Robert Strange Movies

Roy Rogers stars in the full-color Republic "special" The Far Frontier. This time, Roy deals with a plot to smuggle fugitive criminals into the U.S. Old reliable heavy Roy Barcroft plays Bart Carroll, the head bad guy, who'll mow down anyone--friend and foe alike--to avoid capture. Rogers has a score to settle with Carroll, who previously framed Roy's pal on a bank-robbery charge. Gail Davis, TV's Annie Oakley, plays Rogers' romantic interest, while "Lone Ranger" Clayton Moore appears sans mask. Old reliables Trigger, Andy Devine, and Foy Willing and the Riders of the Purple Sage round out the cast. ~ Hal Erickson, All Movie Guide

Rusty Curtis wants his beloved cavalry horse back, but unfortunately the former sergeant's steed has been sold to a society woman desiring to turn it into a steeplechaser. This drama chronicles Rusty's endeavors to get the horse back. He does so by having Sally Crandall, the woman, hire him as the horse's trainer. Later he stops the gamblers who have been trying to keep the horse out of the big race. In the end, Rusty ends up riding in place of the regularly scheduled jockey. He not only wins the race, he also wins the good lady's heart. ~ Sandra Brennan, All Movie Guide

One of Cary Grant's most financially successful 1940s vehicles, Mr. Lucky finds Grant atypically cast as a shifty, out-for-number-one gambler. Having dodged the draft by adopting the identity of a dead man, Grant sets his sights on purchasing a fancy gambling ship. To raise the necessary funds, he pretends to be working hand in glove with the American War Relief society. Once he meets Laraine Day, however, Grant is seized by an uncontrollable bout of honesty. It takes him awhile, but he finally does the right thing. The film is framed in flashback, as old seaman Charles Bickford explains why a tearful Laraine Day waits at the dock each evening for a certain ship to come in. Also in the cast is Paul Stewart as a cold-eyed but nonetheless semi-comic hoodlum, and Kay Johnson and Gladys Cooper as elegant but gullible society women. The best aspect of this breezy comedy-drama is Grant's cockney propensity for "rhyming slang," a running gag better heard than described. Mr. Lucky was later adapted into a TV series in 1959, with John Vivyan in the Cary Grant part and with Blake Edwards at the production controls. ~ Hal Erickson, All Movie Guide

In this western, brave Roy Rogers and his pals take on high-tech big city gangsters who fight their battles with airplanes and tommy guns. The trouble begins as Rogers is taking three important investors to see some land. At the same time, a crime lord endeavors to kidnap the investors and leave poor Rogers to take the fall. Guns blaze and somewhere in the midst of it all, old Rogers sets himself down and sings some songs. ~ Sandra Brennan, All Movie Guide

Arizona Cyclone is usually cited as the best of Johnny Mack Brown's Universal western series, if only because of the inventive direction of Joseph H. Lewis. Brown is cast as Tom, owner of a wagon-freight line who business is coveted by crooked banker Quirt (Dick Curtis). The villain will stop at nothing to get what he wants, and this includes ordering the murder of lovable old freight-liner Randolph (Herbert Rawlinson). Lacking enough evidence to prove Quirt's guilt, Tom bides his time until the inevitable showdown. Director Lewis' penchant from innovative camera angles is especially evident during the climactic gunfight sequence, a model of its kind and one from which Lewis himself borrowed in his much-later western classic Terror in a Texas Town. ~ Hal Erickson, All Movie Guide

This classic fantasy was based on a story by Stephen Vincent Benet. Jabez Stone (James Craig) is a simple New England farmer who has been suffering from a long run of bad luck. One day he mutters that he'd sell his soul for a little money and a decent crop. Moments later, who should appear but The Evil One himself, Mr. Scratch (Walter Huston). Scratch offers Stone seven years of wealth and good fortune in exchange for his soul; Stone, assuming it's some sort of joke, agrees. Soon Stone's fields are plentiful and money is rolling in, but his financial success comes with a price; he becomes a cold and greedy tyrant, losing the affection of his family and the respect of his peers. In time, Stone realizes that he's made a terrible mistake and that Scratch won't let him out of their deal without a fight. Desperate to regain his soul, Stone turns to the greatest legal and oratorical mind of his day, Daniel Webster (Edward Arnold), who challenges Scratch to put his contract with Stone to the test in a fair trial. While a critical success and a favorite of film buffs, The Devil and Daniel Webster fared poorly at the box office; it was eventually released under five different titles and clipped to 85 minutes in hopes of winning a larger audience, though it was restored to a 107-minute length for release on home video. ~ Mark Deming, All Movie Guide

In a manner of speaking, Humphrey Bogart had George Raft to thank for his ascendancy to stardom: after all, if Raft hadn't turned down both High Sierra and The Maltese Falcon, Bogart might have continued playing second-billed gangsters to the end of his days. Adapted from W. R. Burnett's novel by Burnett and John Huston, High Sierra opens with gangster Roy Earle (Bogart) being paroled after a lengthy prison term. Though he enjoys the fresh air and sunshine of the outside world, Earle has no intention of giving up his criminal ways. In fact, his parole has been arranged by Big Mac (Donald MacBride), so that Earle can mastermind a big-time heist at a fancy California resort hotel. After a few unkind words with a crooked cop, Kranmer (Barton MacLane), in Big Mac's employ, Earle heads toward a fishing resort, where he is to commiserate with his inexperienced, hot-headed cohorts Babe (Alan Curtis) and Red (Arthur Kennedy). En route, he befriends a farm family, heading to LA in search of work. He falls in love with the family's club-footed daughter Velma (Joan Leslie)--though she never really gives him any encouragement--and makes a silent promise to finance an operation on her foot once he's gotten his share of the loot. At the mountain cabin rendezvous, Earle meets Marie (Ida Lupino), Babe's tough-but-vulnerable girlfriend. He angrily orders her to scram, but she stubbornly remains. Earle also finds himself the owner of a "jinxed" dog, whose previous masters have all met with early demises (a none-too-subtle foretaste of things to come). Marie is strongly attracted to Earle, but he refuses to have anything to do with her, reserving his affections for Velma. He arranges an operation for the girl with mob doctor Banton (Henry Hull), never suspecting that the self-serving Velma is planning all along to marry someone else. The robbery goes off without a hitch, save for the fact that "inside man" Mendoza (Cornel Wilde) panics and nearly gives the game away. While escaping, Babe and Red are killed in a car accident, but Earle and Marie escape. Having been disillusioned by Velma's indifference and by the fact that the untrustworthy Kranmer has taken over the late Big Mac's operation, Earle at last realizes that the only person he can truly depend upon is the faithful Marie. With the police hot on his trail, Earle tells Marie to look after herself, then heads alone into the High Sierras--where, in Greek Tragedy fashion, he "busts out" of life. As in Petrified Forest, Humphrey Bogart plays a burnt-out anachronism from an earlier era in crime in High Sierra; in the latter film, however, Bogart has an innate nobility that allows the audience to empathize with him throughout. It is nothing short of amazing that, despite his superb performance in this 1940 film, he still had to wait until The Maltese Falcon for top billing in an "A picture." High Sierra was remade in 1949 as Colorado Territory and in 1955 as I Died a Thousand Times. ~ Hal Erickson, All Movie Guide

The Adventures of Captain Marvel is a 12-episode Republic serial based on the comic book character of the same name. Young Billy Batson (Frank Coghlan Jr.) is part of a scientific expedition in a remote section of Siam. Trapped in an ancient tomb, Billy happens upon an ancient shaman acronymically named Shazam (each letter in his name stands for a famous Greek or Roman god). Because Billy has obeyed the warnings written on the sacred chamber, the old man rewards the boy with the ability to turn into superhero Captain Marvel (Tom Tyler). Billy can make the transformation only by uttering the word "Shazam!"--which explains why the script, for suspense purposes, contrives to have Billy bound and gagged at crucial moments. Young Batson finds that his alter ego comes in handy in determining the identity of "the Scorpion," a member of the expedition who plans to kill his colleagues after learning the secret hiding places of the components of a super-weapon called the Golden Scorpion. A well-above-average Republic entry, The Adventures of Captain Marvel is distinguished by the eye-popping stunt work of David Sharpe and by Captain Marvel's utterly convincing flying scenes, courtesy of special-effects maestros Howard and Theodore Lydecker. ~ Hal Erickson, All Movie Guide

In this remake of the classic prison story 20,000 Years in Sing-Sing, John Garfield plays Tommy Gordon, a jewel thief who has been sent up the river for a minimum of 25 years. Tommy isn't especially worried about prison, as he's convinced his well-connected friends will help him get out before long. But Tommy learns the hard way his friends aren't as helpful as he imagined, and he regrets causing so much trouble for reform-minded warden Walter Long (Pat O'Brien), who he comes to regard as a friend and ally. Tommy's girlfriend, Kay Manners (Ann Sheridan), is desperate to get him out of prison and enlists the help of shifty lawyer Ed Crowley (Jerome Cowan); however, when Crowley tries to extract a payment from Kay that has nothing to do with money, she puts up a fight and ends up seriously hurt. Long shows his sympathetic side by granting Tommy a pass to visit Kay, but when he arrives at her home, he discovers Crowley has also arrived to see her. A scuffle ensues, and Kay shoots Crowley. Rather than see her go to jail, Tommy takes the blame, but soon goes on the lam, betraying Long's trust. ~ Mark Deming, All Movie Guide

The twelve-chapter serial King of the Royal Mounted stars Allan Lane as Zane Grey's fictional Canadian Mountie Sergeant King. The story involves King hunting down some foreign spies who have entered Canada in order to take back materials that will help wage war against Great Britain. ~ Perry Seibert, All Movie Guide

The Saint Strikes Back was the second in the series of films featuring Simon Templay, better known as The Saint, and the first to star George Sanders in the role. Val Travers (Wendy Barrie) is the daughter of a police detective who killed himself after being dishonorably let go from the San Francisco Police Department, due to allegations that he was a member of a gang led by the mysterious criminal mastermind known only as Waldeman. Hoping to clear her father's name, Val has assembled a gang of minor criminal types to track down Waldeman, which puts her in trouble with the police. Templar crosses tracks with Val and, after hearing her story, believes that her father was framed, most likely by someone else working in the police department. Cullis, one of department's chief criminologists, dismisses this suggestion and implies that Templar might be Waldeman. Templar's investigations eventually find the real culprit and exonerates Val's father. ~ Craig Butler, All Movie Guide

The last of RKO's Fred Astaire-Ginger Rogers vehicles, The Story of Vernon and Irene Castle is also the least typical. At their best playing carefree characters in gossamer-thin musical comedy plotlines, Fred and Ginger seem slightly ill at ease cast as the real-life dancing team of Vernon and Irene Castle. The stripped-to-essentials storyline boils down to novice dancer Irene (Rogers) convincing vaudeville comic Vernon (Astaire) to give up slapstick in favor of "classy" ballroom dancing. With the help of agent Edna May Oliver, the Castles hit their peak of fame and fortune in the immediate pre-World War I years. When Vernon is called to arms, Irene stays behind in the US, making patriotic movie serials to aid the war effort. Vernon is killed in a training accident, leaving a tearful Irene to carry on alone. To soften the shock of Astaire's on-screen death (it still packs a jolt when seen today), RKO inserted a closing "dream" dancing sequence, with a spectral Vernon and Irene waltzing off into the heavens. The film's production was hampered by the on-set presence of the real Irene Castle, whose insistence upon accuracy at all costs drove everyone to distraction--especially Ginger Rogers, who felt as though she was being treated like a marionette rather than an actress. In one respect, Mrs. Castle had good reason to be so autocratic. Walter, the "severest critic servant" character played by Walter Brennan, was in reality a black man. RKO was nervous about depicting a strong, equal-footing friendship between the white Castles and their black retainer, so a Caucasian actor was hired for the role. Mrs. Castle was understandably incensed by this alteration, and for the rest of her days chastised RKO for its cowardice. As it turned out, it probably wouldn't have mattered if Walter had been black, white, Chicano or Siamese; The Story of Vernon and Irene Castle was a financial bust, losing $50,000 at the box office. Perhaps as a result, Fred Astaire and Ginger Rogers would not team up again for another ten years. ~ Hal Erickson, All Movie Guide