hungary who is a skilled craftsman. After he's caught in a fire, his face is horribly scarred; his terrifying appearance makes it impossible for him to get a job. With nowhere else to turn, Janos begins working for the criminal underworld, where he eventually raises enough money to purchase an expensive mask whose expressionless features are only a slight improvement over his distorted visage, but at least allow him to go out in public. However, Janos begins having second thoughts about his life of crime, especially after he falls in love with Helen (Evelyn Keyes), a kind-hearted blind woman. Director Robert Florey supposedly shot this film and Meet Boston Blackie in a mere 24 days. Florey and Lorre would team up again for another offbeat film buff favorite, The Beast with Five Fingers. ~ Mark Deming, All Movie Guide

Originally slated as a Boris Karloff-Bela Lugosi vehicle, Man Made Monster emerged on screen as a tour de force for Lon Chaney Jr. (in his first horror-film starring role) and Lionel Atwill. Chaney plays Dynamo Dan the Electric Man, a sideshow performer whose talent for absorbing mass quantities of electricity enables him to emerge virtually unscathed when a bus crashes into a pylon. Dan recuperates in the home of Dr. Rigas (Lionel Atwill), a demented scientist ("Mad? Of course I'm mad!") who hopes to create a race of electric-powered supermen. Using Dan as his unwitting guinea pig, Rigas zaps the poor man's energy even as he injects more and more electricity into his system. Suspecting something is amiss when rabbits and goldfish die suddenly at his touch, Dan nonetheless continues to submit to Rigas' treatment. When the doctor's colleague Lawrence (Samuel S. Hinds) figures out what's going on, he confronts Rigas with a "You're mad! I'm going to notify the police!"-whereupon Rigas picks up his cue by ordering the now-zombiefied Dan to kill Lawrence and confess to the murder. The unfortunate fellow is convicted and sentenced to the electric chair, much to the delight of Rigas, who can now put his theories to the ultimate test. Surviving the death-house jolt, Dan absorbs the entire electrical current and becomes a walking, glowing human power plant, killing the warden and the guards and escaping into the countryside. Slowly dying, Dan finally regains a shred of his humanity by rescuing heroine June Lawrence (Anne Nagel) from the clutches of Regas, then puts a permanent end to the mad doctor's evil designs before spectacularly expiring himself. A prime example of Universal's B-picture unit at its peak, Man Made Monster is among the finest of the studio's second-echelon horror product. The film was re-released in the late 1940s under the timely cognomen The Atomic Monster. ~ Hal Erickson, All Movie Guide

Medico of Painted Springs was the first of western hero Charles Starrett's appearances as frontier doctor Steven Monroe. Riding into a small town, Dr. Monroe finds himself smack-dab in the middle of a range war between cattlemen and sheepmen. It doesn't take long for Monroe to figure out that the trouble has been stirred up by a gang of crooks, who hope to play one side against the other so that they can move in and take over. When the time is ripe, the doc lays down his thermometer and stethoscope and comes out fighting-just as he would in all future "Dr. Monroe" epics. ~ Hal Erickson, All Movie Guide

While listening to a recording of "Penny Serenade," Julie Gardiner Adams (Irene Dunne) begins reflecting on her past. She recalls her near-impulsive marriage to newspaper reporter Roger Adams (Cary Grant), which begins on a deliriously happy note but turns out to be fraught with tragedy. While honeymooning in Japan, Julie and Roger are trapped in the 1923 earthquake, which results in her miscarriage and subsequent incapability to bear children. Upon their return to America, Roger becomes editor of a small-town newspaper, just scraping by financially. Despite their depleted resources, Julie and Roger want desperately to adopt a child. It seems hopeless until kindly adoption agency head Miss Oliver (Beulah Bondi) helps smooth their path. Alas, their happiness is once more short-lived: their new daughter, Trina (Eva Lee Kuney), succumbs to a sudden illness at the age of six. Reduced to hopelessness, Julie and Roger decide to dissolve their marriage, but Miss Oliver once more comes to the rescue. Sentimental in the extreme, Penny Serenade is also enormously effective, balancing moments of heartbreaking pathos with uproarious laughter. Only director George Stevens could have handled a scene with a copiously weeping Cary Grant without inducing discomfort or embarrassment in the audience. Since lapsing into the public domain in 1968 (though released by Columbia, the film was owned by Stevens' production firm), Penny Serenade has become almost as ubiquitous a cable-TV presence as It's a Wonderful Life. ~ Hal Erickson, All Movie Guide

Columbia's Two in a Taxi is perfect "Late Late Late Show" fare, just the sort of brisk, breezy film with which one would want to greet the new sunrise. Cab driver Jimmy Owens (Russell Hayden) hopes to push a hack just long enough to raise enough money-300 bucks, to be exact--for his own gas station. He also intends to marry his longtime sweetheart Bonnie (Anita Louise) as soon as he's on his feet financially. Alas, this plan hits a snag when the couple breaks up over a silly misunderstanding; in addition, Jimmy manages to lose his nest egg at every turn, even after collecting $1000 for capturing a gang of bank robbers. The conformist travails of Jimmy and Bonnie are counterpointed by the the faintly Communistic speeches delivered by a radical cabbie known as The Professor (Henry Brandon), whose presence in the film adds a welcome (but never overdone) dash of vitriol. ~ Hal Erickson, All Movie Guide