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Joan Blondell Movies

A lovable star with a vivacious personality, mesmerizing smile, and big blue eyes, Joan Blondell, the daughter of stage comic Eddie Blondell (one of the original Katzenjammer Kids), spent her childhood touring the world with her vaudevillian parents and appearing with them in shows. She joined a stock company at age 17, then came to New York after winning a Miss Dallas beauty contest. She then appeared in several Broadway productions and in the Ziegfield Follies before being paired with another unknown, actor James Cagney, in the stage musical Penny Arcade; a year later this became the film Sinners Holiday, propelling her to stardom. Blondell spent eight years under contract with Warner Bros., where she was cast as dizzy blondes and wisecracking gold-diggers. She generally appeared in comedies and musicals and was paired ten times on the screen with actor Dick Powell, to whom she was married from 1936-45. Through the '30s and '40s she continued to play cynical, wisecracking girls with hearts of gold appearing in as many as ten films a year during the '30s. In the '50s she left films for the stage, but then came back to do more mature character parts. Blondell is the author of a roman a clef novel titled Center Door Fancy (1972) and was also married to producer Mike Todd (1947-50). ~ Rovi
1981  
R  
This very low-budget drama tries to be non-exploitational but still ends up rather campy as it chronicles the endeavors of a tough Vietnam vet to have a sex-change operation. His poor old aunt struggles to understand why he would do such a thing. ~ Sandra Brennan, Rovi

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Starring:
Gloria ManonDane Clark, (more)
 
1980  
 
It's nice to know that some of the greatest of the movie stars, while doing some of the most famous and best of Hollywood movies, have feet of clay like the rest of us. This set of outtakes lets us see the human side of celebrities like Bette Davis, Errol Flynn, Kirk Douglas, Humphrey Bogart and James Cagney. ~ Tana Hobart, Rovi

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198z  
 
Warner Brothers was one of the big studios of the 30s and had many talented performers under contract. See some of their most outrageous mistakes, as well as previously unseen shots. ~ Rovi

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1979  
 
The Rebels was the second "Operation Prime Time" miniseries to be based on author John Jakes' Kent Family Chronicles (the first was The Bastard). The saga of Philip Kent (Andrew Stevens), illegitimate son of a British blueblood, picks up with Kent fighting in the Continental Army during the Revolutionary War. Part One of this two-part endeavor busies itself with setting up characters, places and events; Part Two finds Kent and his pal Judson Fletcher (Don Johnson) teaming up to prevent the assassination of General George Washington (Peter Graves). The enormous all-star cast includes Richard Basehart, Doug McClure, Joan Blondell, Tom Bosley, Macdonald Carey, Robert Vaughan, William Daniels and Nehemiah Persoff; William Conrad does off-screen duty as narrator. The Rebels was syndicated to local TV stations beginning the week of May 14, 1979. ~ Hal Erickson, Rovi

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1979  
PG  
Add The Champ to Queue Add The Champ to top of Queue  
Billy (Jon Voight) is on the road with his son T.J. (Ricky Schroder), fighting low-end boxing matches for drinking money before moving on to the next town for another match. When his ex-wife (and T.J.'s mother) Annie (Faye Dunaway) shows up, it's to tell him that she wants custody of the boy. She has remarried and has risen to social prominence in her community. She wants the same for T.J. Determined to keep his son with him, Billy decides to train properly in order to be a success instead of just a washed-up punching bag. This gorgeously photographed drama is a remake of the 1931 film, which won its star Wallace Beery an Oscar. ~ Clarke Fountain, Rovi

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Starring:
Jon VoightFaye Dunaway, (more)
 
1978  
 
Battered concentrates upon three female victims of spousal abuse. Chip Fields is the new wife of struggling young Levar Burton. Joan Blondell is the alcoholic middle-aged spouse of the equally bibilous Howard Duff. And Karen Grassle (who cowrote the screenplay) is married to Ivy leaguer Mike Farrell. While a bit too cut-and-dried, Battered handles the issues at hand with intelligence and an avoidance of sensationalism. Made for television, the film debuted September 26, 1978. ~ Hal Erickson, Rovi

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Starring:
Karen GrassleLeVar Burton, (more)
 
1978  
R  
In this actioner, bounty hunter Sam Kellough, who is also an ex-cop, and an ex-ballplayer, is out to earn the $20,000 reward for the capture of Victor Hale, a psychotic killer wanted for beating a prison guard to death with a "riot glove." The villain is not as horrible as he seems. When the fugitive is not beating victims to a pulp, he is seen playing his guitar to impoverished children. ~ Sandra Brennan, Rovi

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Starring:
John SaxonRoosevelt Grier, (more)
 
1978  
PG  
Add Grease to Queue Add Grease to top of Queue  
"Grease," said the poster and the Barry Gibb song, "is the word." Transferring its setting from Chicago to sunny California, and adding a dash of disco to the ersatz '50s score, producer Allan Carr and director Randal Kleiser turned this long-running Jim Jacobs-Warren Casey Broadway smash into the biggest blockbuster of 1978. 1950s teens Danny (John Travolta) and Australian transfer Sandy (Olivia Newton-John) spend their "Summer Nights" falling in love, but once fall comes, it's back to Rydell High and its cliques. As one of the bad-boy T-Birds, Danny has to act cool for best pal Kenickie (Jeff Conaway) and their leather-clad mates Sonny (Michael Tucci) and Doody (Barry Pearl, in the role Travolta played on-stage). Despite befriending Frenchy (Didi Conn), one of the rebel Pink Ladies, virginal Sandy is "too pure to be Pink," as the Ladies' leader, Rizzo (Stockard Channing), acidly observes. Declaring their devotion in such ballads as "Hopelessly Devoted to You" and "Sandy," Sandy and Danny split, reconcile, and split again amidst a pep rally, dances, drive-ins, and a drag race, before deciding "You're the One That I Want" at the climactic carnival. With Travolta white-hot from Saturday Night Fever (1977), Grease soundtrack singles climbed the charts and summer movie crowds poured in. With the presence of Joan Blondell, Eve Arden, Sid Caesar, Edd "Kookie" Byrnes, and Frankie Avalon appealing to grown-up memories, Grease became the highest-grossing film of 1978, the highest-grossing movie musical ever, and the third most popular film of the new blockbuster '70s after Star Wars (1977) and Jaws (1975). Its sequel, Grease 2, did not exactly set the world on fire in 1982. ~ Lucia Bozzola, Rovi

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Starring:
John TravoltaOlivia Newton-John, (more)
 
1977  
PG13  
John Cassavetes' Opening Night stars Gena Rowlands (Mrs. Cassavetes) as end-of-tether Broadway actress Myrtle Gordon. She is about to open in a play written by her old friend Sarah Goode (Joan Blondell), but a series of pre-show setbacks and disasters threaten to destroy not only the production but Myrtle's sanity. The actress is especially rattled when one of her staunchest fans dies in an accident. In the face of bleak reality, just how important is the old "show must go on" ethic? Supporting Gena Rowlands are such veterans of the New York-Hollywood shuttle as Ben Gazzara, Zohra Lampert, Paul Stewart, James Karen, and several friends and relatives of the principals. ~ Hal Erickson, Rovi

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Starring:
Gena RowlandsBen Gazzara, (more)
 
1977  
 
A big daddy in the underworld is betrayed and vows to settle up. There's lots of action in this big-city streets tale. ~ Rovi

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1976  
PG  
Add Won Ton Ton, the Dog Who Saved Hollywood to Queue Add Won Ton Ton, the Dog Who Saved Hollywood to top of Queue  
This spoof makes fun of a certain famous German shepherd movie star from the 1920s. The mayhem begins when the head honcho of a financially struggling studio turns a lost dog into a legend. The story features a number of old stars making cameo appearances. ~ Sandra Brennan, Rovi

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Starring:
Bruce DernMadeline Kahn, (more)
 
1975  
 
Add Death at Love House to Queue Add Death at Love House to top of Queue  
In this made-for-TV film, a screenwriter (Robert Wagner) begins writing the biography of the dead movie queen who had a brief affair with his father. After work on the project has commenced, he becomes obsessed with her spirit and gets a response from the other side of the grave. ~ John Bush, Rovi

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Starring:
Kate Jackson
 
1975  
 
This interesting made-for-TV period gangster-horror piece -- written by Psycho author Robert Bloch -- stars George Hamilton as a military man in 1930s Chicago who pounds the pavement in search of answers after his brother's wrongful execution. His investigations plunge him into a dark world even more sinister than the gangland circles he is forced to penetrate, leading him to the domain of a diabolical scientist, Varek (Ray Milland), who is plotting to seize control of the entire city with his army of walking dead. Directed by horror veteran Curtis Harrington, this plays very much like a '30s pulp novel come to life with plenty of menacing noir atmosphere, creepy monsters, and some well-mounted shocks. The Dead Don't Die is also enhanced by good uniform performances and the presence of the undeniably spooky Reggie Nalder. ~ Cavett Binion, Rovi

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1975  
 
In this drama, a gambling-addicted housewife resorts to stealing from the family savings account to feed her obsession. Trouble ensues when her husband finds out. ~ Sandra Brennan, Rovi

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1974  
 
This comedy is comprised of three vignettes involving a school psychiatrist, a pair of police sergeants, and a beleaguered father. ~ Sandra Brennan, Rovi

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1971  
G  
Add Support Your Local Gunfighter to Queue Add Support Your Local Gunfighter to top of Queue  
This Western action/comedy is told in the same tongue-in-cheek manner as its predecessor, Support Your Local Sheriff. Goldie (Marie Windsor), a madam, is a formidable woman, and Latigo Smith (James Garner) knows perfectly well that his disreputable ways will be trimmed considerably should she succeed in marrying him. Instead, he escapes from her and winds up in the town of Purgatory. The town's inhabitants have been expecting the arrival of Swifty Morgan (Chuck Connors), the famous gunfighter. All things being equal, Latigo is happy to be mistaken for Morgan's sidekick, while Jug May (Jack Elam) impersonates Morgan himself. ~ Clarke Fountain, Rovi

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Starring:
James GarnerSuzanne Pleshette, (more)
 
1970  
PG  
Have you ever longed for the day when James Brown, Martha Raye, and Col. Harland Sanders would appear in a movie together? Well, that's barely the tip of the improbable casting iceberg in this bizarre cold-war spoof. The leaders of the American intelligence organization the S.S.A. ("Super Secret Agency") are becoming increasingly alarmed by the disappearance of a number of B-list celebrities, who are being spirited off to Communist Albania. Eager to bring the fading stars back to the Land of the Free, the S.S.A. come up with a simple plan: They'll find four typical guys in their mid-twenties, have them form a rock group, make them into international stars, and wait until they get invited to play a gig in Albania, which will allow them to find out what's become of Rudy Vallee, Butterfly McQueen, and Huntz Hall, among others. Unemployed philosopher Michael A. Miller, Native-American honor student Ray Chippeway, phys-ed major Dennis Larden, and male model Lonny Stevens are drafted by the S.S.A., and after some intensive training by experts (Trini Lopez shows them a few guitar chords, and Richard Pryor gives them a crash course in soul), they become an overnight sensation as The Phynx (yes, it's pronounced "Finks"). Their album sells 17 million copies on the strength of songs like "What Is Your Sign?," and their groupies have to be cleared away by forklift. But fun and games have to go to the back burner when Albanian ruler Markevitch (George Tobias) and his wife, Ruby (Joan Blondell), invite the Phynx to perform at the behest of their son. Pat O'Brien, Xavier Cugat, Patty Andrews, and Dick Clark are just a few of the other notables who make cameo appearances in The Phynx, which had a very brief theatrical release before being sold to television in the early '70s. Legendary songwriters Jerry Leiber and Mike Stoller penned the songs performed by The Phynx (and Stoller composed the background score), though for some reason they're not covered nearly as often as "Jailhouse Rock," "Hound Dog," or "Yakkety Yak." ~ Mark Deming, Rovi

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Starring:
Michael MillerRay Chippeway, (more)
 
1969  
 
Anatomy of a Crime is comprised of two episodes from the 1968-69 TV series The Outsider. Darren McGavin earns top billing as David Ross, an ex-cop who became a private eye after cooling his heels in prison on a trumped-up murder charge. Ever on the outside looking in, Ross only accepts case from other "outsiders" who've been wronged by Society. Most of the footage in Anatomy of a Crime consists of the 60-minute Outsider episode "There Was a Little Girl", wherein a young woman claims to be the kidnapped-in-infancy daughter of a wealthy industrialist. Joan Blondell, Simon Scott, and Dorothy Green do guest-star duty in this 1968 installment. Woven into the continuity of "There Was a Little Girl" are scenes from another 1968 episode, "Tell It Like It Was...and You're Dead." Marilyn Maxwell, Whitney Blake, Jackie Coogan, and Ted Knight play major roles in this story of an ex-burlesque queen who receives death threats after announcing plans to write a tell-all autobiography. ~ Hal Erickson, Rovi

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1969  
 
Voodoo, hungry 'gators, and love abound in this Z-grade exploitationer set within the steamy Florida Everglades. There a man tries to save his gal from a rival. ~ Sandra Brennan, Rovi

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1968  
 
Robert Brown, David Soul, and Bobby Sherman were the stars of Here Come The Brides, which ran on ABC from September of 1968 until April of 1970, portraying Jason, Joshua, and Jeremy Bolt, respectively. The three brothers, living in Seattle in the year 1865, own nearby Bridal Veil Mountain. Left to them by their parents, who died some years before -- while Joshua and Jeremy were very young boys -- the mountain is a potentially vast source of timber, and provides employment for much of the area. But in the opening episode, the Bolts are about to lose all of their loggers because of the sheer remoteness of the Pacific Northwest, and the lack of one thing that the men regard as essential: Women -- more specifically, young, respectable, marriageable women. Jason Bolt (Robert Brown) strikes a bargain with the loggers: He'll bring 100 women to Seattle, all of marriageable age and seeking husbands, who will stay at least a year, if the men will keep working. In order to raise the money for the voyage east, the Bolts are forced to take a loan from Aaron Stempel (Mark Lenard), the owner of the local sawmill, which comes with one pre-condition -- if any of the women leaves in less than a year, the Bolts will default on the loan and ownership of the mountain will pass to Stempel. Jason, Joshua, and Jeremy head to New Bedford, Massachusetts, a city left largely bereft of younger men in the wake of the ravages of the Civil War, and find women doing all sorts of jobs usually done by men -- the first time they meet Candy Pruitt (Bridget Hanley), she's doing maintenance on a fire engine. It requires some selling (and conning) by Jason to get 100 women to go west, on a broken-down mule boat commanded by Captain Roland Francis Clancy (Henry Beckman). They're disenchanted with the boat and the town that they find at the end of their journey, but Candy Pruitt, who becomes they're de facto leader, is persuaded to stay on and persuades the rest of the women to try it for a year. She also develops the beginnings of a romantic attraction to Jeremy Bolt (Bobby Sherman). The youngest and most sensitive of the brothers, Jeremy talks with a stutter, which tends to make him sound even less sure of himself than he really is. Joshua Bolt (David Soul), the middle brother, is often caught between Jeremy and oldest brother Jason, acting as an intermediary between the two. The series' conflicts are often resolved with help from Lottie Hatfield (Joan Blondell), the owner of the local saloon, who becomes something of a mother hen to the New Bedford women. The other key characters on the show included Aaron Stempel, the sawmill owner who, in the first season, often played the role of villain in his attempts to maneuver the Bolts into losing their bet and their mountain. Also prominent in many episodes was Big Swede (Bo Svenson), the strongest of the loggers, Biddie Cloom (Susan Tolsky), Candy Pruitt's closest friend, and Captain Clancy, the mule boat captain, whose interest in Miss Lottie brings him back to Seattle on a regular basis. Most of the episodes dealt with the Bolts struggling to meet quotas and keep the women happy, or the romantic conflicts that inevitably resulted from men and women living in relatively spartan conditions amid competing relationships, although there were also episodes that focused on the complex relationship between the Bolt brothers, and Jason's dual-role as sibling/patriarch; and other episodes that addressed issues of racism and other prejudices, amid the rapidly changing post-Civil War world. ~ Bruce Eder, Rovi

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1968  
PG  
Add Stay Away, Joe to Queue Add Stay Away, Joe to top of Queue  
This forgettable comedy finds Joe Lightcloud (Elvis Presley) as a mixed-blood Indian with strong ties to his tribe and his father Charlie (Burgess Meredith). Joe tries to get government assistance for the tribe in exchange for permitting the local congressman to graze cattle on Indian land. Maime (Quentin Dean) is the object of Joe's affection, but they are under the watchful eye of her mother Glenda (Joan Blondell), who owns the local saloon. The Jordanaires back up Elvis on a few songs, most notable being "U.S. Male" by guitar-great Jerry Reed. By this time, Elvis was extremely tired of churning out movies with such dismal scripts. Later in 1968, he would make a triumphant return to live performing with his NBC television special which featured Jerry Reed's "Guitar Man." Elvis was playing out the string of films set up by his controversial manager Colonel Tom Parker, who never wanted Elvis to be considered as a serious dramatic actor. Parker even went so far as to take Elia Kazan to task for even mentioning such an idea. It was such thinking that prompted the King Of Rock & Roll to return to the stage once again after an eight-year hiatus. ~ Dan Pavlides, Rovi

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Starring:
Elvis PresleyBurgess Meredith, (more)
 
1968  
 
Joan Blondell guest stars as Florabelle Campbell, who many years ago had been at the center of a romantic rivalry between Uncle Joe (Edgar Buchanan) and Sam Drucker (Frank Cady). Now that Florabelle has returned to Hooterville, Joe and Sam vie for a second chance to win her heart. But thanks to the exigencies of middle-aged spread and "snow on the roof", Florabelle fails to recognize either one of her former suitors! Paul Hartman makes the first of several recurring appearances as local barber Bert Smedley; conversely, series star Bea Benaderet (Kate Bradley) does not appear. ~ Hal Erickson, Rovi

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1968  
 
Sam Moran (Richard Boone) is a Honolulu charter-boat captain who leads fishing expeditions in the tropical paradise. When his daughter is found murdered at the party of a wealthy young playboy, he seeks the truth about the murder. Convinced the playboy is guilty, he enlists the help of his friend Kittibelle (Joan Blondell), who runs an alcohol abuse treatment center. Sam runs into a wall of silence obviously built by hush money and islanders fearful of reprisals from the rich and powerful family. The determined dad fights to uncover the information that will land the murderer in jail as he avenges the death of his daughter. ~ Dan Pavlides, Rovi

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Starring:
Richard BooneVera Miles, (more)
 
1967  
 
Joan Blondell guests as Laura London, a Mermanesque Broadway musical star who moves into the apartment one floor above Bill's. Both Buffy (Anissa Jones) and Cissy (Kathy Garver) are fascinated by Laura's flamboyant celebrity lifestyle, and before long the girls are dreaming of their own showbiz careers (You haven't lived until you've heard the combined singing efforts of the Misses Jones and Garver!). Unfortunately, these dreams begin to interfere with their schoolwork, prompting Bill (Brian Keith) to brings the girls back to earth. Featured in the cast as Laura London's maid is Ernestine Wade, the former "Sapphire" of Amos 'N' Andy fame. ~ Hal Erickson, Rovi

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1967  
 
Add Waterhole #3 to Queue Add Waterhole #3 to top of Queue  
"A rootin', tootin', but sincere picture" was the advertising tag for the comedy western Waterhole No. 3. James Coburn plays the likeably amoral hero, who'll go to any lengths to get his mitts on a treasure map. Like his principal rival, renegade confederate cavalryman Claude Akins, Coburn knows that a fortune in gold bullion is hidden near a desert waterhole; the trick is finding the damned thing. Along the way, Coburn humiliates redneck sheriff Carroll O'Connor and "has his way" with O'Connor's far from unwilling daughter Maggie Blye. When Blye, cast aside by Coburn in favor of his treasure quest, screams rape, Coburn replies that his only crime is "assault with a friendly weapon." Just try to get that bit past an audience in 1996. Supervised by Blake Edwards, Waterhole No. 3 is agreeably irreverent, though a little editing here and there wouldn't have hurt. ~ Hal Erickson, Rovi

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Starring:
James CoburnCarroll O'Connor, (more)