Max von Sydow Movies

Stephen Rea stars as a relentless Russian investigator in this made-for-cable thriller. Based on an actual case, this taut film tells the story of Burakov (Rea), a Russian forensic pathologist assigned to track down a brutal serial killer who is targeting young drifters. The nature of the assignment takes its toll on Burakov's personal life, as he tracks the killer for years despite the red-tape and bureaucracy of the Soviet state. Nominated for several awards overall that year, Donald Sutherland won an Emmy and a Golden Globe Award for his co-starring role as Rea's supportive superior, Fetisov. The movie was filmed in Hungary. ~ Bernadette McCallion, Rovi

Screenwriter and novelist Joseph Kaufman Max von Sydow) has made his mark, earned gobs of money in his day, and won an Oscar for his troubles. Now he's a lot older, and all he wants to do is sit around and vegetate - and if he were anyone else, he'd probably be allowed to. However, he has a lifestyle that requires that he continue to manufacture "product," and he has an advance for a novel that he's spent without writing a word. His lovely mansion is likely to be taken by French authorities for back taxes, if he can't rouse himself to start typing. However, in this comedy, it will take the combined full-time efforts of his agent (Martin Landau), his wife (Charlotte Rampling), and a young admirer and fellow writer (Francois Montagut) to rouse him from his lethargy, and it's not at all clear that they will succeed in doing so. ~ Clarke Fountain, Rovi

Satan opens an antique shop in a small town and lures the residents into evil actions in this supernatural chiller. Based on a novel by the prolific Stephen King, the film bears many of the author's trademarks, such as the New England setting and the focus on regular people tempted by the forces of supernatural evil. Here, the enticements toward bad behavior comes from the "Needful Things" shop, owned by new resident Leland Gaunt (Max von Sydow). Gaunt's shop offers an odd collection of goods, each of which happens to be the object of desire of a local resident. Instead of money, however, Gaunt demands that townspeople perform a series of simple pranks. He has a plan, and these actions escalate until the town is at violent war with itself. The residents are brought to life by a talented cast, led by von Sydow's suave devil and including Ed Harris as the local sheriff, J.T. Walsh as a corrupt politician, and Amanda Plummer as a seemingly innocent baker. ~ Judd Blaise, Rovi

Scripted (but not directed) by Ingmar Bergman, Best Intentions is a multilayered backwards glance at the courtship of Bergman's own parents. Henrik Bergman (Samuel Froler) is a struggling theology student in the year 1909. His intended, Anna Aakerbloom (Pernilla August, who married director Bille August while the film was in progress) is from a well-to-do family. Despite the expected class differences and personality clashes, love-or at least mutual understanding-prevails. But after a harsh, spare few years as the wife of a clergyman, Anna yearns for the more bountiful pleasures of her family home. Bergman writes himself into the proceedings as a mewling infant. The current three-hour theatrical version of Best Intentions (original title: Den Goda Viljan) was simultaneously prepared as a six-hour TV miniseries, which ran in Europe, Scandanavia, and Japan. ~ Hal Erickson, Rovi

Wim Wenders's sprawling cyberpunk noir epic -- shot in no less than nine different countries -- is set in 1999 and stars Solveig Dommartin as Claire, a young Frenchwoman who comes into contact with a large sum of money stolen during a bank heist; in her travels she picks up a mysterious American hitchhiker (William Hurt), who himself steals some of the money before parting from her company. Upon discovering the theft, Claire sets out on his trail, with both a Hammett-styled German private eye (Rudiger Vogler) as well as her former lover, a novelist portrayed by Sam Neill, in tow. The hitchhiker is really Sam Farber, the son of an underground scientist (Max Von Sydow), and his mission is to travel the globe in order to acquire the funding necessary to develop the technology which will allow his blind mother (Jeanne Moreau) to "see" visual recordings of her family members; the second half of the film takes place largely in the Farbers' compound in the Australian Outback, where Sam, Claire and the others take refuge while attempting to bring the sight project to its fruition, in the meantime pondering earth's future in the wake of a nuclear disaster in outer space. Wenders' most ambitious film, budgeted at $23 million, Until the End Of the World ran into serious issues given its whopping length. The original cut ran 20 hours. Realizing that this would make theatrical screenings impossible, Wenders heavily edited the picture and wound up with a 5-hour cut with which he is reportedly satisfied (known as the 'Director's Cut'). Warners wouldn't go for this either, however, and whittled it down to 2 1/2. That version - which premiered theatrically in the U.S. on Christmas Day 1991- makes little sense ,with a disjointed narrative that doesn't shift gears so much as grind them as the action moves from country to country. Unsurprisingly, it confounded critics and lay viewers and infuriated its director, who all but disowned it. (Echoes of Once Upon a Time in America!) As with the Leone film, though, the Director's Cut of World did evetually see the light of day. It's now widely available in a multi-disc collector's set throughout Europe, and the public response to that version has been far more favorable. ~ Jason Ankeny, Rovi

The Bachelor is based on a novel by Austrian author Arthur Schnitzler, of Affairs of Anatol fame. Keith Carradine stars as an unmarried doctor who prefers his will-o-the-wisp existence, avoiding any lasting relationships. Carradine is thrown for a loop when the only person whom he cares about commits suicide. Left with no frame of reference, the doctor is forced to start his life all over again-beginning with his belated sexual initiation. As superb as Carradine is in The Bachelor, his costar Miranda Richardson is absolutely stunning in a dual role. Released in Italy as Mio caro dottor Grasler in 1991, The Bachelor made it to American shores two years later. ~ Hal Erickson, Rovi

This thriller is the second film based on the novel of the same name by Ira Levin. Matt Dillon stars as Jonathan Corliss, a lethal schemer from the wrong side of the tracks. Now a student at the University of Pennsylvania, Jonathan has been obsessed since childhood with the fortunes of a company called Carlsson Copper. Jonathan plans to ingratiate himself with the wealthy family of magnate Thor Carlsson (Max von Sydow) and has begun secretly dating Carlsson's daughter Dorothy (Sean Young). When Dorothy learns that she's pregnant and informs Jonathan that she'll be cut off without her inheritance when her father learns the truth, Jonathan murders her, making it appear to be a suicide, and moves to New York. There, he makes the acquaintance of Ellen Carlsson (also played by Young), the late Dorothy's twin sister, and begins wooing her. This time he meets with success, winning Ellen's hand in marriage and a powerful position in his new father-in-law's company. However, Ellen has long nursed suspicions about her twin's death and as she probes deeper into the alleged suicide, she uncovers alarming facts about some other murders and the identity of her sister's unknown lover. Director James Dearden also wrote Fatal Attraction (1987), which contains similar themes. ~ Karl Williams, Rovi

Benvenuto Cellini was a gifted metalworker who created gorgeous objects for the rich, a rogue, a warrior and a sensitive man. In short, he was an archetypical product of his period in Renaissance Italy, a lusty antihero par excellence. This movie is based on selections from his famous autobiography, and chronicles the life of this egotistical fabricator of beautiful objects as he battles, murders, has love affairs, rapes, connives, copes with imprisonment and near madness and generally thrives amid the worst that his tumultuous times can throw at him. Not for the weak of stomach, this film graphically depicts the violence of the period, as well as the unpleasantnesses of the plague. His truly was A Violent Life. ~ Clarke Fountain, Rovi

In this drama, a daughter defends her aging father against scandalous accusations. Joseph Mueller (Max Von Sydow) was born in Germany but emigrated to Australia shortly after the end of World War II. Joseph is happily spending the autumn of his years doting on his two grandchildren and giving friendly business advice to his daughter Anne Winton (Carol Drinkwater) and son-in-law Bobby (Steven Jacobs), who have inherited the hotel that Mueller founded. One morning, as Joseph walks his grandchildren to school, he discovers that a camera crew is following him from a distance, led by reporter Leah Zetnick (Julia Blake). A few days later, Leah broadcasts a report alleging that Joseph is in fact Franz Kessler, a former member of Hitler's S.S. and a war criminal responsible for the death of Leah's parents, among many others. Suddenly besieged by the media, Anne and Joseph go into hiding after authorities issue an indictment against him. Joseph eventually steps forward to stand trial, defended by attorney George Coleman (Tom Robertson). After George calls Leah's credibility into serious question in court, Joseph is cleared of all charges, and a seriously distraught Leah commits suicide in front of Joseph and Anne. But Joseph's casual reaction to Leah's shocking act makes Anne wonder if Bobby's suspicions about her father's past might have a basis in fact. Max Von Sydow and Julia Blake both won Australian Film Institute awards for their performences. ~ Mark Deming, Rovi

Bai (Le Ernst) is the stationmaster in a small whistle-stop town who must contend with the suffering of his dying wife Katrinka (Tammi Ost) in this depressing romantic drama. She knows her husband loves her but she has fantasies about Huus (Kurt Ravn), the shy estate manager who has suffered his own losses in love. This is the directorial debut for veteran actor Max von Sydow. ~ Dan Pavlides, Rovi

This is the second episode in a three-part series that explores the life and teachings of the great psychiatrist C.G. Jung. The Wisdom of the Dream, Vol. 2: Inheritance of Dreams looks at the collective myths that are shared by different cultures and races throughout the world. Jung saw these as evidence of an underlying unifying principle in the human psyche, which he termed archetypes. These archetypes are present in the collective unconscious and express themselves to the individual in dreams and synchronistic events. The film surveys some of the archetypal symbolism in world myths. Jungian analyst John Beebe uses the science fiction film Star Wars to illustrate the presence of the ancient myths in today's symbolic expressions. There is rare footage of Jung's travels to Africa, England, and New Mexico, in search of archetypal motifs. ~ Rose of Sharon Winter, Rovi

Long but rewarding, the Danish-Swedish Pelle the Conqueror is based on the early passages of Martin Andersen Nexoe's four-volume novel. Pelle (Pelle Hvengaard) is the son of a 19th-century Swedish farmer (Max Von Sydow). Seeking escape from their poverty-stricken surroundings, father and son emigrate to Denmark. Upon arrival, however, they are treated like indentured servants, leading to a profound ideological turnaround for the impressionable Pelle. In the original novel, Pelle ended up embracing Communism. Nexo's political overtones are soft-pedalled in the film, which concentrates on the close, indestructable relationship between Pelle and his father. Adapted for the screen by Bille August, Pelle the Conqueror won the 1988 Oscar for Best Foreign Language Film. ~ Hal Erickson, Rovi