David Suchet Movies

Chris Sarandon does the "far, far, better thing" when he tackles the dual role of Syndey Carton and Charles Darnay in this Anglo-American TV adaptation of Charles Dickens' A Tale of Two Cities. The ubiquitous producer/screenwriter combination of Norman Rosemont and John Gay was responsible for this lavish, faithful cinemazation of Dickens' multiplotted account of the French Revolution. Featured in the huge cast are Peter Cushing as Dr. Manette, Alice Krige as Lucie Manette, Billie Whitelaw as the vengeful, eternally knitting Madame DeFarge and Barry Morse as the odious aristocrat St. Evremonde. Poignantly, the film also offers the late Kenneth More, making one of his last appearances as Jarvis Lorry, and the magnificent Flora Robson, taking her final bow in the role of Miss Pross. An Emmy nomination went to Olga Lehmann's costume design. A Tale of Two Cities debuted December 2, 1980. ~ Hal Erickson, Rovi

While most people are familiar only with the Lon Chaney Sr. and Charles Laughton versions of Victor Hugo's The Hunchback of Notre Dame, this 1982 TV adaptation was the fourteenth filmization of the Hugo novel. Anthony Hopkins, barely recognizable under mounds of disfiguring body makeup, plays Quasimodo, the deformed 15th-century bellringer of Notre Dame cathedral in Paris. Leslie-Anne Down plays Esmerelda, the gypsy girl who wins Quasimodo's unswerving loyalty when she offers him water after he is publicly flogged. And Derek Jacobi plays Dom Claude Frollo, the hypocritically pious archdeacon of Notre Dame, who'll do anything to claim Esmerelda for himself. Produced by Norman Rosemont, The Hunchback of Notre Dame originally aired February 4, 1982, as a Hallmark Hall of Fame presentation. ~ Hal Erickson, Rovi

In this pseudo-farce, the heroine Mickey (Margot Kidder) takes two weeks off work to go to Malta and write a mystery novel and finds herself caught up in a series of real-life murders that she weaves into her progressing story. Caught between a parody, a children's film, and a who-dunnit, the overplayed Disney charm of Trenchcoat wears thin very quickly. ~ Eleanor Mannikka, Rovi

David Suchet (Poirot) stars as famed Austrian physician Sigmund Freud, the father of modern psychoanalysis, in this biopic written by Carey Harrison, and directed by Moira Armstrong. ~ Jason Buchanan, Rovi

A critic impacts the life of a talented man in this drama. ~ Rovi

Another of the many Sidney Sheldon novels given the TV-miniseries treatment in the 1970s and '80s, Master of the Game yielded a three-part, nine-hour extravaganza, with enough corporate and romantic intrigue to fill an entire television season. Covering nearly 100 years, the story (which remained astonishingly faithful to the book) begins in the late 19th century, when ruthless young Scottish entrepreneur Jamie McGregor (Ian Charleson) emigrates to South Africa, in hopes of accumulating enough wealth and power to get even with his longtime enemy, Dutch merchant Van der Merwe (Donald Pleasence). Thanks to an extremely prolific diamond mine, the money comes quickly -- as does vengeance, when McGregor deflowers Van der Merwe's convent-educated daughter, Margaret (Cherie Lunghi). The result of this indiscretion is a daughter named Kate (Dyan Cannon), who turns out to be the "Master" of the title. Upon attaining adulthood, Kate assumes control of her father's vast financial empire, ruling her inherited international conglomerate, and her husband, David Blackwell (David Birney), with an iron fist. The story continues into the next several generations, with Kate's lily-livered son, Tony (Harry Hamlin), giving birth to twin daughters, Eve and Alexandra (both played by Liane Langland). One is good, the other evil; the evil twin threatens threaten to destroy everything that Kate has so painstakingly built up. Eventually, they both become the victims of a sneering, malevolent gigolo (Fernando Allende) with a penchant for beating young women senseless. Told in flashback, the narrative comes to a head during Kate's 90th birthday celebration, an event tainted by the efforts of a mysterious killer to wipe the domineering matriarch and her family from the face of the earth. Largely filmed on location, Master of the Game was telecast by CBS from February 19 to 22, 1984. ~ Hal Erickson, Rovi

Daniel J. Travanti plays a glum, no-nonsense Edward R. Murrow in this made-for-TV biopic. We follow Murrow's rise to prominence as America's foremost news commentator between the years 1940 through 1955, beginning with his on-the-spot radio coverage of the bombing of London. After the war, Murrow hosts CBS television's documentary series See It Now, which eventually leads to his legendary confrontation with Red-baiting Senator Joseph McCarthy. Murrow's own occasional compromises with his conscience, and his extramarital affairs, are bypassed in Ernest Kinoy's lean, spare script. Of more importance in the scheme of things is Murrow's edict that TV "can teach, can illuminate, and damn it, can inspire." Also in the cast are Dabney Coleman as CBS head-honcho William Paley, John McMartin as Frank Stanton, Edward Herrmann as Fred Friendly, David Suchet as William L. Shirer, and Robert Vaughn as President Franklin D. Roosevelt. Murrow debuted January 19, 1986, as an HBO Premiere Films presentation ~ Hal Erickson, Rovi

A seat-of-the-pants militia attitude gets a boost from this conventional drama about the heroics of a teen son anxious to free his father from captivity in a small Middle Eastern nation. Doug's (Jason Gedrick) father is an Air Force pilot who was shot down on a mission near the border of an Arab country and is now held hostage. Failing adequate U.S. intervention causes a desperate Doug to enlist his school chums in a wild plan to essentially sneak away with two Air Force jets and take off on a mission to rescue his father. He convinces the veteran Chappy (Louis Gossett, Jr.) into flying one plane, while Doug himself flies another (he learned how to pilot from his father). Yes. If audiences believe all this, then the ending should come as no surprise either. ~ Eleanor Mannikka, Rovi

The story in this two-part TV biopic was probably "untold" mainly because it was untrue. According to the revisionist script by Stirling Silliphant, Italian dictator Benito Mussolini (overplayed by George C. Scott) may have been a fascist, a tyrant, a mass murderer and an intimate of Adolf Hitler, but he also had his warm and fuzzy side. This was manifested in his genuine love for his gorgeous mistress Clara Petacci (Virginia Madsen), whose devotion to Il Duce was equally strong, so much so that she willingly went to her death along with him when the Axis collapsed and the ex-dictator was summarily shot. Despite his extramarital shenanigans, Mussolini had plenty of affection left over for his long-suffering wife Rachel (Lee Grant) and his children. With a cast comprised largely of non-Italians (notably the aggressively Irish Gabriel Byrne as Mussolini's son Vittorio), this epic had more phony dialects than a Marx Bros. picture. Despite its distant relation to the facts and its flaccid treatment of one of history's darkest periods, Mussolini: The Untold Story (filmed not in Italy but in Yugoslavia) garnered respectable ratings when it was originally telecast by NBC on November 24 and 26, 1985--and also earned a brace of Emmy award nominations. ~ Hal Erickson, Rovi

This drama is set within the international corporate world and centers on a highly principled executive for an international drug-manufacturer who just prior to his retirement decides to blow the whistle on his dishonest colleagues who have involved themselves in the illegal South American drug trade. His company retaliates and in the end manages to destroy the executive's personal and professional life. ~ Sandra Brennan, Rovi

When the ailing husband of an adulterous wife is discovered bludgeoned to death and suspicions fall on the older woman's young lover, the newly widowed woman claims that it was she who was solely responsible for the death despite evidence that points to the contrary in this dramatic account of true-life 1935 trial that shocked all of England. Though notable evidence and strong suspicion suggests that the murder may have been of crime of passion perpetrated by the jealous lover only half her age, Alma Rattenbury (Helen Mirren) confesses to the murder of her husband and is soon brought to trial. Despite the fact that Alma is already being deemed guilty by the general public for her adulterous indiscretion alone, her lawyer, star attorney T.J. O'Connor (David Suchet), remains convinced that his client will eventually be cleared of all charges. ~ Jason Buchanan, Rovi

Cinematographer Chris Menges' first directorial effort, A World Apart was inspired by the lives of South African journalist Ruth First and her daughter Shawn Slovo (who wrote the film's screenplay). Barbara Hershey plays the fictional counterpart to Ms. First, Diana Roth, with Jodhi May as her daughter. Told from the daughter's viewpoint, the film shows us that Diana and her husband Jeroen Krabbe are so busy with their anti-Apartheid political activism that they totally shut May out of their lives. In 1963, Hershey is arrested by the South African police, becoming the first white woman to be held under the infamous 90-day-detention act. Left despondent and suicidal by two separate arrests and by constant harassment from the police, Diana still won't include her daughter in her life until the girl presses the issue in a climactic confrontation. Some critics felt that Shawn Slovo was using A World Apart to settle unresolved issues in her own life: Ruth First was killed under suspicious circumstances in 1982, without ever reconciling with her daughter. ~ Hal Erickson, Rovi

When a theatrical impresario is murdered, the prime suspect is the young starlet he had taken under his wing, but Poirot suspects there is more to the case than meets the eye. ~ Mark Hockley, Rovi