Charles Sullivan Movies

A former boxer, Charles Sullivan turned to acting in 1925. Sullivan menaced such comedians as Harold Lloyd and Laurel and Hardy before concentrating on feature-film work. When he wasn't playing thugs (Public Enemy, 1931), he could be seen as a sailor (King Kong, 1933). Most of the time, Charles Sullivan was cast as chauffeurs, right up to his retirement in 1958. ~ Hal Erickson, All Movie Guide
1937  
 
Girl with Ideas was Universal Pictures' version of MGM's matchless Libeled Lady. Wendy Barrie plays a society girl miffed at the bad press she's been getting in a local newspaper. Unable to convince publisher Walter Pidgeon to cease and desist, Barrie takes her case to court. She wins not only the case but the newspaper itself, whereupon Pidgeon uses his sneakiest journalistic wiles to force new editor Kent Taylor into bankruptcy. Though plainly derivative of earlier heiress vs. editor epics, Girl with Ideas was praised for its originality by contemporary critics. ~ Hal Erickson, All Movie Guide

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Starring:
Wendy BarrieWalter Pidgeon, (more)
1947  
 
Soon to be married in real life, Barbara Hale and Bill Williams also played sweethearts on screen in the frantic farce A Likely Story. After a routine medical examination, ex-GI Bill Baker (Bill Williams) overhears a conversation between two doctors, leading him to the mistaken conclusion that he's doomed to die from a rare heart condition. Chancing to meet aspiring artist Vickie North (Barbara Hale), Baker resolves to help Vickie realize her dream by bankrolling her career. He takes out a huge life insurance policy, then talks a couple of gangsters (Sam Levene and Nestor Paiva) into bumping him off so that Vickie and her kid brother Jamie (Lanny Rees) can collect immediately. Things get complicated when Baker discovers that he's as hale and hearty as the next fellow, prompting him to try to weasel out of his bargain with the gangsters-who, having financed the insurance policy in the first place, aren't inclined to let our hero off the hook so easily. Curiously, what should have been a frothy comedy plays more like a film noir, complete with a brief, hallucinatory nightmare sequence! ~ Hal Erickson, All Movie Guide

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Starring:
Barbara HaleBill Williams, (more)
1938  
NR  
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Childhood chums Rocky Sullivan (James Cagney) and Jerry Connelly (Pat O'Brien) grow up on opposite sides of the fence: Rocky matures into a prominent gangster, while Jerry becomes a priest, tending to the needs of his old tenement neighborhood. Rocky becomes a hero to a gang of teenaged boys (played by Dead End Kids Billy Halop, Leo Gorcey, Huntz Hall, Gabriel Dell, Bobby Jordan and Bernard Punsley). Father Jerry despairs at this, asking Rocky to lay off so he can keep the kids on the straight and narrow. Then Rocky's crooked business associates George Bancroft and Humphrey Bogart attempt to end Father Jerry's radio campaign against the rackets by killing the priest. Rocky (whose cynical outlook on life has been softened by his romance with true-blue Anne Sheridan) shoots them down and takes it on the lam. Arrested and convicted of murder, Rocky sits smugly on death row, fully intending to go to the chair with a smile on his face. A few moments before the execution, Father Jerry pleads with Rocky to "turn yellow" so that the tenement kids will despise his memory. ~ Hal Erickson, All Movie Guide

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Starring:
James CagneyPat O'Brien, (more)
1942  
 
To say that Behind the Eight Ball is the best of the Ritz Brothers' quartet of Universal vehicles is faint praise indeed, but it's fact that the Ritzes pack an awful lot of laughs in the film's 60-minute running time. The story takes place at a summer theater in the Berkshire Mountains, where heroine Joan Barry (Carol Bruce) is staging a Broadway-bound musical comedy. Only one problem: two guest stars are shot and killed on two successive evenings, right in front of the audience. Hoping to solve the mystery, detective William Demarest demands that everyone -- actors and theatergoers alike -- return the following weekend to restage the show. But with no major performer willing to assume the fatal guest-star slot, Joan is forced to hire the Three Jolly Jesters (Al, Harry and Jimmy Ritz), Manhattan washroom attendants with showbiz aspirations. Though they're not keen on being set up as targets for the murderer, our three heroes gamely do as they're told -- and miracle of miracles, ultimately reveal that the killings are tied in with a nest of Axis spies! Highlights of this lightning-paced programmer include the Don Raye-Gene Paul hit song "Mister Five by Five" and the Ritz boys' specialty number "Charles Atlas Did It for Me". ~ Hal Erickson, All Movie Guide

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Starring:
The Ritz Brothers [Al, Jimmy, Harry]Carol Bruce, (more)
1926  
 
Behind the Front is a raucous silent vehicle for Paramount's Mutt-and-Jeff comedy team of Wallace Beery and Raymond Hatton. The film begins during the early months of World War I; myopic detective Beery chases pickpocket Hatton into an "enlistment" party held by pretty socialite Mary Brian. The boys are so moonstruck by her that both agree to sign up for the Army on the spot. The rest of the film is comprised of familiar but hilarious war-comedy sight gags; the overall mood is encapsulated by the wisecracking subtitles of Ralph Spence (sample: "Listening Post...Where Men are Men but wish they weren't"). Behind the Front is punctuated by a terrific closing gag, wherein Beery and Hatton team up after the Armistice to beat to a pulp the young man (Richard Arlen) in charge of the company that produces their indigestible "K Rations"--a young man who happens to be the fiance of leading lady Mary Brian. ~ Hal Erickson, All Movie Guide

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Starring:
Wallace BeeryRaymond Hatton, (more)
1942  
 
Reformed criminal Boston Blackie (Chester Morris) and his pal "The Runt" (George E. Stone) obey the film's title and head for Tinseltown. Blackie has been asked by a friend to transport $60,000 to California, but the L.A. cops assume that he's involved in the disappearance of the valuable Monterey Diamond. As always, Blackie spends a goodly portion of his time in disguise, assuming the identity of a bearded foreigner. Boston Blackie Goes Hollywood was the fourth in Columbia's series of B-pictures based on Jack Boyle's pulp-fiction character. ~ Hal Erickson, All Movie Guide

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1942  
 
In this musical, which manages to look back with nostalgia upon prohibition and the depression (no small accomplishment), George Raft plays George, a hoofer looking back on his glory days. His memories are triggered when The Paradise Club, a nightspot where he used to work, is about to be turned into a bowling alley. In the Roaring '20s, George and his partner Billie (Janet Blair) were a star attraction at The Paradise, run by Nick (S.Z. Sakall). George wants his relationship with Billie to be as graceful off-stage as on, but he has several rivals vying for her affections, including gangster Steve (Broderick Crawford) and policeman Dan (Pat O'Brien). Marjorie Rambeau plays Lil, modeled after brassy nightclub owner Texas Guinan. Raft actually worked for Guinan in his early days as a dancer, and he gets a chance to show off his fancy footwork accompanied by a number of classic tunes, including "Alabamy Bound", "Yes Sir, That's My Baby", "Sweet Georgia Brown", and "I'm Just Wild About Harry". Broadway was a loose remake of the 1929 Merna Kennedy vehicle of the same name. ~ Mark Deming, All Movie Guide

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Starring:
George RaftPat O'Brien, (more)
1935  
 
In his first starring role (after being second-billed to Claudette Colbert in The Gilded Lily), Fred MacMurray plays officer Ross Martin of the Michigan State Police. After completing his training, Martin is pitted against dignified Professor Anthony (Sir Guy Standing), who uses his academic status as a cover for his bank-robbery activities. Keeping himself abreast of police maneuvers by listening to car radios and unobtrusively hanging around headquarters, Anthony ultimately uses his technological know-how to paralyze the police communications systems. But with the cooperation of the Massachusetts police department, whose radios are in full working order, rookie Martin and rustic sheriff Pete Arnot (Frank Craven) combine forces for a final assault upon Anthony's hideout. Its sometimes illogical plot twists notwithstanding, the screenplay is based on a series of factual articles, first published in Saturday Evening Post. Also given a career boost in Car 99 is another new Paramount contractee, Ann Sheridan. ~ Hal Erickson, All Movie Guide

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Starring:
Fred MacMurrayGuy Standing, (more)
1932  
 
A pre-Hopalong Cassidy William Boyd is the robust star of this logging camp melodrama which also featured a very young Ginger Rogers -- who performs Bernard Grossman and Harold Lewis' "How Could I Love You" -- and Hollywood veteran Hobart Bosworth. The latter plays Jim Gannon, a lumberjack boss whose son Buck (Boyd) is neglecting his duties in favor of romancing riverboat entertainer Honey (Rogers). Father and son come to blows but their animosity ends after Buck rescues Jim from a runaway logging train. Feeling left out, Honey plans to leave with the carnival boat but decides to stick around after violence erupts at the hands of villainous lumberjack Hack Logan (Fred Kohler). Carnival Boat was filmed on location at Big Pine, CA. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Ginger RogersFred Kohler, (more)
1946  
 
This is the one where Lassie plays a war veteran with amnesia. Actually Lassie isn't even Lassie, but a male collie named Bill (at least he isn't asked to appear "in drag" like all the other cinematic Lassies). Raised from a pup by adolescent Elizabeth Taylor, the doggy hero becomes a sheep collie on rancher Frank Morgan's spread. Lassie--er, Bill--loses his memory when hit by a car. Later on, the dog finds himself in the K-9 corps, where he is trained to kill Japs (Lassie a racist? No, no, not that!) The dog returns home shell-shocked and ready to tear apart anyone who crosses his path. But the love of Elizabeth Taylor conquers all in the lachrymose Technicolor finale. ~ Hal Erickson, All Movie Guide

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Starring:
Elizabeth TaylorFrank Morgan, (more)
1933  
 
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Virtually everybody except President Roosevelt was in the lavish MGM backstage musical Dancing Lady. Joan Crawford stars as Janie Barlow, an impoverished dancer reduced to working in a seedy Manhattan burlesque house. While on a slumming party with his society friend, wealthy young Tod Newton (Franchot Tone) spots Janie in the burleycue chorus line and immediately falls in love with her. When the joint is raided, Tod pays Janie's bail, but she resists his entreaties to become his mistress, promising instead to pay back every cent she owes him "honestly." With Tod's help, Janie is able to secure work in a big-time Broadway musical being staged by Patch Gallegher (Clark Gable), who is certain that the girl is an untalented opportunist and does everything he can to sabotage her audition. When he realizes that the girl "has something," he refuses to admit it but does, grudgingly, hire her for the show. Through a combination of skill and damned hard work, Janie ends up as the star of the show, whereupon Tod, worried that he'll lose the girl to the Great White Way, buys the show and promptly closes it. But Janie, who's fallen in love with Patch, teams with her new sweetheart to restage the show with their own meager savings -- and surprise of surprises, it's a smash hit. Truly an embarrassment of riches, Dancing Lady introduced Fred Astaire to the movie-going public, solidified the popularity of MGM's new tenor Nelson Eddy, and offered a wide berth for the comedy antics of Ted Healy and his Three Stooges -- Moe Howard, Curly Howard and Larry Fine (Larry, performing his role in a Jewish dialect, has a wonderful double-take bit with a jigsaw puzzle which turns out to be a portrait of Adolf Hitler). As a bonus, the film offers spectacular musical production numbers, not to mention the enduring song hit "Everything I Have is Yours." ~ Hal Erickson, All Movie Guide

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Starring:
Joan CrawfordClark Gable, (more)
1935  
 
Carnival barker Spencer Tracy befriends elderly concessionaire Henry B. Walthall, who owns a picturesque but stodgy display depicting Dante's Inferno. Walthall is more interested in the spiritual aspects of Man's fascination with Hell, but Tracy uses hoopla and exaggeration to get the suckers into the Inferno. His interest isn't altruistic; Tracy is enamored of Walthall's niece, Claire Trevor. Through his publicity savvy, Tracy builds the Inferno into a major attraction, complete with full orchestra and scantily clad "devil girls". He also buys up the rest of the carnival, using cold-blooded tactics that result in the suicide of a fellow concessionaire. Within five years, Tracy is a millionaire tycoon of the Entertainment industry. While loved by his wife (Trevor) and son (Scotty Beckett), Tracy conducts his business ruthlessly, bribing a city official to look the other way regarding structural defects in his Inferno display. When this duplicity results in a disastrous accident at the exhibit, the bribed official kills himself. Tracy is exonerated thanks to legal chicanery, but his wife is fed up; she walks out on him, taking their son along. Injured in the accident, Inferno creator H. B. Walthall warns Tracy of the pitfalls of success, using an illustrated edition of Dante to make his point. For nearly ten minutes, the movie audience is treated to a lavish depiction of Hell, magnificently photographed by Rudolph Mate. When the plot resumes, Tracy is on hand for his latest venture, a sumptuous gambling ship. Thanks to the drunken negligence of the crew, the ship catches fire, and it is only upon learning that his son has sneaked aboard that Tracy realizes the consequences of his greed. Tracy labors heroically to rescue the passengers--and, incidentally, to atone for his past sins. ~ Hal Erickson, All Movie Guide

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Starring:
Spencer TracyClaire Trevor, (more)
1948  
 
Daredevils in the Clouds was one of Republic's several attempts to transform former cowboy star Robert Livingston into a non-cowboy leading man. With customers and creditors breathing down his neck, Terry O'Rourke (Livingston), the head of Polar Airways, does his best to bring his planes in on time. Johnny Martin (James Cardwell), top man at Trans-Global Airlines, covets O'Rourke's business, and will do anything-even commit murder-to gobble up Polar's clientele. Mae Clarke, who hadn't had a leading role in years, is quietly effective as Kay Cameron, a grounded aviatrix who carries a torch for her boss O'Rourke. The film is distinguished by the excellent miniature and special-effects work of the Lydecker Brothers. ~ Hal Erickson, All Movie Guide

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Starring:
Robert LivingstonJames B. Cardwell, (more)
1943  
 
This lightning-paced Republic western stars Don "Red" Barry as lawman Tennessee Colby. When sinister forces try to prevent a congressional investigation of shady freight-line activities, Colby swings into action. The problem: Among the bad guys is Colby's best friend, Tommy Logan (Bud McTaggart). The sheriff wavers in his loyalties until Logan adds cold-blooded murder to his list of crimes. This is one film that cries out for comedy relief, which is provided in excess by Emmet "Pappy" Lynn. Dead Man's Gulch manages to pack of passle of plot in its brief 58 minutes. ~ Hal Erickson, All Movie Guide

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Starring:
Don "Red" BarryLynn Merrick, (more)
1943  
NR  
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Though its purely propagandastic aspects are never far from surface, Destination Tokyo must rank as one of the most intelligent and objective of wartime thrillers. Cary Grant is a tower of strength as Captain Cassidy, skipper of an American submarine bound for Tokyo harbor. Its mission: to allow a Navy meterologist to survey Japanese weather conditions, in preparation for a major Allied assault. Many of the individual incidents in Delmar Daves' script are based on fact, notably an episode in which a pharmacist's mate is called upon to perform an emergency appendectomy. Admittedly, some of the secondary characters are WWII stereotypes, but they're never played that way. Particularly good isDane Clark, in his first important screen role; also registering well as a radio man is John Forsythe, in his first screen role ever. From the sub's embarkation in San Francisco to its climactic retreat from Japan, there's not a single solitary dull moment in the 135 minutes of Destination Tokyo. ~ Hal Erickson, All Movie Guide

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Starring:
Cary GrantJohn Garfield, (more)
1951  
 
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One man's good luck leaves a very bad impression in this comedy. Johnny Dalton (Frank Sinatra) and Mildred Goodhug (Jane Russell) are two tellers working at the same bank who have fallen in love and want to get married. However, neither is making much money, and Johnny doesn't want to set a date until he has some savings in the bank. Emil J. Keck (Groucho Marx), a pal of Johnny's who waits tables at a diner, suggests that it can't be that difficult to "find" some money in a bank, but Johnny prefers to stay on the straight and narrow. However, Johnny enjoys a sudden windfall after he happens upon "Hot Horse" Harris (Nestor Paiva), a racetrack tout being beaten up by ne'er-do-wells, and breaks up the fight. Grateful Harris places a bet on a "can't lose" horse in Johnny's name, and suddenly Johnny is $60,000 richer. But before Johnny and Mildred can enjoy their good fortune, word leaks out that someone has embezzled $70,000 from the bank, and the suddenly prosperous Johnny seems a likely suspect. Double Dynamite was produced under Howard Hughes' supervision at RKO, but bad blood between Hughes and Sinatra led to "Ol' Blue Eyes" receiving third billing for the film's leading role; the film also spent over a year on the shelf before finally hitting theaters. ~ Mark Deming, All Movie Guide

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Starring:
Jane RussellGroucho Marx, (more)
1935  
 
Paul Muni is a prominent physician who is kidnapped by gangsters and forced to tend the needs of head crook Barton MacLaine. MacLaine takes a liking to the intellectual doctor and allows him to go home after his job is done. Muni finds himself the reluctant "staff physician" for the gangster, thus is periodically spirited away from his practice to look after the criminal. He has given his word not to "rat" on the crooks, but he can't sit idly by while the gangsters loot the city. Muni foils the crooks by injecting them with a drug which induces temporary blindness. Dr. Socrates was remade in 1939 as King of the Underworld, with Humphrey Bogart as the gangster boss and actress Kay Francis in Paul Muni's role (with surprisingly few dialogue alterations to accommodate the gender switch!) ~ Hal Erickson, All Movie Guide

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Starring:
Paul MuniAnn Dvorak, (more)
1953  
NR  
Clemson Reade (Cary Grant) is the kind of man who wants to marry an old-fashioned girl, one who will stay home and take care of her husband. However, he's fallen in love with Priscilla "Effie" Effington (Deborah Kerr), who has an exciting career with the State Department that she has no intention of giving up. Clemson has the poor timing of proposing marriage to Effie just as she's in the middle of trying to resolve a major political crisis with the Middle Eastern nation of Bukistan; the United States wants to stay on Bukistan's good side, thanks to their plentiful reserves of oil. Tired of waiting for Effie, Clemson decides that he needs to find a potential bride who will follow his lead instead of her own, and he soon meets Princess Tarji (Betta Saint John), daughter of the King of Bukistan, who has spent her life learning to faithfully serve her man. Clemson half-seriously sends a telegram proposing marriage to Tarji, which touches off a political tempest in a teapot when Tarji responds by visiting the United States. The State Department decides that someone should look after Tarji while she's in America, and who should be given the assignment but Effie; to Clemson's chagrin, Effie uses her time with Tarji to enlighten her about the more liberated status of women in the West. By the way, don't bother looking for Bukistan in your atlas, the country doesn't really exist. ~ Mark Deming, All Movie Guide

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Starring:
Cary GrantDeborah Kerr, (more)
1945  
 
Several of Paramount Pictures brightest stars make cameo appearances in this comedy set in "Duffy's Tavern," a favorite watering hole from old time radio shows. The trouble begins when the neighborhood bar is in danger of closing. The trouble begins when the proprietor, Archie, discovers that one of his regulars, Michael O'Malley, owner of a record company is going broke. This means that many veterans will soon be unemployed and therefore, unable to pay their tab at the tavern. Archie immediately begins recruiting famous stars to donate their services and help. They do, the record company is saved and so is the tavern. ~ Sandra Brennan, All Movie Guide

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Starring:
Bing CrosbyBetty Hutton, (more)
1947  
 
Barry Fitzgerald's distinctive brand of Irish blarney, which was wonderful in small doses, leaned towards the precious and boring when he was given a leading role. In Easy Come, Easy Go, Fitzgerald portrays an inveterate horse player who refuses to allow his grown daughter (Diana Lynn) to get married. His motives are less paternal than materialistic: Fitzgerald has been spending all his daughter's hard-earned money at the racetrack. The old duffer reforms by fade-out time, allowing Lynn to choose between her pompadoured swains Sonny Tufts and Dick Foran. This bears no relation to the 1968 Elvis Presley musical of the same name, beyond the fact that both pictures were released by Paramount. ~ Hal Erickson, All Movie Guide

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Starring:
Barry FitzgeraldDiana Lynn, (more)
1946  
 
This Technicolor musical remake of the 1936 comedy classic Libeled Lady isn't quite up to the standards of the original, but on its own terms is quite entertaining. Van Johnson, Esther Williams, Lucille Ball and Keenan Wynn expertly assume the roles originally played by William Powell, Myrna Loy, Jean Harlow and Spencer Tracy. Faced with a libel suit from socialite Connie Allenbury (Williams), newspaper editor Warren Haggerty (Wynn) cooks up a plan to beat Connie at her own game. To do this, he must rely upon the romantic chicanery of ex-employee Bill Stevens Chandler (Johnson), with Haggerty's fiancee Gladys Benton (Ball) caught in the middle. The comedy high point of the original Libeled Lady, in which William Powell is forced to demonstrate his (non-existent) prowess as a fisherman, is ably repeated in Easy to Wed when Van Johnson must prove his skills at duck-hunting. The songs aren't anything special, but Lucille Ball's superb comic performance is worth the admission price in itself. ~ Hal Erickson, All Movie Guide

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Starring:
Van JohnsonEsther Williams, (more)
1940  
 
In this espionage adventure, a courageous millworker must prove himself innocent of treason charges after the title spies purloin valuable blueprints from his plant. He also tries to bring the spies to justice, but soon finds himself in deep trouble. Fortunately, the good-guy spies show up at the crucial moment and justice is served. ~ Sandra Brennan, All Movie Guide

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Starring:
Richard CromwellHelen Vinson, (more)
1949  
 
In this entry in the long running comedy-drama series, the boys get into the world of prizefighting. When one of Slip's pals is killed in the ring, he and the boys plot their revenge against the gangster responsible. They enlist the aid of the late fighter's boozy brother, who was also a fighter. They convince him into entering the ring one last time. He does so despite the gangster's efforts to stop the boys. The fighter wins and his brother's death is avenged. ~ Sandra Brennan, All Movie Guide

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Starring:
Leo GorceyHuntz Hall, (more)
1926  
 
Harold Lloyd plays a wealthy young spendthrift who is upset that his name is being used to bring parishioners into a storefront mission in the poorer part of town. He heads to the mission to have it out with the minister, only to fall in love with minister's daughter Jobyna Ralston. Realizing that the use of his name as an endorsement was an honest error on Ralston's part, Harold decides to help the girl's father attract worshippers and hymn-shouters. He goads a bunch of thugs and pluguglies into the mission, then makes certain that they stay--and secures their undying loyalty--by saving them from being arrested. Harold and Jobyna decide to get married, whereupon Harold's wealthy chums, dismayed that he is marrying beneath his station, kidnap the poor fellow to prevent him from making a "mistake". Harold is rescued by his tough-guy slum pals, but not before they've gotten themselves drunk and commandeered a double-decker bus. The climactic chase is as hilarious and exciting a piece of celluloid as has ever been produced, but it is merely the capper to an uninterrupted stream of brilliant sight gags. Long underrated, For Heaven's Sake is one of the cleverest and most consistently entertaining of all of Harold Lloyd's silent vehicles. ~ Hal Erickson, All Movie Guide

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Starring:
Harold LloydJobyna Ralston, (more)
1930  
 
William Powell stars in this drama as William Foster, a gifted defense attorney with a gift for making cases go his way. Foster's winning record in the courtroom has earned him a colorful clientele, including several notorious criminals, but he doubts his abilities when his girlfriend Irene Manners (Kay Francis) is charged with manslaughter after a violent incident which occurred while she was drinking. Wanting to protect Irene, Foster tries to pull a few strings, but the results find Foster facing a five year sentence for jury tampering. While Foster certainly doesn't want to be separated from the woman he loves, he also knows that in prison he'll have to face several former clients whose defense didn't pan out. For The Defense was based in part on the true story of William Fallon, a well-known attorney of the day. ~ Mark Deming, All Movie Guide

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Starring:
William PowellKay Francis, (more)

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