Max von Sydow Movies

The first victory in The Second Victory is the Allied triumph in World War II. British major Anthony Andrews, in charge of the occupation troops in a remote Austrian village, must deal with the uncooperative attitude of the locals when one of his men is killed by a deranged Axis soldier. Andrews also pursues a romantic involvement with Birgit Doll, the niece of crooked lawyer Max Von Sydow. The lawyer kills himself when his crimes are revealed, whereupon Birgit, heretofore the only "sympathetic" villager in the film, turns on Andrews, holding the Major responsible for her uncle's death. We strongly suspect that the title The Second Victory was meant to be ironic: Nobody wins in this one. ~ Hal Erickson, All Movie Guide

Leading man Gabriel Byrne adds a "Harlequin Romance" dash to the two-part, six-hour TV movie Christopher Columbus. Seeking out a swifter route to the lucrative Indies, Genoa-born Columbus begs King John of Portugal (Max Von Sydow) to finance a westbound expedition. Failing this, he turns to Spain's Queen Isabella (Faye Dunaway), who is entranced by Columbus' near-religious fervor. After the famous 1492 expedition, Columbus is bankrolled for future forays into the New World, which win him both adulation and vilification. Originally telecast May 19 and 20, 1985, Christopher Columbus was filmed on location in Spain, Malta and the Dominican Republic, making full use of a $15 million budget. It isn't an earth-shattering cinematic experience, but is lots more worthwhile (and less ponderous) than the brace of Columbus biopics inflicted upon movie audiences in 1992. Those concerned with political correctness should be satisfied with the film's second half, which explores the more sinister elements of chauvinistic colonization. ~ Hal Erickson, All Movie Guide

This umpteenth film version of Henryk Sienkewicz's warhorse novel Quo Vadis? was produced for Italian Television. Francesco Quinn (son of Anthony) stars as the arrogant Roman legionnaire whose brutish, libertine outlook on life is softened by the love of early Christian girl Cristina Raines. Even allowing for the overproduced 1951 MGM version, this Quo Vadis? is a 200-minute wallow in excess. Accordingly, Klaus Maria Brandauer overplays Nero in an unbridled manner that hasn't been seen since the heyday of Bela Lugosi; at times, we shudder in fear that Brandauer's histrionics may level the papier-mache sets. Quo Vadis? debuted in the US on cable TV in 1986, where it was telecast in two parts. ~ Hal Erickson, All Movie Guide

After a seven-year absence from the small screen, NYPD detective Theo Kojak (Telly Savalas) made a comeback in the TV-movie The Belarus File (originally Kojak: The Belarus File). Adapted from John Loftus' best-selling spy novel The Belarus Secret, the film teams Kojak with federal agent Dana Sutton (Suzanne Pleshette). Following a labrynthine trail of evidence, the two investigators uncover a conspiracy that dates back to the Nazi invasion of the Soviet Union in the early 1940s. Max Von Sydow and Herbert Berghof guest star. Though Kojak himself is largely superfluous to the proceedings, the producers hoped that The Belarus File (premiere date: February 16, 1985) would serve as the launching pad for a weekly Kojak revival. ~ Hal Erickson, All Movie Guide

David Lynch wades through dark waters in his adaptation of Frank Herbert's cult science fiction novel. In condensing Herbert's rambling and complex book by eliminating characters and compacting events, Lynch succeeds in rendering the story incomprehensible to those unfamiliar with the novel and making the film look like a sketchy greatest hits collection of the book for Herbert fans. The story takes place in the year 10,191. The universe is governed through a system of feudal rule, presided over by Padishah Emperor Shaddam IV (José Ferrer), who appears to take his marching orders from something that resembles a talking vagina. In the kingdom are two rival houses -- the House of Atreides and the House of Harkonnen. Each house is trying to gain dominion over the universe, but that dominion can only be gained by the house that controls the Spice, a special substance that permits the folding of time. The Spice is only available on the desert world of Arrakis, or Dune. Shaddam, tired of the feuding between the two houses, permits the Atreides to take over the Spice production on Dune, while secretly working with the Harkonnens to launch a sneak attack on the Atreides and destroy them. The leader of the Atreides is Duke Leto (Jürgen Prochnow), who rules with the help of his concubine Jessica (Francesca Annis) and son Paul (Kyle MacLachlan). The rival Harkonnens are headed by the pus-oozing degenerate Baron Vladimir Harkonnen (Kenneth McMillan, in a thoroughly through-the-roof performance) and his two unsavory nephews, Rabban (Paul L. Smith) and Feyd (Sting). When his father is murdered by the Harkonnens, Paul escapes to Dune, where he is greeted by the Fremen (the desert dwellers on Dune who prepare the Spice) as the messiah foretold in Fremen legend. Paul assumes the mantle of messiah and leads the Fremen in a revolt that topples the balance of power in the universe. ~ Paul Brenner, All Movie Guide

Great special effects do not always make for a great film, but Dreamscape comes awfully close. Dr. Paul Novotny (Max Von Sydow) and Dr. Jane Devries (Kate Capshaw) run a clinic for the study of dreams. Hoping to alleviate the pain of those plagued with recurring nightmares, Novotny hires a team of psychics to "inhabit" the subconsciouses of the patients. Alex Gardner (Dennis Quaid), a small-time hustler who uses his ESP gifts for financial gains, is hired to work at the clinic. He helps to disperse the fears of a young nightmare-plagued boy, then reverts to type by "raping" the thoughts of the lovely Dr. Devries. Things come to a head when one of the patients, the American president (Eddie Albert), decides to purge himself of his apocalyptic dreams by making a lasting peace with the Soviets. Bob Blair (Christopher Plummer), the political reactionary who finances the clinic, decides to assassinate the president by acting upon Dr. Novotny's pet theory: if a person dies in his or her dream, he/she will die in real life. The finale pits Gardner against psychic assassin Tommy Ray Glatman (David Patrick Kelly). ~ Hal Erickson, All Movie Guide

In this undistinguished parody of the sci fi genre, Robert Urich is Jason who leads a band of pirates in redistributing the wealth of the few to the coffers of the needy. He also joins up with Princess Karina Mary Crosby in searching for her father and a possible source of water in the next galaxy. Meant to be a campy romp through the sci fi genre, the film stops short of achieving a goal that should have been effortless. ~ Eleanor Mannikka, All Movie Guide

The title of the 1983 James Bond adventure Never Say Never Again is a self-mocking reference to star Sean Connery's insistence back in 1971 that he would never play Bond again. Reportedly, the huge salary offered Connery was but one consideration that brought him back to the 007 fold; the other was the producers' assurance that Connery would have full control over all aspects of production, a promise that was not kept often enough to the star's liking. Essentially, this film is a remake of the 1965 Bond flick Thunderball (the producers were able to get away with this due to a legal tangle involving the original 1961 Ian Fleming novel). Bond emerges from cozy retirement to cross swords with Largo (Klaus Maria Brandauer), a megalomaniacal business exec who steals several nuclear missiles, intending to bring the World Powers to their knees. Kim Basinger plays Domino, Largo's mistress, whose loyalty Bond secures when she learns that Largo was responsible for the death of her brother. In addition to Basinger, the film boasts a toothsome villainess by the name of Fatima Blush (played by Barbara Carrera). After wrapping Never Say Never Again, Sean Connery swore that this was his absolutely final performance as James Bond; thus far, he's kept his word. ~ Hal Erickson, All Movie Guide

Director Claude D'Anna has tried for epic proportions in this less-than-epic film about incest, murder, suicide, and insanity in an aristocratic Sicilian family living in the 1950s. Count Villafratti (Max Von Sydow) has sex one night with his nymphomaniac daughter because he thinks she is his wife, and his wife, who is an operatic diva, hears of this just before she goes on stage. Later on, she commits suicide over the heinous act. In the meantime, their plantation workers are on strike, the communists and Mafiosos are fighting -- and the family's whole inner story (seen through the eyes of a visiting Sicilian-American who has come to bury his father here) is reflected in this outer turmoil. Segments of Verdi and Puccini at the opera house cannot do much to keep the entire scenario from seeming like a parody of itself. ~ Eleanor Mannikka, All Movie Guide

Based on the novel by Per Olaf Sundman, Ingenjör Andrées Luftfärd (Flight of the Eagle) tells the real-life story of a Swedish engineer's attempted expedition to the North Pole in a hot air balloon. Jan Troell directs this over two-hour adventure drama set in 1897. Max Von Sydow stars as Salomon August Andrée, the engineer who leads the tragic journey in a balloon called The Ornen (The Eagle). He is accompanied by explorers Nils Strindberg (Goran Stangertz) and Knut Fraenkel (Sverre Anker Ousdal). Ingenjör Andrées Luftfärd was nominated for Best Foreign Language Film in the 1983 Academy Awards. Using his experiences making this film, Troell went on to make the hour-long documentary En Frusen Drom (Their Frozen Dream) in 1998 with archival information from the remains of the expedition found in 1930 on an island near the North Pole. ~ Andrea LeVasseur, All Movie Guide

John Huston directed this exciting World War II action film, which culminates in a rousing soccer game. In a German prisoner of war camp, Major Karl von Steiner (Max Von Sydow), the camp commander, once a member of the German national soccer team, decides to put together a soccer match between a team of Allied prisoners, led by Captain John Colby (Michael Caine), a former English international soccer player. The game is to be played in Colombes Stadium in Paris and exploited for maximum propaganda effect by the Nazi publicity machine. Robert Hatch (Sylvester Stallone) is enlisted to assist the Allied prisoners to train for the event. But, in fact, the Allies are planning a risky escape during the soccer match. Famed Brazilian soccer great Pele makes an appearance in the film, along with Bobby Moore, the captain of Britain's 1966 World Cup champions, and Argentine soccer star Osvaldo Ardiles. ~ Paul Brenner, All Movie Guide

Director Bertrand Tavernier provides an unexpected feminist slant to the otherwise standard sci-fi trappings of Death Watch. Harvey Keitel plays a man of the future who has had a camera implanted in his brain. The mechanism, which is endowed with special X-ray properties, is activated by the user's eyes. Keitel is assigned by ruthless TV producer Harry Dean Stanton to secretly probe the subconscious of a dying woman, played by Romy Schneider. Stanton is only interested in the grim spectacle of what goes on inside the brain of someone who knows she's doomed. Keitel, on the other hand, becomes increasingly compassionate--and disgusted by the tawdriness of his assignment--as he stares into Schneider's tortured psyche. ~ Hal Erickson, All Movie Guide