David Strathairn Movies

Debra Winger's performance as a slow, mentally disturbed woman in A Dangerous Woman, raises the film far above its conventional, violence-ridden plot. Winger plays Martha, a quiet, lonely woman who has adjusted to a life without a man as she toils away at her small job at a dry cleaners in a small town. She lives in the guest cottage of the home of relative Frances (Barbara Hershey). Frances is a single woman who takes up with a variety of men as a cover for her loneliness and insecurity. When Anita (Laurie Metcalf) barrels her car into Frances' porch (thinking, correctly, that her husband is inside Frances' house), alcoholic handyman Mackey (Gabriel Byrne) appears on the scene and offers to fix Frances' porch. As Mackey works on the porch, Mackey becomes involved with both Frances and Martha. Into this melodramatic brew is added Getso (David Strathairn), a petty crook who works with Martha at the dry cleaners. When the four principles interact with each other, the disturbing results include an unwanted pregnancy, a murder, and some unsparing violence. ~ Paul Brenner, All Movie Guide

The All-American Girls' Professional Baseball League was founded in 1943, when most of the men of baseball-playing age were far away in Europe and Asia fighting World War II. The league flourished until after World War II, when, with the men's return, the league was consigned to oblivion. Director Penny Marshall and screenwriters Lowell Ganz and Babaloo Mandel re-create the wartime era when women's baseball looked to stand a good chance of sweeping the country. The story begins as a candy-bar tycoon enlists agents to scour the country to find women who could play ball. In the backwoods of Oregon, two sisters -- Dottie (Geena Davis) and Kit (Lori Petty) -- are discovered. Dottie can hit and catch, while Kit can throw a mean fastball. The girls come to Chicago to try out for the team with other prospects that include their soon-to-be-teammates Mae Mordabito (Madonna), Doris Murphy (Rosie O'Donnell), and Marla Hooch (Megan Cavanagh). The team's owner, Walter Harvey (Gary Marshall) needs someone to coach his team and he picks one-time home-run champion Jimmy Dugan (Tom Hanks), who is now a broken-down alcoholic. After a few weeks of training, as Dugan sobers up, the team begins to show some promise. By the end of the season, the team has improved to the point where they are competing in the World Series (which is no big deal, since there are only four teams in the league). ~ Paul Brenner, All Movie Guide

With William Shakespeare now a hot commodity at the box office (and his body of work conveniently out of copyright), the usual trickle of film adaptations of the Bard's work is becoming a small flood, and director Michael Hoffman has assembled a cast of leading stage and screen actors for this whimsical film version of one of Shakespeare's most popular comedies. This interpretation of A Midsummer Night's Dream moves the action to Tuscany near the turn of the 20th century, as both mortals and enchanted creatures deal with romantic problems. Among the flesh-and-blood crowd, Duke Theseus (played by David Strathairn) is preparing for his wedding to Hippolyta (Sophie Marceau), while having to counsel Egeus (Bernard Hill), who has promised the hand of his daughter Hermia (Anna Friel) to Demetrius (Christian Bale). Hermia, however, wants to elope with her true love, Lysander (Dominic West), while her best friend Helena (Calista Flockhart) is mad about Demetrius. Meanwhile, fairies living in the forest are watching these romantic misadventures. Puck (Stanley Tucci) serves up love potions that mix and match the already confused lovers, while the Queen of Fairies, Titania (Michelle Pfeiffer), and her King, Oberon (Rupert Everett), have to deal with a group of hapless actors rehearsing a play in the forest -- one of whom, Bottom (Kevin Kline), has fallen under Puck's spell and becomes Titania's new lover. Will anyone end up with the person they really love? Who will get hurt riding their bicycles in the woods? Will Helena sit down and eat a square meal? Director Hoffman, a longtime Shakespeare buff, appeared as Lysander in a production of the play while a college student, and has since spearheaded a campaign to build a new $3 million theatre for his alma mater in Boise, ID. ~ Mark Deming, All Movie Guide

Amazingly, At Close Range was based on a true story. Bored teenager Sean Penn meets his prodigal father (Christopher Walken) for the first time in years. Though Penn is vaguely aware that his father is a criminal, he is nonetheless impressed by his dad's high life style and creature comforts. But Walken's veneer of charm is fragile indeed, and it becomes clear that he is willing to kill anyone--even his family--if they get in his way. When Walken rapes Penn's girl friend (Mary Stuart Masterson) to keep the boy from cooperating with the DA, it is only a warm-up for the horrors to come. The screenplay for At Close Range was written by Nicholas Kazan, the son of prominent film director Elia Kazan. ~ Hal Erickson, All Movie Guide

Following up on her crowd pleasing 1998 film Finding North, Tanya Wexler directs this tweaked coming-of-age drama about a troubled teen and his even more troubled family. Having just come out of detox for drugs and alcohol, JJ (Jonathan Tucker) returns home hoping for a little comfort and solace, but he finds little of both. Though his mother continues to dote on him, everyone else is out to get him -- his brutish step-father Bull who is still furious over the vintage car JJ wrecked while hopped up; his vampish step-aunt Dot (Jennifer Tilly); his effete uncle Ernie. Even his former dealer Bobby, his girlfriend, who dumped him for Bobby, and his high school guidance counselor Dr. Charlie (David Strathairn) has something against JJ. While JJ struggles to straighten out his life, he remembers fondly his stay in detox. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide

In this well-wrought, moving drama from Hallmark Productions, a wife and mother puts her home life on the line when she launches a campaign to keep her ex-boyfriend, a convicted killer, off death row. Pam O'Brien (Sissy Spacek) loved Russell Gates (David Strathairn) in high school, but afterwards, he went to Vietnam and she carried on with her life, marrying Keith (Arliss Howard) and starting a family. When she learns that Russell is about to be executed for murdering a cop and that he is not appealing his case, she visits him in prison. There she is shocked to find a man destroyed by his wartime experiences. She continues her visits and slowly finds herself contending with long unresolved feelings for Russell. Her increased attentions to the jailed man only adds greater tremors to an already shakey relationship with Keith, and for a while Pam is in danger of losing everyone important to her. ~ Sandra Brennan, All Movie Guide

The coming-of-age drama Blue Car is the directorial debut feature from actress Karen Moncrieff. Played by newcomer Agnes Bruckner, quiet high school student Meg lives in an apartment complex where she takes care of her troubled little sister, Lily (Regan Arnold), while her emotionally unavailable mom (Margaret Colin) is busy at work or school. Since her dad left, the family has been under financial strain and Lily suffers from starvation, delusions, and self mutilation. Meg maintains a calm demeanor and endures her responsibilities but unleashes her frustrations and pain through her poems, which she shares with her supportive English teacher, Mr. Auster (David Strathairn). With his encouragement, she wins a regional poetry competition and makes it to the finals in Florida. However, she is faced with repeating hardships as her sister's condition intensifies, she gets fired for stealing, and her mom kicks her out of the house. Temporarily staying with her friend Georgia (Sarah Beuhler), she meets the delinquent Pat (A.J. Buckley) and gets involved in some petty crime. Agnes eventually goes to Florida by herself, where she meets Mr. Auster's intelligent yet discontented wife, Delia (Frances Fisher), and she finds her relationship with him becoming more complicated. Blue Car premiered at the 2002 Sundance Film Festival. ~ Andrea LeVasseur, All Movie Guide

In Call Me a lonely, frustrated journalist for an alternative newspaper begins receiving intriguing erotic telephone calls, calls which trigger her own fantasies and leads her into danger. Anna (Patricia Charbonneau) is having an affair with Alex (Sam Freed), who travels frequently and has little time for her. She meets an interesting stranger named Jellybean (Stephen McHattie) in a local bar and begins to believe that he might be the source of the erotic calls. As the calls increase in frequency and become more explicitly sexual, Anna finds herself increasingly aroused and interested. Call Me, despite a sometimes contrived plot, is well-directed by Sollace Mitchell who uses her strong cast to explore the outer-limits of sexual desire and obsession. Charbonneau is excellent as Anne, and Patti D'Arbanville as her friend Con gives a refreshing, relaxed and convincing performance. Steve Buscemi, one of the finest contemporary character actors, gives one of his usual satisfying performances as the creepy Switch Blade who menaces Anne. The film's "surprise" ending will surprise only the most unsophisticated viewer, but the film, because of its great cast and excellent direction is a fresh, exciting thriller with an interesting twist. ~ Linda Rasmussen, All Movie Guide

Writer/director Sophie Barthes crafts this metaphysical tragicomedy, which straddles the line between reality and fantasy, set in a world where souls are extracted from humans and traded as commodites. Paul Giamatti is an anxious New Yorker who finds the answer to his deep-rooted malaise after stumbling upon an article about a high-tech company that claims to have found a solution to human suffering. By deep-freezing souls, claims the company, they can give their customers a life free from fear, doubt, and worry. Eager to free himself from the emotional burden of angst, Giamatti eagerly enlists their services. Trouble arises, however, when Giamatti's soul is swiped by a soul-trafficking "mule" who in turn gives it to a no-talent Russian soap opera actress. Now, in order to get back the soul that is rightfully his, Giamatti must make the arduous trip to St. Petersburg, along the way discovering that the true key to happiness isn't the absence of pain, but the ability to experience the entire spectrum of emotion and cherish the things that really matter. ~ Jason Buchanan, All Movie Guide

A daughter who has come to imagine the worst about her mother learns the facts are quite different -- and more shocking than she ever imagined -- in this adaptation of Stephen King's best-selling novel. Dolores Claiborne (Kathy Bates) has spent nearly a quarter of a century looking after a mean-spirited woman named Vera Donovan (Judy Parfitt) on a small island off the coast of Maine; when Vera is found dead after falling down a flight of stairs, Dolores is considered a prime suspect in her murder. Word of the affair reaches New York-based journalist Selena St. George (Jennifer Jason Leigh), Dolores's estranged daughter. Though she's about to leave on an important assignment, Selena instead flies to Maine to find out what's happened with her mother. Selena's father, Joe St. George (David Strathairn), died under mysterious circumstances 15 years before; more than a few people believe Dolores killed Joe, and many feel she did the same with Vera. Though the strong and tough-talking Dolores stands her ground, police detective John Mackey (Christopher Plummer) is convinced that there's more to her story than she's letting on, and in time Selena learns the ugly truth about her mother's connection to both deaths. This was Kathy Bates's second starring role in a film based on Stephen King's work; she earned an Academy Award for her breakthrough role in the movie version of King's Misery. ~ Mark Deming, All Movie Guide

Writer/director John Sayles' dramatization of the most infamous episode in professional sports -- the fix of the 1919 World Series -- is considered by many to be among his best films and arguably the best baseball movie ever made. This adaptation of Eliot Asinof's definitive study of the scandal shows how athletes of another era were a different breed from the well-paid stars of later years. The Chicago White Sox owner, Charlie Comiskey (Clifton James), is portrayed as a skinflint with little inclination to reward his team for their spectacular season. When a gambling syndicate led by Arnold Rothstein (Michael Lerner) gets wind of the players' discontent, it offers a select group of stars -- including pitcher Eddie Cicotte (Sayles regular David Strathairn), infielder Buck Weaver (John Cusack), and outfielder "Shoeless" Joe Jackson (D. B. Sweeney) -- more money to play badly than they would have earned to try to win the Series against the Cincinnati Reds. Sayles cast the story with actors who look and perform like real jocks, and added a colorful supporting cast that includes Studs Terkel as reporter Hugh Fullerton and Sayles himself as Ring Lardner. ~ Tom Wiener, All Movie Guide

When a local sheriff mysteriously dies, a world-famous, award-winning crime novelist launches a private investigation. ~ Sandra Brennan, All Movie Guide