Ray Stricklyn Movies

Jerry (Jerry Seinfeld) finds several bags of Newman's mail in his storage lockup. Kramer (Michael Richards) uses a sick dog to get free cold medication for himself -- and ends up exhibiting a number of disturbing doglike tendencies (he even tries to "tell us something," Lassie style!) George (Jason Alexander) schemes to wrest a choice apartment away from a survivor of the 1956 Andrea Doria disaster. And Elaine (Julia Louis-Dreyfus) loses her latest boyfriend because she has a "big head." (And don't forget the fork in the forehead). ~ Hal Erickson, All Movie Guide

When a TV producer strikes up a romance with an old flame, a star in his new TV series, their relationship is threatened by mysteries she won't explain to him. ~ Tana Hobart, All Movie Guide

In this made-for-TV drama, Angie Dickinson stars in three separate vignettes as a woman whose life is dramatically affected by the emotion that gives the film its name. ~ Jason Ankeny, All Movie Guide

Two drifting bums, an ex-vaudeville dancer (Ron Moody) and a boxer (David Soul), find a dog and become close friends with it. After it's accidentally impounded, the duo form a song-and-dance act to raise money for the dog's release. The film is also known as Spot. ~ John Bush, All Movie Guide

In Sheriff Coffee's absence, Virginia City's mayor (Ted Knight) hires ruthlessly efficient lawman Wes Dann (Eric Fleming) as peacekeeper. At first an admirer of Dann, Joe Cartwright soon learns that the cold-blooded temporary sheriff is less interested in upholding the law than meting out his own sadistic brand of punishment. This episode marked one of the final TV appearances of former Rawhide star Eric Fleming; others in the cast include Roy Foster, Ray Stricklyn, Dee Pollack, Clyde Howdy, Grandon Rhodes, I. Stanford Jolley, and legendary serial villain Roy Barcroft. First telecast on February 6, 1966, "Peace Officer" was written by Don Mullaly. ~ Hal Erickson, All Movie Guide

Action expert William Witney glosses over the inaccuracies and inconsistencies in Arizona Raiders. Audie Murphy and Ben Cooper play members of Quantrill's Raiders, hoping to avenge the fallen South after the Civil War. Murphy and Cooper are captured by a Union officer (Buster Crabbe) (effectively cast as a villain) and sentenced to a long prison term. They are offered amnesty by the Union officer, who, appointed head of the Arizona Raiders, hopes to use the ex-confederates within his jurisdiction to drive Quantrill's men out of the territory. The two heroes spend the rest of the film juggling loyalties between the Union leader and Quantrill (Fred Graham). ~ Hal Erickson, All Movie Guide

The Plunderers is a fairly slow-paced, uneven western about a group of young toughs who run amok until they are brought up short by a one-armed Civil War vet. The leader Jeb (Ray Strickland) is accompanied by his three cohorts, Mule (Roger Torrey) a hulking Paul Bunyan type, Rondo (John Saxon), and Davy (Dee Pollack), the most innocent of the quartet. When the young men arrive in the small town, they take it over and rule the roost like four despots. Sam (Jeff Chandler), a shell-shocked veteran of the Civil War, slowly gets his act together and begins to take the four down, one at a time. ~ Eleanor Mannikka, All Movie Guide

Sir Arthur Conan Doyle's story of an expedition to a remote plateau rumored to be the home of prehistoric beasts, already the basis of a 1925 sci-fi classic, is again brought to the screen in Irwin Allen's lesser version. Claude Rains stars as Professor Challenger, who leads a team of fellow scientists and adventurers deep into the Amazon jungle. The team must battle unforgiving jungle conditions before arriving at the isolated plateau that is their final destination. There they discover a strange group of prehistoric beasts and unexpectedly find themselves in a fight for survival. While the 1925 Harry Hoyt version is still considered noteworthy for its ground-breaking stop-motion effects, Allen relies on enlarged footage of modern-day animals dressed up as their prehistoric counterparts, a technique that has aged less gracefully. ~ Judd Blaise, All Movie Guide

Based on a successful stage play, The Remarkable Mr. Pennypacker loses in this adaptation to film by becoming more serious than an all-out farce. The setting is the end of the 1800s and the intrepid Pennypacker (Clifton Webb) runs a sausage company with two thriving plants in Philadelphia and Harrisburg. He shuttles back and forth between the cities and with equal aplomb, between two households. He maintains one wife (Dorothy McGuire) and eight children in one city, and another wife (Jill St. John) and nine children in the other. When one of the Mrs. Pennypackers finds out about his deception, the unruffled businessman sees no reason for her emotional reaction. Victorian inhibitions and rigidities are set against ultra-modern thinking, embodied in the people the bigamist admires -- like Darwin, the feminists (!), and free-thinkers. ~ Eleanor Mannikka, All Movie Guide

Originally released as The Return of Dracula (and also known by the irrelevant title The Fantastic Disappearing Man), this interesting vampire variant on Shadow of a Doubt finds the infamous Count (Francis Lederer) leaving his castle digs in Transylvania and departing for the United States after killing an artist and assuming his identity. Passing himself off as a distant relative, he settles in with the Mayberry family in California, where he begins seeking fresh victims. The suspicions of young Rachel Mayberry (Norma Eberhardt) regarding her pale visitor's eerie nocturnal habits prove well-founded after the mysterious death of her best friend, and she soon discovers her own ghastly role in the Count's master plan; her only hope lies with an expatriate police inspector, who may be familiar with the ways of the undead. Played refreshingly straight, this modest Universal production benefits from Lederer's compelling performance as the seductive Count and several unique plot twists (including a blind girl who becomes sighted on turning into a vampire). ~ Cavett Binion, All Movie Guide

The Korean conflict of the early '50s saw widespread use of psychological torture by the North Korean communists on enemy prisoners of war. That young American GIs cracked under this brainwashing at higher rates than the troops of our allies led to much soul searching within the military and the nation during that era. In Hollywood, this was most famously reflected in The Manchurian Candidate (1962), and lesser-known films like Time Limit (1955) and The Rack. The failure of all three films at the box office suggests that the public didn't care to be reminded of this painful issue. Paul Newman stars as Captain Edward W. Hall Jr., a career soldier being tried by a military court for collaborating with the enemy. As the son of a highly distinguished career officer (Walter Pidgeon), and with a brother who had been killed in the war, he is especially tormented by the accusations which have been brought against him. Although reluctant to take the case, Major Sam Moulton (Wendell Corey) elicits incriminating testimony from Hall, comparing him unfavorably with soldiers like Captain John Miller (Lee Marvin), who were able to withstand similar punishment. But defending attorney Lt. Colonel Frank Wasnick (Edmond O'Brien), makes the case that this new type of torture is a new and barely understood weapon, to which some will be more innately immune than others. ~ Michael Costello, All Movie Guide

Richard Widmark once again essays a character who could be either hero or heel in the rugged western The Last Wagon. After cold-bloodedly shooting down the three men responsible for the death of his wife, Widmark is captured, chained up, and thrown into a wagon heading eastward. Soon afterward, the wagon train is attacked by Indians; the only survivors are Widmark and a group of orphaned children. Freed from his shackles, Widmark proves he's made of the right stuff by shepherding the children to safety. Marred only by a too-pat ending, The Last Wagon is one of the best of the Delmer Daves-directed westerns, as well as an excellent showcase for such "new talent" as Felicia Farr, Susan Kohner, Tommy Rettig, Nick Adams and James Drury. ~ Hal Erickson, All Movie Guide

Frankie Dane (John Cassavetes) is the leader of the hornets, a local street gang that has had its share of rumbles and other trouble with the police. When one of his members is fingered to the police by a neighbor (Malcolm Atterbury) for having a gun, Frankie vows revenge, and when the same man humiliates him in public, he decides it's got to be murder. But only two members of the Hornets, mentally unstable Lou Macklin (Mark Rydell) and would-be full-fledged member "Baby" (Sal Mineo), are willing to go along, and even one of them is shaky -- the rest of the gang draws a line at killing. Social worker Ben Wagner (James Whitmore), who runs the local youth center, has been trying to reach out to the members of the Hornets and sees that something is splitting Frankie and a couple of the others off from the main gang, and is concerned enough to find out what it might be -- especially when Frankie's younger brother, a really nice kid named Richie (Peter J. Votrian), tells him that he thinks Frankie's planning to kill someone. He tries getting help from Frankie's mother (Virginia Gregg), who's too tired from her job to do much more than keep Richie from becoming like his brother, and Mr. Gioia (Will Kuluva), "Baby"'s father, who doesn't understand what went wrong between him and his son. A three-way battle of wills ensues as Frankie tries to hold his plan together and resist Wagner's efforts to intercede -- in the end, several lives are at risk, as Frankie ends up with his knife at the throat of his own brother, fully ready to use it. ~ Bruce Eder, All Movie Guide