Woody Strode Movies

This Italian action film focuses on a crook, framed as a drug kingpin, whose wife is killed by the mob as a result. He must take matters into his own hands to have revenge. Manhunt was also re-titled The Italian Connection to steal thunder from its French counterpart. ~ John Bush, All Movie Guide

Despite the fact that most of the westerns made at this time (early '70s) were "deconstructionist" westerns, which either spoofed or subverted the themes of this genre, occasionally a traditional western got filmed. The Revengers is a traditional western. John Benedict (William Holden) returns to his ranch, only to find all his cattle stolen and his family murdered. He vows to exact revenge on Tarp (Warren Vanders), the varmint who did this to him. He recruits a treacherous gang of convicts, bribing the warden for their release, and makes his move. When the attack fails, the convicts aren't interested in making another try. Instead, they shoot him and, leaving him for dead, head off to follow their own concerns. On her way to a new landholding, Elizabeth (Susan Hayward) stumbles upon the injured man, and nurses him back to some semblance of health. She begs him to drop his revenge plan, but he resumes his quest, receiving unexpected help along the way from Hoop (Ernest Borgnine), one of the renegade ex-convicts. ~ Clarke Fountain, All Movie Guide

Wanna bet that Key West was a TV pilot film? You win! Stephen Boyd plays ex-CIA agent Steve Cutler, now happily running a boat service in-where else?--Key West. Cutler is forced to go back into action when he is marked for extermination by vengeful tycoon Ford Rainey. He is also kept busy trying to track down evidence that might compromise US senator William Prince. Old John Ford regular Woody Strode co-stars as Cutler's sidekick Candy Rhodes. Originally slated for a March 10, 1973 TV debut, Key West remained on the shelf until December 10. ~ Hal Erickson, All Movie Guide

A captain convicted of deserting his cavalry (Bekim Fehmiu) is released to lead a band of deputized renegades. Together, the force must defeat a band of Apache braves. The film was released to video as Ride to Glory. ~ John Bush, All Movie Guide

In this drama, set in the High Sierras, a prisoner's attempt to break out of a prison camp is thwarted by the hunt for a boy lost in the snowy mountains. ~ Sandra Brennan, All Movie Guide

The Unholy Four was originally titled Ciak Mull, L'Uomo Della Vendetta. It's one of those spaghetti westerns in which the heroes and heavies are virtually indistinguishable. Though the outlaw leader (played by George Eastman credited by his birth name Luigi Montefiore) is evil incarnate, he isn't much worse than the four mercenaries hunting him down. Stalwart John Ford-regular Woody Strode is given plenty of screen time, and he makes the most of it. Director Enzo Barboni was billed as "E. B. Clucher" in the American prints. ~ Hal Erickson, All Movie Guide

In this badly misconceived pseudo-biography of the legendary Cuban revolutionary -- played, incredibly, by Omar Sharif -- Che Guevara takes up the cause as a rebel fighter under the direction of Fidel Castro, played -- also incredibly -- by Jack Palance. Guevara, a young Argentine doctor, proves his worth under the heat of guerilla warfare and, gaining the respect of his men, becomes the leader of a patrol. Castro is impressed by Guevara's tactics and strict discipline and makes him his chief advisor. When Castro defeats the Cuban dictator Batista after two years of fighting, Guevara, under Castro's nod, directs a series of massive reprisals -- but Guevara dreams of fermenting a worldwide revolution. After Castro backs down during the Cuban Missile Crisis, Guevara accuses Castro of being a Soviet dupe and leaves Cuba. Under disguise, Guevara lands in Bolivia, where he attempts to begin his dream of a worldwide peasant revolution, but the Bolivian poor will not follow his lead, and his band find themselves starving in the Bolivian jungle and pursued by the Bolivian army. ~ Paul Brenner, All Movie Guide

In this western adventure, Shalako (Sean Connery) leads a hunting expedition in the wilds of New Mexico. There they run across an Apache camp where the Countess Irina (Brigitte Bardot) is being held hostage. When the Indians retaliate by destroying the camp of the European aristocrats, Shalako must use his wiles to battle the Indians and the jealous members of his own hunting party. The camp is robbed by Fulton (Stephen Boyd), who runs off with the wife of Sir Dagget (Jack Hawkins). Lady Boyd (Honor Blackman) leaves her rich husband in a dramatic split decision prompted by the marital discord between her and her pompous husband. Shalako leads the survivors through dangerous mountain terrain, engaging in climactic hand-to-hand combat. ~ Dan Pavlides, All Movie Guide

John Ford's final film is set in China in 1935, where a group of American women, led by Agatha Andrews (Margaret Leighton), work as missionaries. One of the women, Florrie (Betty Field), is pregnant and accompanied by her husband, Charles (Eddie Albert), while the others are single and on their own. The mission has become crowded after a cholera epidemic forced several outsiders to flee a nearby British mission and seek shelter with the American group, while a Mongol warrior, Tunga Khan (Mike Mazurki), has assembled troops who are sacking the area. When a female doctor, Dr. D.L. Cartwright (Anne Bancroft), enters the picture, she attempts to bring humor and civility to the group, but her tough yet compassionate nature clashes with Agatha's by-the-book approach, and when Cartwright is willing to put her own safety at risk to gain the attentions of Tunga Khan and slow his onslaught, the group is strongly divided -- most of the women admire the doctor's bravery, but Agatha (who seems to have a non-professional interest in Cartwright herself) considers her foolish and reckless. Seven Women was originally planned to star Patricia Neal as Dr. Cartwright, but when she suffered a stroke during filming that put her acting career on hold for several years, Anne Bancroft was recast in the role. ~ Mark Deming, All Movie Guide

The internationally produced historical epic Genghis Khan sometimes wavers uncertainly between spectacle and self-parody. Though Omar Sharif essays the title role, top billing is bestowed upon Stephen Boyd as Genghis Khan's mentor-turned-enemy Jamuga. It's hard to generate audience sympathy for a Mongolian leader who laid waste to much of the civilized world, but Sharif manages to pull it off. While the battle scenes are impressive, the most memorable sequence involves an outsized fireworks display (which turns out to be a clever bit of military strategy). James Mason is amusing as an epigrammatic Chinese leader, Eli Wallach is appropriately hissable as the film's main villain, and the late Francoise Dorleac is decorative as the romantic bone of contention between Genghis Khan and Jamuga. Most of the film was lensed in Yugoslavia, a country that served as a generic location for many a historical pageant of the 1960s and 1970s. ~ Hal Erickson, All Movie Guide

Like Pontius Pilate, director John Ford asks "What is truth?" in The Man Who Shot Liberty Valance--but unlike Pilate, Ford waits for an answer. The film opens in 1910, with distinguished and influential U.S. senator Ransom Stoddard (James Stewart) and his wife Hallie (Vera Miles) returning to the dusty little frontier town where they met and married twenty-five years earlier. They have come back to attend the funeral of impoverished "nobody" Tom Doniphon (John Wayne). When a reporter asks why, Stoddard relates a film-long flashback. He recalls how, as a greenhorn lawyer, he had run afoul of notorious gunman Liberty Valance (Lee Marvin), who worked for a powerful cartel which had the territory in its clutches. Time and again, "pilgrim" Stoddard had his hide saved by the much-feared but essentially decent Doniphon. It wasn't that Doniphon was particularly fond of Stoddard; it was simply that Hallie was in love with Stoddard, and Doniphon was in love with Hallie and would do anything to assure her happiness, even if it meant giving her up to a greenhorn. When Liberty Valance challenged Stoddard to a showdown, everyone in town was certain that the greenhorn didn't stand a chance. Still, when the smoke cleared, Stoddard was still standing, and Liberty Valance lay dead. On the strength of his reputation as the man who shot Valance, Stoddard was railroaded into a political career, in the hope that he'd rid the territory of corruption. Stoddard balked at the notion of winning an election simply because he killed a man-until Doniphon, in strictest confidence, told Stoddard the truth: It was Doniphon, not Stoddard, who shot down Valance. Stoddard was about to reveal this to the world, but Doniphon told him not to. It was far more important in Doniphon's eyes that a decent, honest man like Stoddard become a major political figure; Stoddard represented the "new" civilized west, while Doniphon knew that he and the West he represented were already anachronisms. Thus Stoddard went on to a spectacular political career, bringing extensive reforms to the state, while Doniphon faded into the woodwork. His story finished, the aged Stoddard asks the reporter if he plans to print the truth. The reporter responds by tearing up his notes. "This is the West, sir, " the reporter explains quietly. "When the legend becomes fact, print the legend." Dismissed as just another cowboy opus at the time of its release, The Man Who Shot Liberty Valance has since taken its proper place as one of the great Western classics. It questions the role of myth in forging the legends of the West, while setting this theme in the elegiac atmosphere of the West itself, set off by the aging Stewart and Wayne. ~ Hal Erickson, All Movie Guide