Sean Sullivan Movies

Abstract versus Impressionistic art as a young artist seeks a style independent of his aged mentor in this thoughtful drama. Much of this film was shot in beautiful Provincetown, which lies on the tip of Cape Cod. Steven is nervously trying to prepare for his first professional art show. He is unsure of himself. Does he have the talent? Should he follow in the Impressionist footsteps of his mentor Robert Hoffman, or is there another style aching to break out? His process is further hindered by his lover and model, and by an admiring young painter. His new neighbor, a married woman and painter, increases his confusion when she becomes his new model, lover, and tutor. She nudges him toward abstract art. ~ Sandra Brennan, All Movie Guide

In a early starring assignment, Keanu Reeves plays the head of a teenaged vigilante society. Reeves and his overachieving buddies intend to rid their school and neighborhood of drug users and vandals. But as their power increases, the vigilantes become more abusive and dangerous. Produced by the powerhouse Hollywood team of Jon Peters and Peter Guber, Brotherhood of Justice was designed as the pilot for a weekly series. The made-for-TV melodrama premiered May 18, 1986. ~ Hal Erickson, All Movie Guide

Based on a true story, Mrs. Soffel is set in Pittsburgh near the dawn of the 20th century. Peter Soffel (Edward Herrmann) is the warden of a top security prison, and his wife Kate (Diane Keaton) often comes by to read the Bible aloud to the inmates, despite her fragile health. While making her rounds, she makes the acquaintance of the Biddle Brothers, Ed (Mel Gibson) and Jack (Matthew Modine), who are sentenced to death for murder and robbery. Ed has become something of a celebrity thanks to his letter-writing campaign, in which he appeals in the letter-to-the-editor columns of the popular press to stay the execution of his brother and himself. His good looks, intelligence, and charm make a strong impression on Kate, whose marriage offers her little excitement. In time, Kate finds herself falling in love with Ed, and she discovers that she's unexpectedly receptive to his suggestion that she help him escape. Mrs. Soffel was the first American film from noted Australian filmmaker Gillian Armstrong. ~ Mark Deming, All Movie Guide

Christopher Walken plays a schoolteacher, Johnny Smith, who awakens from a five-year coma. He discovers that he has acquired the ability to foretell a person's future simply by touching his or her hand. After seeing several examples, Smith's doctor (Herbert Lom) becomes convinced that Smith can not only predict the future, but also has the power to change it. This ability is given its severest test when Smith shakes the hand of ruthless political candidate Greg Stillson (Martin Sheen) -- and suddenly has a flash-forward to a nuclear holocaust. The Dead Zone is not only one of the best-ever Stephen King adaptations, but also one of the most consistently successful (and least gory) efforts of director David Cronenberg. ~ Hal Erickson, All Movie Guide

Based on a true story, this film follows the trials and tragedies that befall Walter Reamer (Tom Skerritt) and his wife, Olive (Ellen Burstyn), as they struggle to create a home and raise a family in the brutal Canadian frontier of 1919. ~ Iotis Erlewine, All Movie Guide

The Canadian "sleeper" The Silent Partner stars Elliott Gould as a teller, Miles Cullen, who figures out psycho Harry Reikle's (Christopher Plummer) scheme to rob his bank, several days ahead of time. Cullen providently squirrels away 50,000 dollars in a safety-deposit box before Reikle strikes. After the robbery, the papers report the amount of the bank's loss. Reikle realizes that there's 50,000 extra bucks floating around that he hasn't gotten his hands on. The soft-spoken but sadistic Reikle puts the screws on Cullen to fork over the dough -- but Cullen has lost the deposit-box key. Be forewarned: this one gets extremely brutal and bloody at times, with sudden bursts of graphic violence. Also featured is Susannah York as the fluctuating-loyalty heroine, and a very young and hairy John Candy. Future L.A. Confidential scribe Curtis Hanson loosely adapted the Danish novel Think of a Number, by Anders Bodelsen. ~ Hal Erickson, All Movie Guide

The scene is Canada in the 1940s. Fledgling reporter Harry Barnes (Stuart Gillard) finds his dreams of journalistic fame dampened by the disillusioned older journalists surrounding him. Harry never does get that "big scoop," but he does excel in the romance department. After a brief assignation with the publisher's wife (Patricia Gage) he thrills coworker Julia Martin (Tiiu Leek) by becoming a firebrand leader of the newspaper union movement (never mind that he's drunk at the time). Why Rock the Boat? is a 1974 release of the National Film Board of Canada. ~ Hal Erickson, All Movie Guide

The Beginning consists of two hour-long episodes from the weekly TV series Starlost. Created by Harlan Ellison (who later disowned the project), this science fiction effort is set in the 28th century. Keir Dullea stars as a postapocalyptic youth who has been sentenced to prison for speaking his mind. Dullea escapes by stealing a huge space vehicle, Earth Ship Ark, in the company of the girl he loves (Gay Rowan) and his rival for her affections (Robin Ward).This "feature film" is comprised of the following episodes: "Voyage of Discovery", the series' pilot film; and "The Goddess Calabra", written by Ursula K. LeGuin, in which heroine Rachel (Gay Rowan) finds that she is the exact double of an extraterrestrial goddess. Though The Beginning ends on an upbeat note, its impact was dulled by the aimless, directionless series that followed. ~ Hal Erickson, All Movie Guide

A mind-bending sci-fi symphony, Stanley Kubrick's landmark 1968 epic pushed the limits of narrative and special effects toward a meditation on technology and humanity. Based on Arthur C. Clarke's story The Sentinel, Kubrick and Clarke's screenplay is structured in four movements. At the "Dawn of Man," a group of hominids encounters a mysterious black monolith alien to their surroundings. To the strains of Strauss's 1896 Also sprach Zarathustra, a hominid invents the first weapon, using a bone to kill prey. As the hominid tosses the bone in the air, Kubrick cuts to a 21st century spacecraft hovering over the Earth, skipping ahead millions of years in technological development. U.S. scientist Dr. Heywood Floyd (William Sylvester) travels to the moon to check out the discovery of a strange object on the moon's surface: a black monolith. As the sun's rays strike the stone, however, it emits a piercing, deafening sound that fills the investigators' headphones and stops them in their path.

Cutting ahead 18 months, impassive astronauts David Bowman (Keir Dullea) and Frank Poole (Gary Lockwood) head toward Jupiter on the spaceship Discovery, their only company three hibernating astronauts and the vocal, man-made HAL 9000 computer running the entire ship. When the all-too-human HAL malfunctions, however, he tries to murder the astronauts to cover his error, forcing Bowman to defend himself the only way he can. Free of HAL, and finally informed of the voyage's purpose by a recording from Floyd, Bowman journeys to "Jupiter and Beyond the Infinite," through the psychedelic slit-scan star-gate to an 18th century room, and the completion of the monolith's evolutionary mission.

With assistance from special-effects expert Douglas Trumbull, Kubrick spent over two years meticulously creating the most "realistic" depictions of outer space ever seen, greatly advancing cinematic technology for a story expressing grave doubts about technology itself. Despite some initial critical reservations that it was too long and too dull, 2001 became one of the most popular films of 1968, underlining the generation gap between young moviegoers who wanted to see something new and challenging and oldsters who "didn't get it." Provocatively billed as "the ultimate trip," 2001 quickly caught on with a counterculture youth audience open to a contemplative (i.e. chemically enhanced) viewing experience of a film suggesting that the way to enlightenment was to free one's mind of the U.S. military-industrial-technological complex. ~ Lucia Bozzola, All Movie Guide

In this WW II psycho-drama, a wounded and traumatized American flyer becomes so obsessed with losing his virginity--lest he end up like his colleague who was castrated during a mishap on their last mission--that he goes AWOL. He eventually finds an obliging young streetwalker, but unfortunately the stress and fear render him impotent. He tries again with a kindly young woman, but at the crucial moment the MPs arrive and arrest him. He willfully resists in hopes that they will kill him for desertion. Unfortunately they don't. Instead they get him help from a caring chaplain and in time he begins to heal. Romance blooms after he returns to the young woman. ~ Sandra Brennan, All Movie Guide

Wonderful to Be Young! was released in Britain as The Young Ones. Given the later output of director Sidney J. Furie, one might suspect that the original title was meant as irony, but in fact this is an upbeat, life-affirming vehicle for British pop singer Cliff Richard. In this one, Richard, the son of millionaire Robert Morley, wants to buy a piece of property before his father can use it for avaricious purposes. Having no spending money of his own (!), Richard puts on a Big Show with his friends to raise the necessary funds. Morley outwits his son, leading one of the kids to kidnap the old guy out of vengeance. But Richard comes to the rescue with several more swingin' tunes. ~ Hal Erickson, All Movie Guide