Sydney Tafler Movies

Though not Ian Fleming's most famous James Bond novel, 1962's The Spy Who Loved Me was distinguished by the unique device of telling the story from the heroine's point of view; in fact, Bond doesn't make an appearance until the book is two-thirds over. This would hardly work in the film world's Bond franchise, so the original austere plotline of the novel was eschewed altogether in favor of a labyrinthine story involving outer-space extortion. The leading lady, a "hard-luck kid" in the original, is now sexy Russian secret agent Barbara Bach, who joins forces with Bond (Roger Moore, making his third appearance as 007) to foil yet another megalomaniac villain (Curt Jurgens), who plans to threaten New York City with nuclear weaponry. Beyond the eye-popping opening ski-jump sequence, the film's best scenes involve seven-foot-two Richard Kiel as steel-toothed henchman Jaws. Fifteen scriptwriters worked on The Spy Who Loved Me; only two were credited, including Bond-film veteran Richard Maibaum. ~ Hal Erickson, Rovi

Based on Harold Robbins' bestseller, The Adventurers stars Yugoslav heartthrob Bekim Fehmiu as Porfirio Rubirosa clone Dax Xenos. Having suffered mightily as a child in a fictional South American country due to the political activities of his parents, Xenos grows up to become a sleazy, sexually manipulative playboy. He romances middle-aged widow Olivia de Havilland, then dumps her after he's run through her fortune. He then takes up with heiress Candice Bergen, who bears his child. When the kid is killed and Xenos turns his back on her, Bergen finds solace in lesbianism. All the while, Xenos is fomenting revolutions aimed at toppling the Trujillo-like despot (Alan Badel) responsible for the death of his father. The Adventurers received a lot of magazine coverage due to a poolside nude scene and the "guess who this is supposed to be?" nature of the cast of characters. But it failed to establish Bekim Fehmiu as an international star. ~ Hal Erickson, Rovi

One of the lower points of Joan Crawford's latter-day career curve (though nothing to compare with the later embarrassment of Trog!), this lurid, low-rent thriller nevertheless gives Crawford the opportunity to chew acres of scenery in a campy Marlene Dietrich-style get-up. She portrays the ringmaster of a cheesy traveling circus troupe whose stars are being whacked in a variety of flamboyant ways (many of which are depicted in the garish trailer, particularly Michael Gough's spike-in-the-head scene). Despite the exploitation potential in this lurid Grand Guignol scenario, this film is fairly light on scares or gore -- and far too heavy on circus stock footage. A sequel of sorts to producer Herman Cohen's Horrors of the Black Museum, this one is a slight improvement, thanks to Crawford's outrageous, over-the-top performance. ~ Cavett Binion, Rovi

Horace Quilby (Michael Bentine) is a sandwich-board advertising man who gets a tour of London and sees some of the city's most offbeat and outrageous characters in this situation comedy. British blonde bombshell (Diana Dors) co-stars. Watch for Michael Chaplin (son of Charlie) as a beatnik artist. ~ Dan Pavlides, Rovi

In this drama, William Holden plays Ferris, an American soldier who led troops in Malaya during World War II. After the end of the war, Ferris opts to stay in Malaya to seek his fortune. He invests in land there and does quite well, but soon his new life with his girlfriend, a local girl named Dhana (Capucine), is disrupted by local politics. Candace (Susannah York), the daughter of Malaya's British governor, is infatuated with Ferris, which puts a crimp in his relationship with Dhana. And one of his old buddies from the war, Ng (Tetsuro Tamba), reemerges with some disturbing news -- following the war, he spent several years in the Soviet Union and is now working with Communist-backed guerilla forces. Ferris doesn't want to help the British capture his old friend, but his friend seems to have no such scruples about framing his buddy Ferris. The Seventh Dawn was adapted from the novel The Durian Tree by Michael Koen. ~ Mark Deming, Rovi

The "Carry On" gang take on employment agencies in this labored edition to the long-running comedy series. Sidney James is Bert Handy, who starts an employment agency by the name of "Helping Hands, Ltd." Bert proceeds to hire a bunch of loonies to do a collection of screwball jobs employers want done. As is usually the case, the employees make hash out of every assignment given to them. In fact, the agency is so unsuccessful that their landlord (Stanley Unwin) tries to have the business removed from his premises by raising their rent. But the landlord makes a deal with Bert that if his company can fix up an old house, they can have a 99-year lease on the property. Chaos ensues. ~ Paul Brenner, Rovi

In another standard British comedy of the absurd with the usual eccentric characters who play off each other like tennis pros on a court, A Weekend with Lulu centers on the misadventures of the occupants of an ice cream truck and its rundown trailer. Because of a mix-up, the four inside the truck -- two men at odds with each other, a harridan, and her voluptuous daughter -- do not end up at the seashore as they planned. Instead, they are rattling merrily through France, chased by a wild variety of irate groups -- racing cyclists, rogues, and distraught police. ~ Eleanor Mannikka, Rovi

Released in the US in 1963, the British Let's Get Married was actually filmed three years earlier. Anthony Newley plays a medical student who buckles under pressure. Hoping to get accustomed to dealing with people, he takes a job as a delivery boy. While thus employed, he meets and marries model Anne Aubrey, who's been impregnated by her previous beau. When Aubrey goes into early labor, Newley's first impulse is to panic. Will this prove to be his emotional coming of age-or his Waterloo? Based on a novel by Ken Taylor, this lightweight effort allows both Newley and Aubrey to sing a few sprightly tunes. ~ Hal Erickson, Rovi

This is one of the rare comedies by director Gerald Thomas that does not have the words "Carry On...." in the title, and that is the first indication that the wacky, hare-brained, ribald core of the "Carry On" series is missing here. The premise is that a young couple, David and Catherine Robinson (Leslie Phillips and Geraldine McEwan), have to turn their large country house into a money-making proposition. Their solution is to invite the kids of the rich and famous, since that is where the money lies, to spend a summer enjoying all the loving care and attention they miss at home. After the youngsters arrive, David quickly realizes what the offensive little punks need is some real discipline, and so the summer begins. ~ Eleanor Mannikka, Rovi

Based on Touch It Light, a play by Robert Storey, Skywatch is distinguished by a stellar British cast. Ian Carmichael is the officer in charge of a World War 2 searchlight unit. The archetypal comedy relief is supplied by none other than Benny Hill, while the "girl appeal" is handled by singing idol Tommy Steele. In Stalag 17 fashion, humor deftly dovetails into suspense and back again. Skywatch is also known as Light Up the Sky. ~ Hal Erickson, Rovi

The Bismarck was the fabled German battleship of World War II. This film traces the "life" of the Bismarck from its launching (courtesy of newsreel footage) through its many battles and narrow escapes, concluding with its far-from-inevitable sinking in the Spring of 1941. Since one couldn't expect a ship to carry a 97-minute movie, the story concentrates on the human element, specifically a British intelligence captain (Kenneth More), who has lost his family in the London blitz and thus has a personal reason for seeing the Bismarck blasted from the sea. The captain's tireless efforts are abetted by the love and support of a female naval officer Dana Wynter. The climactic sinking is deftly assembled from stock footage and newly shot scenes of expertly delineated scale models. As a bonus, Sink the Bismarck yielded a hit song, which many children of the 1960s can still recite from memory. ~ Hal Erickson, Rovi

The "crowning touch" of the title is a fancy woman's hat. It has been specially set aside at a posh British headwear shoppe, but no one comes to claim it. At this point the film takes a prismatic approach, with three of the shoppe's employees offering different reasons as to why the pretty young girl who'd ordered the hat never showed up. The Crowning Touch is a serviceable British shaggy-dog story, graced by the presence of such top talents as Greta Gynt, Griffith Jones, Sydney Tafler, Dermot Walsh and Irene Handl. ~ Hal Erickson, Rovi

The true story of Violette Szabo, a heroine of the Second World War for her espionage activities on behalf of the British government. Born Violette Bushell (Virginia McKenna) to a French mother and an English father, she chances to meet Etienne Szabo (Alain Saury), a French officer, whom she later marries. They have a child, Tania, but Etienne is fatally wounded in the Battle of El Alamein. Violette is already contributing to the war effort at home, but soon discovers that her bi-lingual skills make her a potentially valuable member of England's Special Operations Executive, the country's wartime overseas espionage unit. She agrees to join and, after extensive training, is sent into France in the spring of 1944, on a mission to salvage a resistance unit in Rouen area. Szabo completes that mission successfully and returns home, intending to resume her life as a mother raising her daughter -- but she is offered a second mission in France, immediately after the Normandy landings, and accepts, with tragic consequences. ~ Bruce Eder, Rovi