Susan Blommaert Movies

Adapted from Ned Vizzini's 2006 novel, It's Kind of a Funny Story tells the story of burnt-out teenager Craig (Keir Gilchrist), who checks himself into a mental health clinic citing exhaustion, and finds himself placed in the adult ward due to the fact that the youth ward has been shut down. Taken under the wing of fellow patient Bobby (Zach Galifianakis), the stressed-out 16-year-old attempts to endure his mandatory five days' stay without completely losing his mind. His predicament is made somewhat more tolerable by the presence of Noelle (Emma Roberts), another teenage patient who's struggling to sort out her thoughts. Academy Award nominee Viola Davis, Lauren Graham, and Jim Gaffigan co-star. ~ Jason Buchanan, Rovi

When the principal (Meryl Streep) of a Bronx Catholic High School accuses a popular priest (Philip Seymour Hoffman) of pedophilia, a young nun caught in between the feuding pair becomes hopelessly swept up in the ensuing controversy. 1964, St. Nicholas, the Bronx: The winds of change are sweeping through this tight-knit religious community, and charismatic priest Father Flynn (Philip Seymour Hoffman) is doing his best to adapt by revisiting the school's notoriously strict disciplinary practices. Unfortunately Father Flynn's progressive ideas stand in stark contrast to the longstanding beliefs of Sister Aloysius Beauvier (Meryl Streep), the iron-willed principal, who believes that an oppressive environment of punishment and fear is the only way to keep the student body in line. Suddenly into this tempestuous environment appears young Donald Miller, St. Nicholas' first black student. When hopeful innocent Sister James (Amy Adams) reluctantly reveals to Sister Beauvier that Father Flynn and Donald have been spending an unusual amount of time together in the church rectory, the unrelentingly righteous headmistress begins a merciless crusade to reveal the beloved clergyman as a lecherous child molester and have him permanently expunged from the school. Yet despite her moral certainty that Father Flynn has committed such an unspeakable transgression, Sister Beauvier has not a shred of actual evidence to back up her audacious claim. Now, as Sister Beauvier and Father Flynn enter into an epic battle of wills, the shock waves set into motion by their explosive confrontation threaten to destroy one man's reputation and tear apart the entire surrounding community. John Patrick Shanley adapted his own play for the screen under the guidance of producer Scott Rudin (The Queen, Notes on a Scandal). ~ Jason Buchanan, Rovi

Alfred Kinsey was an entomologist who taught at Indiana University and had a keen interest in an area of human behavior that had seen little scholarly research -- human sexuality. While the courtship and reproductive patterns of animals had been carefully documented, Kinsey believed that most "established facts" about human sexual behavior were a matter of conjecture rather than research and that what most people said about their sex lives was not born out by the evidence (a subject that had personal resonance for him given the troubles he and his wife Clara Kinsey had in the early days of their marriage). After introducing a course in "Marriage" at Indiana University which offered frank and factual information on sex to students, Kinsey began an exhaustive series of interviews with a wide variety of people from all walks of life in order to find out the truth about sex practices in America. When he published Sexual Behavior and the Human Male in 1948, his findings were wildly controversial, indicating that most men had a wider variety of sexual experiences than most people imagined, including a number of practices commonly thought to be dangerous or perverted (including pre-marital sex, same-sex contacts, and masturbation). An even greater outcry greeted Kinsey's next volume, Sexual Behavior and the Human Female, which contradicted common notions than most women went into marriage sexually inexperienced. Kinsey is a film biography written and directed by Bill Condon which examines Kinsey's life and work from his strict childhood until his death in 1956. Liam Neeson plays Alfred Kinsey, and Laura Linney co-stars as Kinsey's wife and colleague Clara. John Lithgow highlights the supporting cast as Kinsey's repressed and moralistic father, while Chris O'Donnell, Peter Sarsgaard, and Timothy Hutton play members of Kinsey's research team and Tim Curry appears as an IU faculty member at odds with Kinsey's teachings. ~ Mark Deming, Rovi

Three women whose lives have followed very different paths ponder their pasts and their futures in this omnibus film from second-time director Rebecca Miller, adapted from her acclaimed short story collection of the same name. Delia (Kyra Sedgwick) grew up in a fractured household; her mother abandoned the family when Delia was a child, and her father (Brian Tarantina) was a drug-addled loser who could barely be prodded off the couch. When she entered adolescence, Delia realized that she could use her body to get men to do as she pleased. While this gained her a feeling of power and self-sufficiency, it also earned her a reputation as the "class slut," and the end product was her marriage to Kurt (David Warshofsky). Greta (Parker Posey) is the daughter of a successful lawyer (Ron Leibman) who left her mother when she was young and offered Greta criticism rather than affection. Plagued with self-doubt, Greta is squandering her literary talents editing cookbooks and is married to Lee (Tim Guinee. When Thavi (Joel de la Fuente), a respected and successful young novelist, asks Greta to edit his next novel, it forces her to reassess herself on a number of levels. Finally, Paula (Fairuza Balk), yet another product of a fractured family, ran away from her mother and was homeless until she met Vincent (Seth Gilliam), who took her in and became her boyfriend. A year later, Paula is uncertain in her feelings about Vincent, unsettled to learn that she's pregnant, and startled after witnessing a murder while out clubbing with a friend; she hits the road again, and soon picks up a fellow alienated teen, Kevin (Lou Taylor Pucci), who bears the scars of a recent -- and very brutal -- beating. Personal Velocity: Three Portraits was honored with the Grand Jury Prize at the 2002 Sundance Film Festival. ~ Mark Deming, Rovi

Traces of blood found in an apartment belonging to a separated couple (Tessa Ghylin, Michael C. Williams) suggest that the couple's missing baby may have met with foul play. The investigation is stymied when each parent claims that the other has the infant. The D.A.'s office takes over when the police find the body of the child, who has apparently starved to death. ~ Hal Erickson, Rovi

Weaver (Laura Innes) is off suspension and back on the job. Greene's (Anthony Edwards) father (John Cullum), suffering from terminal cancer, is checked into the ER with pneumonia. Carter (Noah Wyle) continues having difficulty coming to grips with the attack that injured him and killed Lucy. Abby (Maura Tierney) is caught in the middle of a bitter domestic dispute that may have fatal results for a young leukemia victim in dire need of a bone marrow transplant. And while Carol (Julianna Margulies) draws closer to Kovac (Goran Visnjic), Benton's sister Jackie (Khandi Alexander) doesn't think much of the romance between Benton (Eriq La Salle) and Cleo (Michael Michele). ~ Hal Erickson, Rovi

Although DrugCo employee Lewis (Ryan Stiles) tries to safely dispose of an experimental "sex drug", by a circuitous route the mixture is accidentally dumped into the green dye being prepared for Buzz Beer's St. Patrick's Day promotion. At the same time, Drew (Drew Carey) is summoned to testify on Mr. Wick's behalf in the sexual-harrassment trial spearheaded by Mimi (Kathy Kinney). Unfortunately, just prior to his appearance before the judge, Drew partakes heavily of the potent green-tinted beer, leading to a wild coutroom climax--and that last word is used advisedly! ~ Hal Erickson, Rovi

Amazingly, Season Eight of Law & Order begins with the cast from Season Seven intact, with no additions or deletions. The case at hand: the murder of a pizza delivery man, which the detectives believe was deliberate and not a random shooting. As it turns out, the dead man was the victim of a thrill killing committed by a pair of teenagers (Rob McElhenney, Michael Marrona). Complications: Each teen blames the other for the murder, an eyewitness saw only one of the boys pulling the trigger, and the key clue is the recording of a Confessional -- which cannot be admitted as evidence. In the course of events, detective Curtis (Benjamin Bratt) receives some bad news. ~ Hal Erickson, Rovi

A janitor is found murdered in a college science laboratory. The prime suspect is a student employee (Mark Bateman) with a troubled past. In a spectacular, suspenseful, and emotional climax, the D.A.'s office goes after a college scientist (John Bedford Lloyd) indulging in experimental drug research -- a prosecution which hinges upon a suppressed medical report. ~ Hal Erickson, Rovi

A man trained for a life of excitement and danger is given a new and unexpected challenge -- minding a grouchy old woman -- in this comedy. Doug Chesnic (Nicolas Cage) is a Secret Service agent who takes great pride in his job, performing his duties with the utmost professionalism and always minding the details. However, his assignment for the last three years has been a severe test of his patience; Tess Carlisle (Shirley MacLaine) is the widow of a former U.S. president who is well-known for her diplomatic and philanthropic work, and Doug has been in charge of her security force. But Tess tends to regard Doug less as a security officer and more as a domestic servant, like her chauffeur Earl (Austin Pendleton) or her nurse Frederick (Richard Griffiths). While Doug regards it as beneath his professional dignity to perform little chores around the house or bring Tess her breakfast in bed, she orders him to do so, and he's in no position to say, "no." Sometimes, Tess even refuses to obey Doug's security instructions, and should he argue his point too strongly, Tess will contact her close friend, the President of the United States, and ask him to give Doug a severe dressing down. So when Doug's three year hitch with Tess comes to an end, he asks to be given a more exciting and challenging assignment. However, Tess has other ideas; she's decided that she likes working with Doug, and she demands that his assignment be made permanent. Director Hugh Wilson also provides the voice of the President. ~ Mark Deming, Rovi

A 12-year-old Harlem youth is killed in a hit-and-run. The driver, an elderly Jewish man named Joshua Berger (Michael Constantine), is not indicted. This is all it takes for outspoken (and blatantly bigoted) black activist Reverend Ott (Tony Todd) to foment racial tensions that explode in violence. The scenes involving Assistant D.A. Stone (Michael Moriarty) and black defense lawyer Shambala Green (Lorraine Toussaint) are among the most powerful ever seen on Law & Order; small wonder that "Sanctuary" was cited by TV Guide as one of television's best individual series episodes. As a bonus, actor J. K. Simmons, who later became a series semiregular in the role of police psychologist Dr. Emil Skoda, is here seen in an entirely different characterization. ~ Hal Erickson, Rovi

In this fourth-season opener of Law & Order, Robert Klein guest stars as controversial, confrontational TV talk show host Rick Mason. During one of Mason's broadcasts, a guest is murdered on the air (and this show was telecast long before the Jenny Jones affair). The DA's office endeavors to prove that Mason provoked the tragedy -- and that, in so doing, he is himself an accessory to murder. Jill Hennessy and S. Epatha Merkerson join the regular cast as, respectively, Assistant DA Claire Kincaid and police lieutenant Anita Van Buren. ~ Hal Erickson, Rovi