Eric Sykes Movies

As the summer sun shines down on England in the early 1980s, two boys who couldn't be more different are brought together by a mutual love of cinema and a desire to emulate their favorite action movie icon. Will Proudfoot (Bill Milner) is a well-mannered schoolboy being raised in an ultra-religious community that deplores such corruptive distractions as television and seeks to maintain its purity by severely limiting contact with the outside world. In order to exorcise his creative inner demons, Will has taken to sketching imaginative drawings and complex illustrations. Lee Carter (Will Poulter) is the school terror, a rampaging hellion whose overaggressive behavior has made him an endless source of frustration to the faculty, and a source of fear to his fellow classmates. As fate would have it, Will is in the school hallway avoiding exposure to the classroom television when a fed-up teacher ejects Lee from the classroom. Though at first it appears as if Lee is about to torment timid Will just as he does the rest of the student body, the two form a tight bond after Will convinces Lee to view a bootleg copy of Rambo: First Blood. When Lee informs Will that he wants to shoot a homebrewed version of the violent action film for an upcoming amateur filmmaking contest, a sudden streak of rebellion prompts his sheltered classmate to readily agree. As the summer wears on the two boys set out to create the ultimate no-budget action movie, but their grand vision hits an unexpected hitch when a busload of French exchange students arrive at the school and the leader of the pack attempts to hijack the production. ~ Jason Buchanan, All Movie Guide

Spanish filmmaker Alejandro Amenabar's first English-language production is a creepy period ghost story that continues in the vein of his earlier art house hit Open Your Eyes (1997). Nicole Kidman stars as Grace, a devoutly religious mother of two ailing children who has moved with her family to a mansion on the English coast while awaiting her husband's return from World War II, though he has been declared missing. Their children, Anne (Alakina Mann) and Nicholas (James Bentley), both suffer from a rare photosensitivity disease that renders them extremely vulnerable to sunlight, prompting Grace's rule of having only one door open in the house at a time. When Anne begins claiming to see ghosts, Grace at first believes her newly arrived family of eccentric servants to be responsible, but chilling events and visions soon lead her to believe that something supernatural is indeed going on. The Others was released only a few months prior to Vanilla Sky (2001), the American remake of Alejandro's Open Your Eyes (1997), ironically starring Kidman's then-estranged husband Tom Cruise. ~ Karl Williams, All Movie Guide

The darkly comic and sometimes quite gory Theatre of Blood is a vehicle tailor-made for its star Vincent Price, brilliantly capitalizing on his reputation as a master of period horror drawn from "literary" sources. Price portrays Shakespearean actor Edward Lionheart, who becomes enraged after losing a prominent acting award and decides to seek revenge on the critics responsible. Fittingly, he using the works of the Bard as a guide, basing his killings on violent scenes from Shakespearean plays. Price takes full advantage of his meaty role, ominously reciting classic Elizabethan monologues while rigging particularly nasty torture devices. This hilarious turn is assisted by a colorful supporting cast, including Robert Morley, Richard Coote, and Michael Hordern as critics and Diana Rigg as Lionheart's devoted daughter and partner in crime. The end result is a wonderfully evil lark that, in its own way, proves surprisingly faithful to the often bloody spirit of Shakespeare; certainly the full implications of Shylock's demand for a "pound of flesh" have rarely been made quite as explicit. ~ Judd Blaise, All Movie Guide

This slapstick comedy concerns the annual auto race in Monte Carlo and boasts an international cast of all-star thespians. Sir Cuthbert Ware-Armitage (Terry-Thomas) is the scheming villain and auto tycoon who will stop at nothing to win the car race. When Chester (Tony Curtis) wins half of the car company in a card game with the villain, a winner-take-all, race is proposed. Bourvil, Dudley Moore and Jack Hawkins also appear in this lighthearted comedy. Jimmy Durante sings the title tune of this pic that features several exciting stunt-driving scenes that ensue between the beginning and end of the international racing competition. The film is an obvious take off of Those Magnificent Men And Their Flying Machines but fails to live up to the quality of it's predecessor. ~ Dan Pavlides, All Movie Guide

In this slapstick comedy two bumbling workmen attempt to take a long wooden plank through a London suburb to a building site. Mayhem ensues. ~ Sandra Brennan, All Movie Guide

This James Bond parody brings a new sort of jet-set secret agent to the screen -- one who hates flying, is afraid to shoot people, and would rather stay at home! Col. Mostyn (Trevor Howard) is the head of a special branch of British intelligence who is appalled to discover that a number of his best agents are either leaving the force or have turned out to be traitors. It is decided that Mostyn and his men need a special agent to ferret out those who leave his employ while knowing too much and silence them permanently. Mostyn decides the right man for the job is his old army buddy Boysie Oakes (Rod Taylor), but there's a bit of a problem -- while the job requires a globe-trotting assassin who can stare calmly into the face of death, Oakes is a mild-mannered fun seeker who is terrified of airplanes and faints at the sight of blood. None of this dissuades Mostyn, who still gives Oakes the assignment, but when he finds out that flying and guns are a big part of his new job, he hires someone else to do the dirty work for him. Oakes eventually develops a taste for the cars, women, gadgets, and danger of his new career, but the real acid test comes when he actually has to go on an assignment himself. The Liquidator was directed by Jack Cardiff, who along with a respected career as a director was one of the most distinguished cinematographers in the British cinema, lensing such classics as The Red Shoes, The African Queen, and Black Narcissus. ~ Mark Deming, All Movie Guide

Ken Annakin's large-canvas comedy Those Magnificent Men in Their Flying Machines is set in 1910. In order to boost circulation of his newspaper, Lord Rawnsley (Robert Morley) offers 10,000 pounds to the first person who can fly across the English Channel. A huge number of hopefuls enter the contest, including the scheming Sir Percy Ware-Armitage (Terry-Thomas), who, with the help of his henchman Courtney (Eric Sykes), attempts to sabotage the other entries. There is also a love triangle featuring Orvil Newton (Stuart Whitman) and Richard Mays (James Fox) competing for the heart of Patricia Rawnsley (Sarah Miles). ~ Perry Seibert, All Movie Guide

This British comedy comes from Ray Galton and Alan Simpson, writers of the hit television program Steptoe and Son. Harry H. Corbett (who played Steptoe, Jr. on the tube) is Hemel, a canal-cruising bargee who is dead-set against marriage. He goes about his freewheeling ways until he finds out that he has impregnated one of his playthings (Julia Foster). Unfortunately for him, the young woman's father (Hugh Griffith) is the lock-keeper and he is not about to get out of this predicament without a vow or two. ~ Kristie Hassen, All Movie Guide

Terry-Thomas stars in this British comedy as J. Barker-Rynde, a detective assigned to look into some dirty dealings at a health club. The supporting cast includes Lionel Jeffries, Eric Sykes, and Dennis Price. ~ Mark Deming, All Movie Guide

It's probably no surprise that Invasion Quartet has four leading actors; what might be surprising, especially to the unwary war-film fan, is that film is a comedy. British funster Spike Milligan joins the sobersided Bill Travers, John LeMesurier and Gregoire Aslan; the foursome are undercover agents, travelling by train behind Nazi lines. It's all part of a plan to disarm a huge German gun that is aimed at the port of Dover. Just so the audience knows it's supposed to be laughing, the creators of Invasion Quartet pile joke upon joke by having the Nazis portrayed as bumbling buffoons. What works for Hogan's Heroes does not necessarily add to the effectiveness of Invasion Quartet. ~ Hal Erickson, All Movie Guide

Very Important Person is an amusing British comedy set in a German POW camp during World War II. Sir Ernest Pease (James Robertson Justice) is a self-important professor with a bloated ego and a lightning put-down. When he is flown over Germany disguised as a navy officer to check out the effectiveness of one of his radar inventions, his plane is shot down and he lands in the POW camp. All sorts of misunderstandings arise, since the other prisoners suspect him of being a spy. In the meantime, there are the expected clashes of wit between the British prisoners and their dour German captors and the inevitable camp-organized concert. In the midst of these activities, the professor is challenged to find a way to escape. ~ Eleanor Mannikka, All Movie Guide

Having skyrocketed to fame with the BBC radio series Hancock's Half Hour, 32-year-old British comedian Tony Hancock was rewarded with this weekly TV variety series, packaged for Associated Redifussion by Jack Hylton Productions. Originally, Hancock had wanted to employ the talents of his radio writers Galton and Simpson, but their BBC contract precluded this, so most of the early episodes were penned by series regular Eric Sykes (later a TV headliner in his own right). By the time the 12th and final episode was aired, Galton and Simpson had signed on to the project, as had such expert supporting comics as Dick Emery, Clive Dunn, June Whitfield, and future Carry On stalwart Hattie Jacques. Debuting April 27, 1956, The Tony Hancock Show was last seen on January 25, 1957, at which point Hancock returned to the BBC. ~ Hal Erickson, All Movie Guide

In this comedy, the routines of two British army barracks are disrupted when they are invaded by a Hollywood film unit while their CO is away. Trouble ensues when he returns unannounced. Now the filmmakers must convince him to allow them to keep filming. To do so, they employ the charms of a full-bodied blonde starlet. Filming finally resumes, but then a larger military impresario decides to drop by for a snap inspection; the film crew is unable to offer an acceptable explanation for their presence in the camp. ~ Sandra Brennan, All Movie Guide