Gail Strickland Movies

Hoping to utilize the Supreme Court in the same dramatic manner that West Wing utilized the White House, the weekly, 60-minute CBS series First Monday focused on the nine Justices who laid down the law for the United States. Joe Mantegna headed the cast as Joseph Novelli, the newest member of the nine-person Supreme Court. Entering a political arena that was evenly divided between Conservative and Liberal, the "moderate" Justice Novelli generally acted as the tie-breaker in matters of national jurisprudence (though supposedly noncommittal politically, Novelli's beard and pugnacious personality indicated that he was the "champion of the underdog" type). James Garner co-starred as staunchly conservative Chief Justice Thomas Brankin, who displayed his contempt for contemporary political correctness by puffing away on a cigarette in his "officially" smoke-free private office. Brankin's chief ally was the whimsical, womanizing Justice Henry Hoskins (Charles Durning), while on varying extremes of the political spectrum were Jewish jurist Esther Weisenberg (Camille Saviola) and black Justice Jerome Morris (James McEachin). Created by Jag's Donald P. Bellisario, First Monday premiered on Tuesday, January 15, 2002, before settling into its standard Friday-night slot. ~ Hal Erickson, Rovi

Her ongoing chemotherapy forces Murphy (Candice Bergen) to appear in public wearing a wig. This is humiliating enough for her without having to bare her soul on a weekly basis with her cancer support group--and accordingly, Murphy refuses to let her guard down with the other group members no matter how much they chip away at her veneer. Featured in the supporting cast are real-life cancer victims Tracy Nelson, Gail Strickland, Marcia Wallace andWendie Jo Sperber. ~ Hal Erickson, Rovi

This earnest, intelligent, and well-written romantic comedy is enjoyable and optimistic in classic Hollywood style, even if its idealism doesn't seem quite so credible against the cynical political backdrop of the Nineties. President Andrew Shepherd (Michael Douglas), an unabashedly liberal Democrat, is just gearing up for re-election when he meets an attractive and sharp environmental lobbyist named Sydney Wade (Annette Bening). The two fall in love and the President must soon deal with the political repercussions (Sydney is trying to get legislation through Congress), as well as the cynical machinations of Republican opponent Senator Bob Rumson (Richard Dreyfuss), who attempts to paint Sydney as a radical and use "family values" rhetoric to smear Shepherd. With the attacks affecting his standings in the all-important polls, and his love's legislation causing him headaches in the Capitol, Shepherd must decide whether he can risk continuing his relationship. A rich supporting cast, solid characterizations by Douglas and Bening, and an articulate approach make this an appealing, if not particularly weighty, study of the tensions between public and private life. ~ Don Kaye, Rovi

A motion picture crew descends upon Cabot Cove to film a historical documentary. In the course of production, the crew unearths an old document signed by George Washington, which claims that the town's most venerated Revolutionary War hero, Joshua Peabody, was actually a traitorous scoundrel. Evidently someone isn't pleased about having his or her illusions shattered: shortly after the document appears, the film's director is murdered. Now it is up to Jessica (Angela Lansbury) to burrow through the multitude of likely suspects. ~ Hal Erickson, Rovi

A young female doctor is found murdered. While seeking out evidence, the detectives come across the woman's diary. The book paints a sordid picture indeed, suggesting that the woman's death may have been the outgrowth of a romantic triangle involving her fiancé, Danny Garrett (Frederick Weller), and Garrett's domineering psychiatrist, Diane Meade (Lindsay Crouse). ~ Hal Erickson, Rovi

Enjoying astonishing (and well-deserved) popularity at a time in TV history when dramatic programs trafficking in "family values" were few and far between, Dr. Quinn, Medicine Woman was also one of the last of that hardy breed known as the "TV Western." Set in Colorado Springs, CO, in the years just following the Civil War, the weekly, 60-minute series starred Jane Seymour as Michaela "Mike" Quinn, one of a handful of women doctors west of the Mississippi (or anywhere else!) during the second half of the 19th century. After the death of her father and medical partner, Dr. Mike left her hometown of Boston to set up practice in the hardscrabble village of Colorado Springs. Not surprisingly, she encountered much hostility and mistrust from the townsfolk, but gradually won them over not only because of her medical brilliance, but because she was almost unerringly "in the right" at all times. When one of her first patients, Charlotte Cooper (Diane Ladd), died of a snakebite, Dr. Mike inherited the woman's three children, who at the outset of the series ranged in age from 10 to 17. Oldest son Matthew Cooper (Chad Allen) grew up to become the town's sheriff, and later went off to study law; daughter Colleen (played by Erika Flores from 1993 to 1995, thereafter by Jessica Bowman) eventually followed Dr. Mike's footsteps by pursuing a medical career, and ultimately married her foster mother's young assistant, Dr. Andrew Cook (Brandon Douglas); and youngest Chandler boy, Brian (Shawn Toovey), got into many a scrape -- some of them near-fatal -- in the course of the series.

Also in the cast was Joe Lando as taciturn mountain man Byron Sully, who spent most of his time communing with nature (including his pet wolf) and commiserating with the local Cheyenne Indian tribe. In the early episodes, Sully was merely the man who owned the house rented by Dr. Mike and her "instant" family; later on, he and Mike fell in love, got married, and had a daughter named Katie. The huge, rotating cast of recurring characters included curmudgeonly (and, initially, downright nasty) storekeeper Loren Bray (Guy Boyd in the pilot episode, Orson Bean thereafter); Bray's sister-in-law, Dorothy Jennings (Barbara Babcock), editor of the town newspaper; Grace (Jonelle Allen), a black woman who owned the town diner; telegraph operator Horace Bing (Frank Collison) and his bride, Myra (Helene Udy), a former saloon girl; Myra's ex-boss Hank (William Shockley), owner of the local "sporting house"; Rev. Timothy Johnson (Geoffrey Lower), who functioned as the town schoolteacher until Teresa Morales (played first by Michelle Bonilla, then by Alex Meneses) took over; Loren Bray's conniving buddy, barber Jake Slicker (Jim Knobeloch); Sully's old pal, wealthy ex-prospector Daniel Simon (John Schneider); and the much-maligned Cheyenne medicine man Cloud Dancing (Larry Sellers), whose persecution at the hands of the U.S. military aroused the fire-breathing activism of pioneering feminist and humanitarian Dr. Mike.

Our heroine also fought tirelessly for the rights of blacks, Hispanics, battered wives and practically everyone else who suffered under the weight of bigotry and misunderstanding in the Old West. Dr. Quinn, Medicine Woman was far and away CBS' most successful and beloved Saturday-night series throughout its five seasons on the air, and has remained an audience favorite on cable and in syndication. ~ Rovi

Kevin Rogers guest stars as David Watkins, a famed Civil War photographer. As the townsfok argue over who will be include and who will be left out of Watkins' proposed panoramic portrait of Colorado Springs, Dr. Mike (Jane Seymour) comes to realize that the photographer is suffering from diabetes -- and refuses to have it treated, even though he is rapidly losing his eyesight. Meanwhile, the dying Mrs. Bing (Rosemary Murphy) staunchly opposes the marriage between her son Horace (Frank Collinson) and Myra (Helene Udy). This was the final episode of Dr. Quinn, Medicine Woman's first season. ~ Hal Erickson, Rovi

A new '90s expressiveness regarding homosexuality in movies is gently mined for laughs in this 1993 comedy that predates the similar but much more raw Chasing Amy and slightly more humorous Threesome. With her straight greasy hair, semi-paranoid outlook, and leather jacket she wears like a shield, Connie (Kelly Lynch) already seems a bit unhinged. Then her girlfriend, Ellen (Sherilyn Fenn), breaks up their relationship and Connie loses it. In her grief, she hits upon a bizarre plan: Why not hire male prostitute Joe (William Baldwin) to seduce Ellen, then break her heart? Wouldn't that make Ellen rush back into Connie's arms? Of course not. For one thing, Joe's life is complicated by his protective yet sinister pimp (Joe Pantoliano) and a thug who mistakenly believes Joe set him up for a prison sentence. And Joe and Ellen fall in love. Yet an odd, sibling-like friendship develops between Joe and Connie that steers them through the repercussions of Ellen's discovery of their deceit, the thug's attack on Joe, and Joe's desire to give up prostitution. By the story's end, they've lost Ellen, but they have one another, and have learned to step beyond the protective relationships they have lost. Three of Hearts solidified William Baldwin's ascent to leading-man status (along with brothers Stephen and Alec) after 1991's Backdraft. ~ Nick Sambides, Jr., Rovi

Matthew (Chad Allen) wants to marry Swedish immigrant girl Ingrid (Jennifer Youngs), but Dr. Mike (Jane Seymour) thinks that he is much too young. To prove his adoptive mother wrong, Matthew talks Sully (Joe Lando) into letting him participate in a grueling four-day Cheyenne ritual. Sully agrees, causing a rift between himself and Dr. Mike. But all this intrigue may mean nothing: It is highly possible that asthmatic Ingrid is not healthy enough to get married. ~ Hal Erickson, Rovi

Sully (Joe Lando) reluctantly agrees to guide Dr. Mike (Jane Seymour) to the high mountain stream that she believes is the source of mercury poisoning. Despotic mine owner Craig Harding (Michael Cavanaugh) captures Sully and Dr. Mike as trespassers and refuses to allow them to return to Colorado Springs. Things take an ironic turn when Harding's own son (Jared Rushton) is poisoned by the polluted water. Meanwhile, back in town, Grace (Jonelle Allen) takes an important step in affirming her equality with her white neighbors. ~ Hal Erickson, Rovi

Irascible storekeeper Loren Bray (Orson Bean) holds his former son-in-law, Sully (Joe Lando), responsible for the early death of Loren's daughter Abigail. Thus, when he realizes that he still holds the mortgage to Sully's homestead -- now also the home of Dr. Mike (Jane Seymour) -- Loren jumps at the chance to foreclose. The situation takes an unexpected turn when the vengeful Loren develops a potentially fatal hernia. ~ Hal Erickson, Rovi

No sooner has Dr. Michaela "Mike" Quinn (Jane Seymour) hung up her shingle in Colorado Springs than the community is hit with an influenza epidemic. Using Charlotte's (Diane Ladd) recently foreclosed boarding house as a temporary clinic, Dr. Mike does her best to treat the disease, but the isolated townsfolk still can't get over their mistrust of a woman doctor. Things get worse as more and more locals fall victim to the epidemic -- including Dr. Mike herself. This is the first "official" episode of Dr. Quinn, Medicine Woman. ~ Hal Erickson, Rovi

In its elegiac nostalgia for the days of childhood innocence, Robert Mulligan's The Man in the Moon recalls another of Mulligan's earlier films, To Kill A Mockingbird. Set in a Louisiana backwater town in the 1950s, the film chronicles the coming-of-age of a young teenage girl. Dani (Reese Witherspoon) is a fourteen-year-old girl who shares a room with her seventeen-year-old sister Maureen (Emily Warfield). During hot summer nights, they sleep on the screened-in back porch of their home, talking about romance, the future, and the meaning of life. Moving into the house next door is a handsome seventeen-year-old boy, Court Foster (Jason London). Court meets Dani at the local swimming hole and they are immediately attracted to each other; through Court, Dani experiences her first true and perfect love. But when Court meets Maureen, the sparks really fly and Maureen falls in love with him too. Now Maureen is torn between holding back her love for Court or accepting his love and betraying her sister. A tragic event makes Maureen's mind up for her. ~ Paul Brenner, Rovi