Susan Strasberg Movies
The daughter of renowned acting coaches Lee and Paula Strasberg, Susan Strasberg did not, as has often been assumed, attend her father's celebrated Actors Studio. She was, however, a close friend of several of her parents' most famous students--notably Marilyn Monroe, the subject of Strawsberg's affectionate 1992 memoir Marilyn and Me. While growing up, Strasberg harbored dreams of becoming a scientist like her idol Marie Curie, but many of her parents' friends urged the girl to give acting a try. Mildly curious, she made her off-Broadway debut in the 1952 production Maya. Two years later, she made her first television appearance as Shakespeare's Juliet, and shortly thereafter was cast as a regular on the Hume Cronyn-Jessica Tandy TV situation comedy The Marriage. At 17, Susan blossomed into full-fledged stardom when she played the leading role in the Pulitzer Prize-winning Broadway play The Diary of Anne Frank. By 1957, she was being tagged as "Helen Hayes' successor" by several influential critics. Her first film appearances in The Cobweb and Picnic (both 1955) also bode well for a long and lasting stardom. Unfortunately, Susan's ardent supporters began turning on her when she starred in Stage Struck, the 1957 remake of Morning Glory (1933). Her over-the-top rendition of the role that had won Katharine Hepburn an Oscar back in 1933 was almost universally drubbed by the critics, prompting Strasberg to flee the U.S. and resettle in Europe. In the early 1960s, director Franco Zeffirelli persuaded her to return to Broadway in his production of Dumas' Lady of the Camelias. Alas, this effort also proved disastrous, forcing her to grasp at straws to revive her reputation. Her best effort during this awkward phase of her career was the Yugoslav-Italian film Kapo (1960), in which she played a concentration camp survivor. Such excellent opportunities were rare indeed; for the most part, Strasberg was mired in such tripe as Psych-Out (1967) and The Name of the Game is Kill (1968). In 1973, Susan returned to television as co-star of the detective series Toma. She has since continued to accept character roles of fluctuating quality in both U.S. and Canadian productions. In 1980, Susan penned her autobiography Bittersweet, which detailed her brief marriage to actor Christopher Jones, the heart defect that long imperiled the life of her daughter Jennifer, and the debilitating burden of being too famous too soon. Reflecting on her career in 1974, Susan Strasberg compared her teen-aged stardom to "trying to play a violin before it's finished." ~ Hal Erickson, All Movie Guide- 1994
This documentary is an homage to Marilyn Monroe, arguably the most famous sex-symbol of the 20th century. The film offers a loving examination of her enduring charm and chronicles the continued devotion of her fans. Rather than present the traditional chronological biography, the filmmakers have chosen to focus on key points in Monroe's career and life such as her rise to stardom. In addition to fabulous stills and film clips, the movie includes interviews with Hugh Hefner, who used Monroe's nude pictures as his centerfold in the first issue of Playboy. Also interviewed are columnist Liz Smith, who discusses Hollywood's attitude toward Marilyn. Finally the film chronicles the ways in which Marilyn has become a cultural icon beginning with Andy Warhol's art and continued showings of her films. The industry surrounding her image is also examined. The film does not offer insight as to why Marilyn Monroe continues to be so popular. It is simply a tribute. ~ Sandra Brennan, All Movie Guide
- Starring:
- Joyce Brothers, David Brown, (more)
- 1992
Those looking for an intelligible filmed rendition of Anton Checkhov's famous play, The Cherry Orchard might be well advised to look elsewhere. This version had the curious distinction of receiving the universal and enthusiastic condemnation of critics attending its 1992 San Sebastian Film Festival screening. ~ Clarke Fountain, All Movie Guide
- Starring:
- Susan Strasberg, Barbara de Rossi, (more)
- 1990
This video is a close-up of Marilyn Monroe as seen by some of those who knew her best. The award-winning program is filled with memories as told by her friends and fellow actors, including Celeste Holm, Robert Mitchum, Shelley Winters, Susan Strasberg, and Josh Logan. Clips from her best moments in movies are shown, along with seldom-seen home movies and rare footage of the famous, but lonely actress. Richard Widmark provides narration. ~ Alice Day, All Movie Guide
- 1987
This classic episode adroitly utilizes footage from the 1949 theatrical film Strange Bargain--with three of that film's stars, Jeffrey Lynn, Martha Scott and Harry Morgan, reprising their roles in the "new" scenes. Released from prison after serving 30 years for the murder of his boss, Sam Wilson (Lynn) returns to his wife Georgia (Scott) and his son Rod (Art Hindle), who is now a police officer. Georgia and Rod prevail upon Jessica (Angela Lansbury) to help clear Sam's name, and to prove that someone else committed the murder. With the assistance of the original investigating detective, a man named Webb (Morgan), Jessica reconstructs the events leading up to Sam's arrest, with black-and-white "flashbacks" lifted from Strange Bargain illustrating how, three decades earlier, Sam had been offered $10,000 to make his boss' suicide look like murder for insurance purposes. One of the supporting roles is played by Debbie Zipp, who would later become a Murder, She Wrote semi-regular as Donna Mayberry, the fiancee of Jessica's nephew Grady Fletcher. ~ Hal Erickson, All Movie Guide
- 1985
This documentary of Marilyn Monroe takes a novel approach in not dwelling on her love affairs and concentrating on her film career. Film clips and press conferences accompany interviews of Marilyn's friends and co-stars such as Shelly Winters, Robert Mitchum, Susan Strasberg, and Joshua Logan. Even decades after her death, all are left with a lasting impression of Monroe as an actress of considerable talent but one who struggled with demons that plagued her personal life. ~ Dan Pavlides, All Movie Guide
- Starring:
- Robert Mitchum, Shelley Winters, (more)
- 1983
In this unremittingly serious, undistinguished, yet well-acted tale of the supernatural, two different men are possessed by spirits of Native Americans after they separately wander into a sacred burial ground, angering the spirits enough for them to retaliate. When John (Gabriel Walsh) and Sybil (Susan Strasberg) come home with their son after a trip to the Mojave Desert, they bring an unusual stone back as a memento of the trip. The stone seems to cause strange noises and other inexplicable phenomena, and then one day their son is killed by a truck driver in a freak highway accident. As the father's mental condition deteriorates from that point onward, it is revealed that both John and the truck driver are possessed by angry spirits of Native American warriors, and unless the spirits are exorcised, the two men are destined to meet in a battle to the death. Director John Bender cuts back and forth between the truck driver and the father, which might confuse (or even irritate) some viewers since in the beginning there is no explanation of how or why the two men are connected. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Gabriel Walsh, Susan Strasberg, (more)
Remember that controversial participation game of the 1980s called "Dungeons and Dragons"? Remember how sociologists warned us that the game was potentially dangerous to those who couldn't altogether separate fantasy from reality. This is the premise of Mazes and Monsters, a made-for-TV film based on the best-seller by Rona Jaffee. Future Oscar-winner Tom Hanks portrays one of four college students who become so deeply involved in a Mazes & Monsters session that the results may turn fatal at any moment. Despite its potential for silly sensationalism, the film is based on a believable premise, and arrives at a logical conclusion. When first aired December 28, 1982, this Canadian-American production was titled Rona Jaffee's Mazes and Monsters. ~ Hal Erickson, All Movie Guide
- 1982
A syndicate gambling organization receives a new member in the form of a police detective in disguise. ~ All Movie Guide
- 1981
In this thriller, a snoopy and ambitious television news reporter causes an average citizen to become suspected of being a serial killer. ~ Sandra Brennan, All Movie Guide
- 1981
Although the Actors Studio and Lee Strasberg have been famous for many decades in the U.S., this documentary is the first film to go into the studio and record sessions with actors, showing Strasberg in action. Aside from interviews with Strasberg, he is also seen responding to filmed performances of Eleonora Duse and other Hollywood giants of times gone by, and interacting with others as a mentor and friend. Even Strasberg's inspiration, Konstantin Stanislavsky himself, is shown talking about acting with two students toward the end of his life. Jane Fonda explains how she benefitted by Strasberg's instruction, and the results of his efforts are shown in clips of James Dean and Marlon Brando, two of his more famous students. By the time the final segment of the documentary has closed, viewers have a much better idea of why Lee Strasberg was so successful with hundreds of actors over the long span of his professional life. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Lee Strasberg, Ellen Burstyn, (more)
Sort of a triple-threat Bad Seed with a more overtly violent streak, this film tells the tale of trio of cherubic youngsters whose births all coincided with a solar eclipse, which somehow initiated a kind of time-release evil reaction that reaches its climax on the kids' tenth birthday, causing them to transform into miniature homicidal psychopaths. These darling little tykes then proceed to beat dad's brains out with a baseball bat, gun down their teacher, and otherwise beat, stab and strangle anyone who even looks cross-eyed at them. They also seem to be strangely fond of leering at naked teenage girls... or maybe that's just the director's favorite pastime. Produced in 1980, this proto-slasher opus was shelved for six years, then released to video to capitalize on the already-waning trend of Friday the 13th sequels and their hellish offspring. ~ Cavett Binion, All Movie Guide
- Starring:
- Susan Strasberg, José Ferrer, (more)
- 1979
Beggarman, Thief is the 4-hour sequel to the ratings-busting miniseries Rich Man, Poor Man; both productions were based on the works of novelist Irwin Shaw. For the purposes of the sequel, a new member of the Jordache clan is introduced: filmmaker Gretchen Jordache Burke, played by Jean Simmons. It is Gretchen's task to keep the family together after the murder of her brother Tom (played by Nick Nolte in Rich Man, Poor Man) and the recent disappearance of her other brother Rudy (Peter Strauss, re-creating his RMPM role). Originally presented in two parts, Beggarman, Thief was first telecast November 26 and 27, 1979. ~ Hal Erickson, All Movie Guide
- Starring:
- Jean Simmons, Glenn Ford, (more)
- 1978
Based on the best-selling novel by Howard Fast, the two-part, four-hour miniseries The Immigrants is the saga of Dan Lavetta (Stephen Macht). The son of an impoverished Italian immigrant family, Dan manages to emerge from the rubble of the 1906 San Francisco earthquake (cunningly re-created via stock footage from such films as, naturally, San Francisco and Earthquake), to become one of the port city's most powerful shipping magnates. Capping his ascent up the social scale by marrying wealthy Nob Hill debutante Jean Seldon (Sharon Gless), Dan risks losing it all when he falls hopelessly in love with Oriental lass May Ling (played by the Caucasian Aimee Eccles). The story concludes with the 1929 Wall Street crash, suggesting that the producers would have thrown in the kitchen sink had they been able to find it. The Immigrants was syndicated to local stations as part of the "Operation Prime Time" series; most markets ran the two-parter on November 20 and 21, 1978. ~ Hal Erickson, All Movie Guide
Rollercoaster was a by-product of the brief "Sensurround" craze of the 1970s. Nutsoid Timothy Bottoms sabotages an amusement-park roller coaster, killing several innocent revelers. After several other acts of terrorism, Bottoms (whose character is credited as Young Man) presents his demands to the authorities via audio tape: one million dollars, or he'll stage five roller-coaster disasters simultaneously in five different parks. Because detective Harry Calder George Segal evinces a grudging respect for the elusive extortionist, Bottoms declares that only Detective Calder will be permitted to deliver the money. Thus the stage is set for an explosive climax, which during the film's original run was accompanied by the Sensurround effect, a gimmick that electronically caused the filmgoer's chairs to begin shaking and vibrating during the "thrill scenes." As with most disaster flicks of the era, Rollercoaster is top-heavy with "guest stars," including Richard Widmark, Henry Fonda, Harry Guardino, and Susan Strasberg. Watch for 13-year-old Helen Hunt as Detective Calder's spunky daughter. ~ Hal Erickson, All Movie Guide
- Starring:
- George Segal, Richard Widmark, (more)
- 1977
Death Flight was originally known as SST: Death Flight when it was first telecast February 25, 1977. Though fairly expensive so far as TV movies go, the film is brought down to earth by its standard B-flick plot. On its maiden flight, America's first supersonic transport runs into deadly danger high in the sky-and may never get to land. In true Airport fashion, the plane is populated with celebrities (at least by TV standards): Barbara Anderson, Bert Convy, Peter Graves, Lorne Greene, Tina Louise, George Maharis, Burgess Meredith, Doug McClure, Martin Milner, Robert Reed, Susan Strasberg, Billy Crystal, and even Regis Philbin. The film's working title was Death of the Maiden, but this was too close to Death and the Maiden, the 90-minute pilot episode of the 1973 Jimmy Stewart TV series Hawkins. Death Flight was later syndicated as SST: Disaster in the Sky. ~ Hal Erickson, All Movie Guide
- 1976
Jim's former girlfriend Karen Stiles (Susan Strasberg) sweet-talks the detective into delivering a briefcase full of escrow papers to a real estate office. Only when it is too late does Jim (James Garner) discover that he has been conned into transporting $100,000 worth of counterfeit money. And that's not all: Karen may also be involved in a diamond-fencing operation. The stakes are suddenly raised when Karen is kidnapped by her confederates--but who, exactly, is double-crossing whom? This is the final episode of The Rockford Files' second season. ~ Hal Erickson, All Movie Guide
- 1975
A woman calls together all of her prospective wedding guests to locate the killer of her late fiance. ~ All Movie Guide
- 1974
Jim Rockford (James Garner) is hired by former countess Deborah Ryder (Susan Strasberg), who is being blackmailed about her less-than-savory past by Carl Brego (Dick Gautier). After filming Deborah meeting Brego at the drop-off point, Jim confronts the blackmailer and "leans" on him a little to persuade him to get lost. You guessed it: Brego later turns up dead, and Rockford finds himself facing a murder rap. Tom Atkins makes his first series appearance as police lieutenant Alex Diehl, who here as elsewhere would give anything to throw Rockford in the slammer for keeps. ~ Hal Erickson, All Movie Guide
- 1974
Leslie Nielsen is the guest star in the season-three opener of Streets of San Francisco. Nielsen is cast as Joe Landers, an alcoholic police officer whose drunken bungling has caused the death of his longtime partner. Going to desperate and dangerous lengths to cover up his negligence, Officer Landers ultimately proves to be no match for diligent homicide detectives Mike Stone (Karl Malden) and Steve Keller (Michael Douglas). ~ Hal Erickson, All Movie Guide
- 1974
Best of the Safecrackers is an ersatz movie made up of a two-part installment from the Toma TV series. Tony Musante stars as Dave Toma, a real-life Newark police detective. Toma is a master of disguise, and this time around he poses as a bank robber. He joins the gang of ace safecracker William Daniels, an untrustworthy sort who may tumble to Toma's pose at any moment. Once he's in the bank that's to be robbed, Toma becomes cut off from headquarters and is unable to tip them off to the location of the heist. Best of the Safecrackers originally aired February 1 and 8, 1974. ~ Hal Erickson, All Movie Guide
- 1973
The made-for-TV Toma was inspired by the real-life career of New Jersey plainclothes detective Dave Toma. Tony Musante stars as the detective, whose penchant for impenetrable disguises makes him indispensable to the undercover division of the Newark police department. Toma's fierce independence gets him in hot water with his superiors, who are forced to say "no" when he expresses a desire to get the goods on a numbers racketeer. Defying orders, Toma dons another clever disguise and infiltrates the gang. Tony Musante, Susan Strasberg (as Patty Toma) and Simon Oakland (Inspector Spooner) were all retained for the subsequent Toma series, which ran from 1973 until 1974, then resurfaced in altered form as the Robert Blake cop series Baretta. As he would so often on the weekly Toma, the real David Toma plays a cameo role in this 74-minute pilot film. The original Toma was first telecast March 21, 1973. ~ Hal Erickson, All Movie Guide
- 1973
Based primarily on the "Silver John" tales of Manly Wade Wellman, this enthusiastically silly low-budgeter tells the story of young John (Hedge Capers), a balladeer who returns home to find that his Grandpappy (Denver Pyle) -- also named John -- has decided to do battle with the Devil by playing a special tune (penned by Hoyt Axton, no less!) on a silver-stringed guitar. Unwisely, the elder John chose silver dollars to make his strings, realizing too late that modern-day dollar coins contain no silver at all (due, of course, to an evil government conspiracy), and his soul is lost. The younger John decides to follow the old man's path -- only not quite as stupidly -- and creates his own silver strings (this time genuine). In his travels, he encounters an undertaker who made a deal with a witch (Susan Strasberg) in exchange for gold; an evil gatekeeper named O.J. and his "Big Ugly Bird" (depicted via stop-motion animation); and a cotton plantation run by a voodoo overlord. He eventually reaches Washington, D.C., presumably to do battle with the ultimate evil: the Army Corps of Engineers. Sticking to the essence of the Appalachian ghost stories on which Wellman's stories were based, director John Newland (erstwhile host of One Step Beyond) conjures some delightfully bizarre images despite the painfully low budget, but one wonders exactly where he was going with this. This film is also known as Who Fears the Devil. ~ Cavett Binion, All Movie Guide
Produced by Dan "Dark Shadows" Curtis, this TV adaptation of Mary Shelley's classic spine-chiller Frankenstein remains fairly faithful to its source. Robert Foxworth stars as Dr. Victor Frankenstein, who comes to grief when he "plays God" by creating a human being from spare body parts. The monster, played by Bo Svenson, is doomed from the start, not only by fate but by his inherited homicidal nature. Susan Strasberg and Heidi Vaughn co-star as the two unfortunate women in Dr. Frankenstein's life. Originally telecast in two parts on ABC's late-night Wide World of Mystery anthology, Frankenstein debuted January 16 and 17, 1973. It was later pared down to a traditional two-hour, single-part TV movie. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Foxworth, Susan Strasberg, (more)
- 1973
Somewhat reminiscent of the 1965 film The Satan Bug, And Millions Will Die is a thriller based upon the premise of germ warfare. A lunatic plans to extort millions of dollars by threatening to unleash a deadly nerve gas upon the citizens of Hong Kong. He prepares to make good his threat--but then dies before he can reveal the underground location whence the gas will be released. Richard Basehart, the villain in Satan Bug, switches sides to play frenzied scientist who races against time to unearth the lethal gas in And Millions Will Die. Given its foolproof premise, the film is disappointedly bereft of suspense, though the Hong Kong scenery is lovely. ~ Hal Erickson, All Movie Guide
- 1971
Veteran director King Vidor had long harbored hopes of directing a filmization of Ann Head's novel Mr. and Mrs. Bo Jo Jones, but couldn't get backing from a major studio. The book was finally filmed in 1971 but as a TV movie rather than a theatrical feature and with Robert Day in the director's chair. Desi Arnaz Jr. and Miss Christopher Norris play a couple of lovesick teenagers who are forced to get married when the girl becomes pregnant. Arnaz can't support his wife, Norris isn't really ready for motherhood, and the rest of the community nearly smothers the newlyweds in misguided advice. Mr. and Mrs. Bo Jo Jones was easy to take, but might have had a better chance of being truly memorable under the guiding hand of King Vidor. ~ Hal Erickson, All Movie Guide
