Joan Blondell Movies
A lovable star with a vivacious personality, mesmerizing smile, and big blue eyes, Joan Blondell, the daughter of stage comic Eddie Blondell (one of the original Katzenjammer Kids), spent her childhood touring the world with her vaudevillian parents and appearing with them in shows. She joined a stock company at age 17, then came to New York after winning a Miss Dallas beauty contest. She then appeared in several Broadway productions and in the Ziegfield Follies before being paired with another unknown, actor James Cagney, in the stage musical Penny Arcade; a year later this became the film Sinners Holiday, propelling her to stardom. Blondell spent eight years under contract with Warner Bros., where she was cast as dizzy blondes and wisecracking gold-diggers. She generally appeared in comedies and musicals and was paired ten times on the screen with actor Dick Powell, to whom she was married from 1936-45. Through the '30s and '40s she continued to play cynical, wisecracking girls with hearts of gold appearing in as many as ten films a year during the '30s. In the '50s she left films for the stage, but then came back to do more mature character parts. Blondell is the author of a roman a clef novel titled Center Door Fancy (1972) and was also married to producer Mike Todd (1947-50). ~ All Movie Guide
One-time movie song-and-dance man James Dunn won an Academy Award for his "comeback" performance in A Tree Grows in Brooklyn. Based on the best-selling novel by Betty Smith, the film relates the trials and tribulations of a turn-of-the-century Brooklyn tenement family. The father, Dunn, is a likable but irresponsible alcoholic whose dreams of improving his family's lot are invariably doomed to disappointment. The mother, Dorothy McGuire, is the true head of the household, steadfastly holding the family together no matter what crisis arises. The story is told from the point of view of daughter Peggy Ann Garner, a clear-eyed realist who nonetheless would like to believe in her pie-in-the-sky father, whom she dearly loves. Joan Blondell co-stars as the family's brash, freewheeling aunt, whose means of financial support is a never-ending source of neighborhood gossip. This first film directorial effort of Elia Kazan earned a special Oscar for "Most Promising Juvenile Performer" Peggy Ann Garner. A Tree Grows From Brooklyn was remade for TV in 1974, and also served as the basis of a Broadway musical. ~ Hal Erickson, All Movie Guide
- Starring:
- Dorothy McGuire, Joan Blondell, (more)
- 1945
A middle-aged Clark Gable returned from active duty in World War II to star in this MGM release that was heavily advertised as his big comeback. Gable is Harry Patterson, the bosun mate on a merchant marine vessel, a tough sailor and fighter with the proverbial girl in every port. But while in a San Francisco library, looking up a book on the human soul for his sidekick Mudgin (Thomas Mitchell), who thinks his soul has departed his body, Harry meets librarian Emily Sears (Greer Garson), whom he woos, marries, and leaves to sail off on another freighter. When he returns, Emily has retreated to an old farm to await the birth of their child. Harry continues to resent staying in one place, but he ultimately changes his tune when his baby's life hangs in the balance. Garson and Joan Blondell, playing her outspoken best friend, are both terrific, and Gable gives a less heroic performance that's a thoughtful change for him, although critics at the time were less than charitable. ~ Don Kaye, All Movie Guide
- Starring:
- Clark Gable, Greer Garson, (more)
- 1945
In this comedy, a barge captain with an Electra complex marries two women. He married the first because she laughed like his late mother. He married the other because she cooks like his mom. He soon finds himself in over his head. A good friend helps extricate him by devising an ingenious plot. The captain is to be blamed for a murder. He can then escape his wives by pretending to be sent to prison. ~ Sandra Brennan, All Movie Guide
- Starring:
- William Bendix, Joan Blondell, (more)
- 1943
Allen R. Kerward's flagwaving stage play Proof thro' the Night was vastly improved in its screen adaptation, which was retitled Cry Havoc. Margaret Sullavan (making her first screen appearance in two years), Joan Blondell and Ann Southern are among the appropriately deglamorized actresses playing Red Cross nurses caught up in the Pacific War. As the Japanese army forces most of the American troops to retreat from Bataan, the nurses remain, tending to the miserable wretches left behind to defend a defenseless post. This atypical MGM production is far more successful in depicting the plight of courageous women trapped behind enemy lines than was Paramount's over-touted So Proudly We Hail (and the acting was better to boot). Among the very few male characters in Cry Havoc is young bit player Robert Mitchum, appearing briefly as a mortally wounded soldier. ~ Hal Erickson, All Movie Guide
- Starring:
- Margaret Sullavan, Ann Sothern, (more)
- 1941
Faith, Hope and Charity motivate the wacky storyline of Columbia's Three Girls About Town--or to be more exact, gorgeous sisters Faith, Hope and Charity Banner, played respectively by Binnie Barnes, Joan Blondell and Janet Blair. Faith and Hope are gainfully employed as New York hotel hostesses, whose job it is to entertain wealthy out-of-town conventioneers (but no hanky panky, if you please!) They've remained in this profession in order to afford the expensive private-school education of their sister Charity, who shows up in the Big Apple in pursuit of her own career, or a wealthy husband, or both. Charity's arrival coincides with several big-time conventions, one of which is being covered by Faith's newspaper-reporter boyfriend Tommy Hopkins (John Howard). Things get dicey when the three girls discover a corpse in one of the hotel rooms. Certain that they'll be blamed for the death (or at the very least fired from their jobs!), the sisters conspire with Tommy to hide the body from the cops. Trouble is, the body just won't stay hidden, not even when our heroines try to dispose of the awkward stiff in one of the coffins brought into the hotel for an undertaker's convention. Blessed with a generous supply of belly-laughs and an unending stream of familiar character actors, Three Girls About Town sustains a proper level of zaniness right up to the cop-out finale. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Blondell, Binnie Barnes, (more)
- 1941
The unlikely combination of John Wayne and Joan Blondell adds a bit of vinegar and spice to the so-so costume drama Lady for a Night. Blondell is cast as Jenny Blake, owner of the Memphis Belle-not a WW2 bomber, but a gambling ship moored just outside New Orleans. Jenny's partner and erstwhile suitor is local political boss Jack Morgan (Wayne). She loves Morgan, but decides to marry for money and prestige, and to that end weds "black sheep" socialite Alan Alderson (Ray Middleton). Her new in-laws are infuriated by this marriage of convenience, and do everything they can to ruin Jenny in the eyes of society. When Alderson dies suddenly, his vengeful mother Julia (Blanche Yurka) accuses Jenny of poisoning her husband. Throughout the subsequent trial and scandal, Morgan stands loyally by Jenny's side, convincing her at long last that he's been the "right man" for her all along. Hattie Noel, who two years earlier lost the role of Mammy in Gone with the Wind to Hattie McDaniel, essays a neat Mammy-like characterization as Jenny's all-knowing maidservant. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Blondell, John Wayne, (more)
The third of producer Hal Roach's Topper films, Topper Returns eschews the frothy "screwball" format of the first two in favor of an "old dark house" comedy-mystery. Roland Young returns as banker Cosmo Topper, who gallantly offers a lift to pretty hitchhikers Gail Richards (Joan Blondell) and Ann Carrington (Carole Landis). This results in a few baleful glances from Topper's wife, Clara (Billie Burke), but the worst is still to come. It seems that Gail and Ann are en route to a chilly old mansion, recently inherited by Ann and populated by all manner of sinister types, including old reliable menaces Dr. Jeris (George Zucco) and Lillian (Rafaela Ottiano). The only person whom the girls can trust -- or can they? -- is Ann' father (H.B. Warner). Unable to sleep in the creepy mansion, Gail suggests that she and Ann exchange bedrooms. This proves to be a major mistake when a mysterious, hooded assailant, intending to murder Ann, kills Gail instead. Seconds later, Gail's ghost arises from her body and heads to the nearby summer house where Mr. and Mrs. Topper are staying. Having had his fill of ghosts in the first two Topper films, Topper wants nothing to do with Gail's spirit, but she finally convinces him to help her identity her killer, and to rescue Ann from a similar fate. Some of the film's best moments belong to Eddie "Rochester" Anderson as Young's eternally frightened chauffeur (at one point, Anderson threatens to quit the Toppers and go back to Jack Benny)! More contrived and slapstick-oriented than the earlier Toppers, Topper Returns still works as a neat and entertaining comedy, even in its dreadful computer-colorized version. A decade later, Thorne Smith's "Topper" characters would be revived for a popular TV series, starring Leo G. Carroll, Anne Jeffreys, and Robert Sterling. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Blondell, Roland Young, (more)
- 1941
The real-life marriage between Dick Powell and Joan Blondell was already on the rocks when they costarred in Model Wife. The story is "Working Girl Plot No. 6": Blondell's employer frowns upon married women working. She's married to Powell. The marriage must remain secret. The boss has a "thing" for Blondell. So does every other man. Powell fumes. Complications. Movie ends happily. And that's Model Wife, the second and last of the Powell/Blondell vehicles of the 1940s (the other film was titled, significantly, I Want a Divorce). ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Blondell, Dick Powell, (more)
- 1940
Ironically, the marriage between Dick Powell and Joan Blondell was beginning to fall apart at the time they co-starred in Paramount's I Want a Divorce. The film manages to sustain two plotlines, with newlyweds Alan and Geraldine MacNally (Powell and Blondell) beginning to have second thoughts about their union, while David and Wanda Holland (Conrad Nagel and Gloria Dickson) are in the last stages of their divorce proceedings. It so happens that Alan is the struggling attorney handling the Holland case, much to his wife's chagrin. As the hearings proceed, Alan and Geraldine drift further and further apart, only to abruptly reunite when Wanda Holland's suicide after losing custody of her son forces Alan to rethink his own priorities. Often written off as a mere comedy, I Want a Divorce has a surprising amount of meat on its bones. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Blondell, Dick Powell, (more)
Edward G. Robinson plays orchid-loving gangster Little John Sarto, who aspires to "real class." During a power struggle with usurping mobster Jack Buck (Humphrey Bogart), Sarto is taken for a one-way ride, but he escapes his would-be assassins and hides out in a monastery overseen by Brother Superior (Donald Crisp). Sarto insists that he'd like to become a monk himself, but in fact he's using the monastery as a hideout, the better to mount his counterattack against Buck. Eventually Sarto's resolve is weakened by the kindness of the monks, and he decides to turn over a new leaf. He sees to it that Buck is brought to justice, and also fixes up his true-blue "moll," Flo Addams (Ann Sothern), with good-hearted Texas rancher Clarence Fletcher (Ralph Bellamy). (News flash! Bellamy gets the girl for once!) Sarto, now known as "Brother Orchid," returns to the monastery for good, declaring that he's finally found the real class. Though Edward G. Robinson didn't want to play another gangster, he agreed to star in Brother Orchid in exchange for being allowed to essay the lead in Warner Bros.' historical drama A Dispatch From Reuter's (1940). ~ Hal Erickson, All Movie Guide
- Starring:
- Edward G. Robinson, Humphrey Bogart, (more)
- 194z
See more mistakes and fumblings of the stars. ~ All Movie Guide
- 1940
Two Girls on Broadway is an updated reworking of MGM's Oscar-winning 1929 musical Broadway Melody. Joan Blondell and Lana Turner play a vaudeville "sister" act, slightly more talented than the similar duo in Broadway Melody. The twosome have sworn never to break up, but that was before hoofer George Murphy entered the scene. Blondell realizes that it's Turner whom Murphy loves, so she nobly steps aside to make room for her baby sister. Two Girls on Broadway was another step in the right direction for the blossoming career of Lana Turner, here permitted to show off her terpsichorean skills. ~ Hal Erickson, All Movie Guide
- Starring:
- Lana Turner, Joan Blondell, (more)
- 1939
Bing Crosby plays a tune-happy cab driver who finds himself the reluctant recipient of an abandoned baby. Together with his roommate, dour doorman Mischa Auer, Crosby offers care and shelter to the infant until he can locate the parents. The baby brings in some unwanted publicity for Crosby, which costs him his job--no real problem, in that a happy ending is obviously in the offing. East Side of Heaven was the first of a two-picture deal between Bing Crosby and Universal Pictures, which turned out to be a smart move money wise for both parties. Crosby's leading lady is the vivacious Joan Blondell, who later characterized her costar as "Aloof...I think he was born that way." The infant in the story is played by Baby Sandy (Sandra Henville), who was subsequently launched into a brief "B" series of her own before retiring at the advanced age of four. ~ Hal Erickson, All Movie Guide
- Starring:
- Bing Crosby, Joan Blondell, (more)
- 1939
One review of Columbia's The Amazing Mr. Williams referred to its private-detective hero as "slap happy". As played by Melvyn Douglas, the giddy Kenny Williams is all that and more. On the eve of his wedding to longtime fiance Maxine Carroll (Joan Blondell), Williams is obliged to solve three mysteries in a row. One of these finds him handcuffed to convicted criminal Moseby (Ed Brophy), causing no end of discomfort and embarrassment on the dance floor. Another requires Williams to disguise himself as a woman, mustache and all. Finally, our hero goes undercover to prove the innocence of accused murderer Stanley (John Wray). Through it all, Maxine gamely remains at Williams' side, determined to march him to the altar come what may-at least until she herself is deputized by the police force! ~ Hal Erickson, All Movie Guide
- Starring:
- Melvyn Douglas, Joan Blondell, (more)
- 1939
Pat O'Brien is his usual likably obnoxious self in the Warner Bros. newspaper yarn Off the Record. While trying to smash a numbers racket, star reporter Breezy Elliot (O'Brien) takes tough young numbers-runner Mickey Fallon (Bobby Jordan) under his wing. The kid gets a job as a copy boy, earning the enmity of one and all because of his inability to keep his fists to himself. Mickey redeems himself-and, by extension, Breezy-when he engineers the capture of his gangster brother Joe Fallon (Alan Baxter). The romantic angle is handled by Breezy's gal Friday Jane Morgan (Joan Blondell), who eventually agrees to marry the hero only if he adopts the troublesome Mickey as his son (gee, things were so much simpler in the movies!) ~ Hal Erickson, All Movie Guide
- Starring:
- Pat O'Brien, Joan Blondell, (more)
- 1939
Spunky Joan Blondell is practically the whole show in the diverting comedy Good Girls Go to Paris. Blondell is cast as ambitious college-campus waitress Jenny Swanson, who yearns to see the sights in Gay Paree. She gets her chance by latching onto British exchange professor Ronald Brooke (Melvyn Douglas), who is en route to the City of Light. Once she sets foot on French soil, Jenny proves the veracity of the film's title by straightening out the wayward family of dyspeptic millionaire Olaf Brand (Walter Connolly)-though for a while it looks as though she's a "bad girl", merely out to take the Brands for every penny they've got. In later years, Joan Blondell ruefully recalled that the film's original title was Good Girls Go to Paris Too, but the Hays Office nixed that harmlessly suggestive monicker. ~ Hal Erickson, All Movie Guide
- Starring:
- Melvyn Douglas, Joan Blondell, (more)
- 1939
Banking on the popularity of the Warner Bros.' boxing saga Kid Galahad (37), the studio rushed into production with another, similarly titled prizefight picture. In Kid from Kokomo, Wayne Morris once more plays a small-town rube who's good with his fists. The "kid" becomes convinced that a drunken harridan (May Robson) is his mother, and invites her to move in with him. Since the old lady is a kleptomaniac, it doesn't take long for the law to breathe down Morris' neck. Pat O'Brien hangs around as Morris' manager, while Joan Blondell and Jane Wyman supply the feminine interest. ~ Hal Erickson, All Movie Guide
- Starring:
- Pat O'Brien, Wayne Morris, (more)
- 1938
Capitalizing on the success of MGM's Thin Man series, virtually every major studio of the 1930s came up with its own husband-and-wife detective team. Columbia's entry was There's Always a Woman, starring Melvyn Douglas and Joan Blondell. Douglas and Blondell are the married proprietors of an unsuccessful private eye. On the verge of quitting the business, Douglas is given a $300 retainer by Mary Astor for a seemingly simple trackdown job. Disinterested, Douglas turns the case over to his wife--but reenters the scene when a murder occurs. Rita Hayworth appears in a 30-second bit, cut down from a full supporting role when the picture threatened to run too long. There's Always a Woman was supposed to be the first of a Douglas/Blondell series, but that notion ended with the comparative failure of their next vehicle, There's That Woman Again (39). ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Blondell, Melvyn Douglas, (more)
- 1937
- NR
Edward G. Robinson offers an excellent turn as a crime lord obsessed with the welfare of his son in this melodramatic crime story. The lad is born while the notorious Robinson serves 10 years. Unfortunately, the press hound the babies mother and constantly derider her until a kinder reporter takes pity and begins writing stories to support her. This angers his editor who fires him. One day Robinson's wife goes to visit him and he behaves like a brute. She is so shocked that she ends her marriage and hooks up with the reporter. Together, they move far away to start successful new lives. A decade later, Robinson gets out and begins searching for his boy. Unfortunately, he also gets talked into his gangster activities by an old cohort. The gang, however turns on him and forces him to reveal the location of a large cache of loot that he hid before entering the slammer. Tough old Robinson won't tell them, so they kidnap his son.
Fortunately, Robinson and the lad escape. The gangster tries to get to know his boy, but the child wants nothing to do with him. Angered, Robinson swears vengeance upon his ex and her new spouse. ~ Sandra Brennan, All Movie Guide
Fortunately, Robinson and the lad escape. The gangster tries to get to know his boy, but the child wants nothing to do with him. Angered, Robinson swears vengeance upon his ex and her new spouse. ~ Sandra Brennan, All Movie Guide
- Starring:
- Edward G. Robinson, James Stewart, (more)
Bookish bank employee Atterbury Dodd (Leslie Howard) is ordered to investigate the near-bankrupt Colossal Studios in Hollywood, to see if the firm is any sort of good risk. Dodd's first brush with Tinseltown's cuckoo atmosphere occurs when he takes a room in a boarding house for extras, where all manner of eccentrics wander about as they wait for the phone to ring (Charles Middleton comports himself in an Abe Lincoln costume, on the off-chance that Hollywood will go back to making Civil War pictures soon). He befriends Lester Plum (Joan Blondell), a former child star now working as a stand-in for haughty movie queen Thelma Cheri (Marla Shelton), and perpetually soused producer Douglas Quintain (Humphrey Bogart). Aware that the latest epic of autocratic director Koslofski (Alan Mowbray) will ruin the studio, Howard investigates further, discovering that a rival company has bribed Koslofski to pad the budget and thus bring about the foreclosure of Colossal. While his business sense tells him that this is the next logical move, Dodd has fallen in love with Plum; thus, he gives Quintain 48 hours to re-edit Koslofski's fiasco into something workable, and himself staves off the studio's shutdown by rallying all the Colossal employees to stand firm against being removed from the premises. Based on a Saturday Evening Post story by Clarence Buddington Kelland, this is a light-hearted satire of the movie industry, the sort of amiable farce in which everyone--even the most contentious of characters--is shown to be basically decent underneath. ~ Hal Erickson, All Movie Guide
- Starring:
- Leslie Howard, Joan Blondell, (more)
- 1937
Groucho Marx received co-writer credit (along with his old friend Norman Krasna) for King and the Chorus Girl, though very little Marxian wit is in evidence. What remains is a fun but forgettable comedy about a European monarch (Fernand Gravet) who woos and wins a down-to-earth American chorine (Joan Blondell) who works at the Folies Bergere. Edward Everett Horton and Jane Wyman (fifth-billed) provide comic relief as the respective best friends and severest critics of the leading players. The film had a topical edge in that it was released the year after Britain's King Edward renounced his throne for American divorcee Wallis Warfield Simpson. Significantly, King and the Chorus Girl was released in England as Romance is Sacred, effectively downplaying the touchy "royal" angle. ~ Hal Erickson, All Movie Guide
- Starring:
- Fernand Gravey, Joan Blondell, (more)
- 1937
In this newsroom drama, a tabloid's ace reporter's investigations lead to a chorine's conviction for murdering her husband. The trouble begins when the reporter digs a little deeper and realizes that the showgirl is really innocent. Now, despite the objections of her editor, the reporter must hurry to keep the dancer off of death row. ~ Sandra Brennan, All Movie Guide
- Starring:
- Pat O'Brien, Joan Blondell, (more)
- 1937
Based on a popular novel by Samuel Hopkins Adams, this screwball comedy stars Errol Flynn in the title-role, the heir to an industrial fortune kept hidden from the world by his imperious grandmother (May Robson). Intrigued by the secrecy, peppy Joan Blondell literally crashes the estate to liberate the young man and the two embark on a whirlwind trip through Pennsylvania. Falling in love with the intruder along the way, Flynn learns how life is lived by the other half -- or at least by the wacky Warner Bros. stock company -- and proves himself to be much more capable than "Grandma" Robson ever imagined. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Errol Flynn, Joan Blondell, (more)
- 1936
Stage Struck is one of the least known of Busby Berkeley's Warner Bros. musicals, chiefly because there are no major production numbers. The plot is that old saw about young, unknown hopefuls who put on a Big Show and become overnight stars. Alas, the magic didn't work for leading lady Jeanne Madden, who disappeared from films shortly after this brief bid for fame. The film's highlight is a satirical number by the Yacht Club Boys, a "nut" singing group best described as the Gentile Ritz Brothers. The songs for Stage Struck were written by E. Y. Harburg and Harold Arlen, whose talents would be displayed to better advantage in 1939's Wizard of Oz. ~ Hal Erickson, All Movie Guide
- Starring:
- Dick Powell, Joan Blondell, (more)
- 1936
The titular colleen is Ruby Keeler, hired to manage a dress shop by wealthy Dick Powell. Keeler is the replacement for slatternly Joan Blondell, who'd been assigned the job by Powell's philandering father (Hugh Herbert). With Powell and Keeler at the helm, it's no time at all before the musical numbers proliferate, though none of the songs have the staying power of those in such earlier Warners musicals as 42nd Street and Golddiggers of 1933. The best number, "Boulevardier from the Bronx", is familiar to modern viewers thanks to its constant use in Warner Bros. cartoons. A lesser Powell/Keeler outing, Colleen contains what many film buffs regard as the definitive performance of character comedian Hugh "Woo Woo" Herbert. ~ Hal Erickson, All Movie Guide
- Starring:
- Dick Powell, Ruby Keeler, (more)
