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Teresa Stratas Movies

Soprano Metropolitan Opera star, onscreen from The Canadians (1960). ~ Rovi
1961  
 
In the late nineteenth century, Inspector Gannon (Robert Ryan) is a member of the Northwest Mounted Police (forerunners of the Royal Canadian Mounted Police) sent to give a message to the leaders of the Sioux Indian nation. Chased by the U.S. cavalry, the Indians have entered Canada in the wake of the Custer massacre at Little Bighorn. Gannon and his crew assure the Indians there will be no trouble as long as they remain peaceful. American ranchers stage a raid across the border under the guise of rescuing a caucasian woman and kill many Indians. This leads to an inevitable uprising that Gannon must control. ~ Dan Pavlides, Rovi

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Starring:
Robert RyanJohn Dehner, (more)
 
1978  
 
The Metropolitan Opera mounted this April 5, 1978 production of two one-act operas, presented here back-to-back as halves of the same double bill: Pietro Mascagni's Cavalleria Rusticana and Ruggero Leoncavallo's Pagliacci. The former stars Plácido Domingo as Turiddu, Tatiana Troyanos as Santuzza, Jean Kraft as Lucia, Vern Shinal as Alfio and Isola Jones as Lola. The latter stars Sherrill Milnes as Tonio, Domingo as Canio, Arthur Apy and Domenico Simeone as Villagers, Teresa Stratas as Nedda and James Atherton as Beppe. Both productions were created by Franco Zeffirelli, and feature symphonic accompaniment by The Metropolitan Opera Orchestra and Chorus, under the baton of James Levine and the choral direction of David Stivender. Zeffirelli designed the sets and costumes, and Fabrizio Melano directs for the stage ~ Nathan Southern, Rovi

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Starring:
Plácido DomingoTatiana Troyanos, (more)
 
1978  
 
Written by Gian-Carlo Menotti in 1951, Amahl and the Night Visitors has the distinction of being the first opera written for television. A Christmas favorite, the story deals with Amahl, a young peasant shepherd boy who can only walk with the aid of a staff. As the opera opens, Amahl is very excited. He has seen a truly strange and wondrous star outside, one with a long tail the likes of which he has never seen. His Mother, knowing that he likes to make things up, grows angry with him and dismisses his news. Soon there is a knock at the door. When the Mother opens it, she is astonished to find three kings. They tell her that they are in search of a very special king and show Amahl and his Mother the gifts they bring. The Mother leaves to alert the neighbors to the king's presence, and they return with gifts for the three sovereigns. Later that night, the Mother gives in to temptation and tries to take some of the kings' gold for her and Amahl. She is frightened when the kings catch her; however, they do not punish her, explaining that the one they are seeking does not need gold, they he will establish a kingdom based upon love. The Mother gives the gold back, and Amahl, moved by what he has heard, asks the kings to take his staff as a gift for the new king. As he does so, Amahl discovers that his selflessness has resulted in a miracle -- he can now walk. As the opera ends, he goes with the kings to give thanks and praise to the one who has brought this miracle about. ~ Craig Butler, Rovi

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1982  
G  
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Tenor Plácido Domingo and soprano Teresa Stratas star in director Franco Zeffirelli's lushly cinematic version of Verdi's opera La Traviata ("The Woman Gone Astray"), a story of doomed love in 1840s Paris. Violetta (Stratas), who is the mistress of a wealthy baron, hosts a lavish party to celebrate her improved health after a bout with tuberculosis. There she meets Alfredo (Domingo) and becomes smitten with him as he, she, and the guests join in the famous "Drinking Song." Violetta leaves the baron, and she and Alfredo move into a secluded country villa together, where they live happily for a while. But unknown to Alfredo, his father (baritone Cornell MacNeil) convinces Violetta that continuing her relationship with Alfredo will prevent Alfredo's sister from making a good marriage. With great sadness, Violetta decides that she must not only break permanently with Alfredo, she must keep him at a distance by returning to the baron. Misunderstanding her motives, Alfredo goes into a jealous rage that leads to tragic consequences. ~ Perry Seibert, Rovi

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Starring:
Teresa StratasPlácido Domingo, (more)
 
1982  
 
One of Puccini's most popular works (and the second-most performed opera at New York's Metropolitan Opera), this production by Franco Zeffirelli features Jose Carreras, Teresa Stratas, Renata Scotto,and Richard Stilwell, and boasts an extraordinary visual beauty in its retelling of this tragic story of young bohemians struggling towards success. ~ Mark Deming, Rovi

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Starring:
Teresa StratasRenata Scotto, (more)
 
 
1983  
 
A musical presentation featuring Pretre and the LaScala Orchestra and Chorus with soloists Domingo, Stratas and Pons. Outstanding work by Zeffirelli. ~ Rovi

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1986  
 
Add Live from the Met Highlights, Vol. 1 to Queue Add Live from the Met Highlights, Vol. 1 to top of Queue  
Experience selections from The Bartered Bride, Lucia di Lammermoor, Tannhaeuser, Don Carlo and La Boheme. ~ Rovi

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1988  
 
Cosi fan tutte, Wolfgang Amadeus Mozart's bawdy 1790 dramma giocoso, recounts the randy tale of Ferrando and Guglielmo, two officers, stationed in Naples, who attempt to exchange fiancées in a wager. Fairly conventional for its time, Cosi failed to raise any eighteenth century eyebrows but (with its lasciviousness) became something of an ire-engendering piece in the more-conservative centuries to come. Jean-Pierre Ponnelle staged a production of Cosi at a Palladian villa in 1988, featuring musical accompaniment by the Nikolaus Harnoncourt-conducted Wiener Philharmoniker and the Wiener Staatsopernchor; a film of that production is now available in the home release, Cosi fan tutte. Luis Lima appears as Ferrando, Ferruccio Furlanetto as Guglielmo, Delores Ziegler as Dorabella and Edita Gruberova as Fiordiligi. ~ Nathan Southern, Rovi

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Starring:
Edita Gruberova
 
1989  
 
Excerpts from Salome, La Boheme and Der Zarewitsch are featured in this review of the career of Teresa Stratas. ~ Rovi

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1992  
 
Opera by John Corigliano about the ghost of Beaumarchais who tries to change history to save Marie Antionette. ~ Rovi

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1993  
 
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In this production of Bertolt Brecht and Kurt Weill's final collaboration, Peter Sellars inter-cuts footage he personally shot in on-location in America with original footage of the stage performance to achieve a striking visual effect. Teresa Stratas and Nora Kimball star, and conductor Kent Nagano leads the Orchestra of the Lyon Opera. ~ Jason Buchanan, Rovi

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1995  
 
This Canadian documentary profiles the work of German music-theater icon Kurt Weill, who created such enduring shows as Threepenny Opera. Most of the film offers various performers singing or reciting his songs. Among those appearing are jazz diva Betty Carter, the Brodsky String Quartet, Elvis Costello, Lou Reed, Nick Cave, PJ Harvey, and bassist Charlie Haden. Also seen are dance numbers, and a reading of "What Keeps Mankind Alive?" ~ Sandra Brennan, Rovi

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2000  
 
Add Great Stars of Opera, Vol. 2: Telecasts from the Bell Telephone Hour, 1959-1966 to Queue Add Great Stars of Opera, Vol. 2: Telecasts from the Bell Telephone Hour, 1959-1966 to top of Queue  
This video is the second of a two-part series featuring performances by some of the greatest stars of opera in the 20th century. Many operatic moments are recorded on these vintage productions, which broadcast on the Bell Telephone Hour Telecasts from late 1959 to early 1967. The mass television audience was introduced to a milieu of musical society that might otherwise have been unavailable. Presented in this volume are thrilling performances by Eileen Farrell, George London, Robert Merrill, and Franco Corelli.
~ Rose of Sharon Winter, Rovi

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