Larry Block Movies

After a routine heist, two-bit car thief Artie Fowler (Mark Alaimo) is killed in cold blood. Kojak suspects that there's something bigger than a standard robbery going on--especially after Artie's girlfriend Maria (Lara Parker) lets slip that an upcoming "caper" will make fools of the authorities. It turns out that a $500,000 heist is in the works, masterminded by mob leader Hugh Jellicoe (Paul Lambert) and an unknown party whose theatrical bravado astonishes even the professional crooks. Future Dallas costar Ken Kercheval appears in a significant role. ~ Hal Erickson, Rovi

Rod Taylor stars in this feature-length pilot film for the unsold TV series Shamus. The star is cast as Shamus McCoy, who befitting his name, makes his living as a private detective. While investigating the bomb killing over another gumshoe, McCoy picks up a trail of evidence leading to a major gambling operation. Anita Gillette played the "wife" in question, one Helen Baker. A Matter of Wife...and Death first aired April 10, 1976 on NBC -- an event unheralded by TV Guide, which mistakenly listed a telecast of the theatrical feature The Ballad of Cable Hogue on that same evening. ~ Hal Erickson, Rovi

Paul Newman plays Reggie Dunlop, the coach of a pathetic minor-league American hockey team. His career at a standstill and his marriage in tatters, Dunlop has nothing to lose by taking on a new group of players who are one evolutionary step above Neanderthals. Only when the team begins winning does he decide to get behind these players, and to encourage the rest of the team to play as down-and-dirty as the newcomers. Straight-arrow team member Ned Braden (Michael Ontkean) resents this influx of gonzo talent, preferring to play clean. As the film's multitude of subplots play themselves out, Dunlop does his best to keep the outraged Braden on the team. Slap Shot is the sort of film for which the "R" rating was invented: Its nonstop barrage of profanity and its raunchy action sequences are of such intensity that the film will probably never be shown intact on commercial television. ~ Hal Erickson, Rovi

Opting for light entertainment after the critical satire of Shampoo (1975), producer-director-writer-star Warren Beatty remade the 1941 comic fantasy Here Comes Mr. Jordan. Dimly amiable L.A. Rams quarterback Joe Pendleton (Beatty) is prematurely called to Heaven by an over-eager escort (Buck Henry, who co-directed) after a traffic accident. When archangel Mr. Jordan (James Mason) discovers the error, he offers to return Joe to his body, only to find that it has been cremated. On the verge of playing in the Super Bowl, Joe demands a fit body rather than the old about-to-be-murdered industrialist Farnsworth he has been offered, but he reconsiders when he sees environmentalist Betty Logan (Julie Christie) in Farnsworth's house. Assuming Farnsworth's body while keeping his sweet self, Joe hires his beloved coach Max Corkle (Jack Warden) to get him in shape (after convincing Max who he really is), sets Farnsworth's business on an eco-friendly path, and romances Betty. Farnsworth's homicidal wife (Dyan Cannon) and secretary (Charles Grodin), however, are still determined to succeed in their plan to kill him. When Mr. Jordan finally finds the Super Bowl body Joe wanted, Joe has to trade his old self for the new life -- but will he remember his love for Betty? Heaven Can Wait offered contemporary yet old-fashioned escapism and tapped into the late-1970s vogue for nostalgic fun, becoming one of 1978's most popular summer movies after Grease. Updating the original while following its blueprint, Beatty and co-writer Elaine May switched Joe's sport and turned Joe into a man of his '70s moment, adoring Betty for her convictions and favoring "green" policies over corporate greed. Gently breathing life into a classic form, Heaven Can Wait found romantic innocence in a jaded time, and it went on to receive nine Oscar nominations, including Best Picture. ~ Lucia Bozzola, Rovi

America's most inept law enforcement team mixes business with pleasure as they head to sunny Florida in this comedy. The aging and often-confused head of the Police Academy, Commandant Lassard (George Gaynes), has reached mandatory retirement age, much to the pleasure of the devious Capt. Harris (G.W. Bailey), who is still scheming to take over his job. Lassard, Harris, and a handful of the Academy's "distinguished" graduates (including Bubba Smith, Michael Winslow, Leslie Easterbrook, and Marion Ramsey) travel to Miami Beach for a special ceremony to commemorate Lassard's years of service as he leaves the force; however, a luggage mix-up puts the clumsy cops in the middle of a massive illegal arms deal. Police Academy 5: Assignment Miami Beach was the first film in the long-running series that did not star Steve Guttenberg (Bob Goldthwait also left the franchise at this point), but most of the other regulars bravely soldiered on without him. ~ Mark Deming, Rovi

Sally Kirkland stars as a good-hearted hooker named Bambi Rose in this odd crime-drama from director Amos Kollek. Bambi is getting a bit long in the tooth, and is at the mercy of a sadistic pimp named Slim (Richard Lynch), who has his fingers in nearly every sort of crime imaginable. When a greedy Wall Street stockbroker (Robert LuPone) shows up on her doorstep after being mugged, Bambi enlists his aid in ripping off Slim and saving her daughter from a life of vice. More interesting than the film is the cast, which -- aside from including some fine performances from Kirkland and Lynch -- features such future luminaries as Kathy Bates and Sarah Michelle Gellar (credited as Sarah Gellar). ~ Robert Firsching, Rovi

Offbeat fashion student Betsy Hopper (Molly Ringwald) and her straight-laced investment-banker fiancé, Jake Lovell(Dylan Walsh), just want an intimate little wedding reception, but Betsy's father, Eddie (Alan Alda), a Long Island construction contractor, feels so threatened by Jake's rich WASP parents (Nicolas Coster and Bibi Besch) that he blows the ceremony up into a bank-breaking showpiece, sending his wife, Lola (Madeline Kahn), into a financial panic. Pressure from Betsy's extended family to include their joint Jewish and Italian-Catholic heritage in the ceremony doesn't do much to assuage the title character's worries, nor does the lovelorn bitterness of her older sister, Connie (Ally Sheedy), who's single, her parents assume, because she has the audacity to pursue the unfeminine profession of police officer. With all of his funds tied up into the money pit of a house he's building, Betsy's dad has to turn to his crooked brother-in-law, Oscar (Joe Pesci), for financial assistance, and soon a soft-spoken but menacing young mobster named Stevie Dee (Anthony LaPaglia) is supervising Eddie's construction project and casting his romantic aspirations toward the clueless Connie. Underworld hijinks and unconventional matrimonial practices ensue in this broad domestic comedy written and directed by star Alan Alda. ~ Brian J. Dillard, Rovi

A frozen corpse, dressed in a tuxedo, is found in a dumpster. It soon develops that the dead man was killed five years earlier, and that he was a prominent Broadway producer. The detectives and the DA's office move quickly to prosecute the most likely suspect, the victim's hated show-biz rival. Frank Converse, star of the 1967 "cult" TV series Coronet Blue, appears as Gary Wallace. ~ Hal Erickson, Rovi

Investigating the stabbing death of a psychologist, the detectives find themselves in the middle of a bitter domestic dispute between a man and wife, Catholics both. The key to the investigation is the fact that the victim worked closely with the Archdiocese to arrange annulments. Once all the evidence is in, the DA's office must fence with an extremely resourceful defense attorney. ~ Hal Erickson, Rovi

The detectives investigate when the wife of prominent -- and extremely dislikable -- defense attorney Harold Jensen (Peter Friedman) is found murdered. The popular consensus is that Jensen himself had been the killer's target because of his habit of betraying attorney-client confidentiality in many cases. After wading through a number of unsavory incidents in the lawyer's past, the police and the D.A.'s office latch onto a surprise development to crack the case. ~ Hal Erickson, Rovi

Writer/director Michele Maher makes her feature debut with the satirical black comedy Garmento. Set in the garment district in N.Y.C. during the early '90s, fashion rookie Grindy Malone (Katie MacNichol) gets a job as an assistant to Ronnie Grossman (David Thornton), executive for Poncho Ramirez Inc. She meets the other industry players, including haughty Franca Fortuna (Saundra Santiago), assistant Rimi Stone (Gretchen Cleevely), flamboyant Jasper Judson (Jason Butler Harner), and designer Poncho Ramirez (Juan Carlos Hernandez) himself. After the company loses money from a failed line of padded men's underwear, Grindy suggests they bring back their line of jeans from the '70s. Poncho Ramirez then merges with rival Romeo Jeans, headed by the corrupt Ira Gold (Jerry Grayson) and Louie Purdaro (Matt Servitto). The successful product becomes high in demand, leading to shady business dealings and an advertising controversy. Grindy quickly loses her innocence and becomes entrenched in the world of corporate greed. ~ Andrea LeVasseur, Rovi