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Michelle Sweeney Movies

2002  
R  
Add Confessions of a Dangerous Mind to Queue Add Confessions of a Dangerous Mind to top of Queue  
Chuck Barris is best known to most Americans as the guy who used to host The Gong Show. He was also the creator and producer of The Dating Game, The Newlywed Game, and a handful of other successful game shows in the 1960s and 1970s. But was he also a hired killer working with the CIA? That's the take-it-or-leave-it premise of Confessions of a Dangerous Mind, based on the memoir of the same name by Chuck Barris. Barris (Sam Rockwell) grows up dreaming of success in show biz and winning the hearts of beautiful women, but early on, he meets with plenty of resistance from both women and the television industry, despite writing the hit tune "Palisades Park" and scoring a job with Dick Clark on American Bandstand. The 1960s proves more fortunate for Barris; he meets the love of his life, Penny (Drew Barrymore), and sells ABC on the idea of The Dating Game. However, after the show has made him wealthy and successful, Barris is approached by the mysterious Jim Byrd (George Clooney), a CIA agent who wants to recruit Barris as a covert operative. Barris finds the notion of playing spy games intriguing and agrees, but soon discovers what Byrd and his partners really want is for Barris to assassinate uncooperative figures around the world. Soon, Barris finds that his life has been all but taken over by Byrd and another CIA agent, the mysterious and sexy Patricia (Julia Roberts). As he hops the globe, killing people in the name of American security (using his status as a Dating Game chaperone as a cover), Barris learns that the KGB has discovered his not-so-little secret and that his own life is in great danger. Confessions of a Dangerous Mind marked the directorial debut of actor George Clooney, working from a screenplay adapted by Charlie Kaufman from Barris' book. Dick Clark, Dating Game host Jim Lange, frequent Gong Show panelist Jaye P. Morgan, and Gene Gene Patton appear as themselves. ~ Mark Deming, Rovi

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Starring:
Sam RockwellDrew Barrymore, (more)
 
1999  
R  
Add Eye of the Beholder to Queue Add Eye of the Beholder to top of Queue  
Part high-tech spy thriller and part psychological study, Eye of the Beholder was Ewan McGregor's first feature film following his mainstream breakthrough performance in Star Wars Episode I: The Phantom Menace. The Eye (Ewan McGregor) is an agent of the British Secret Service, equipped with the latest in high-tech crime fighting gadgetry and assisted by his indefatigable collegue, Hilary (k.d. lang). The Eye's latest assignment is a surveillance project; the son of a well-known politician has been spending a great deal of money on someone, and they would like to know who and why. A little sleuthing reveals that the mysterious person taking the cash is a woman named Joanna (Ashley Judd), but the trail gets much stickier when the Eye witnesses Joanna pulling a knife and killing the politician's son. Normally, he'd take the shortcut to putting her behind bars, but some time ago he lost contact with his daughter when his wife left him; Joanna reminds the Eye of his daughter, and he's too fascinated with her to bring her to justice. The Eye now follows Joanna obsessively, and discovers that she's also involved with a blind man (Patrick Bergin) and has a history of emotional instability from being abandoned by her father at a young age. Eye of the Beholder was directed by Stephan Elliott, best known for the comedy The Adventures of Priscilla, Queen of the Desert. ~ Mark Deming, Rovi

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Starring:
Ewan McGregorAshley Judd, (more)
 
1991  
PG  
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This Canadian drama from director Cynthia Scott centers on eight elderly women strangers who find themselves depending on each other and becoming fast friends when they're suddenly stranded in the rural countryside. Traveling through a largely uninhabited area, the ladies' bus breaks down and, as they await help, they are forced to fend for themselves. Finding refuge in a rustic and empty farmhouse, the women begin talking and eventually share many of their life experiences and memories with each other, forming an indelible bond. In an attempt to create an air of reality and spontaneity, Scott used a nonprofessional cast and encouraged improvised dialogue. Strangers in Good Company was nominated for several honors at Canada's 1991 Genie Awards, ultimately winning the prize for Best Editing. ~ Matthew Tobey, Rovi

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Starring:
Alice DiaboConstance Garneau, (more)
 
1988  
 
Add Liberace: Behind the Music to Queue Add Liberace: Behind the Music to top of Queue  
This was the "unofficial" Liberace biopic, as opposed to the error-ridden "official" Liberace (telecast one week earlier in October of 1988). The star of Liberace: Behind the Music is Broadway actor Victor Garber, who later scored a personal triumph as the devilish Mr. Applegate in the revival of Damn Yankees. Behind the Music is an unauthorized TV movie based on the recollections of the pianist's business manager, giving scriptwriter Gavin Lambert far more leeway in delineating the title character, warts and all. The closing sequences delve much deeper into the AIDS question than was possible in the family-approved Liberace starring Andrew Robinson (who, to be fair, looks more like the real entertainer than does Victor Garber). Liberace: Behind the Music could have descended into tabloidism ("Behind the rumors and the secrets" read the advertising copy), but emerges as a work of conspicuous dignity and (reasonably) good taste. ~ Hal Erickson, Rovi

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Starring:
Victor GarberMaureen Stapleton, (more)
 
1988  
 
Add God Bless the Child to Queue Add God Bless the Child to top of Queue  
A young mother and her daughter end up on the streets in this grim made-for-television movie. Mare Winningham stars as Theresa Johnson, a young mother whose life falls apart when she finds herself suddenly single, unemployed and homeless. With nowhere to turn, Theresa and her daughter Hillary (Grace Johnston) drift through the social system, wandering from shelter to shelter with little hope for the future. Gripping in its portrayal of the cycle of poverty, the film offers no simple solutions -- much like real life. ~ Bernadette McCallion, Rovi

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