Joan Blondell Movies
A lovable star with a vivacious personality, mesmerizing smile, and big blue eyes, Joan Blondell, the daughter of stage comic Eddie Blondell (one of the original Katzenjammer Kids), spent her childhood touring the world with her vaudevillian parents and appearing with them in shows. She joined a stock company at age 17, then came to New York after winning a Miss Dallas beauty contest. She then appeared in several Broadway productions and in the Ziegfield Follies before being paired with another unknown, actor James Cagney, in the stage musical Penny Arcade; a year later this became the film Sinners Holiday, propelling her to stardom. Blondell spent eight years under contract with Warner Bros., where she was cast as dizzy blondes and wisecracking gold-diggers. She generally appeared in comedies and musicals and was paired ten times on the screen with actor Dick Powell, to whom she was married from 1936-45. Through the '30s and '40s she continued to play cynical, wisecracking girls with hearts of gold appearing in as many as ten films a year during the '30s. In the '50s she left films for the stage, but then came back to do more mature character parts. Blondell is the author of a roman a clef novel titled Center Door Fancy (1972) and was also married to producer Mike Todd (1947-50). ~ All Movie Guide- 1930
Based on the play Penny Arcade, Sinner's Holiday marked the film debut of James Cagney. After seeing the performance on Broadway, Al Jolson bought the rights to the play and sold it to Warner Bros. under the agreement that both Cagney and co-star Joan Blondell reprise their stage roles for the screen. The story concerns an overprotective mother, Ma Delano (Lucille LaVerne), who runs a penny arcade in Coney Island and lives with her children: Harry (James Cagney), Joe (Ray Gallagher), and Jennie (Evelyn Knapp). Harry works for a sideshow ran by liquor-dealing gangster Mitch McKane (Warren B. Hymer), who wants to date ennie. Grant Withers plays Angel, Harry's co-worker and the hero that saves Jennie from Mitch's advances. When Mitch goes to jail, Harry takes over his shady liquor business and keeps the extra money for himself, leading to a deadly gunfight. When he's accused of murder, Harry begs his mother for protection and she frames Angel with the weapon out of a bizarrely obsessive love for her son. agney would go on to play other tough-guy characters with overly loving mothers in his next film, The Public Enemy ~ Andrea LeVasseur, All Movie Guide
- Starring:
- Grant Withers, Evelyn Knapp, (more)
- 1930
Illicit office romances provide the basis of this melodrama. The story centers around an older man's secretary who drops her real boyfriend to seduce her boss. When he discovers that his wife has begun fooling around with younger men he lets his secretary have her way. Fortunately, the boss's wife files for divorce and now everyone is free to fool around. ~ Sandra Brennan, All Movie Guide
- Starring:
- Dorothy Mackaill, Hobart Bosworth, (more)
- 1931
William Wellman's Night Nurse survives as a potentially interesting but ultimately unsatisfying melodrama about a nurse discovering evildoings in the household where she is caring for a couple of sick children. Based on a 1930 novel by Dora Macy, Wellman's probe into medical corruption is one of the director's more cynical looks on Depression-era America, but most of the characters are weakly drawn and the denouement a cheat, cinematically. Barbara Stanwyck plays Lora Hart, an ambitious student nurse whose first assignment after graduation is tending to a couple of deathly ill little girls, Nanny (Marcia Mae Jones) and Desney (Betty Jane Graham). Despite their posh surroundings, the girls are apparently suffering from malnutrition; their mother, Mrs. Ritchey (Charlotte Merriam), is hopped-up on bootleg booze ("I'm a dipsomaniac! A dipsomaniac I tell ya! And I like it!"), and the girls' physician (Ralf Harolde) is a society quack with a facial tick. Lora soon realizes that the good doctor is deliberately starving the children to death in order to gain access to their trust fund and that Mrs. Ritchey is kept in line by Nick (Clark Gable), a black-clad gangster posing as the family chauffeur. A desperate Lora proposes to contact the authorities, but her medical sponsor (Charles Winninger) deems that unethical and instead suggests that she find a solution from inside the family. Nearly at the end of her ropes -- and having accepted one too many blows to the chin from Nick -- Lora is saved by an admirer, good-natured bootlegger Mortie (Ben Lyon), whose "friends" take the evil chauffeur on a final "ride." None of this makes much sense, and the film appears to have been tampered with along the way. One of the children disappears without any explanation halfway through, and the hospital establishment's reticence is never properly explained. Instead of a coherent plot, Night Nurse, in typical pre-Production Code style, offers quite a few scenes of Barbara Stanwyck and fellow nurse Joan Blondell dressing and undressing and a rather brutal portrayal by a very young Clark Gable on the threshold to fame. Warner Bros. had borrowed Gable from MGM to play the despicable chauffeur when the original choice, James Cagney, suddenly proved too valuable a commodity for what was actually a supporting role. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Barbara Stanwyck, Ben Lyon, (more)
- 1931
Blonde Crazy describes the perpetual mental state of James Cagney. A conniving bellhop, Cagney increases his bank account by using his blonde girlfriend Joan Blondell as a come-on to various "sugar daddies" whom he suckers out of their hard-earned cash. When the pair try their con game in New York, they fall victim to sharpster Louis Calhern. Angry that Cagney has lost their money, Blondell marries straight-arrow Ray Milland. Cagney tries to get back the dough by committing a holdup, and is promptly arrested. Blondell, realizing that Cagney has landed in jail because of her, throws over her husband and vows to wait for Cagney. As amoral as a bagful of alley cats, Blonde Crazy is good dirty fun from Hollywood's randy pre-code era. ~ Hal Erickson, All Movie Guide
- Starring:
- James Cagney, Joan Blondell, (more)
- 1931
Loretta Young briefly contemplates using her sexual allure to get ahead in business in this sometimes frank but ultimately old-fashioned comedy-drama from Warner Bros. Packing her new husband, bandleader Johnny Saunders (Frank Albertson), off to Paris, Claire McIntyre (Young) sets her sight on her boss, wolfish advertising maven Robert J. Clayton (Ricardo Cortez). The latter's clumsy attempt to seduce the girl is interrupted by an enraged Johnny, however, and Claire comes to her senses. But Clayton doesn't take no for an answer and concocts a plan to sabotage the union. Big Business Girl was based on a College Humor magazine story by Patricia Reilly and H.N. Swanson. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Loretta Young, Frank Albertson, (more)
Yet another variation on the already then-ancient Madame X theme, this early talkie stars Helen Twelvetrees in the title role, a small-town girl marrying a New York City businessman (James Hall). The union produces a daughter, but ends when Millie catches her husband with a mistress (Marie Astaire). Attempting to make a life for herself without turning to gold-digging, like her friends, Angie (Joan Blondell) and Helen (Lilyan Tashman), Millie is once again disappointed by a man when reporter boyfriend Tommy (Robert Ames) is found in another girl's apartment. Years later, a nearly destitute and much hardened Millie discovers that an old admirer, Jimmy Damier (John Halliday), is about to seduce her now 17-year-old daughter, Connie (Anita Louise). Catching the couple almost in the act, Millie shoots and kills Jimmy, but is acquitted when the jury learns the identity of the molested girl. Millie was an independent Charles R. Rogers production sold to RKO when producer Rogers joined that company. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Helen Twelvetrees, Lilyan Tashman, (more)
- 1931
Few actresses exuded as much raw sensuality as the pre-Production Code Barbara Stanwyck. In Illicit, Anne Vincent (Stanwyck) spends most of her time dressed in a loose-fitting kimono as the mistress of Dick Ives (James Rennie). The couple lives openly in sin because Anne does not believe in marriage, convinced that she could never remain faithful to Dick if they legalized their union. Sure enough, when Annie and Dick do tie the knot, they immediately begin fooling around with others. In the end, however, morality and fidelity prevails -- and about time! Illicit created quite a stir in 1931, not so much because of its half-hearted advocation of "free love," but because of its unconventionally independent heroine (of course, if it had been the hero who was opposed to marriage, no one would have said boo). ~ Hal Erickson, All Movie Guide
- Starring:
- Barbara Stanwyck, James Rennie, (more)
- 1931
In this drama, a hard-working New York model abandons her family values for the love of a suave, handsome man who offers her the moon, but ends up leaving her with a baby and a very bitter aftertaste. She then becomes cynical, and angry at all men until a sensitive, gentle artist helps her through the hurt shows her a less self-destructive path for her life. ~ Sandra Brennan, All Movie Guide
- Starring:
- Dorothy Mackaill, Conrad Nagel, (more)
- 1931
My Past is based on a novel called Ex-Mistress, a title that was rejected outright by the Hollywood censors. Even so, what transpires on screen is pretty racy for its time, with stage star Dora Macy (Bebe Daniels) enjoying the favors of wealthy bachelor John Thornley (Lewis Stone). When Dora falls for Thornley's young business associate Robert Byrne (Ben Lyon), the older man graciously steps aside. Our heroine soon regrets having come between Byrne and his wife Consuelo (Natalie Morehead), and takes an ocean voyage to put her checkered past behind her. But Thornley, feeling that Byrne is best rid of his termagant spouse, pulls a few strings to bring Dora and Bryne back together. Incidentally, stars Bebe Daniels and Ben Lyon would soon be married in real life, without the help of Lewis Stone. ~ Hal Erickson, All Movie Guide
- Starring:
- Bebe Daniels, Ben Lyon, (more)
- 1931
William A. Wellman's triangle melodrama "The Steel Highway" -- a title referring to the film's railroad setting -- was changed to the more suggestive Other Men's Women shortly before it's April 19, 1931 New York premiere. Grant Withers and Regis Toomey played lifelong friends and co-workers in love with the same woman, Mary Astor). She, unfortunately, is also Toomey's wife and the two friends have a blow-out on the job. The train derails and Toomey is blinded for life. When the river floods, the repentant Withers concocts a scheme to save an important railroad bridge by driving his engine across, thus stabilizing the construction. Believing his blindness makes him a burden to Astor, Toomey sacrifices himself instead. The ploy fails and Toomey is killed. Toomey and Astor, who had replaced James Hall and Marian Nixon, and Grant Withers were all fine under Wellman's crisp direction but the film was stolen outright by supporting players James Cagney and Joan Blondell, the latter as Wither's former girlfriend. With typical pre-production code frankness, Blondell's tough-talking waitress advises a fresh customer that she is "A.P.O." What does this "A.P.O. means?" the customer asks. Blondell: "Ain't puttin' out!" Blondell and Cagney, who had appeared together in the Broadway play Penny Arcade and its subsequent film version, Sinner's Holiday (1930), would reach stardom in their third film together, the gangster classic The Public Enemy (1931). Overly static at times, Other Men's Women was livened considerably by the climactic bridge collapse, a successful use of miniatures. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Grant Withers, Mary Astor, (more)
- 1931
God's Gift to Women demonstrated conclusively that Warner Bros. would never make a movie star out of Broadway comedian Frank Fay. Portraying a most unlikely Frenchman, Fay pitches woo at every beautiful woman in sight, but falls in love with none of them. When Cupid genuinely strikes him for the first time, Fay is compelled by the girl's father to prove that he's honestly in love with her and not just with her millions. Fay does just that, but it takes ever so long. God's Gift to Women is injured beyond repair by the obnoxious, mannered performance of Frank Fay, and by the fact that Fay and director Michael Curtiz detested each other at first sight. ~ Hal Erickson, All Movie Guide
- Starring:
- Frank Fay, Laura La Plante, (more)
William Wellman's landmark gangster movie traces the rise and fall of prohibition-era mobster Tom Powers. We are first shown various episodes of Tom's childhood with the corrupting influences of the beer hall, pool parlor, and false friends like minor-league fence Putty Nose. As young adults, Tom (James Cagney) and his pal, Matt Doyle (Edward Woods), are hired by ruthless but innately decent bootlegger Paddy Ryan (Robert Emmett O'Connor). The boys quickly rise to the top of the heap, with all the accoutrements of success: custom-tailored tuxedoes, fancy cars, and gorgeous girls. All the while, Tom's loving (and somewhat addlepated) mother (Beryl Mercer) is kept in the dark, believing Tommy to be a good boy, a façade easily seen through by his older brother Mike (Donald Cook). Tommy's degeneration from brash kid to vicious lowlife is brought home in a famous scene in which he smashes a grapefruit in the face of his latest mistress (Mae Clarke). Some dated elements aside, The Public Enemy is as powerful as when it was first released, and it is far superior to the like-vintage Little Caesar. James Cagney is so dynamic in his first starring role that he practically bursts off the screen; he makes the audience pull for a character with no redeeming qualities. The film is blessed with a superior supporting cast: Joan Blondell is somewhat wasted as Matt's girl, Mamie; Jean Harlow is better served as Tom's main squeeze, Gwen (though some of her line readings are a bit awkward); and Murray Kinnell is slime personified as the deceitful Putty Nose, who "gets his" in unforgettable fashion. Despite a tacked-on opening disclaimer, most of the characters in The Public Enemy are based on actual people, a fact not lost on audiences of the period. Current prints are struck from the 1949 reissue, which was shortened from 92 to 83 minutes (among the deletions was the character of real-life hoodlum Bugs Moran). ~ Hal Erickson, All Movie Guide
- Starring:
- James Cagney, Edward Woods, (more)
- 1932
A Grand Hotel derivation set in a major metropolitan train terminal, Union Depot features most of the reliable Warner Bros. stock company. Douglas Fairbanks Jr. stars as a slick thief; Joan Blondell costars as a stranded chorus girl; Alan Hale Sr. is featured as a phony baron absconding with company funds; and Frank McHugh does his drunk act. Other arrivals and departures include Guy Kibbee, David Landau, and George Rosener (as a sexual deviate stalking Ms. Blondell!) The huge depot set built for this film may seem like an unnecessary expenditure, but the set would come in handy for future, less costly Warners endeavors. The British title for Union Depot was Gentleman for a Day, reflecting the crooked Fairbanks' good-guy turnaround at the end of the film. ~ Hal Erickson, All Movie Guide
- Starring:
- Douglas Fairbanks, Jr., Joan Blondell, (more)
- 1932
Based on the play New York Town by Ward Morehouse, Mervyn LeRoy directs the black-and-white 1932 comedy drama Big City Blues. A small-town innocent from Indiana, Bud Reeves (Eric Linden) inherits money and goes to New York to get in all sorts of trouble. He meets up with his cousin Gibby (Walter Catlett), who introduces him to chorus girl Vida Fleet (Joan Blondell). Bud and Gibby then throw a drunken hotel party with bootleg liquor that gets out of hand and a young woman (Josephine Dunn) is hit on the head and accidentally killed. Bud and Vida go gambling and drinking to escape the cops, but they are caught and arrested with everyone else from the party. Eventually, the police find the real killer and release everyone. Bud leaves for Indiana, but plans to go back, get his dog, and marry Vida. Humphrey Bogart appears in a brief uncredited role as Shep Adkins, a guy who gets into a fight with Lyle Talbot during the party. ~ Andrea LeVasseur, All Movie Guide
- Starring:
- Joan Blondell, Eric Linden, (more)
- 1932
Two small-town youths head for the Big Apple and somehow get mixed up with mobsters during a visit to the title park in this episodic comedy drama filmed on location. ~ Sandra Brennan, All Movie Guide
- 1932
Inspired in part by the sensational Snyder-Gray murder case (which was also the source of The Postman Always Rings Twice), The Famous Ferguson Case casts an unflattering light on the journalist "feeding frenzy" attending such crimes. A wealthy banker named Ferguson is found murdered, and his bound-and-gagged wife (Vivienne Osborne) is rescued by the police. It appears at first that the murderer was an unknown burglar, but the cops think otherwise, hypothesizing that Mrs. Ferguson actually conspired with her lover Judd Brooks (Leon Waycoff, aka Leon Ames) to murder her husband. The small town where the murder occurred suddenly becomes the center of a media circus, with reporters from all over the country grasping and clawing for a "hot scoop." At first, hard-boiled girl reporter Maizie Dickson (Joan Blondell) is no better than the rest of the journalist jackals, but she soon becomes disillusioned at the manner in which the truth has been crushed to earth by her insensitive brethren. She also has her heart broken when her husband, likewise a reporter, uses his assignment as an excuse to sleep around. The relentless media blitz eventually drives Mrs. Ferguson (whose guilt or innocence is never completely established) to kill herself and also ruins the lives of everyone around her. Once considered a relic of its period, The Famous Ferguson Case grows more timely with each passing year. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Blondell, Tom Brown, (more)
- 1932
In this murder mystery, a nurse with an unusual eye for detail solves a puzzling case. ~ Sandra Brennan, All Movie Guide
- Starring:
- Joan Blondell, George Brent, (more)
- 1932
Zoë Akins' archetypal "gold-digger" stage comedy The Greeks Had a Word for It was transferred to the screen in 1933, with the "It" changed to "Them" in the title, reportedly at the insistence of over-cautious producer Sam Goldwyn (this became a moot point in the 1940s, when the film was reissued as Three Broadway Girls). Ina Claire, Madge Evans, and Joan Blondell star as ex-showgirls Jean, Polaire, and Schatze, who pool their resources to rent a luxurious penthouse apartment. Their strategy is as follows: if they live like millionaires, dress like millionaires and act like millionaires, they'll be able to attract wealthy boyfriends. The original play ended with all three girls continuing their gold-digging activities unto eternity, while the film concludes with one of the three finding true love in the arms of Dey Emery (David Manners). The Greeks Had a Word for Them was later remade (and considerably rewritten) as How to Marry a Millionaire (1953), with Betty Grable, Marilyn Monroe, and Lauren Bacall. ~ Hal Erickson, All Movie Guide
- Starring:
- Madge Evans, Joan Blondell, (more)
- 1932
Joan Blondell, borrowed for the occasion from Warner Bros., earned top-billing in this delightful Hollywood parable, but the real star is of course Stuart Erwin as the irrepressible grocery clerk Merton Gill. Paramount screenwriters Saul Mintz, Walter De Leon and Arthur Kober based their witty scenario on Henry Leon Wilson's 1922 novel Merton of the Movies, the 1923 Broadway play by George S. Kaufman and Marc Connelly, and the 1924 Famous Players silent version starring Glenn Hunter. By 1932, the story was indeed well-known: Aspiring to become a famous screen cowboy, small-town delivery boy Merton Gill arrives in Hollywood, bright-eyed and bushy-tailed and complete with a diploma from the National Correspondence Academy of Acting. Crashing the gates of Majestic Pictures (read: Paramount), Merton manages to fumble his one line bit in the latest Buck Benson (Dink Templeton) western and is fired on the spot. Unwilling to leave the studio, the hapless thespian survives on leftover scraps from the extra's lunch boxes until discovered by comedy starlet "Flip" Montague (Blondell), who takes pity on him and arranges a meeting with Jeff Baird (Sam Hardy), head of the slapstick comedy unit. Bestowed a new name, Whoop Ryder, Merton is starred in what he assumes to be a serious western melodrama but what in reality is yet another burlesque featuring cross-eyed low comic Ben Turpin. Although a big hit with preview audiences, a humiliated Merton is ready to return to the grocery business when "Flip" persuades him to stay by telling him that he is "darn near perfect." ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Stuart Erwin, Joan Blondell, (more)
- 1932
Howard Hawks directed this fast-paced auto racing drama. Joe Greer (James Cagney) is a top-ranked race car driver; his younger brother Eddie (Eric Linden) wants to follow in Joe's footsteps, but Joe knows his brother's reckless side and tries to keep him away from the racer's life. Eddie, however, can't be dissuaded from a career on the track, and he turns out to like his women as fast as his cars when he gets involved with Ann (Joan Blondell). Joe's best friend Spud (Frank McHugh) tries to keep the feuding brothers apart, but his attempts to do so in the midst of a race leads to Spud's death. Joe is despondent after Spud's passing and gives up his career in racing, while Eddie becomes eligible for the Indianapolis 500. Joe grudgingly comes to the race to see his kid brother in action, but he gets the chance to redeem himself when Eddie is hurt and needs a driver to complete the race in his car. Racing legend Billy Arnold, who won the Indy 500 in 1930, advised the production. ~ Mark Deming, All Movie Guide
- Starring:
- James Cagney, Joan Blondell, (more)
- 1932
Three on a Match covers approximately 13 years in the lives of girlhood chums Mary Keaton (Joan Blondell), Ruth Wescott (Bette Davis) and Vivian Deverse (Ann Dvorak). Having graduated from grammar school together in 1919, the girls stage a reunion ten years later. Hard-boiled Mary is now a chorus girl, level-headed Ruth has a steady job as a secretary, and vixenish Vivian is on the verge of capriciously deserting her wealthy husband Robert Kirkwood (Warren William) and their baby in favor of sexy mob-boss Mike (Lyle Talbot). Several more years pass, during which Mary marries Henry, Ruth is hired as governess for Henry, and Vivian's son and a drug-addicted Vivian become fatally enmeshed in a kidnapping plot involving her own child. In his second Warner Bros. film, tenth-billed Humphrey Bogart essays his first sneering-gangster role. Three on a Match was remade (and considerably laundered) in 1938 as Broadway Musketeers. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Blondell, Warren William, (more)
- 1933
Broadway Bad stars Joan Blondell as a wisecracking but goodhearted chorus girl whose husband (Ricardo Cortez) is an abusive lout. Blondell's plight makes the headlines, which results in an upswing in her career. Rather than wallow in self-pity, she trades on the publicity to become a star, while hubby mutters dark promises of revenge. This film was based on the real-life relationship between Broadway star Hal Skelly and a promiscuous young actress who assumed several professional names. Though its cast and subject matter might suggest that Broadway Bad is a Warner Bros. epic, the picture was actually produced and released by Fox Studios. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Blondell, Ricardo Cortez, (more)
- 1933
The second talkie version of the Avery Hopwood's theatrical war-horse The Golddiggers of Broadway, Gold Diggers of 1933 was the second of three back-to-back 1933 Warner Bros. musicals benefiting from the genius of Busby Berkeley. The basic plot is retained from the Hopwood play: Showgirls Joan Blondell, Ruby Keeler and Aline McMahon attempt to find financial backing for the new show planned by producer Ned Sparks. Songwriter Dick Powell, an incognito man of wealth, offers to put up the money, a fact that brings down the wrath of his older brother Warren William, who despises show folk. Attempting to buy off the three girls, William is placed in a compromising position by the crafty Blondell and is compelled to bankroll the musical himself. The oddest aspect of Gold Diggers of 1933 is the fact that the mood of the songs is wildly at variance with the plot. The film begins with dozens of chorus girls (led by Ginger Rogers) happily chirping "We're In the Money", a rehearsal number interrupted when the finance men burst in to claim the sets and props from the impoverished troupe. At the end, when everyone is genuinely in the money, the troupe stages a downbeat "Brother Can You Spare A Dime"-style production number, "Remember My Forgotten Man"--and it is on this doleful indictment of the Depression that the film fades out! Other Berkeley-staged musical highlights include "Pettin' in the Park" (yes, that salacious little baby really is Billy Barty) and the neon-dominated "Shadow Waltz", all written by the prolific Harry Warren and Al Dubin. As spectacular as Gold Diggers of 1933 was, it would be topped by the last of Berkeley's 1933 trilogy, Footlight Parade. ~ Hal Erickson, All Movie Guide
- Starring:
- Warren William, Joan Blondell, (more)
- 1933
The wonderful Warner Bros. stock company goes through its customarily breezy paces in Havana Widows. Joan Blondell and Glenda Farrell star as Mae and Sadie, a couple of hard-boiled dames who support themselves by shaking down wealthy and susceptible older men in Havana. Their current target is Deacon Jones (Guy Kibbee), a self-appointed moralist whose rock-ribbed values disappear after the third drink. But Blondell spoils the scam when she falls in love with the Deacon's son Bob (Lyle Talbot). Less than a month after the release of Havana Widows, many of the same cast members were back to their old tricks in Convention City. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Blondell, Glenda Farrell, (more)
- 1933
William Powell is a poor East Side lawyer who works his way up the ladder to assistant prosecutor. He isn't too particular how he uses and misuses the law, much to the dismay of his faithful secretary (Joan Blondell). Powell's downfall comes when he falls for a shady lady (Claire Dodd) who blackmails him for a past misdeed. He escapes prosecution with a hung jury, but the experience rekindles his conscience. With his loving secretary at his side, Powell returns to his old neighborhood to set up an honest legal practice. ~ Hal Erickson, All Movie Guide
- Starring:
- William Powell, Joan Blondell, (more)
