Michael Strasser Movies

The traditions of the western and the gangster film meet head-on in this dark crime drama. Jericho is a small town in Texas that in the 1920s looks much like it did in the 1860s, except that two violent gangs of rival bootleggers have driven away nearly all of the citizens not involved in the booze racket. Strozzi (Ned Eisenberg) leads a gang of Italian rum-runners with the help of his right-hand-man Giorgio (Michael Imperioli), while Doyle (David Patrick Kelly) is the head of an Irish mob, with Hickey (Christopher Walken) serving as his enforcer; the town's sheriff, Ed Galt (Bruce Dern) is powerless to stop the crime in Jericho, and he mainly tries to stay out of the way and keep an uneasy peace between Strozzi and Doyle. John Smith (Bruce Willis) is a ruthless and amoral gunman on the run from the law who passes through Jericho on his way to Mexico. Sizing up the situation, Smith quickly hatches a scheme by which he'll sell his services first to one of the gangs, and then the other, eventually turning the two sides against each other while he stays in the middle and takes the profits generated by both sides. Writer and director Walter Hill based his screenplay on Akira Kurosawa's classic samurai picture Yojimbo, which also inspired Sergio Leone's ground-breaking spaghetti western A Fistful of Dollars. ~ Mark Deming, Rovi

Four cops make the painful discovery that not everyone on the force is upholding the law in this crime drama. Frank Daly (Brian Dennehy), Wayne Gross (Joe Pantoliano), Ricky Rodriguez (Jeff Fahey), and Howard Jones (Bill Patxon) are four undercover cops with the Los Angeles Police Department who work as a team to solve the cases that their colleagues consider too tough to handle. Under Daly's supervision, the four are trying to get the goods on a drug dealing operation working out of a meat packing plant. However, a raid on the plant uncovers little practical evidence, and Daly, a moody and hard-drinking loose cannon, is sharply criticized by his superiors for planning the bust without the input from the department heads or the FBI. Convinced that there's more to the case than they've been able to find so far, the four men begin looking into the matter on their own time. The deeper they dig, the more shocking the evidence becomes, as they learn that the police, the FBI, and even the Federal Government are involved in the smuggling operation, and the parties involved are perfectly willing to use violence and murder to keep troublemakers out of their way. After Jones is murdered while collecting evidence on a businessman in on the operation, the other three quit the police force, determined to see justice done even if they have to overstep the boundaries of the law to do it. Last of the Finest was also released under the titles Blue Heat and Street Legal. ~ Mark Deming, Rovi

This light comedy is a contemporary--and wacky--version of The Hunchback of Notre Dame. In this version, a malformed young man hangs out in the bell tower of a California college campus and has to face a number of prejudices when he is brought out into the light. ~ Kristie Hassen, Rovi

In the first episode of a two-part story, McCall (Stepfanie Kramer) teams up with her retired mentor, former police officer Andy Polanski (Claude Akins), to track down Frank Lassiter (Richard Lynch), the fugitive head of the neo-Nazi Aryan Legion. On the verge of finding out who provided inside information for an armored car robbery committed by Lassiter, Polanski is slapped with an obstruction-of-justice charge. This, coupled with Andy's profound loneliness, pushes the veteran cop off the deep end--and in the wake of the tragedy which ensues, McCall quits the force. ~ Hal Erickson, Rovi

In this unusual teen comedy, the most popular girl in school embarks upon the worst date of her life after she loses a bet and is forced to attend the prom with the school's biggest nerd. The trouble begins when her doofous date gets lost en route and they end up stranded on the worst side of town. ~ Sandra Brennan, Rovi