Joseph Sweeney Movies

Joseph Sweeney was a veteran character actor who worked primarily on the stage and, from the late '40s onward, television. He appeared in only a half-dozen movies, principally in the '50s, by which time he was in his seventies and his white hair and care-worn face made him ideal for avuncular parts; he generally played the kind of grandfatherly roles in which Harry Davenport had specialized during the previous decade. Born in Philadelphia in 1884 (some sources say 1890), Sweeney spent part of his youth living in a rooming house above another tenant who occasionally annoyed his neighbors by bouncing the oranges that he was juggling off the ceiling of his room -- that man was W.C. Fields, four years Sweeney's senior and attempting to start a career in vaudeville as a juggler. By the 1910s, Sweeney had embarked on an acting career that would take him to Broadway and major theatrical tours of the United States. Among the plays in which he acted during this period was The Clansman, the stage adaptation of Thomas Dixon's notorious book, which was also the source for The Birth of a Nation (1915). He later appeared with Helen Hayes and Herbert Marshall in Ben Hecht and Charles MacArthur's Ladies and Gentlemen (in a production that also included Roy Roberts and Robert Keith) and in plays such as George Washington Slept Here, Dear Old Darlin', A Slight Case of Murder, and Days to Remember. He was fully active on-stage into the '40s, but with the advent of commercial television at the end of the decade, he shifted over to the new medium. He was a regular on the CBS series Wesley in 1949 and appeared in installments of Lights Out, Kraft Television Theatre, Philco Television Playhouse, Campbell Television Soundstage, Studio One, Producers' Showcase, Playwrights '56, The U.S. Steel Hour, The Defenders, Car 54, Where Are You?, and Dr. Kildare during the 1950s and '60s, often in leading or major supporting roles. The most important of his television performances, however, was the 1954 Studio One production of Reginald Rose's Twelve Angry Men, as Juror #9, Mr. McCardle. He later repeated the role in Sidney Lumet's film adaptation -- the movie was Sweeney's movie tour de force, his every line and nuance spot-on perfect, and allowed the character actor to hold his own in what was otherwise a fairly star-heavy cast, including Henry Fonda (who also produced the film), Lee J. Cobb, and Jack Warden. Sweeney was also equally good at crafty and villainous roles, such as the larcenous former household employee in The Man in the Gray Flannel Suit (1956), and his performances in period subjects were just as effective, such as in the Glenn Ford Western The Fastest Gun Alive (1956). Sweeney was a busy, active actor right up until the time of his death late in 1963 at age 79, appearing in more than a dozen television programs that year alone. ~ Bruce Eder, All Movie Guide
1957  
 
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A Puerto Rican youth is on trial for murder, accused of knifing his father to death. The twelve jurors retire to the jury room, having been admonished that the defendant is innocent until proven guilty beyond a reasonable doubt. Eleven of the jurors vote for conviction, each for reasons of his own. The sole holdout is Juror #8, played by Henry Fonda. As Fonda persuades the weary jurors to re-examine the evidence, we learn the backstory of each man. Juror #3 (Lee J. Cobb), a bullying self-made man, has estranged himself from his own son. Juror #7 (Jack Warden) has an ingrained mistrust of foreigners; so, to a lesser extent, does Juror #6 (Edward Binns). Jurors #10 (Ed Begley) and #11 (George Voskovec), so certain of the infallibility of the Law, assume that if the boy was arrested, he must be guilty. Juror #4 (E.G. Marshall) is an advocate of dispassionate deductive reasoning. Juror #5 (Jack Klugman), like the defendant a product of "the streets," hopes that his guilty vote will distance himself from his past. Juror #12 (Robert Webber), an advertising man, doesn't understand anything that he can't package and market. And Jurors #1 (Martin Balsam), #2 (John Fiedler) and #9 (Joseph Sweeney), anxious not to make waves, "go with the flow." The excruciatingly hot day drags into an even hotter night; still, Fonda chips away at the guilty verdict, insisting that his fellow jurors bear in mind those words "reasonable doubt." A pet project of Henry Fonda's, Twelve Angry Men was his only foray into film production; the actor's partner in this venture was Reginald Rose, who wrote the 1954 television play on which the film was based. Carried over from the TV version was director Sidney Lumet, here making his feature-film debut. A flop when it first came out (surprisingly, since it cost almost nothing to make), Twelve Angry Men holds up beautifully when seen today. It was remade for television in 1997 by director William Friedkin with Jack Lemmon and George C. Scott. ~ Hal Erickson, All Movie Guide

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Starring:
Henry FondaLee J. Cobb, (more)
1953  
 
In this rare kinescope from the early years of the long-running dramatic anthology Philco Television Playhouse, Ed Begley Sr. stars as Ernie Barger, the bombastic, conservative but withal likeable co-owner of a successful dinner-plate manufacturing firm. Having spent his life imposing his will on those around him, Ernie cannot admit that he is out of step with the times professionally, nor that he might be responsible for the shyness and recurring illnesses of his wife Mariella (Carmen Mathews). But Ernie is certain of one thing in life: That once his beloved son Roy (John Connell) has graduated from college, he and Ernie will be inseparable buddies. Alas, it at Roy's graduation that Ernie is dealt the first in a series of devastating disilllusionments. Most existing prints of Ernie Barger Is 50 include the original Philco commercials, as well as a plug for the following week's episode of Goodyear Television Playhouse (which alternated with the Philco show). ~ Hal Erickson, All Movie Guide

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1957  
 
F. Scott Fitzgerald's short story "Winter Dreams" is brought to life in this 1957 Playhouse 90 presentation. John Cassavetes stars as Dexter Green, who has spent most of his life trying to fulfill the ambitions and hopes of his socially ambitious mother and his conservative father. Thanks to his mom's aggressiveness, Dexter has achieved financial success and prestige in his community--and, as a bonus, he is poised to marry the girl carefully selected by his parents. But things change radically when wealthy but fickle Judy Holt (Dana Wynter) slinks into Dexter's life. Actor Joseph Sweeney was a last minute-replacement for Edmund Gwenn, who was slated to play the role of Mr. Gordon. ~ Hal Erickson, All Movie Guide

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Starring:
Dana WynterJohn Cassavetes, (more)
1936  
 
In the print ads for Soak the Rich, writers/producers/directors Ben Hecht and Charles MacArthur were shown singing "We're the boys who wrote the yarn/ And here's what it's about/ Class ideas don't mean a thing/ When love kicks 'em out." The film pokes broad fun at New Deal liberalism and 1930s campus unrest, which the authors evidently regarded as a passing fad ("the latest form of necking," observes one character) Millionaire college chairman Humphrey Craig (Walter Connolly) is saddled with fuzzy-headed daughter Belinda (Mary Taylor), who allows campus radicals to hold rallies in her living room. The main bone of contention is Belinda's romance with starry-eyed economics professor Buzz Jones (John Howard), whom Craig had fired after the publication of Jones' inflammatory book Soak the Rich. Belinda's enchantment with "pinkos" comes to an end when she's kidnapped by a comically menacing communist agitator (Lionel Stander) and when Buzz proposes marriage (in the Brave New World, she reasons, there is no room for matrimony). Her fed-up daddy solves matters with a shotgun wedding -- only it's the bride, not the groom, who's the reluctant participant. Novelist Alice Duer Miller, a longtime Hecht-MacArthur crony, plays a supporting role. Soak the Rich may sound like a "lost masterpiece," but it isn't; in fact, many critics regard it as one of the worst films of the 1930s. ~ Hal Erickson, All Movie Guide

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Starring:
Walter ConnollyMary Taylor, (more)
1956  
NR  
In this western, a pacifistic store owner does all he can to avoid association with his father, a notorious gunfighter. One day he gets drunk and shows off his own considerable skills with a pistol. Unfortunately, this attracts the attention of the man who fancies himself the town's fastest draw and he heads to the store for a little confrontation. ~ Sandra Brennan, All Movie Guide

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Starring:
Glenn FordJeanne Crain, (more)
1956  
 
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This meticulous and unusually long cinemadaptation of Sloan Wilson's best-selling novel The Man in the Grey Flannel Suit stars Gregory Peck as an ex-army officer, pursuing a living as a TV writer in the postwar years. Hired by a major broadcasting network, Peck is assigned to write speeches for the network's president (Fredric March). Peck comes to realize that the president's success has come at the expense of personal happiness, and this leads Peck to ruminate on his own life. Extended flashbacks reveal that Peck had experienced a torrid wartime romance with Italian girl Marisa Pavan, a union that produced a child. Peck is torn between his responsibility to his illegitimate son and his current obligations towards his wife (Jennifer Jones), his children, and his employer. Among the many life-altering decisions made by Peck before the fade-out is his determination to seek out a job that will allow him to spend more time with his family, even if it means a severe cut in salary. The superb hand-picked supporting cast of The Man in the Grey Flannel Suit includes Ann Harding as March's wife, Keenan Wynn as the man who informs Peck that he'd fathered an Italian child, Henry Daniell as a detached executive, and an unbilled DeForrest Kelley as an army medic (who gets to say "He's dead, captain"!) ~ Hal Erickson, All Movie Guide

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Starring:
Gregory PeckJennifer Jones, (more)

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