Glenn Strange Movies

MGM's first "Maisie" entry in two years, Up Goes Maisie once more stars Ann Sothern as eternally stranded showgirl Maisie Revere. Our heroine manages to secure a job as secretary to inventor Joseph Morton (George Murphy), who has developed a revolutionary new helicopter. A rival aircraft manufacturer tries to discredit and/or steal Morton's invention, but Maisie comes to the rescue. The entire film seems to be building up to the inevitable moment wherein Maisie herself takes over the copter controls and embarks on a wild ride high over Manhattan. The process work in this climactic sequences is unusually good for an MGM production, providing an exciting wrap-up to an otherwise pedestrian project. ~ Hal Erickson, All Movie Guide

In this western, a young man infiltrates a vicious gang of bank robbers in order to capture his father's killer. ~ Sandra Brennan, All Movie Guide

The first of Republic Pictures' Allan Lane Westerns, Silver City Kid was assembled for Don "Red" Barry, whom the studio had decided to groom for "A" pictures. Unfortunately, Lane did not only inherit Barry's plot but also his sidekicks Wally Vernon and Twinkle Watts, the latter Republic's rather belated answer to Shirley Temple. Jack Adams (Lane) and his friend Wildcat Higgins (Vernon) come to the aid of a buddy, whose land is about to be usurped by unscrupulous banker William Stoner (Frank Jaquet) and corrupt attorney Sam Ballard (Harry Woods). Unfortunately, the beleaguered rancher, Steve Clayton (Lane Chandler), is murdered by one of Ballard's henchmen (Glenn Strange), leaving behind a sister, Ruth (Peggy Stewart), and a young daughter, Twinkle (Watts). According to Ruth, Stoner and Ballard are after a rare vein of molypdenum running through the Clayton property and will stop at nothing to get their greedy hands on the land. But they have counted without Jack, whose six-guns settle the matter once and for all. Although saddled with the presence of Vernon, whose Brooklyn accent hardly suggested the wild and woolly West, not to mention the insufferable Miss Watts, Silver City Kid proved Lane to be a handsome and stalwart cowboy hero of the old style. Also of benefit to the film was the presence of Peggy Stewart, perhaps the era's most competent Western heroine. Although Miss Stewart disliked working with the egotistical Lane, she would be forced to appear opposite him in four additional Westerns. ~ Hans J. Wollstein, All Movie Guide

Having worked as a duo in the first three entries of Monogram's low-budget "Trail Blazers" series, veteran Western stars Ken Maynard and Hoot Gibson were joined by Bob Steele in the fourth, Death Valley Rangers -- reportedly much to Maynard's dismay. Although not much younger than his august partners, Steele was still nimble enough to take care of the more strenuous fisticuffs and he was even somewhat believable in romantic clinches -- as opposed to his co-stars, whose ever expanding waistlines did not allow for tender scenes. This time, "The Trail Blazers," government agents, investigate a series of gold shipment thefts in Death Valley committed by a gang headed by Jim Kirk (Weldon Heyburn, whose name was misspelled "Hayburn" in the on-screen credits!). Kirk has hired a crooked scientist, Doc Thorne (Karl Hackett), who has discovered a method to pour the stolen gold back into the rock, where it will be indistinguishable from virgin ore. Steele infiltrates the gang and with the help of his partners, Death Valley is soon safe from Kirk and his gang. Like most of the "Trail Blazers" Westerns, Death Valley Rangers was filmed at Corriganville, actor Ray "Crash" Corrigan's movie ranch in Simi Valley, California. ~ Hans J. Wollstein, All Movie Guide

In this entry in the long-running western series, Hoppy is running for sheriff and is beaten by the yellow-belly who had garnered the support of the local outlaws. Hoppy stands by for a while and watches as the once law-abiding town becomes a veritable den of inequity. Finally, unable to stand it anymore, Hoppy impeaches the spineless lawman, takes over, and then faces down the forty gunmen the outlaw ringleader sends out to stop him. The clever, and fast shooting Hopalong gets them all and saves the day. ~ Sandra Brennan, All Movie Guide

This '40s film (based upon a Jack London story) is set in Alaska's gold rush days and revolves around the dilemma faced by a man wrongfully accused of murder whose future depends upon his ability to solve the crime. ~ All Movie Guide

This PRC "Billy the Kid" western once more teams Buster Crabbe, as Billy Carson, with Al St.John, as perennial sidekick Fuzzy Q. Jones. Motivating the plot is the wholesale slaughter of two families by a gang of outlaws. Twenty years later, Billy and Fuzzy, survivors of the massacre, return to the small town where the instigator of the killings resides. Out of several suspects, our heroes narrow down the culprit by means of a twitching eye-the same device used by Hitchcock in Young and Innocent (1937). Evelyn Finley, who'd been a western ingenue since the 1930s, doesn't look a day older as the film's heroine. ~ Hal Erickson, All Movie Guide

In many ways the most endearing of Universal's B-grade "monster rallies" of the 1940s, House of Frankenstein manages within its 70-minute time span to make room for Frankenstein's monster (Glenn Strange), Dracula (John Carradine) the Wolf Man (Lon Chaney Jr.), and a couple of new recruits, mad scientist Boris Karloff and demented hunchback J. Carroll Naish. Escaping from prison, Karloff vows to continue his diabolical efforts to emulate Dr. Frankenstein's "eternal life" experiments; he also swears vengeance on the three men (Sig Ruman, Frank Reicher and Michael Mark) who were responsible for sending him to prison. With the help of fellow escapee Naish, Karloff murders a travelling-carnival impresario (George Zucco) and assumes his identity. He travels first to the village where Ruman is burgomaster. Since his carnival is a "chamber of horrors", Karloff utilizes one of those horrors--Count Dracula--to settle his account with Ruman. Dracula does so, but dies when the first rays of sunlight stream across his body. En route to the next village, Naish gives shelter to runaway gypsy girl Elena Verdugo, who joins the caravan (though she remains incredibly naive concerning Karloff's intentions!) Coming to the village when the Frankenstein monster and the Wolfman were presumably drowned at the end of Frankenstein Meets the Wolfman (1944), Karloff revives the latter, who when he's not baying at the moon is the comparatively good-looking Lawrence Talbot. Karloff secures Talbot's cooperation by promising to perform some brain surgery that will relieve him of his lycanthropy. Later on, Karloff kidnaps and kills his other enemies Mark and Reicher, intending to use their brains to cure Talbot and to reactivate the Frankenstein monster. Jealous of Verdugo's attentions towards Talbot, Naish rebels against Karloff, and is killed for his troubles. Talbot turns into the Wolfman, whereupon Verdugo kills him before expiring herself. And Karloff, rendered immobile by the requisite attack of angry villagers, is dragged by the lumbering Monster into a pit of quicksand. Thus House of Frankenstein has something in common with Hamlet: No one is left alive at fade-out time. It's to scenarist Robert Siodmak's credit that he was able to fashion a coherent screenplay out of the crazy-quilt of copyrighted horror characters handed to him by Universal Pictures. ~ Hal Erickson, All Movie Guide

Originally, producer Harry Sherman's Woman of the Town was slated for Paramount release, but that studio was overloaded with product, so the film was deferred to United Artists. Nonetheless, the finished product has the "look" of a Paramount, right down to the presence of character actor Albert Dekker in a leading role. Dekker plays Bat Masterson, who after failing to secure a job as a newspaper reporter becomes marshal of Dodge City. Preferring socializing to peacekeeping, Masterson falls in love with Dora Hand (Claire Trevor), the obligatory golden-hearted chorus girl whose concern for the welfare of her fellow citizens at time reaches Madonna-like dimensions. When Dora is shot down cattle baron King Kennedy (Barry Sullivan), Masterson begins taking his job seriously. After taking care of Kennedy, Masterson determines to enshrine the memory of Dora, whose efforts to clean up Dodge City were largely ignored by the "decent" townsfolk. Our favorite bit in Woman of the Town has the frontier newspaper editor advising an aspiring girl reporter (Beryl Wallace) to stick to her gossip column-whereupon we're informed that the lady is Louella Parsons! ~ Hal Erickson, All Movie Guide

In a rather desperate attempt to duplicate the success of Republic Pictures' Three Mesqueteers B-Western series, Monogram producer Robert Emmett Tansey hired tired veterans Ken Maynard and Hoot Gibson to constitute the "Trail Blazers." Maynard and Gibson (playing themselves) are former lawmen hired to look into the disappearance of horses purchased by Commissioner Brent (I. Stanford Jolley) of the Southwestern Railroad Company. The seller of the herd, Betty Wallace (stunt rider Betty Miles), is unaware that her foreman, Tip (Glenn Strange), is also in the employ of Mel Carson (Ian Keith), a crooked saloon owner with interests in a stagecoach line whose existence is threatened by the railroad. Despite their expanding waistlines, Maynard and Gibson manage to catch the crooks and return the stolen horses, well assisted by young, law-spouting Sheriff Bob Tyler (Bob Baker). The latter, a former Universal star, was added to the cast to provide the necessary romantic sub-plot but the cantankerous Maynard disliked him so much that he was gone by the second instalment of the "Trail Blazers," The Law Rides Again. Maynard himself ended his long starring career after the sixth entry, Arizona Whirlwind (1944), replaced in the final two films by Chief Thundercloud. The initial two "Trail Blazers" films were helmed by Alvin J. Neitz (under the pseudonym of Alan James), and proved the final directorial work of this genre-specialist whose career dated back to the silent era. After the demise of the series, Hoot Gibson and new sidekick Bob Steele filmed another three Westerns for Monogram, often mistakenly referred to as "Trail Blazers" entries. ~ Hans J. Wollstein, All Movie Guide

When cowboy star Johnny Mack Brown left Universal for Monogram, he also left one last western, Arizona Trail, unfilmed. Thus it was that veteran sagebrusher Tex Ritter, originally cast in a secondary role, was promoted to the lead-his first such at a major studio in several years. Ritter and Dennis Moore play the sons of Erville Anderson, who is slickered out of his land by villainous Jack Ingram. Janet Shaw, who elsewhere on the Universal lot was playing the slatternly waitress in Hitchcock's Shadow of a Doubt, is seen as Ritter's leading lady. Arizona Trails also features comical sidekick Fuzzy Knight, who knows how to wield a six-gun when the need arises. ~ Hal Erickson, All Movie Guide

The Triangle W Ranch is indeed haunted in this Monogram Range Busters series entry, though not by the spirit of the late outlaw Reno Red as the townsfolk are led to believe, but by nasty Rance Austin (Glenn Strange) and his gang on the premises searching for a stolen gold bullion. Enter the Range Busters, one of whom, Dusty (John "Dusty" King), impersonates the heir to half of the ranch. The other half belongs to Helen Weston (Julie Duncan), and together with Dave (Dave Sharpe), Alibi (Max "Alibi" Terhune), and Red (Rex Lease) they finally nail Rance and his men and locate the gold bullion hidden in -- of all things -- a music box that plays "Little Brown Jug." Co-star Dave Sharpe entered the service during the filming of Haunted Ranch and was replaced in the latter part of the Western by Rex Lease. ~ Hans J. Wollstein, All Movie Guide

In this western, the Texas Rangers round up rustlers by masquerading as the same. Trouble ensues when while in disguise one of the Rangers is accused of a killing. ~ Sandra Brennan, All Movie Guide