Janet Suzman Movies

A Jewish Londoner embarks on a journey to find himself after learning some shocking news about his past in this eccentric British comedy. As the film begins, Leon (Mark Frankel) is already in a time of transition, having quit his job for moral reasons and assumed a position in his mother's catering firm. His life is thrown into even more disarray when a bizarre coincidence reveals the truth behind his birth: not only was his birth the result of artificial insemination, but a lab mix-up means that his real, biological father is a complete stranger. The confused Leon sets out to find his "real" dad, and unexpectedly discovers that he is descended from a family of Yorkshire pig farmers. Co-directors Vadim Jean and Gary Sinyor move their story in fits and starts, allowing room for countless digressions, from a torrid affair with a outrageous artist (Maryam d'Abo) to the accidental breeding of a rather unique pig. While the film proves uneven, fans of the quirkier varieties of British comedy should find Leon the Pig Farmer's off-beat tone and taste for surrealistic details suitably entertaining. ~ Judd Blaise, All Movie Guide

Schoolteacher Ben du Toit (Donald Sutherland) has been insulated all his life from the horrors of apartheid in his native South Africa. Perhaps he really didn't want to know. When the son of his black gardener is arrested and beaten as a result of a schoolboy protest in Soweto, at first he imagines the police must have had their reasons. However, the boy is picked up again, and this time he doesn't come back. Ben promises his servant that he will look into the incident, and discovers that the boy was killed simply to gratify the violent urges of Captain Stolz (Jurgen Prochnow), a "special branch" policeman. At long last he has gotten a glimpse into the truly arbitrary and violent nature of the system he has so long benefitted from, and he hires Ian Mackenzie (Marlon Brando) to prosecute the killer. It is a foregone conclusion that Stolz will not be punished, but Mackenzie rises to new heights of withering sarcasm and irony in the courtroom. This situation turns Ben into a radical firebrand, which alienates him from his white friends and neighbors, as well as members of his family. ~ Clarke Fountain, All Movie Guide

Tony award-winning actor John Kani steps into the title role for this production of William Shakespeare's timeless tragedy Othello, captured live during a 1988 performance at the Market Theater Johannesburg and directed by Janet Suzman. ~ Jason Buchanan, All Movie Guide

Lord Mountbatten: The Last Viceroy was a 6-part British miniseries, first telecast in the US on PBS' Masterpiece Theatre. The series covers the years 1946 through 1947, during which time the British government granted independence to India. War hero Lord Mountbatten (Nicol Williamson), although considered a political lightweight, is appointed the task of overseeing the transition of power. It is the sort of test that separates the Lords from the boys: Mountbatten must not only unite the squabbling factions within India, but also counteract the rhetoric of Winston Churchill (Malcolm Terris), who is dead set against losing the Empire's "jewel of the crown." Once independence is officially granted, Mountbatten is challenged with open combat between the Hindus, Muslims and Sikhs, as well as territorial demands from Pakistan and the Kashmir. Also appearing in this epic production is Sam Dastor as Gandhi, Ian Richardson as Nehru, and Vladek Sheybal as Jinnah. Lord Mountbatten: The Last Viceroy was first seen on Masterpiece Theatre from January 26 through March 2, 1986. ~ Hal Erickson, All Movie Guide

In this made-for-TV spoof, Robin Hood (George Segal) and his merry men must attempt to gather together the necessary ransom money to free King Richard from a nasty Duke. ~ Iotis Erlewine, All Movie Guide

Peter Greenaway's first fiction feature (after the mock-documentary The Falls) made him immediately famous and was named one of the most original films of the 1980s by British critics. The action is set in the director's beloved 17th century. Ambitious young artist Mr. Neville (Anthony Higgins) is invited by Mrs. Herbert (Janet Suzman) to make 12 elaborate sketches of her estate. Besides money, the contract includes sexual favors that Mrs. Herbert will offer to the draughtsman in the absence of Mr. Herbert. Entirely confident in his ability to weave a web of intrigues, Mr. Neville eventually becomes a victim of someone else's elaborate scheme. The film is structured as a sophisticated intellectual puzzle like the ones popular in the 17th century. There is a lot to pay attention to besides the intrigues -- fancy wigs, conversations by candlelight, English parks, Purcell-inspired baroque music by Michael Nyman, all to please the eyes, soothe the ears, and stimulate the mind. ~ Yuri German, All Movie Guide

The deeper, broader issues behind the rise and fall of one of the world's greatest ballet dancers and choreographers, Vaslav Nijinksy (1888-1950), is not at the fulcrum of this two-hour British biographical drama. Director Herbert Ross and screenwriter Hugh Wheeler base the film on Nijinsky's diaries and his wife's book Nijinsky but what they portray are the years between 1912-1913 and Nijinsky's affair with Sergei Diaghliev, his mentor and the impresario and founder of Ballets Russes. With the life of the great man (played by dancer George de la Pena) explained via the dominant, impossible personality of Diaghliev and the love of his wife (Leslie Browne), there is no room for larger questions. The business and politics and especially the homosexuality that are involved with the art of ballet are also given primary focus. ~ Eleanor Mannikka, All Movie Guide

Often described as "Ship of Fools with a conscience," Voyage of the Damned is based on a true story. In 1939, the Nazis ostentatiously loaded a luxury liner with hundred of Jewish refugees from all walks of life. The ship then tried to drop anchor in Havana, Cuba-only to have its passengers refused entry by the Cuban government, in keeping with its super-stringent immigration policies. This was exactly what the Nazis expected to happen, and indeed wanted to happen. By having the refugees turned away from Havana, the German government could "prove" that the Jews were indeed the most unwanted race on earth, thereby justifying Hitler's extermination policy. The crosssection of humanity on board the ship includes the requisite big-time stars: Faye Dunaway as a monocle-sporting countess and Oscar Werner as Dunaway's society-doctor husband; professor Luther Adler and his wife Wendy Hiller; poverty-stricken Nehemiah Persoff and Maria Schell, who hope to be reunited with their "fallen" daughter Katherine Ross; disbarred attorney Sam Wanamaker and his family (wife Lee Grant, daughter Lynne Frederick); anti-Nazi captain Max Von Sydow; and so on. Representing the Cuban government are president Fernando Rey and bureaucrat Jose Ferrer; other Havana denizens include businessman Orson Welles and minister James Mason. Despite its morbid overtones, Voyage of the Damned ends on a faintly positive note. ~ Hal Erickson, All Movie Guide

Like other productions of Antony and Cleopatra, this 1974 version assumes that the audience is familiar with events that took place before Mark Antony's affair in Egypt with Cleopatra. These events include the assassination of Julius Caesar and the formation of a ruling Roman triumvirate of Mark Antony, Octavius Caesar and Marcus Aemilius Lepidus. When the armies of the triumvirate track down the armies of the assassins during a civil war, Egypt refuses to participate on the triumvirate's side. Antony summons Queen Cleopatra to Tarsus, Cicilia (present-day Turkey), to explain Egypt's position. But Antony falls in love with her and returns with her to Alexandria, Egypt. Shakespeare's play -- and thus the film -- begins there, in Alexandria. Captivated by Cleopatra's (Janet Suzman) beauty and charm, Antony (Richard Johnson) dallies in Egypt, forgetting his duties as soldier and statesman, until he receives word that his wife, Fulvia, has died and that Rome is on the brink of a new civil war, this time against Sextus Pompeius, the son of the late Pompey the Great. After Antony returns to Rome, Octavius (Corin Redgrave) berates him for neglecting affairs of state. However, they reconcile after Antony agrees to marry Octavius' sister, Octavia (Mary Rutherford). Upon hearing of the marriage, Cleopatra becomes enraged. Meanwhile, the triumvirs -- Antony, Octavius, and Lepidus make peace with Pompeius. Then Antony, accompanied by his new wife, goes to Athens to take command of Roman armies fighting the Parthians. Taking advantage of Antony's absence, the ambitious Octavius defeats Pompeius in a new war, deposes Lepidus, and consolidates his power. Angry, Antony sends his wife, Octavia, to Rome to protest. Meanwhile, still in love with Cleopatra, Antony returns to Egypt and resumes his affair with the alluring queen. ~ Mike Cummings, All Movie Guide

The plight of an English couple struggling to raise a disabled child is given a darkly humorous treatment in this English comedy. Based on the successful stage play by Peter Nichols, the film centers on the parents of Jo, nicknamed "Joe Egg," a mentally challenged invalid subject to violent seizures. The couple (played by Alan Bates and Janet Suzman) attempts to maintain a stoic and occasionally cheerful facade in the face of their daughter's condition, but they find themselves unable to cope with the strain. Faced with the imminent collapse of their marriage, they eventually agree that euthanasia may be the answer to their troubles. Some viewers may consider the subject matter inappropriate for comedy, but the film mines its uneasy laughter not from the child's plight but from the eccentricities of the parents' reactions. ~ Judd Blaise, All Movie Guide