Donald Symington Movies

A dissatisfied Manhattan sportswriter finds more than he expected when he searches for the biological mother of his adopted child in Woody Allen's comedy. Writer-director Allen also plays Lenny, a slightly more relaxed incarnation of his usual neurotic screen persona. Lenny is trapped in a bad marriage to high-strung art dealer Amanda (Helena Bonham Carter), but he finds solace in his relationship with his adopted young son. Indeed, he grows so fond of the boy that he decides to track down the boy's real mother, expecting to discover a brilliant professional. Instead, he finds Linda (Mira Sorvino), a ditzy prostitute and porno star who mingles casual vulgarity with disarming innocence. Despite his initial disillusionment, Lenny soon develops a fondness for Linda and decides to play matchmaker, setting her up with a handsome young boxer (Michael Rapaport) who is equally good-hearted and scatterbrained. While the contrast between the free-spirited Linda and the uptight Lenny provides the bulk of the laughs, hints of Allen's more literary humor are also present, particularly in the scenes involving a roaming Greek chorus commenting upon Lenny's fate. Sorvino received a supporting Oscar for her title role in a well-received movie that is nevertheless not at the level of Allen's best-known classics. ~ Judd Blaise, Rovi

Gene Wilder stars as Michael Jordon, an architect on the run from false murder charges, who hooks up with Kate Hellman (Gilda Radner), the sister of a recent suicide victim. ~ Jason Ankeny, Rovi

Wolfen, a frightening horror movie based upon a novel by Whitley Strieber, concerns Detective Dewey Wilson (Albert Finney), who gets assigned to investigate the strange murder of a millionaire and his wife in a downtown park. Wilson and his friend, city coroner Whittington (Gregory Hines), aided by criminal psychologist Rebecca Neff (Diane Venora) connect the killing to those of several others, primarily winos, drug addicts and derelicts, all of whom seem to have been mutilated by wild animals. Their search leads them to a group of Native Americans led by Edward James Olmos who tell them of a legend of a superior species that once roamed the area, but now are living and hunting in the slums of New York. The film is engrossing, frightening and intelligent, with sensational special effects. Director Michael Wadleigh uses these effects to great advantage, frequently showing the movements of the characters through the eyes of the "Wolfen." This film is also the screen debut of Hines. ~ Linda Rasmussen, Rovi

Woody Allen's romantic comedy of the Me Decade follows the up and down relationship of two mismatched New York neurotics. Jewish comedy writer Alvy Singer (Allen) ponders the modern quest for love and his past romance with tightly-wound WASP singer Annie Hall (Diane Keaton, née Diane Hall). The twice-divorced Alvy knows that it's not easy to find a mate when the options include pretentious New York intellectuals and lifestyle-obsessed Rolling Stone writers, but la-di-dah-ing Annie seems different. Along the rocky road of their coupling, Allen/Alvy weigh in on such topics as endless therapy, movies vs. TV, the absurdity of dating rituals, anti-Semitism, drugs, and, in one of the best set pieces, repressed Midwestern WASP insanity vs. crazy Brooklyn Jewish boisterousness. Annie wants to move to Los Angeles to find that fame that finally does in the relationship -- but not before Alvy gets in a few digs at vacuous, mantra-fixated California. Originally entitled Anhedonia (the inability to enjoy oneself), Annie Hall blended the slapstick and fantasy from such earlier Allen films as Sleeper (1973) and Bananas (1971) with the more autobiographical musings of his stand-up and written comedy, using an array of such movie techniques as talking heads, splitscreens, and subtitles. Within these gleeful formal experiments and sight gags, Allen and co-writer Marshall Brickman skewered 1970s solipsism, reversing the happy marriage of opposites found in classic screwball comedies. Hailed as Allen's most mature and personal film, Annie Hall beat out Star Wars for Best Picture and also won Oscars for Allen as director and writer and for Keaton as Best Actress; audiences enthusiastically responded to Allen's take on contemporary love and turned Keaton's rumpled menswear into a fashion trend. ~ Lucia Bozzola, Rovi

After two children spend a week living in secrecy in the Metropolitan Museum of Art, they become so taken with a sculpture that they set out to find the artist (Ingrid Bergman) who created it. Also known as Hideaways. ~ Jason Ankeny, Rovi

Superstardom was predicted for Carrie Snodgress on the basis of her spectacular film debut in Diary of a Mad Housewife. Snodgress plays the long-suffering wife of pushy, insensitive attorney Richard Benjamin. Unable to withstand being treated as a trophy (and a tarnished one at that), Snodgress has a brief affair with sexy Frank Langella. Alas, Langella, like virtually every other male character in the film, is just as selfish and self-involved as Benjamin. Even when she enters group therapy, Snodgress is disenchanted by the obtuseness and chauvinism of her male psychiatrist. Nominated for an Academy Award for her performance in Diary of a Mad Housewife, Carrie Snodgress dropped out of films shortly afterward to move in with rock star Neil Young - with whom she raised a child. She returned to cinema with a pivotal role in Brian de Palma's bloody thriller The Fury. ~ Hal Erickson, Rovi