Roberts Blossom Movies

The miserable life and long-overdue death of thrill killer Charles Starkweather is the basis of the two-part TV movie Murder in the Heartland. Over a bloody few months in 1958, Starkweather (Tim Roth), a 19-year-old high school dropout, embarked on a killing spree, snuffing out 11 victims. Along for the ride was Charlie's 14-year-old girlfriend Caril Ann Fugate (Fairuza Balk). The debate still goes on as to whether Caril Ann was a willing accomplice or a reluctant prisoner; as played by Ms. Balk, she comes off as dumb as mud. A shorter, fictionalized account of the Starkweather killings was offered in the critically acclaimed 1973 theatrical feature Badlands, starring Martin Sheen and Sissy Spacek. Murder in the Heartland originally aired May 3 and 4, 1993. ~ Hal Erickson, Rovi

A dreary and depressing tale despite the excellent assemblage of talent, this is the story of a Depression-era family where sibling rivalry and tragedy seem to be the watch words of their home life. A period piece set in 1930s Texas. ~ Tana Hobart, Rovi

Home Alone is the highly successful and beloved family comedy about a young boy named Kevin (Macaulay Culkin) who is accidentally left behind when his family takes off for a vacation in France over the holiday season. Once he realizes they've left him "home alone," he learns to fend for himself and, eventually has to protect his house against two bumbling burglars (Joe Pesci, Daniel Stern) who are planning to rob every house in Kevin's suburban Chicago neighborhood. Though the film's slapstick ending may be somewhat violent, Culkin's charming presence helped the film become one of the most successful ever at the time of its release. ~ Stephen Thomas Erlewine, Rovi

Willem Dafoe plays Jesus Christ in this extraordinarily controversial adaptation of Nikos Kazantzakis's novel. The film depicts a sometimes reluctant, self-doubting Jesus, gradually coming to accept His divinity and the inexorability of His ultimate fate. The much-maligned sex scene with Mary Magdalene (Barbara Hershey) occurs as an hallucination experienced by Jesus as he suffers on the cross. This particular sequence was what infuriated the film's most rabid critics, but in fact it is just one of many iconoclastic musings to be found in the film and its source novel. Equally volatile are the intimations that, as a carpenter, Jesus indifferently shaped the crucifixes for other condemned prisoners long before his own fate was sealed, and that Judas (Harvey Keitel) was literally manipulated into betrayal by a Christ whose preoccuption with his own destiny compelled him to "use" others. None of these departures from the normal interpretation of the scriptures are offered as any more than theory; as such, it was accepted as food for thought by the more open-minded clerics and Biblical scholars who recommended the film. ~ Hal Erickson, Rovi

Roberts Blossom of Home Alone fame guest stars as Lawrence Everett, a 90-year-old man suffering from a variety of illnesses. Everett has arranged to be murdered--and he hires David (Bruce Willis) and Maddie (Cybill Shepherd) to witness the crime! Before long, David has been led to believe that he himself is Mr. Everett's killer. Not only is this the episode in which David and Maddie finally share their first real kiss, but it is also the one featuring David's amazing "disappearing" shaving cream. ~ Hal Erickson, Rovi

According to high school wrestler Matthew Modine, a spiritual "Vision Quest" is necessary for him to decide his future. Thus, Modine starts behaving in a manner that amazes even himself. The crowning achievement of Modine's new outlook on life is his romance with 21-year-old artist Linda Fiorentino. Somehow, all of this boils down to the standard "underdog makes good at crucial sports event" finale. Essentially Rocky and Breaking Away redux, Vision Quest is saved by the spirited performances of its young protagonists. Of historical value is the brief appearance by Madonna, whose voice is heard throughout on the film's music track. ~ Hal Erickson, Rovi

Bob Logan (Kris Kristofferson) and Ernie Wyatt (Treat Williams) are freewheeling U.S. border patrol officers in a tiny Texas town. Though they're "oil and water" in terms of personality, they're a dynamite team on the job. Coming across a million dollars in stolen money, their relationship threatens to unravel. Upright Wyatt is all for turning in the money, but Logan has other ideas. Soon, however, they're reunited against several common enemies, including a team of overzealous FBI agents. Flashpoint is based on a novel by George La Founteine. ~ Hal Erickson, Rovi

Director John Carpenter returns to the suburban landscape he explored so chillingly in Halloween (1978) with this lean, stripped-down adaptation of the Stephen King best-seller about a haunted car with a devilishly bad attitude and the teen underdog who falls head-over-heels for her chrome-accented charms. Shortly after geeky, horn-rim-sporting Arnie Cunningham (Keith Gordon) narrowly escapes a beating at the hands of shop-class bully Buddy Repperton (William Ostrander) on the first day of his senior year, he soon falls prey to a far more duplicitous villain in the form of a rusted-out 1958 Plymouth Fury nicknamed "Christine" by its crusty owner George LeBay (Roberts Blossom) -- who sells wide-eyed Arnie the old hulk despite the protests of best friend Dennis (John Stockwell) and the admonition of his domineering parents. As Arnie sets to the task of restoring Christine, his hobby grows into an obsession -- and the real power that hums beneath her hood begins to emerge, seemingly granting newfound coolness and sex appeal to the once-nerdy outcast, while simultaneously drawing away his very soul. A vengeful spirit, Christine lashes out violently at those who dare to stand between her and Arnie -- starting with Repperton and his gang, who completely trash the car, but are soon hunted down one by one and pulverized beneath the whitewalls of the miraculously-restored Fury. When Arnie's pretty, popular girlfriend Leigh (Alexandra Paul) begins to suspect she may soon be on the receiving end of automotive vengeance, she calls on Dennis for help... but a frightening midnight ride in Christine convinces Dennis that Arnie's only hope lies in destroying the demonic vehicle. ~ Cavett Binion, Rovi

It could be said that without the incredible success of the ABC miniseries Holocaust in 1978, CBS might have thought twice before greenlighting the ambitious, three-hour TV docudrama The Wall four years later. Adapted by Millard Lampell from his own 1960 Broadway play, which in turn was inspired by John Hersey's 1950 novel, The Wall is the heartbreaking but inspiring story of the heroic Warsaw Ghetto Uprising of 1943. When it becomes obvious that every Jew in Poland is doomed to be shipped off to the Nazi work and death camps, some 650 members of the newly formed Jewish Fighting Organization mount a last, brave stand against nearly 3000 German soldiers. The story is told through the eyes of Warsaw Jew Dolek Benson (Tom Conti, in his first American TV appearance), who is a passive observer of the atrocities all around him until he learns the truth about the Nazi's "resettlement" program. Rachel Roberts, cast as a former schoolteacher, made her final appearance in this film; she passed away shortly after production ended. Filmed on location in Sosnowiec, Poland and first telecast February 16, 1982, The Wall earned a Peabody Award the following year. ~ Hal Erickson, Rovi

Written for television by Allan Sloane, Family Reunion stars Bette Davis as an ageing New England schoolteacher who is given an "unlimited" bus ticket as a retirement present. She uses this gift to visit the farthest-flung members of her long-estranged family. In her absence, Davis' small town falls prey to corruptive influences, but with the help of her more honest relatives (four generations' worth, including Bette's real-life grandson J. Ashley Hyman), everything is resolved at the annual Founder's Day gathering. Family Reunion originally aired in two parts, on October 11 and 12, 1981; the preponderance of Davis' family members and unresolved plot strands would seem to suggest that this 4-hour film was intended as a series pilot. ~ Hal Erickson, Rovi

No one can escape from Alcatraz, right? Try telling that to lifer Frank Morris (Clint Eastwood). This Donald Siegel-directed nailbiter is a reenactment of Frank Morris' 1962 attempt to bust himself and two other cons out of The Rock. Eastwood, as Morris, tilts with nasty warden Patrick McGoohan for a while, befriends several fellow prisoners, and picks the guys with whom he'll make his escape. Among his break-out buddies are the Anglin Brothers (Fred Ward and Jack Thibeau), with whom he'd served in other lockups, and several others who've got their own special reasons to despise the sadistic McGoohan. Filmed on location at the newly renovated Alcatraz, Escape From Alcatraz was another box-office winner for the Eastwood/Siegel combo. ~ Hal Erickson, Rovi

Steven Spielberg followed Jaws (1975), his first major box-office success, with this epic science fiction adventure about a disparate group of people who attempt to contact alien intelligence. Roy Neary (Richard Dreyfuss) is an electrical lineman who, while sent out on emergency repairs, witnesses an unidentified flying object, and even has a "sunburn" from its bright lights to prove it. Neary's wife and children are at first skeptical, then concerned, and eventually fearful, as Roy refuses to accept a "logical" explanation for what he saw and is prepared to give up his job, his home, and his family to pursue the "truth" about UFOs. Neary's obsession eventually puts him in contact with others who've had close encounters with alien spacecraft, including Jillian (Melinda Dillon), a single mother whose son disappeared during her UFO experience, and Claude Lacombe (celebrated French filmmaker François Truffaut), a French researcher who believes that we can use a musical language to communicate with alien visitors. Lacombe's theory is put to the test when a band of government researchers and underground UFO enthusiasts (including Neary) join for an exchange with alien visitors near Devil's Tower, Wyoming. In 1980, a "Special Edition" was released. While its primary selling point was the addition of scenes inside the alien spaceship, Spielberg claimed that he also cleaned up some choppy editing in the second act. ~ Mark Deming, Rovi