Clinton Sundberg Movies
A former teacher, American actor Clinton Sundberg realized from the moment he set foot on stage that he'd never be a romantic lead, but settled -- profitably, as it turned out -- for character work. Sundberg's prim demeanor and light, throaty voice enabled him to carve a significant Hollywood niche as desk clerks and minor bureaucrats, though he was capable of coarse villainy, as proven in Undercover Maisie (1949). The actor worked most often at MGM throughout his career, from 1946's Undercurrent to 1963's How the West Was Won. Probably the closest he got to a full lead was as corpulent private eye J. Scott Smart's "Man Friday" in the enjoyable Universal low-budget mystery The Fat Man (1951). Clinton Sundberg contributed numerous voice-overs to commercials of the '70s, and was seen to good advantage in one advertisement as an unflappable tailor outfitting a large, talking Seven-Up bottle! ~ Hal Erickson, Rovi
- 1967
- G
The posh St. Gregory Hotel in New Orleans is the setting for this drama based on a popular novel by Arthur Hailey. Trent (Melvyn Douglas) is the long-time owner who realizes that the hotel is in dire financial straits. Trent calls on faithful manager Peter McDermott (Rod Taylor) to try and bring about the necessary reversal of fortune so that they can stay in business. After the Duke (Michael Rennie) and Duchess (Merle Oberon) of Lanbourne check in, the Duke is involved in a vehicular homicide after he has too much to drink. His car is traced back to the St. Gregory by hotel detective Dupere (Richard Conte), who blackmails the Duke. Although not on the same level of Grand Hotel, the film contains first-rate performances from a fine cast portraying a variety of eccentric guests. ~ Dan Pavlides, Rovi
- Starring:
- Rod Taylor, Catherine Spaak, (more)
- 1966
Entering an essay contest, Opie chooses to write a piece on the legendary Battle of Mayberry, wherein the town's earliest settlers ostensibly wrested control of the community from "savage" Indians. Before long, everyone in town is providing Opie with anecdotes, each person claiming to be descended from one of the battle's participants. But when he begins checking the facts, Opie learns several sad truths about the actual size and scope of the so-called battle. Written by John L. Greene and Paul David, "The Battle of Mayberry" first aired on April 4, 1966. ~ Hal Erickson, Rovi
- 1966
Elaine Bayler (Mala Powers), the wife of small-town big shot Richard Bayler (Lloyd Gough), is being blackmailed by an unknown party who threatens to expose Elaine's romance with her protegee, musician Donald Hobart (Will Hutchins), unless she ponies up $10,000. While making the "drop", Elaine is murdered, whereupon Donald's girlfriend Cynthia Perkins (Luana Patten) is charged with the crime. Perry Mason (Raymond Burr) is forced to relinquish a long-awaited fishing excursion to defend Cynthia in court. ~ Hal Erickson, Rovi
- 1963
This episode is unusual in that there is no defendant as Perry Mason (Raymond Burr) attempts to solve a murder during a coroner's inquest in the mining town of Gold Gulch. Having learned that someone has been selling phony gold mines in the area, Perry disguises himself as a prospector to draw out the culprit. Meanwhile, Perry's associate Paul Drake, searching for clues, stumbles upon the body of James Bradisson. Former light-heavyweight boxing champ Archie Moore plays a supporting role in this episode, which was based on a 1943 novel by Perry Mason creator Erle Stanley Gardner. ~ Hal Erickson, Rovi
Filmed in panoramic Cinerama, this star-studded, epic Western adventure is a true cinematic classic. Three legendary directors (Henry Hathaway, John Ford, and George Marshall) combine their skills to tell the story of three families and their travels from the Erie Canal to California between 1839 and 1889. Spencer Tracy narrates the film, which cost an estimated 15 million dollars to complete. In the first segment, "The Rivers," pioneer Zebulon Prescott (Karl Malden) sets out to settle in the West with his wife (Agnes Moorehead) and their four children. Along with other settlers and river pirates, they run into mountain man Linus Rawlings (James Stewart), who sells animal hides. The Prescotts try to raft down the Ohio River in a raft, but only daughters Lilith (Debbie Reynolds) and Eve (Carroll Baker) survive. Eve and Linus get married, while Lilith continues on. In the second segment, "The Plains," Lilith ends up singing in a saloon in St. Louis, but she really wants to head west in a wagon train led by Roger Morgan (Robert Preston). Along the way, she's accompanied by the roguish gambler Cleve Van Valen (Gregory Peck), who claims he can protect her. After he saves her life during an Indian attack, they get married and move to San Francisco. In the third segment, "The Civil War," Eve and Linus' son, Zeb (George Peppard), fights for the Union. After he's forced to kill his Confederate friend, he returns home and gives the family farm to his brother. In the fourth segment, "The Railroads," Zeb fights with his railroad boss (Richard Widmark), who wants to cut straight through Indian territory. Zeb's co-worker Jethro (Henry Fonda) refuses to cut through the land, so he quits and moves to the mountains. After the railway camp is destroyed, Zeb heads for the mountains to visit him. In the fifth segment, "The Outlaws," Lilith is an old widow traveling from California to Arizona to stay with her nephew Zeb on his ranch. However, he has to fight a gang of desperadoes first. How the West Was Won garnered three Oscars, for screenplay, film editing, and sound production. ~ Andrea LeVasseur, Rovi
- Starring:
- James Stewart, Henry Fonda, (more)
- 1962
This long, 135-minute feature is divided into four different segments, three highlighting fairy tales and the first introducing the two Brothers Grimm. Wilhelm (Laurence Harvey) is the dreamer, and Jacob (Karl Boehm) is the practical one, and between them, some marvelous fairy tales develop. Seguing into the first tale about the "Dancing Princess," co-directors Henry Levin and George Pal -- also the producer -- allow their special-effects artists full rein. In-between dancing, the princess (Yvette Mimieux) falls in love with a charming woodsman (Russ Tamblyn). In the second story about the "Cobbler and the Elves," a Christmas miracle of dedicated labor helps the cobbler out when he most needs it. In the last story, a fire-breathing dragon threatens the kingdom until a lowly servant (Buddy Hackett) saves the day. One of the highlights of this production are the Puppetoons, and another is Cinerama -- three projectors working to create a three-paneled (sometimes visibly so), wide-screen panorama. ~ Eleanor Mannikka, Rovi
- Starring:
- Laurence Harvey, Claire Bloom, (more)
- 1961
Bob Hope was in the first stages of his cinematic decline when he starred in Bachelor in Paradise. Hope plays a "romance expert" who is contracted to write an expose on the sexual habits of suburban California housewives. For research purposes, he moves into a subdivision called Paradise, populated exclusively by good-looking young newlyweds. Much to the dismay of the men in the community, all of the gorgeous young wives gravitate to Hope-especially Paula Prentiss, the sexy bride of nonplussed Jim Hutton. Fortunately for all concerned, Hope is "claimed" by the only other single resident of Paradise, the glamorous Lana Turner. Frequent Bob Hope collaborator Hal Kanter cowrote the screenplay of Bachelor of Paradise with Valentine Davies; the script was based on a story by Vera Caspary, who in better days wrote Laura. Henry Mancini and Mack Davis' Oscar-nominated title song is the only true distinction of this lesser Hope farce. He seems to be sleepwalking while the rest of the cast is trying way too hard. ~ Hal Erickson, Rovi
- Starring:
- Bob Hope, Lana Turner, (more)
- 1957
The title character in this episode is James Brunswick (Tom Helmore), who has left London behind to take over the Montana ranch he has inherited. Paladin (Richard Boone) is hired to guide Brunswick and his rambunctious Americanized cousin Felicia (Alix Talton) to their new property, despite the resistance of the local citizenry--and the hostility of the Native Americans in the vicinity. With Paladin's help, the Englishman ultimately wins the respect and support of his new neighbors...but it isn't easy by a long shot! ~ Hal Erickson, Rovi
- 1956
This comedy is a remake of 1941's The Lady Eve, and tells the story of the vegetarian son of a prominent meat packer who is sailing back from an African safari when he meets and falls in love with a con-artist's lovely daughter. Posing as a military officer, the card-sharp and his boys have come to fleece a few wealthy passengers at poker. The daughter finds the milque-toast son irresistible and much to her father's dismay, they fall in love. Unfortunately their happiness is nearly destroyed when someone tells him the truth about her father. Fortunately, that is not the end of their affair. ~ Sandra Brennan, Rovi
- Starring:
- George Gobel, Mitzi Gaynor, (more)
- 1954
Ricky (Desi Arnaz) is anxiously preparing for the screen test that may land him the starring role in MGM's lavish musical version of "Don Juan." Likewise anxious is Lucy (Lucille Ball), who has arranged to feed Ricky his lines while the camera is rolling. Although she herself is not supposed to appear in the text (except for the back of her head), Lucy is determined to prove her star quality by maneuvering herself into close-up range -- and not even being tied to a chair will stop her. ~ Rovi
- Starring:
- Clinton Sundberg, Louis Nicoletti, (more)
- 1953
Martin and Lewis tee each other off on a PGA tour in The Caddy. Harvey Miller (Jerry Lewis) is an expert with his golf club, except when he tries to play in front of a crowd -- then he completely loses control. With his mind set on getting into the PGA one way or another, he latches onto Joe Anthony (Dean Martin), a stylish gadabout. Harvey teaches Joe everything he knows about the game, and when Joe enters a tournament, Harvey does too -- as his caddy. But while the golf fans still make Harvey go wild, laid-back Joe feeds upon their applause. As Joe's game improves, his ego grows, and he begins to think Harvey is useless and wants to take the tour alone. The Caddy introduced the Dean Martin classic That's Amore to the world of kitsch and features a bevy of real life professional golfers in cameo roles -- including Sam Snead, Byron Nelson, and Julius Boros. ~ Paul Brenner, Rovi
- Starring:
- Dean Martin, Jerry Lewis, (more)
This lightweight 20th Century-Fox Technicolor musical stars Dan Dailey as Bill Carter, a widowed comic strip illustrator and June Haver as Jeannie, the title character, a glamorous Broadway star. When next-door-neighbors Bill and Jeannie fall in love, Bill's son Joe (Billy Gray) seethes with resentment. Fortunately, Joe's schoolmate (and erstwhile sweetheart) Kitty (Mary Jane Saunders) convinces the boy that the world would be a sorry place without couples, using Noah's Ark as an example. This provides the cue for an extended animated cartoon sequence, courtesy of UPA Studios (then under contract to Columbia: Fox's house cartoonists at Terrytoons weren't quite up to the assignment). Naturally, the film finds time for a few engaging song-and-dance interludes, performed by Dailey and Haver. What really makes The Girl Next Door click is the unforced camaraderie between Dan Dailey and little Billy Gray. ~ Hal Erickson, Rovi
- Starring:
- Dan Dailey, June Haver, (more)
- 1953
A genuine novelty, MGM's Main Street to Broadway offers the modern viewer a rare behind-the-scenes glimpse of the 1953 theatrical scene. The main plot concerns aspiring playwright Tony Monaco (Tom Burton), who pins his future on the possibility that Tallulah Bankhead will star in his first Broadway production. Along the way, Tony imagines that Tallulah has fallen in love with him, but faithful girlfriend Mary Craig (Mary Murphy) hangs around to pick up the pieces. Except for an amusing sequence in which Bankhead imagines herself as the sweet ingenue in a domestic comedy, the storyline can be dispensed with. The principal attraction of Main Street to Broadway is its glittering array of Manhattanite guest stars, including Ethel and Lionel Barrymore, Gertrude Berg, Shirley Booth, Helen Hayes, Leo Durocher, Fay Emerson, Joshua Logan, Mary Martin, Lilli Palmer and John Van Druten. In the film's best scene, Richard Rodgers and Oscar Hammerstein Jr. come up with an "instant song"--the now-forgotten "There's Music in You"--then perform it for the amusement of their friends, with Rodgers on the piano and Hammerstein rendering the vocals! ~ Hal Erickson, Rovi
- Starring:
- Mary Murphy, Agnes Moorehead, (more)
- 1953
Ray Middleton and Bill Shirley, Republic Pictures' answer to Hope and Crosby, star in Sweethearts on Parade. Middleton and Shirley play Cam Ellerby and Bill Gamble, the featured singers in a travelling medicine show. While stopping over in a small town, Cam renews his acquaintance with his former wife Sylvia (Eileen Christy), who now has a pretty, grown-up daughter -- Kathleen -- played by Lucille Norman. When Kathleen makes noises about a show-business career, Sylvia won't hear of it -- nor does she approve of her daughter's romance with Bill. One gets the sneaking suspicion that everything will turn out all right in the end for all four protagonists. With 26 songs in the picture, how could things not turn out all right? ~ Hal Erickson, Rovi
- Starring:
- Ray Middleton, Lucille Norman, (more)
- 1952
A lesser Fred Astaire effort, Belle of New York is set during the turn of the century. Astaire plays a footloose and fancy-free playboy who falls in love with Salvation Army lass Vera-Ellen. To prove his worth to the girl, Astaire breaks down and gets a job. Naturally, there's plenty of terpsichorean activity from the two stars, but nothing truly worth remembering save for Astaire's solo "I Wanna be a Dancin' Man". The film's best moments belong to such stellar supporting players as Alice Pearce, Marjorie Main, Keenan Wynn, Henry Slate, and the ubiquitous Percy Helton. Belle of New York was adapted by Chester Erskine from a play by Hugh Morton. ~ Hal Erickson, Rovi
- Starring:
- Fred Astaire, Vera-Ellen, (more)
- 1951
The popular radio detective series The Fat Man was brought to the screen in 1951, with the series' original star J. Scott Smart retained in the title role. Smart plays porcine sleuth Brad Runyon, who tackles the mystery surrounding the murder of a Los Angeles dentist. With the assistance of general factotum Bill Norton (Clinton Sundberg), Runyon follows the trail of clues all the way to a three-ring circus. Famed Barnum & Bailey clown Emmett Kelly makes his screen debut as one of the suspects; others essential to the action are such up-and-comers as Rock Hudson, Julie London and Jayne Meadows. The film's flashback-within-flashback structure helps to enliven its more verbose passages. For the most part, The Fat Man plays more like a radio show than a movie--at least until the exciting climax, inventively staged by director William Castle. ~ Hal Erickson, Rovi
- Starring:
- Jack Smart, Julie London, (more)
Based on a story by Paddy Chayefsky, this is the tale of a man who is being forced to retire from his job, at the age of 65, and decides to fight back. Impersonating the head of the company, he sets out to convince them to get rid of their outmoded retirement policy and gives a creditable speech on the dignity of man, gaining national attention. This movie features good performances, but it will probably be remembered more for the bit part played by a young Marilyn Monroe as the boss' secretary. ~ Tana Hobart, Rovi
- Starring:
- Monty Woolley, Thelma Ritter, (more)
On the Riviera is a remake of 1941's Weekend in Havana, which in turn was a remake of 1934's Folies Bergere. The plot remains the same in all three incarnations: for business purposes, a nightclub entertainer is coerced into posing as his look-alike, a powerful financier/aviator. This time it's Danny Kaye who essays the dual role of American cabaret comedian Jack Martin and French financial wizard Henri Duran. While impersonating Duran, Martin is forced to make amorous advances towards Duran's neglected wife (Gene Tierney), proving himself the better lover in the process. Meanwhile, Martin must mollify his genuine sweetheart (and nightclub partner) Collette (Corinne Calvet) without revealing his ruse. A little too top-heavy in the plot department, On the Riviera must be regarded as a second-echelon Danny Kaye vehicle, though Sylvia Fine's specialty numbers -- especially the eerily autobiographical "Popo the Puppet" -- are well up to standard. One of the uncredited specialty dancers is future Broadway star Gwen Verdon. ~ Hal Erickson, Rovi
- Starring:
- Danny Kaye, Gene Tierney, (more)
- 1950
This formula Esther Williams musical casts the star as Midwestern carnival swimmer Christine Duncan, in love with bandleader Dick Layn (Van Johnson). Attempting to smooth the course of romance for her friend Ellen Hallet (Paula Raymond), Christine makes a play for Ellen's wealthy boss Douglas J. Morrissen, Jr. (John Lund). Ellen wants to protect Douglas from fortune hunters, so Christine pretends to be a fortune hunter, so that he'll appreciate anew how much Ellen cares for him. Confused? So is Dick, who can't fathom Christine's bizarre behavior. If for nothing else, Duchess of Idaho is memorable as the "comeback" picture for dancing star Eleanor Powell, who has just as little to do as her fellow guest stars Lena Horne and (unbilled) Red Skelton. Watch for Amanda Gunsmoke Blake and Dick Sergeant Preston Simmons in supporting roles. ~ Hal Erickson, Rovi
- Starring:
- Esther Williams, Van Johnson, (more)
Judy Garland was originally slated to star in MGM's film version of Irving Berlin's Annie Get Your Gun, but she was forced to pull out of the production due to illness (recently discovered out-takes reveal a gaunt, dazed Garland, obviously incapable of completing her duties). She was replaced by Betty Hutton who, once she overcame the resentment of her co-workers, turned in an excellent performance--perhaps the best of her career. Hutton is of course cast as legendary sharpshooter Annie Oakley, who ascends from dirty-faced backwoods gamin to the uppermost rungs of international stardom. Her mentor is Buffalo Bill, played by Louis Calhern (like Hutton, Calhern was a last-minute replacement: the original Buffalo Bill, Frank Morgan, died before production began). Annie's great rival is arrogant marksman Frank Butler (Howard Keel) with whom she eventually falls in love. She goes so far as to lose an important shooting match to prove her affection--a scene that hardly strikes a blow for feminism, but this is, after all, a 1950 film. Of the stellar supporting cast, J. Carroll Naish stands out as Sitting Bull, whose shrewd business acumen is good for several laughs. Virtually all the Irving Berlin tunes were retained from the Broadway version, including "Doin' What Comes Naturally", "You Can't Get a Man with a Gun", "Anything You Can Do", "The Girl That I Marry", "My Defenses are Down", "They Say It's Wonderful" and the rousing "There's No Business Like Show Business", which was later tantalizingly excerpted in MGM's pastiche feature That's Entertainment II. Alas, due to a complicated legal tangle involving the estates of Irving Berlin and librettists Herbert Fields and Dorothy Fields, Annie Get Your Gun hasn't been shown on television in years. ~ Hal Erickson, Rovi
- Starring:
- Betty Hutton, Howard Keel, (more)
- 1950
George Sidney directs this pleasant romantic comedy concerning mayoral love. During a convention of mayors in San Francisco, Clarissa Standish (Loretta Young), the mayor of a small town in Maine, meets Steve Fisk (Clark Gable), the down-to-earth leader of a tiny northern California community. During the rowdy proceedings of the convention, the two find themselves pushed together frequently, with the typical result -- they fall in love. After the convention, the two head back to Steve's town, where crooked local politician Les Taggart (Raymond Burr) is squaring off against Fisk in a mayoral election. With the help of Clarissa, Steve gears up for his reelection bid. ~ Paul Brenner, Rovi
- Starring:
- Clark Gable, Loretta Young, (more)
- 1950
Father is a Bachelor is a pleasant throwback to the "rural" comedies of the 1930s. William Holden plays Johnny Rutledge, a philosophical hobo to whom fishing is the only reason for living. Rutledge is forced to take a few jolts of responsibility when he crosses the path of five orphans. The kids decide to "adopt" Johnny and find him a bride--preferably small-town girl Prudence Millett (Colleen Gray). Charles Winninger steals the film from everyone--even those five urchins--as a medicine-show charlatan named Professor Mordecai Ford. One of the children is played by Billy Gray, of Father Knows Best fame. ~ Hal Erickson, Rovi
- Starring:
- William Holden, Coleen Gray, (more)
- 1950
So far as their fans were concerned, Mario Lanza and Kathryn Grayson could have stood up against a blank wall and sung uninterruptedly for 96 minutes in Toast of New Orleans. MGM, however, adhered to the policy that all movies must have plots. This one finds Lanza playing Pepe Abellard Duvalle, a shrimp fisherman from Louisiana's bayou country, while Grayson plays Suzette Micheline, a famed opera singer. After he witnesses an impromptu duet between Pepe and Suzette at an outdoor restaurant, Suzette's manager Jacques Riboudeaux (David Niven) decides to groom Pepe for singing stardom. In so doing, Jacques has put the kibosh on his own romance with Suzette, but that's why he gets third billing. Toast of New Orleans is a typical Joe Pasternak production, all bright smiles, lilting songs and happy people in Living Technicolor. ~ Hal Erickson, Rovi
- Starring:
- Kathryn Grayson, Mario Lanza, (more)
- 1950
In their never-ending efforts to create a movie series to match the success of "The Thin Man," MGM came up with the fast-paced programmer Mrs. O'Malley and Mr. Malone. Based on characters created by Craig Rice, the film stars James Whitmore as lawyer and part-time sleuth John J. Malone (this character had previously appeared in several other films, as well as the radio series The Amazing Mr. Malone). In his efforts to track down an embezzler, Mr. Malone boards a train heading for New York. Meanwhile, Mrs. Hattie O'Malley (Marjorie Main), a raucous widow from Montana, is also travelling to New York to claim her prize money from a radio contest. During the journey eastward, the man whom Malone is seeking ends up dead. Thanks to Mrs. O'Malley's well-intentioned interference, Malone ends up being accused of murder. How this mismatched pair manages to solve the mystery and save their own hides is good for several laughs. Mrs. O'Malley and Mr. Malone didn't result in a series, though James Whitmore and Marjorie Main make a surprisingly copacetic screen team. ~ Hal Erickson, Rovi
- Starring:
- Marjorie Main, James Whitmore, (more)
- 1950
Two Weeks With Love is set in a Catskills resort in the early 1900s. Seventeen-year-old vacationer Patti Robinson (Jane Powell) feels that she's a bit too strait-laced to attract the male contingent, and dreams of being a "woman of the world." Naturally, the principal object of her affections, dashing Demi Armendez (Ricardo Montalban), prefers an old-fashioned girl, but Patti doesn't find that out until the last reel. The supporting cast is well served, especially Louis Calhern and Ann Harding as Patti's long-suffering parents and Phyllis Kirk as a bitchy coquette. Stealing the film from their "elders" are relative newcomers Debbie Reynolds and Carleton Carpenter, who get to perform the delightful "Abba-Dabba Honeymoon." ~ Hal Erickson, Rovi
- Starring:
- Jane Powell, Ricardo Montalban, (more)
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