Robert Strauss Movies
Beefy, bulldog-visaged actor Robert Strauss was the son of a theatrical costume designer. Strauss tried his hand at a number of odd jobs before he, too, answered the call of the theater. His best-known Broadway role was the dimwitted, Betty Grable-loving Animal in Stalag 17, a role that he recreated for the 1953 film version, and was Oscar nominated for his efforts. Though he'd been seen onscreen as early as 1942, Strauss' film career didn't really take off until he garnered positive notices for Animal. He spent most of the 1950s at Paramount, working with everyone from William Holden to Jerry Lewis. In 1971, after several distinguished years in the business, Robert Strauss found himself the object of showbiz-column scrutiny when he agreed to co-star in the Danish "soft core" sex farce Dagmar's Hot Pants. ~ Hal Erickson, All Movie Guide
James Congdon plays Tony Nelson, a brilliant but foolhardy young scientist who is experimenting with matter and its relationship to time and space. Using a specially designed amplifier, he thinks he has found a way of releasing matter from the time and space that it occupies, thus allowing its atoms to freely intermingle with any surrounding matter without losing its integrity. After accidentally destroying the lab where he is working, he goes to his older brother Scott (Robert Lansing) for help. Scott is even more brilliant than Tony, but is his opposite in every other way: very orthodox, highly respected in his field, and also horribly overworked in his job and responsibilities. The two also have a fiercely competitive relationship that becomes more strained when Tony develops an attraction to Linda Davis (Lee Meriwether), Scott's fiancée. In testing Tony's equipment, Scott gets the experiment to work, passing one object through another, and achieves much more; his own hand accidentally passes through one of the test objects, gets caught, and then released. When he tries to repeat the experiment for Tony, he again passes his hand through the test object, and then discovers that the amplifier isn't functioning properly; the power to move into 4D is now being channeled through his own brain. He can pass through any solid object at will, and the previously staid, stolid scientist is uncharacteristically exultant at this success, though it seems to nullify the project he has spent years working on, the development of a supposedly impenetrable substance. Possessing this power causes Scott's basest desires to emerge for the first time; he starts out by going on a robbery spree, passing through locked bank vaults and stealing the financial reward that has been denied him in his job. The truly dire consequences of his new-found powers emerge the next morning, however, when Scott awakens to discover that he looks and feels at least 15 years older; apparently, using his new ability to move into 4D drains his life force. Worse yet, he discovers that he can replenish his life energy, but only by passing himself through people; this contact restores him, but accelerates their aging so that they shrivel up and die in seconds. Scott is riven by the struggle between his basic decency and his desire to survive, coupled with his now unbridled lust and greed, and the body count keeps rising as he rampages through the city. The police are unable to stop him, and Tony, feeling more responsibility than he's ever displayed before, prepares to turn the 4D amplifier on himself so that he can battle his brother. It is Linda, however, who takes the ultimate risk, luring Scott back to normal one last time. The story is exciting (albeit a bit grim) and played in a lively fashion, and the careful use of Ralph Carmichael's jazz-based score to accent the action also helps set 4D Man apart from other science fiction films of the era. ~ Bruce Eder, All Movie Guide
- Starring:
- Robert Lansing, Lee Meriwether, (more)
It is easy to see why the US Army refused to cooperate in the production of Attack. Based on the Norman Brooks play The Fragile Fox, this searing war film is a powerful indictment against a military system which protects even its most incompetent of officers. Eddie Albert plays a posturing but hopelessly inept infantry captain, whose misdeeds are covered up by his colonel Lee Marvin. Albert has strong political connections in the US, and Marvin hopes to take advantage of this after the war. Lieutenant Jack Palance has sworn to kill Albert with his bare hands if the officer bungles another mission. Albert orders Palance and his men into an untenable position on the battlefields of Belgium--and then, true to character, is too cowardly to send backup troops, leaving Palance's men to their fate. By sheer strength of will, Palance, whose arm has been shattered by an enemy tank, drags himself to the cellar where Albert is billeted and attempts to rid the world of the terror-stricken captain. Palance dies before he can keep his promise, but when the craven Albert makes an effort to surrender himself and his men to the Germans, he is shot down by lieutenant William Smithers. The rest of the men conspire to cover up Smithers' "crime" by claiming that Albert died from enemy fire, but Smithers proves to be less willing to prevaricate than his fellow soldiers. Though most filmgoers are mesmerized by Eddie Albert's virtuoso performance as a snivelling yellow-belly, director Robert Aldrich claimed that Albert gave his best reading during rehearsals, and that what ended up on film was nowhere near as powerful as it might have been. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Palance, Eddie Albert, (more)
- 1966
In the first installment of a two-part story, Robert Strauss is cast as Charlie Leach, a sleazy private detective. Hired by one of Darrin's clients to do a background check on Samantha, Charlie discovers that Sam is really a witch. But instead of reporting to his boss, Charlie makes a beeline to Sam, threatening to tell all if she doesn't pay him off. Written by Bernard Slade, part one of "Follow That Witch" was originally telecast on April 14, 1966. ~ Hal Erickson, All Movie Guide
- Starring:
- Elizabeth Montgomery, Dick York, (more)
- 1966
Robert Strauss returns as sleazy private eye Charlie Leach, whose scheme to blackmail Samantha had come acropper in the earlier two-part episode "Follow That Witch." Aware that both Sam and Endora are witches, Charlie steals a Siamese cat from the Stephens household and holds the animal for a million-dollar ransom. Why the exorbitant price? Because Charlie also knows that the "cat" is really Darrin's beautiful client, Toni Devlin (Marion Thompson), whom Endora had "transformed" in a fit of pique. First broadcast on May 19, 1966, "The Catnapper" was written by Howard Leeds. ~ Hal Erickson, All Movie Guide
- Starring:
- Elizabeth Montgomery, Dick York, (more)
- 1962
"Gallegher's Sons" are a pair of pre-teen girls named Will (Eileen Chesis) and Charlie (Larrain Gillespie), who have been raised as boys by their chauvinistic father. When Gallegher dies, the girls are left to fend for themselves, which they do until they are discovered by passerby Hoss Cartwright. Taking it upon himself to transport the girls to their only surviving relative, Hoss is unaware that Will and Charlie are being pursued by a posse determined to recover a fortune in currency stolen by the light-fingered Gallegher. Also in the cast are Robert Strauss as Blake and Craig Curtis as Tully. Originally broadcast on December 9, 1962, "Gallegher's Sons" was written by Dick Nelson. ~ Hal Erickson, All Movie Guide
- Starring:
- Lorne Greene, Pernell Roberts, (more)
- 1971
The Danish Dagmar & Co. is better known by its American release title, Dagmar's Hot Pants Ltd. The heroine Dagmar Andersson, played by Diana Kjaer, is a successful prostitute who runs her establishment like a "Fortune 500" business. On the eve of her wedding, Dagmar plans to retire from the profession, but her faithful clients won't let her. Regarded as very steamy stuff back in 1971, Dagmar & Co. would probably be able to get by with an "R" rating today. Of interest is the presence in the cast of Hollywood veteran Robert Strauss, one of the first "name" actors to appear in this sort of exploitational fare. ~ Hal Erickson, All Movie Guide
- 1961
Based on a popular comic strip, this touching children's drama centers on an adorable saucer-eyed Italian war orphan who sneaks into the U.S. by stowing away aboard a returning naval ship. He did this in part to be with the benevolent soldiers who showed him kindness on the Christmas Eve before the war ended. Once they dock in New York, poor Dondi's friends go their separate ways and he ends up lost and having several adventures alone until happiness and peace return in the form of one of the sailors. ~ Sandra Brennan, All Movie Guide
- Starring:
- David Kory, David Janssen, (more)
- 1967
An insane, renegade cavalryman leads his vicious band of outlaws into a series of brutal raids against settlers and local Indians in this western. Fortunately, a former gunslinger and a brave Indian agent ride up to save the imperiled pioneers. ~ Sandra Brennan, All Movie Guide
- Starring:
- John Ireland, Virginia Mayo, (more)
Not a remake of the 1934 Helen Morgan vehicle of the same title, Frankie and Johnny stars Elvis Presley as Johnny, a Mississippi gambler, and Beverly Hillbillies regular Donna Douglas as his girl friend Frankie. In keeping with the old ballad, the romance of Frankie and Johnny is threatened by the intervention of seductress Nellie Bly (Nancy Kovack). Nellie brings Johnny luck at the gaming tables while Frankie sees red. Frankie and Johnny was written by onetime Marx Brothers contributor Nat Perrin and directed by future Tonight Show helmsman Fred de Cordova. ~ Hal Erickson, All Movie Guide
- Starring:
- Elvis Presley, Donna Douglas, (more)
- 1958
3DFrontier Gun3D is another of the moderately interesting low-budget westerns turned out by 20th Century-Fox's Regal Films subsidiary in the late 1950s. John Agar plays Jim Crayle, who offers his services as voluntary marshal when crazed gunman Yubo (Robert Strauss) inaugurates a reign of terror. Unfortunately, Crayle is unable to outdraw Yubo due to a wrist injury, leading the townsfolk to assume that their new marshal is yellow. Only when his argument with Yubo becomes personal does Crayle truly rise to the occasion. John Agar does his best in an unsually cerebral role, but his passive character-and characterization-works against the film's suspense. ~ Hal Erickson, All Movie Guide
- Starring:
- John Agar, Joyce Meadows, (more)
One of Elvis Presley's biggest moneymakers, Girls Girls Girls casts ol' swivel-hips as a tuna-boat fisherman working out of Hawaii. Elvis chases after all the wrong girls, while ignoring the girls who genuinely care for him. Here, as Ross Carpenter, Presley has two main love interests: sexy vocalist Robin (Stella Stevens and heiress Laurel (Laurel Goodwin), who pretends to be poor so as not to wound Ross's pride. When rude 'n' crude Wesley Johnson (Jeremy Slate), who owns Ross's boat, makes a play for Laurel, Ross punches him out. He loses his boat, but it hardly matters since he and Laurel have found true love. Songs crucial to the action are the title tune, "Return to Sender," and "Song of the Shrimp." ~ Hal Erickson, All Movie Guide
- Starring:
- Elvis Presley, Stella Stevens, (more)
- 1966
After 92 days with no rain, Oliver signs a deal with Mr. Haney (Pat Buttram), who claims to have a rainmaking machine. It turns out that the "machine" consists of a Native American rain-dancer named Chief Thundercloud (Robert Strauss). Ultimately, it rains cats and dogs, but Oliver insists that Haney had nothing to do with it -- and the matter goes all the way to court, where Haney sues Oliver for reneging on his contract. Oh, and did we mention the washed car and the sunflowers? ~ Hal Erickson, All Movie Guide
- 1965
Hurriedly assembled to capitalize on the Paramount feature of the same name, Magna Pictures' Harlow was shot in less than two weeks, utilizing a glorified TV-kinescope process called Electronovision. Carol Lynley is physically an excellent choice to play 1930s Hollywood "platinum blonde" Jean Harlow, though she has little of Harlow's casual charisma. Pushed into a movie career by Mama Jean (Ginger Rogers) in order to support her dysfunctional family, Jean rises from 2-reel comedies to big-budget features in the space of a year. Though one of the highest-priced stars at MGM, Jean's fortune is rapidly depleted by her high-living (and, it is hinted, incestuous) stepfather Marino Bello (Barry Sullivan). Seeking happiness and security, Jean marries producer Paul Bern (Hurd Hatfield), only to have him commit suicide due to his impotence. Just when her misery is about to be ended by her marriage to movie star William Mansfield (Efrem Zimbalist Jr.)--a thinly disguised William Powell, who refused to allow his name or likeness to be used--Jean dies of uremia at the age of 26. If you can get past those miserable Laurel & Hardy imitators at the beginning of Harlow, you might be able to survive the rest of the picture, which gives a whole new meaning to the word "cheap." Watch for boxing champ Sonny Liston in a one-scene bit. ~ Hal Erickson, All Movie Guide
- Starring:
- Carol Lynley, Efrem Zimbalist, Jr., (more)
- 1953
Originally intended as a 3D film, this standard-issue Bob Hope musical comedy was released "flat." The 50-year-old Hope plays over-aged chorus boy Stanley Snodgrass, whose attempts to get ahead in the early 20th-century theatre world always come acropper. His luck suddenly changes when he's promoted to the leading-man role in a show headlined by Irene Bailey (Arlene Dahl). What Stanley doesn't know is that he's been set up as a decoy to bring the murderous Jack the Slasher (Robert Strauss) out in the open. It seems that Jack is obsessed with Irene, and has a nasty habit of cutting all of her male co-stars into ribbons. Meanwhile, Stanley lays waste to the show by performing all of his big numbers incorrectly, but his faithful gal Daisy Crockett (Rosemary Clooney) loves him all the same. Tony Martin also appears as Irene's boyfriend, while Millard Mitchell makes his final film appearance as Stanley's stepfather (and never mind that he and Hope were the same age!) A brief clip from Here Come the Girls showed up in, of all places, the 1953 sci-fier Conquest of Space. ~ Hal Erickson, All Movie Guide
- Starring:
- Bob Hope, Tony Martin, (more)
By 1958, director Roger Corman had switched from making low-budgeters like Apache Woman to movies like the gangster flic I, Mobster that might be found outside of the drive-in setting. The ungrammatical title refers to Joe Sante (Steve Cochran) and his career of climbing the ladder in the hierarchy of organized crime. Now at the top rung, Sante is taking the Fifth Amendment before a Senate subcommittee on racketeering and as he does so, his life is recalled in flashbacks. His first job was working for a bookie, next he becomes involved in a drug ring, and then he expands into intimidating striking workers. Since the last rung of the ladder is open game for any ambitious gangster, Sante would do well to also recall how homicide got him where he now stands. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Steve Cochran, Lita Milan, (more)
- 1959
Thanks to the notorious gangland conference in Appalachian, New York, the word "Mafia" was on everyone's lips in 1959. Rushing to capitalize on this fact was the low-budget expose Inside the Mafia. Grant Richards plays a Lucky Luciano type who is about to return to the US after several years' deportation. Richards arranges for an upstate New York gangland meeting, where minor mob functionary Cameron Mitchell plans to depose big boss Ted DeCorsia. Mitchell also intends to murder Richards so that he can rule the Mafia unfettered. But Richards is still master of his own fate, and he guns down his competition during the gang conference before surrendering to the police. Inside the Mafia told the public little that wasn't already known, but the film served its purpose of cashing in on a "hot" title. ~ Hal Erickson, All Movie Guide
- Starring:
- Cameron Mitchell, Elaine Edwards, (more)
- 1952
Although The Stooge had been filmed right after Martin and Lewis' Sailor Beware, the film was temporarily shelved so that the team could continue their winning streak of military comedies with Jumping Jacks. This time, Dean Martin plays Chick Allen, a paratrooper-in-training whose commanding officer intends to do away with all camp variety shows. In desperation, Chick sends for his old nightclub partner Hap Smith (Jerry Lewis) to change the CO's mind. In order to gain entry to the military base, Hap is forced to pose as a GI, and thus the plot proper gets under way. Most of the "awkward squad" gags are straight out of Abbott and Costello, with Lewis messing up at each and every turn while Martin lags behind for damage control. The film concludes with a routine from Abbot and Costello's Keep 'Em Flying, wherein Martin and Lewis bail out from a plane in flight, with one parachute between them. Robert Strauss repeats his Sailor Beware duties as Lewis' irascible topkick, while nominal leading lady Mona Freeman does practically nothing magnificently. Dean's songs include the deathless "Do the Parachute Jump". ~ Hal Erickson, All Movie Guide
- Starring:
- Dean Martin, Jerry Lewis, (more)
1959's Li'l Abner was adapted from the hit 1956 Broadway musical--which, in turn, was inspired by the satirical comic strip by Al Capp. Peter Palmer recreates his Broadway role as Li'l Abner Yokum, the handsome, muscle-bound, muscle-brained leading hillbilly of Dogpatch, USA. The citizens of Dogpatch are in an uproar because their ramshackle community has been designated the "most useless" town in America, and therefore a prime candidate for an atomic bomb testing site. At first, the Dogpatchers consider their least-desirable status a great honor, but then they despair upon realizing that they'll have to vacate the premise before the annual girl-chases-boy Sadie Hawkins Day race. Together with his Mammy (Billie Hayes) and Pappy (Joe E. Marks), Li'l Abner is dispatched to Washington DC, to argue that Dogpatch has some vital significance: after all, only in Dogpatch can one partake of the Yokumberry Tonic, the source of Abner's super strength. Shifty billionaire General Bullmoose (Howard St. John) wants that Yokumberry tonic for his own devices, and to that end dispatches his lady friend Appasionatta von Climax (Stella Stevens) to Dogpatch to catch Li'l Abner during the Sadie Hawkins race and thus secure the mountain boy's cooperation via marriage. Li'l Abner's erstwhile girl friend Daisy Mae Scragg (Leslie Parrish) would likewise like to snare Abner in the race, but Appasionata wins, thanks to the squirrelly Evil Eye Fleegle (Al Nesor), whose "triple whammy" paralyzes Abner just inches before the finish line. If you think all this is unbelievable, wait till you see how the story resolves itself. Featured in the cast is Stubby Kaye as Marryin' Sam, who leads the hillbilly chorus in the musical's best number, "Jubilation T. Corpone". Other Johnny Mercer-Gene de Paul tunes carried over from the Broadway version of Li'l Abner are "A Typical Day," "If I Had My Druthers," "Namely You," "The Country's in the Very Best of Hands," "Past My Prime," "Put 'Em Back (The Way They Wuz)" and "The Matrimonial Stomp."The film is staged in the same broad, caricatured manner as the play, which only adds to the fun. An earlier, unrelated movie adaptation of Li'l Abner, filmed in 1940, is best forgotten, as is a series of lukewarm Abner cartoons produced by Screen Gems in the late forties. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Palmer, Leslie Parrish, (more)
Frightening though the prospect may sound, Dean Martin and Jerry Lewis appear in Technicolor and 3-D in the musical comedy Money from Home. Cashing in on the success of Guys and Dolls, the script is based on a Damon Runyon story. Martin plays gambler Honey Talk Nelson, whose "markers" have been called in by gangster boss Jumbo Schneider (Sheldon Leonard). In need of money in a hurry, Honey Talk tries to honey-talk his gawky assistant-veterinarian cousin Virgil Yokum (Jerry Lewis) into "fixing" the outcome of an upcoming Maryland steeplechase competition. Along the way, Virgil is forced to impersonate British jockey Bertie Searles (Richard Haydn), and also gets mixed up with a visiting Arab potentate (Romo Vincent) and his harem. Pat Crowley and Marjie Millar fulfill the leading-lady obligations, while Dean Martin gets to sing three songs, one of them co-written by Guys and Dolls composer Frank Loesser. ~ Hal Erickson, All Movie Guide
- Starring:
- Dean Martin, Jerry Lewis, (more)
- 1966
In this psychedelic exploitation comedy, an air-headed bombshell of an actress is sent to a rest home by her producer. This facility is managed by a psycho shrink who slips acid to his patients and listens to their darkest fantasies. Among his other victims are an effete fashion designer, a movie star, a midget, a writer, an obese woman, and the man who made the film, Albert Zugsmith. ~ Sandra Brennan, All Movie Guide
- Starring:
- Robert Strauss, Del Moore, (more)
- 1942
The exigencies of the first Hollywood "Red Scare", fomented by the Martin Dies committee, prompted the US Senate Civil Liberties Committee to produce Native Land, a 1942 paean to the Four Freedoms. Narrated by Paul Robeson, the film employs a cast of familiar if not stellar character actors in a story of how certain enemies within the US have done their best to suppress their fellow citizens' rights to freedom of speech, freedom of religion, freedom of assembly and freedom from want. The villains are the usual run of fat-cat capitalists, bigoted "patriots" and strikebreakers, while the heroes and heroines are farmers, sharecroppers, union leaders, minorities and the like. The screenplay leans towards the dogmatic at times, but the actors are sincere and the rousing musical score by Marc Blitztein (and old hand at this sort of agit-prop entertainment) is first-rate. Not suprisingly, many of the contributors to Native Land--Art Smith, Howard Da Silva et. al.-ended up being blacklisted during the Communist "Witch Hunt" of the 1950s. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred Johnson, Mary George, (more)
- 1959
Wealthy widow Matilda Benson (Kathryn Givney) rules over her children like a dowager empress, threatening to cut them out of her will for the slightest infraction. Even so, the children can't help but get involved with crooked gambler Danny Barker (Robert Strauss), who ends up murdered after threatening to bring scandal upon the Benson family. It is Sylvia Benson (Patricia Cutts) whom the police arrest for the crime, and it is Perry Mason (Raymond Burr) who rushes to Sylvia's defense. This episode is based on a 1937 novel by Perry Mason creator Erle Stanley Gardner, which was previously adapted as the 1940 theatrical film Granny Get Your Gun--with Perry Mason written out of the story! ~ Hal Erickson, All Movie Guide
- 1965
This is the second of two Season Eight episodes in which a "special guest attorney" takes over from Perry Mason (Raymond Burr), who is ostensibly in Europe on business. This time the substitute is Perry's lawyer pal Ken Kramer (Barry Sullivan), who is hired by Lona Upton (Kathie Browne) to bail out her "friend "Maxine Nichols (Nina Shipman). It seems that Maxine has swiped a necklace worth $50,000 from Lona's half-sister Amy (Bettye Ackerman), who in turn is the widow of a yachtsman who'd died several years earlier under suspicious circumstances. But Lona isn't as kind-hearted as she seems: she hopes that Maxine will provide her with the combination to Amy's safe. Instead, Maxine is murdered and Lona is charged with the crime, prompting Kramer to figure out if someone else might have had a motive to bump off the "thermal thief." This episode was removed from the Perry Mason syndication package prepared in 1966, and was not seen again until the mid-1990s. ~ Hal Erickson, All Movie Guide
- 1951
Using elements of two earlier films, The Fleet's In and Lady Be Careful, Paramount came up with the Dean Martin and Jerry Lewis vehicle Sailor Beware. As usual, Jerry Lewis is the helpless goof and Dean Martin the suave ladies' man; this time Lewis is a navy recruit while Martin is his submarine-officer buddy. The film skips from one comic setpiece to another (the best is a parody of radio audience participation shows) until it reaches the slapstick climax: A boxing match pitting Lewis against the navy champion. After a few very funny moments in which Lewis pretends to be a punch drunk pug, the match commences, much to the dismay of Lewis and the delight of his fervent fan following. Martin makes good use of his screen time by romancing an "ice princess" movie star (Corinne Calvert), who of course melts once Dino turns on the charm. Betty Hutton, star of Sailor Beware's precursor The Fleet's In, pops up at the beginning and end of the Martin/Lewis epic as "Hetty Button." And watch for an unbilled James Dean as one of the team's shipmates. ~ Hal Erickson, All Movie Guide
- Starring:
- Dean Martin, Jerry Lewis, (more)
- 1957
Originally telecast live and in color, this NBC special would be especially valuable to see again, especially if one is a dyed-in-the-wool baseball fanatic. Emceed by Gene Kelly, the 90-minute extravaganza brings together dozens of special guests from Baseball and Showbiz to commemorate in song, sketch and story, the opening of the 1957 baseball season. Among the special's many highlights: The introduction of 1956's MVPs, Mickey Mantle and Don Newcombe; comedy playlets starring the likes of Robert Alda (father of Alan Alda) and Ed Gardner of Duffy's Tavern radio fame; songs performed by Janis Paige, Tony Bennett, and ventriloquist Paul Winchell (with the help of dummy Jerry Mahoney); a "dream outfield" segment built around Stan Musial, Leo Durocher and Ted Williams; a "baseball rock-n-roll" specialty sung by Bill Hayes; old-time baseball newsreel clips, narrated by radiocaster Mel Allen; and a special closing messege, delivered by then-Commissioner of Baseball Ford Frick (long before his vilification as the architect behind the "asterisking" of Roger Maris' 61st homer). ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Kelly, Robert Alda, (more)
