Claire Bloom Movies

London, 1914. Calvero (Charles Chaplin), a once-great music hall comedian, weaves drunkenly home to his shabby flat. As he arrives home, he is suddenly sobered by a bad smell. It isn't his shoes, as he originally assumes, but the smell of gas, emanating from behind a locked door. Calvero smashes his way in, finding the unconscious Terry (Claire Bloom). Carrying the girl to his attic apartment, Calvero revives Terry, then asks why she is so determined to kill herself. The girl explains that she has always dreamed of becoming a great dancer, but her legs are paralyzed. Calvero vows to raise enough money to help the girl. He goes back on stage, where his old-fashioned act is greeted with a riot of silence. Now it is Terry's turn to encourage Calvero to go on living-and in so doing, she regains the use of her legs. Hired by the Empire theatre corps de ballet, Terry arranges for the management to hire Calvero as a supernumerary. Impresario Postant (Nigel Bruce), not recognizing the famous Calvero in clown makeup, fires him. Only after Terry pleads with Postant to give Calvero another chance does the producer relent, securing a comeback appearance for the ageing comedian and his old partner (Buster Keaton). Calvero's antics bring down the house, just like the old days, but the effort is too much for the old fellow, and he collapses backstage. As Calvero dies, he proudly watches his protegee Terry carry on the "show must go on tradition" by dancing for the crowd. Thanks to the political climate of the time, Limelight was denied a wide distribution; in fact, it didn't play Los Angeles until 1972, twenty years after its completion. At that time, Chaplin's theme music, which had gained popularity on the "hit parade," was honored with an Academy Award. While the film has moments of unmatched hilarity (especially during the fabled Chaplin-Keaton teaming towards the end), the elegiac tone of Limelight was best summed up by critic Andrew Sarris: "To imagine one's own death, one must imagine the death of the world, that world which has always dangled so helplessly from the tips of Chaplin's eloquent fingers." ~ Hal Erickson, All Movie Guide

Young Britisher Susanne Mallinson (Claire Bloom) is visiting the occupied city of postwar Berlin, as the guest of her brother, Major Martin Mallinson (Geoffrey Toone) and his wife Bettina (Hildegarde Neff), whom he met during his initial stay in Berlin as a British Army doctor. They seem happily married, but Susanne soon notices that Bettina is trying to hide something, both from her and from Martin -- a secret involving a young boy (Dieter Krause) on a bicycle who seems to turn up everywhere she does, and figure whom she initially doesn't see. The truth finally comes out amidst a new skirmish between the British on one side and the East Germans in the Soviet zone on the other, and a man named Olaf Kastner (Ernst Schroeder), who seems to make a lot of mystery-shrouded trips in and out of the city's Russian Zone. Bettina was married to the mysterious Ivo Kern (James Mason), a handsome, smooth-talking former German army officer (with his own record during the Second World War -- as well as after -- to hide from) who was presumed dead after 1944, and declared so by the authorities. But now Ivo has turned up alive, an event that nullifies Bettina's and Martin's marriage, among other personal repercussions; and he has been working for the Russians in the eastern zone, engineering the kidnapping of people out of West Berlin. And he wants Olaf Kastner, who has been an embarrassment to the East Germans, and especially Kern's superior Halendar (Albert Waescher), with his success at rescuing people from the Eastern Zone; and Ivo might just get him if he can charm the wide-eyed, innocent Susanne sufficiently . . . . ~ Bruce Eder, All Movie Guide

The short life and quick death of Alexander the Great is recounted in this literate historical epic. Decked out in a blonde wig, Richard Burton stars as the Grecian warrior who conquered the known world while only in his twenties, then wept because there were no more worlds left to conquer. While the film's 141 minutes are occasionally bogged down by near-existential dialogue sequences (What doth it profit a man etc. etc.), the battle sequences are among the best and most accurate ever filmed. Fredric March and Danielle Darieux costar as Alexander's parents Philip of Macedonia and Olympius, Claire Bloom does what she can with the nothing role of Alexander's wife Barsine, and Michael Hordern and Harry Andrews are cast as Demosthenes and Darrius, respectively. Lensed in Spain and Italy, Alexander the Great conquered no new worlds at the box-office, perhaps because Richard Burton, brilliant though he was, hadn't yet attained "saleability". ~ Hal Erickson, All Movie Guide

Archetypal British "angry young man" Jimmy Porter (Richard Burton) is a college-educated bloke who can't seem to get any better job than working in a candy store. Jimmy's relationship with his wife Alison (Mary Ure) alternates between hugs and kisses when he's feeling good and verbal abuse when he's down on himself, which is often. Alison's best friend Helena Charles (Claire Bloom) advises Alison to escape her injurious marriage. Left with no one for a punching bag, Jimmy romances Helena. Having suffered a miscarriage, Alison returns, and Helena walks out of Jimmy's life. In keeping with its depiction of the dead-end existence of most of England's working poor in the late 1950s, nothing is truly resolved in Look Back in Anger. Playwright John Osborne (at that time married to Mary Ure) uses Jimmy Porter as a spokesman for Osborne's own spleen-venting harangues against the British government and class system. Not only did Look Back in Anger spawn a new genre of British social-protest films, but it also inspired two remakes, both filmed for television. ~ Hal Erickson, All Movie Guide

Dostoyevsky's novel The Brothers Karamazov is given a Hollywood screen treatment by producer Pandro S. Berman and director Richard Brooks. Yul Brynner plays Dmitri Karamazov, a callous Russian officer who cuckolds his domineering father (Lee J. Cobb) with the old man's mistress Grushenka (Maria Schell). Richard Basehart is Dmitri's intellectual brother Ivan, while William Shatner is the pious Alexey Karamazov; both men eventually enjoy the attentions of the willing Grushenka. The Karamazovs' half-brother is Smedyakov (Albert Salmi), an epileptic whose purpose in the story is clarified after the family patriarch's murder. It is now part of Hollywood folklore that Marilyn Monroe fought long and hard to be cast as the enigmatic Grushenka. ~ Hal Erickson, All Movie Guide

The English title of this different type of wartime drama refers to a chess player's attempts to stay sane while Nazi interrogators mentally and psychologically torture him. Werner von Basil (Curt Jurgens) is an Austrian who has been helping the church by smuggling its art treasures out of the country to protect them from the Nazis. When the Nazis roll into Austria, he is on their hit list and after being spotted at a chess tournament, he is picked up and imprisoned. His brutal jailers subject him to long hours of interrogation meant to break down his hold on sanity and accept their own scenario as the truth. When not being brutalized in this manner, von Basil is kept in solitary confinement, with only a hidden chess book to keep his mind focused and logical. ~ Eleanor Mannikka, All Movie Guide

George Cukor directed this sanitized version of Irving Wallace's tawdry best-seller concerning a survey of the sexual habits of American women. Psychologist George C. Chapman (Andrew Duggan) arrives in a Los Angeles suburb with his assistant Paul Radford (Efrem Zimbalist Jr.) in tow. They are looking for volunteers for their sex survey, and four women raise their hands: Sarah Garnell (Shelley Winters) is a middle-aged woman who is having an affair with young theater director Fred Linden (Ray Danton); Teresa Harnish (Glynis Johns) is a happily married woman who becomes attracted to brawny football player Ed Kraski (Ty Hardin); Naomi Shields (Claire Bloom) is an alcoholic nymphomaniac who takes up with an unsavory jazz musician; and Kathleen Barclay (Jane Fonda) is a young widow who thinks she is frigid -- that is, until Radford makes her his personal project. ~ Paul Brenner, All Movie Guide

British doctor Richard Johnson arrives in the city of Bath, where a smallpox epidemic has broken out. If he has any hope of stemming the disease, he must locate and isolate its source. As if he hasn't got enough trouble on his hands, Johnson must contend with his failing marriage to Claire Bloom. Both of his problems are solved to everyone's satisfaction, but not without a few hypertense moments along the way. Director Val Guest lifts 80,000 Suspects out of the ordinary with his inventive utilization of darkness and shadows. ~ Hal Erickson, All Movie Guide

Mombelli (Alberto Sordi) is an elementary school teacher whose wife Ada (Claire Bloom) dreams of becoming wealthy. She talks him into quitting his job and investing all of their money in a shoe factory. The family and the business fall apart when Ada is killed in a car wreck, and the colorless Mombelli has no choice but to return to his dull world of academia. Vito de Taranto plays the schoolmaster in a role that is a cardboard caricature. Although Sordi injects some satire and comedy into his role, his performance isn't enough to overcome this meandering feature that often gets bogged down. ~ Dan Pavlides, All Movie Guide

In this comedy anthology, the sex-capades of several Italian couples are chronicled. In "The Scandal," a dull and insensitive husband is unaware that his lonely wife has been flirting with a young buck at a vacation resort. When the husband finally finds out, he gets jealous and the marriage is renewed. In "Sin in the Afternoon," a movie producer is frustrated because his wife refuses to touch him, and so he winds up picking up a comely woman off the street and taking her to a motel. "The Victim" chronicles the relationship between an insanely jealousy woman and her beleaguered husband, whom she drives away. She, seeking revenge, begins an affair with his best friend. In the final episode, "Modern People," a deeply indebted cheese maker is given the option of paying the debt in cash or allowing the debtor an evening of lovemaking with his gorgeous wife. ~ Sandra Brennan, All Movie Guide

This 17th-century British costume drama is taken from the life of the first Duke of Marlborough, John Churchill. Originally he and his wife Sarah were held in high esteem by Queen Anne. But when they involved themselves in political intrigue, they were socially and financially ruined. ~ Sandra Brennan, All Movie Guide

This science fiction fantasy is taken from the stories of Ray Bradbury. Carl (Rod Steiger) has a tattooed torso of bizarre illustrations done by his wife Felicia (Claire Bloom). Each one tells a story about the future, and when Will (Robert Drivas) meets The Illustrated Man in a hobo jungle en route to California, Carl warns him not to look too closely at the pictures on his person. One story has Carl, Felicia, Will and another man stranded on a planet plagued by perpetual rainstorms. Another has Will as a marriage counselor who watches in horror while Carl and Felicia's children plan their deaths. The third futuristic saga has Will observing Carl and Felicia on the top of a mountain as they plan to kill their children. After the three stories, Will is plagued by futuristic nightmares of Carl coming to kill him in this depressing and pessimistic film. ~ Dan Pavlides, All Movie Guide