Eleanor Summerfield Movies

In this farce, four people go to extremes to inherit the giant fortune of a wealthy practical joker. ~ Sandra Brennan, All Movie Guide

The BBC comedy series World of Wooster was based on P.G. Wodehouse's whimsical short stories about upper-class twit Bertie Wooster (Ian Carmichael) and his ever-resourceful (and infinitely more intelligent) butler Jeeves (Dennis Price). Most of the stories dealt with Bertie's desultory romances, with Jeeves forever coming to the rescue of his master when things threatened to go beyond the point of no return. Debuting May 30, 1965, the series ran for three seasons; by the time of its final telecast on November 16, 1967, the title had been changed to The World of Wodehouse so that those P.G. Wodehouse stories not featuring Jeeves and Wooster could be utilized. Alas, of the series' 20 videotaped episodes, only two are currently known to exist in the BBC vaults. ~ Hal Erickson, All Movie Guide

One's enjoyment of On the Beat rests solely upon one's tolerance of British comedian Norman Wisdom, who can be described as a Jerry Lewis without the discipline. Wisdom plays a Scotland Yard parking attendant who seemingly can't draw breath without breaking something or knocking someone down. He wants to become a detective, but the Yard isn't quite ready for such a catastrophe. He proves his worth--and wreaks more havoc--by going undercover and trapping a gang of jewel thieves. The slapstick is serviceable in On the Beat; as for the "serious" moments, Wisdom's notion of pathos is to scream at the top of his lungs. You may want to join him. ~ Hal Erickson, All Movie Guide

Any movie with a title like Petticoat Pirates would be hard to dislike--and equally hard to believe. Anticipating the "feminist" films of the 1970s, the plot concerns a group of female officers in the British Navy. Angered by the sexism inherent in the Admiralty, the uniformed ladies stage a mutiny, taking a timorous male stoker as a sort of hostage. Not terribly credible to begin with, the film ultimately veers off into fantasy. Petticoat Pirates is both innocuous and inconsequential; you may have seen it, but chances are you don't remember it. ~ Hal Erickson, All Movie Guide

Alfred Lynch and Sean Connery star as a pair of klutzy RAF members, during World War II, who are more interested in running petty confidence scams that toting rifles. Though they doggedly avoid extra effort of any kind, Pope (Lynch) and Pascoe (Connery) are sent on a top-secret mission. The more the duo screws up, the more they succeed in pulling off their assignment, and through no real input of their own they become heroes. On the Fiddle more closely resembled an American service comedy than a British film, thus it was logical that its U.S. title was Operation SNAFU. During the James Bond craze, the film was retitled Operation Warhead and Sean Connery's participation was played up in the ads -- complete with the anachronistic inclusion of bikini-clad starlets! ~ Hal Erickson, All Movie Guide

A beautiful and wealthy woman in the market for a husband believes she has found the right man -- only to discover he isn't especially interested, in this comedy based on a play by George Bernard Shaw. Epifania Parerga (Sophia Loren) is a woman who has inherited a vast fortune, making her the wealthiest woman on Earth. All Parerga really wants is a happy marriage, but her first stab at matrimony, with Alastair (Gary Raymond), is a disaster, and when she visits a psychiatrist in hopes of learning what she did wrong, her analyst, Dr. Adrian (Dennis Price), attempts to seduce her. Parerga is nearly ready to give up when she meets Dr. Ahmed el Kabir) (Peter Sellers), a shy and well-mannered Indian physician who operates a clinic for the underprivileged. While Kabir is personable, he seems to have no interest in Parerga's money and is unfazed by her beauty; convinced he can love her simply for who she is, Parerga decides Kabir is the man for her. However hard Parerga tries to throw herself at him, Kabir refuses to budge, and even after she bankrolls a new clinic for him, he does not respond to her advances. Eventually, Parerga offers Kabir a challenge -- she bets him that he can't triple his profits at his new clinic in three months, while he in turn wagers her that she cannot live without money for the same period of time. A spin-off of the The Millionairess was a novelty song called "Goodness Gracious Me", in which Sellers and Loren duetting as a doctor from India and his alluring patient; a recording of the tune became a hit single in the United Kingdom. ~ Mark Deming, All Movie Guide

Max Bygraves, a popular British comedian who once in a while entertained thoughts of a dramatic career, is costarred with Barbara Murray in A Cry from the Streets. The two play a pair of ingenuous social workers, assigned to one of the grubbiest neighborhoods in London. They join forces to help a group of castoff orphan children. The episodic structure of Cry from the Streets gave the film a semi-documentary feel, even though every incident herein was carefully written and rehearsed beforehand. Based on the novel The Friend in Need by Elizabeth Coxhead, the film was filmed in 1957, released in 1958, and reissued in some markets as Cry from the Street (singular) in 1959. ~ Hal Erickson, All Movie Guide

It's Great to Be Young stars John Mills as Dingle an easygoing high school teacher. When autocratic new headmaster Frome (Cecil Parker) begins imposing all sorts of repressive rules, Dingle does his best to stand up for his students, only to be dismissed for his troubles. The kids conspire to not only reinstate their favorite teacher, but to circumvent Frome's refusal to purchase new instruments for an upcoming music festival. Among the fresh new faces in the supporting cast is young Carole Shelley, who later played one of the "coo-coo Pigeon sisters" in The Odd Couple (1968). It's Great to be Young was one of a package of Associated Pathe productions to be given fitful distribution in the US by Allied Artists. ~ Hal Erickson, All Movie Guide

An 18-month-old baby disappears in London. The parents, US embassy worker David Knight and his wife Julia Arnall, are panic-stricken. Detective David Farrar tries to locate the child, but clues are scarce. At the last possible moment, Farrar rescues the infant from a grueling fate and collars the kidnappers. This nail-biting film is filled to capacity with many of Britain's top supporting players, including Thora Hird, Everley Gregg, Joan Sims, Shirley Anne Field, Joan Hickson, Dandy Nichols, Mona Washbourne, Barbara Winsor and George Woodbridge. Released in the US by Republic, under the title Tears for Simon. ~ Hal Erickson, All Movie Guide

A newspaper journalist and his irritating assistant team up with the cops to solve a perplexing murder in this comical thriller. Each of the victims was a war veteran. Each one was killed on a July 10th. Soon the amateur sleuths discover that the victims had other common threads and these clues lead to the killer's capture. ~ Sandra Brennan, All Movie Guide

The philosophies and practices of London policewomen provide the basis of this exciting and interesting docu-drama that centers on three such women. The film is also known as Street Corner. ~ Sandra Brennan, All Movie Guide

Street Corner was a marginally realistic study of British policewomen. The film takes its female cast through a typical day on the Chelsea beat. In the manner of Dragnet and The Blue Lamp, the skimpy plotline is merely there to string together several anecdotal incidents, illustrating that while a policewoman's lot is not a happy one, neither is it dull. Feminist film fans might point with pride to the fact that Street Corner was written and directed by a woman, Muriel Box. The fact that Box had been working in this capacity in the British film industry for years, while Hollywood had been relegating women to second-class status during the same period of time, is equally worthy of being pointed out. ~ Hal Erickson, All Movie Guide