Glenn Strange Movies
A New Mexican of Native American extraction, actor Glenn Strange held down several rough-and-tumble jobs, from deputy sheriff to rodeo rider, before settling on a singing career. He made his radio bow on Los Angeles station KNX (the CBS-owned affiliate) as a member of the Arizona Wranglers singing group. Thanks to his husky physique and plug-ugly features, Strange had no trouble finding work as a stuntman/villain in western films and serials. He also displayed a flair for comedy as the sidekick to singing cowboy Dick Foran in a series of B-sagebrushers of the late '30s. During the war years, Strange became something of a bargain-basement Lon Chaney Jr., playing homicidal halfwits in a handful of horror pictures made at PRC and other low-budget studios. These appearances led to his being cast as the Frankenstein monster in the 1944 Universal programmer House of Frankenstein; he was coached in this role by the "creature" from the original 1931 Frankenstein, Boris Karloff. Given very little to do in House of Frankenstein and the 1945 sequel House of Dracula other than stalk around with arms outstretched at fadeout time, Strange brought none of the depth and pathos to the role that distinguished Karloff's appearances. Strange was shown to better advantage in his last appearance as The Monster in Abbott and Costello Meet Frankenstein (1948) where he convincingly menaced the eternally frightened Lou Costello and even indulged in a couple of time-honored "scare" routines, while still remaining in character (Some scenes had to be reshot because Strange couldn't stop laughing at Costello's antics; towards the end of shooting, Strange broke his ankle and had to be replaced in a few shots by Lon Chaney Jr., who was costarring in the film as the Wolf Man). Though typecast as heavies in both movies and television -- he played the hissable Butch Cavendish in the Lone Ranger TV pilot -- Strange was well known throughout Hollywood as a genuine nice guy and solid family man. Glenn Strange's last engagement of note was his 11-year run (1962-73) as Sam, the Long Branch bartender on TV's Gunsmoke. ~ Hal Erickson, All Movie Guide- 1951
In this Abbott & Costello vehicle set in rural Kentucky, a magician (Lou Costello), his agent (Bud Abbott) and his sister (Dorothy Shay) unwittingly become involved in a down-home feud. ~ John Bush, All Movie Guide
- Starring:
- Bud Abbott, Lou Costello, (more)
- 1951
MGM's new musical screen team of Esther Williams and Howard Keel were given plenty to do in the pleasant if unambitious songfest Texas Carnival. Williams plays Debbie Telford, one-half of a carnival performing team. The other half is Corny Quinnell (Red Skelton), who breaks up the act when he is mistaken for Texas millionaire Dan Sabinas (Keenan Wynn). Living high on the hog in Sabinas' absence, Corny manages to smooth the romantic path for Debbie and ranch foreman Slim Shelby (Keel), while he dallies with the luscious Sunshine Jackson (Ann Miller). Red Skelton is given more opportunity to shine than usual, especially during a riotous poker game (this scene was a particular favorite of screenwriter Dorothy Kingsley, who felt it could have been even funnier had director Charles Walters "punched it up" cinematically). Esther Williams' particular highlight is a swimming sequence in a waterless hotel room, a bit of special-effects wizardry that only the MGM tech staff could have dreamed up. ~ Hal Erickson, All Movie Guide
- Starring:
- Esther Williams, Red Skelton, (more)
The old "Cain and Abel" plot device is redefined within Western terms in MGM's Vengeance Valley. Burt Lancaster stars as ranch-hand Owen Daybright, who has been raised as a son by rancher Arch Stroble (Ray Collins). Stroble's natural son Lee (Robert Walker) has always been envious of Owen, who in turn has spent most of his life pulling Lee out of trouble and keeping the boy's misdeeds a secret from the elder Stroble. When Lee fathers an illegitimate child, he tries to shift the responsibility on Owen, leading to a life-threatening confrontation with the vengeance-seeking brothers of the baby's mother (Sally Forrest). There's plenty more plot twists before virtue finally triumphs. Joanne Dru co-stars as Lee's long-suffering wife Jen, who harbors a secret yen for Owen. Since lapsing into public domain, Vengeance Valley has shown up with increasing frequency on cable television; it has also been made available in a narrated version for the visually impaired. ~ Hal Erickson, All Movie Guide
- Starring:
- Burt Lancaster, Robert Walker, (more)
- 1951
Callaway Went Thataway is an amiable spoof of early television's "Hopalong Cassidy" craze. Fred MacMurray and Dorothy McGuire star as Mike Frye and Deborah Patterson, advertising copywriters who have pulled off quite a coup by purchasing the old "Smokey Callaway" Westerns for TV. Trouble begins when the sponsor wants to meet up with Callaway (Howard Keel) and sign him to a long-term contract. But Smokey, a notorious boozer and womanizer, has dropped out of sight and left for parts unknown. In desperation, Mike and Debbie hire a Callaway look-alike named Stretch Barnes (also Howard Keel), whom they give a crash course in the art of being a boyhood idol ("You're a cowboy star. You have two expressions: hat on and hat off"). Barnes not only pulls off the ruse with the greatest of ease, but also takes his responsibilities to his young fans quite seriously. The plot thickens when the real Smoky Callaway emerges from a ten-year bender to demand a piece of the action. Callaway Went Thataway is full of wonderful moments, not least of which is a climactic fistfight between Callaway and Barnes, adroitly edited and photographed so as to make it appear that Howard Keel is actually punching out himself! The supporting cast includes future TV favorites Jesse White, Stan Freberg, and Hugh Beaumont (unbilled), while several MGM stars make surprise cameo appearances. Perhaps to avoid potential lawsuits, the film ends with a timorous disclaimer, stating that most Western stars are generous, upstanding individuals -- and not at all like the bibulous, mercenary Smoky Callaway. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred MacMurray, Dorothy McGuire, (more)
- 1950
Of the many attempts by Republic Pictures' CEO Herbert J. Yates to turn his lady friend Vera Ralston into a star, Surrender is one of the better efforts. Ralston plays a conscienceless "femme fatale" who works out a complex scheme to secure her financial comfort. The plan, enacted in a western border town, involves bigamy, betrayal, and ultimately murder. She plays one man against another all too well; in the end Vera's perfidy backfires, and she falls victim to her own machinations. Vera Ralston tries hard indeed but the audience can sense that she is basically too nice to be making such mean faces. ~ Hal Erickson, All Movie Guide
- Starring:
- Vera Ralston, John Carroll, (more)
- 1950
Universal's Technicolor program westerns of the 1950s were among the best in the business. Comanche Territory stars MacDonald Carey as famed frontiersman Jim Bowie, who is sent into Comanche country by the government. Bowie's mission is to draw up a treaty allowing the government to mine silver on the Indian's turf. He is accompanied by politician Dan'l Seegar (Will Geer), who intends to renew the government's agreement that white settlers will be barred from setting up camp in the Comanche's land. But saloon owner Katie (Maureen O'Hara) connives to spoil Bowie's and Seegar's peacekeeping mission. Katie's brother Stacey (Charles Drake) is a no-good crook who wants to cheat the Indians out of what's rightfully theirs, which of course will result in all-out war. Falling in love with Bowie, Katie decides to turn honest--but it may be too late. ~ Hal Erickson, All Movie Guide
- Starring:
- Maureen O'Hara, MacDonald Carey, (more)
- 1950
Double Crossbones is an unusually elaborate comedy vehicle for Donald O'Connor. Set in the Carolinas in the 18th century, the film casts O'Connor as Davy Crandall, a bumbling shopkeeper's apprentice. Davy's boss (Hayden Rourke) is in cahoots with the corrupt colonial governor (John Emery), who in turn deals directly with the pirates who sail in and out of port with impunity. Unfairly accused of piracy, Davy finds refuge on a buccaneer's boat. Through circumstances better seen than described, our hapless hero gains the reputation of being the boldest pirate on the Seven Seas. The stellar supporting cast includes Helena Carter as the heroine, Will Geer as O'Connor's aide-de-camp, and Hope Emerson, Alan Napier and Robert Barrat, cast respectively as notorious pirates Anne Bonney, Capt. Kidd and Henry Morgan. ~ Hal Erickson, All Movie Guide
- Starring:
- Donald O'Connor, Helena Carter, (more)
- 1949
When in doubt, drag out the "old dark house/mad scientist" formula. That's the philosophy of Master Minds, the 16th entry in Monogram's "Bowery Boys" series. It all begins when Sach (Huntz Hall), suffering from a toothache, develops the ability to read minds. Sach's pal Slip (Leo Gorcey), knowing a good thing when he sees one, exploits Sach's talents on the carnival-sideshow circuit. Soon, however, the demented Dr. Druzik (Alan Napier) comes calling, hoping to transplant Sach's brain into the body of ape-man Atlas (Glenn Strange). This film's funniest moments occur when the hulking Glenn Strange imitates Huntz Hall's familiar gestures and body language. ~ Hal Erickson, All Movie Guide
- Starring:
- Leo Gorcey, Huntz Hall, (more)
- 1949
Bargain-budget Screen Guild Productions was in the process of metamorphosing into Lippert Studios when Rimfire was filmed in 1949. This "government vs. gold thieves" affair has all of the virtues of the eager-to-please Lippert production team and none of the shortcomings of the pinchpenny Screen Guild operation. James Millican heads the cast as a special agent tracking down a lost shipment of Army gold. This leads him to a superstition-laden village where the townsfolk are convinced that the ghost of a hanged gambler is wreaking all sorts of havoc. It doesn't take Millican long to get to the bottom of the occult activity-and to locate the gold robbers in the process. With bigger star names, Rimfire might have secured better bookings; still, it did respectable business under the circumstances. ~ Hal Erickson, All Movie Guide
- Starring:
- James Millican, Mary Beth Hughes, (more)
- 1949
Jim Bannon is back as enduring cowboy hero Red Ryder in Eagle-Lion's Roll, Thunder, Roll. As ever, Ryder's cohorts are Little Beaver and the Duchess, here played by "Little Brown Jug" (aka Don Kay Reynolds) and Marin Sais. This time, Ryder tries to prove that a series of cattle raids and ranch fires were not the handiwork of masked Mexican do-gooder El Conejo (I. Stanford Jolley). One of the genuine villains is played by Glenn Strange, a year or so after his impersonation of The Monster in Abbott and Costello Meet Frankenstein. While Jim Bannon's "Red Ryder" films made money, there were many "B"- western aficionados who felt that Bannon was an inadequate sub for previous screen "Ryders" Don Barry and Allan Lane; the late film-historian Don Miller suggested that Roll, Thunder Roll should have been renamed Stop, Bannon, Stop. ~ Hal Erickson, All Movie Guide
- Starring:
- Jim Bannon, Don Kay Reynolds, (more)
- 1949
For some reason, whenever Universal used the word "Gal" in a film's title, Yvonne de Carlo usually headed the cast. In Gal Who Took the West, de Carlo plays Lillian Marlowe, an New York songstress who heads Thataway. She becomes the romantic bone of contention between the feuding O'Hara cousins, Grant (John Russell) and Lee (Scott Brady). The hostilities boil over into an all-out range war, and federal troops are summoned. Can Lillian succeed where other, better-armed negotiators have failed. The lighthearted nature of Gal Who Took the West is underlined by staging the film in flashback, as related by a pair of toothless old codgers (Clem Bevans and Houseley Stevenson). ~ Hal Erickson, All Movie Guide
- Starring:
- Yvonne De Carlo, John Russell, (more)
John Wayne -- showing off a darker side to his screen persona than we'd previously seen -- portrays Thomas Dunson, a frontiersman who, with his longtime partner Nadine Groot (Walter Brennan), leaves abandons a westbound wagon train in 1851 to make his future as a rancher in Texas. Doing so forces him to abandon Fen (Colleen Gray), his fiancee -- and when she is killed in an Indian raid a short time later, it taints any good that Dunson might find in the future he carves out for himself, destroying any joy he might derive from life. The sole survivor of the raid is Matthew Garth (Mickey Kuhn), a young orphan who is unusually handy with a gun for one his age -- and already knows how to channel his grief and horror at what he's seen, as much as Dunson does. Dunson informally adopts Matt as his son, and over the next 14 years he builds up one of the largest ranches in the entire state of Texas. And all of it is worth nothing, a result of the economic ruin wrought on the state in the aftermath of the Civil War. Matthew (Montgomery Clift, now back from the war and doing some of his own adventuring, finds a darker, more taciturn Dunson than he's ever known -- as Groot tells it, he afraid, because he just doesn't know how to fight the threats he now faces. With Matthew now returned, Dunson decides to move his herd, nearly 10,000 head of cattle, to Missouri, where there is a market for beef, over 1000 miles away through territory controlled by border gangs hundreds of men strong that have stopped every cattle drive up to now, and Indians who have picked off what the gangs missed. Dunson drives his men as hard as he does himself, relentlessly, till even some of his best hands break under the strain -- and he's not above killing anyone who challenges his authority on the drive. He's able to hold them in line as long as Matthew backs him up, and he does until Dunson, exhausted and worn down by lack of sleep, finally goes too far. Matthew steps in, backed by laconic, smirking gunman Cherry Valance (John Ireland) and most of the rest of the men and takes the herd from Dunson. Leaving his father and mentor behind, he heads the herd toward Kansas, where -- so the men are told -- there's a new railroad. Along the way, he meets Tess Millay (Joanne Dru), a card-dealer who falls in love with the young man. But he has to finish the drive and leaves her behind, much as Dunson left Fen. And they all know that Dunson is coming after Matthew to kill him. ~ Bruce Eder, All Movie Guide
- Starring:
- John Wayne, Montgomery Clift, (more)
- 1948
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It seems that Count Dracula (Bela Lugosi), in league with a beautiful but diabolical lady scientist (Lenore Aubert), needs a "simple, pliable" brain with which to reactivate Frankenstein's creature (Glenn Strange). The "ideal" brain belongs to the hapless Lou Costello, whom the lady doctor woos to gain his confidence and lure him to the operating table. Lawrence Talbot (Lon Chaney Jr.), better known as the Wolf Man, arrives on the scene to warn Costello and his pal Bud Abbott of Dracula's nefarious schemes. Throughout the film, the timorous Costello witnesses the nocturnal rituals of Dracula and the Monster, but can't convince the ever-doubting Abbott--until the wild climax in Dracula's castle, where the comedians are pursued by all three of the film's monstrosities. As a bonus, the Invisible Man (voiced by an unbilled Vincent Price) shows up for "all the excitement." ~ Hal Erickson, All Movie Guide
- Starring:
- Bud Abbott, Lou Costello, (more)
- 1948
When Republic moved its popular star William Elliot from "B" series westerns to "A" frontier specials, a lot of the fun and excitement was lost in the process. Additionally, Republic seemed reluctant to admit the new Elliot films were westerns, as witness the title Gallant Legion, which could have been mistaken for a Sahara Desert epic. Actually Gallant Legion is one of the better Elliot big-budgeters, with Bill as one of the charter members of the Texas Rangers. The Rangers' task is to prevent greedy landgrabbers from dividing Texas into sections and setting up their own fiefdoms. Elliot's leading lady in Gallant Legion is Adrian Booth, who as "Lorna Gray" had been a Republic serial villainess a few seasons earlier. ~ Hal Erickson, All Movie Guide
- Starring:
- Adrian Booth, James Brown, (more)
- 1947
Usually associated with erudite, urbane comedies, the legendary screen team of Katharine Hepburn and Spencer Tracy goes intensely dramatic in the expensive western Sea of Grass. Tracy plays cattle baron Colonel James Brewton, who staunchly opposes opening the western frontier to homesteaders. Standing steadfastly beside Brewton-at least at the beginning--is his headstrong wife Lutie (Hepburn). Eventually disillusioned by the stern implacability of her husband, Lutie leaves Brewton and goes off to Denver, where she falls in love with liberal attorney Brice Chamberlain (Melvyn Douglas), the champion of the homesteaders' cause. Upon giving birth to Chamberlain's son, Lutie confesses her indiscretion to Brewton, who takes the news with commendable restraint, even offering to accept the baby as his own. Unfortunately, the Brewtons' standing in the community is weakened by the revelation of Lutie's infidelity, causing her to leave her husband for a second time. Years later, Lutie's grown-up boy Brock (Robert Walker) drifts to the wrong side of the law, leading to his death at the hands of a posse. Though it hardly seems possible under the circumstances, Brewton and Lutie are at long last reconciled through the intervention of their daughter Sara Beth (Phyllis Thaxter). Elaborately produced in the traditional MGM manner and adroitly directed by Elia Kazan, Sea of Grass is still one of the lesser Tracy-Hepburns. ~ Hal Erickson, All Movie Guide
- Starring:
- Spencer Tracy, Katharine Hepburn, (more)
Burt Lancaster had one of his first starring roles in this hard-hitting prison drama. Capt. Munsey (Hume Cronyn) is a cruel, corrupt prison guard who has his own less-than-ethical ways of dealing with inmates, enough so that Joe Collins (Lancaster) -- the toughest inmate in the cell block -- has decided to break out. Collins tries to persuade Gallagher (Charles Bickford), the unofficial leader of the inmates and editor of the prison newspaper, to join him, but Gallagher thinks Collins' plan won't work. However, Collins does have the support of his cellmates, most of whom, like himself, wandered into a life of crime thanks to love and good intentions. Tom Lister (Whit Bissell) was an accountant who altered the books so he could buy his wife a mink coat. Soldier (Howard Duff) fell in love with an Italian girl during World War II and took the rap for her when she murdered her father. Collins pulled a bank job to raise money to pay for an operation that could possibly get his girl out of a wheelchair. And Spencer (John Hoyt) made the mistake of getting involved with a female con artist. After Munsey drives Tom to suicide and prevents Gallagher from obtaining parole, Gallagher joins up with Collins and his men in the escape attempt. Director Jules Dassin would next direct the influential noir drama The Naked City; six years later, he would move to Europe after political blacklisting prevented him from continuing to work in the United States. ~ Mark Deming, All Movie Guide
- Starring:
- Burt Lancaster, Hume Cronyn, (more)
- 1947
Promoted from Republic B westerns to "A" productions, William "Wild Bill" Elliot found himself in the sort of roles previously essayed by John Wayne, Richard Dix and Errol Flynn. In the Republic "special" Wyoming, Elliot plays Charles Alderson, a wealthy Wyoming Territory ranch owner who takes an adversarial position against the congressional Homestead Act of the late 19th century. Alderson's grown daughter Karen (Vera Ralston, whose foreign accent is "explained" by the fact that she's been educated in Europe!) tries to dissuade her father from his ruinous path, but it is only through the villainy of crooked landgrabber Duke Lassiter (Albert Dekker) that Alderson realizes he's been all wrong about the incoming homesteaders. Only in a Republic picture would a film's supporting cast include both Maria Ouspenskaya and Gabby Hayes! This Wyoming, incidentally, is not a remake of the 1940 Columbia film of the same name. ~ Hal Erickson, All Movie Guide
- Starring:
- Roy Barcroft, John Carroll, (more)
- 1947
In the RKO swashbuckler Sinbad the Sailor, Douglas Fairbanks Jr. nostalgically emulates his famous father. The first seven voyages of Sinbad have come and gone: now he is on an eighth mission, in search of the island where Alexander the Great allegedly hid his treasure. Participants in the proceedings are the incredibly gorgeous Maureen O'Hara as a feisty princess, Walter Slezak as a duplicitous green-skinned barber, George Tobias and Mike Mazurki as two of Sinbad's faithful seamen, and Anthony Quinn as the villain of villains, who meets a suitably fiery demise. If the plot seems well nigh impossible to follow at times, you can always wallow in the splendiferous Technicolor and the eye-popping stunt work of Douglas Fairbanks Jr. (and, it must be admitted, his uncredited stunt double). Budgeted at nearly $3 million, Sinbad the Sailor was one of the few postwar RKO flicks to post a profit. ~ Hal Erickson, All Movie Guide
- Starring:
- Douglas Fairbanks, Jr., Maureen O'Hara, (more)
- 1947
The Abbott & Costello western spoof The Wistful Widow of Wagon Gap is predicated on an actual Montana law of the 19th century, which dictated that if a man killed another in a gun duel, that man was responsible for the care and support of the victim's family. The film gets under way with an introductory title: "MONTANA: Where Men Are Men? With Two Exceptions." Those exceptions are travelling salesmen Duke (Bud Abbott) and Chester (Lou Costello), freshly arrived in the wide-open western town of Wagon Gap. No sooner has Chester reached Main Street than he is falsely arrested for the murder of Hawkins, the town layabout. He and Duke are spared the hangman's noose when the genially corrupt Judge Benbow (George Cleveland) reminds the jury that Chester is now responsible for Hawkins' debts and family. In short order, Chester is moved bag and baggage into the ramshackle home of the rowdy Widow Hawkins (Marjorie Main) and her brood of seven noisy children. Forced to do all the chores around the Widow's home, poor Chester must also put in overtime at Jake Frame's (Gordon Jones) saloon to pay off Hawkins' debts. While the crafty Duke tries to figure out various methods of extricating Chester from his dilemma, the Widow uses all of her wiles to get Chester to propose marriage to her. The plot goes off on a new tangent when it is discovered that none of the town desperadoes are willing to shoot down Chester, lest they inherit the Widow and her brats. Emboldened by his "untouchable" status, Chester swaggers around town striking fear in the hearts of the local menfolk, bosses Duke around for a change, and is even appointed sheriff! Alas, his invulnerability comes to an abrupt end when it turns out that the Hawkins spread is the most valuable property in town, thereby making Widow Hawkins the territory's most eligible bachelorette. The story comes to an uproarious conclusion when Chester and Jake Frame confront each other in a "high noon" gun duel. Incredibly, screenwriters D.D. Beauchamp and William Bowers originally intended The Wistful Widow of Wagon Gap as a vehicle for James Stewart! ~ Hal Erickson, All Movie Guide
- Starring:
- Bud Abbott, William Ching, (more)
- 1947
Fans of William "Wild Bill" Elliot vastly prefer his B westerns to his big-budget Republic "specials", though the latter films have their adherents. In The Fabulous Texan, Elliot emulates his idol William S. Hart in the role of ex-Confederate officer Jim McWade. Returning to Texas to find his home turf under the jurisdiction of corrupt, despotic carpetbaggers, McWade shoots it out with the authorities after his father is slain. Forced to flee to the mountains with his war buddy John Wesley Barker (John Carroll), McWade vows revenge on those bluecoated thugs who've ravaged his beloved Texas. Eventually, McWade realizes that he'd be better off cooperating with the Federal government to rid his state of its plunderers, but Barker comes to enjoy the life of an outlaw, and refuses to surrender his independence. Thus it comes to pass that McWade is obliged to hunt down his old friend, thereby restoring Law and Order to Texas. Catherine McLeod costars as Alice Sharp, the woman who will become McWade's wife-- and, in old age, the torchbearer of his memory. ~ Hal Erickson, All Movie Guide
- Starring:
- Roy Barcroft, Robert H. Barrat, (more)
- 1947
Having drunk his way out of most of the major studios and not a few of the minor ones, cowboy star Ken Maynard had trouble finding work in the 1940s. Independent producer Walt Mattox came to the rescue in 1944 when he cast Maynard opposite young singing cowboy Eddie Dean, veteran comedy relief Max Terhune, and general-purpose actor Rocky Cameron in the cheaply assembled Harmony Trail. The plot concerns the efforts by marshal Cameron to locate a gang of bank robbers. He is given plenty of help in the form of Maynard, Dean and Terhune -- indeed, one observer noted that this was one film in which the good guys outnumbered the bad guys. Peddled on the States' Rights market for several years, Harmony Trail resurfaced in 1947, when Astor Pictures shipped out the film as The White Stallion. ~ Hal Erickson, All Movie Guide
- Starring:
- Ken Maynard, Eddie Dean, (more)
- 1946
Eddie Dean, PRC's low-budget answer to Gene Autry, starred in this lethargic singing western which benefited from Dean performing his own title-tune, "Fifteen Hundred and One Miles to Heaven" and "Sands of the Old Rio Grande", the last mentioned co-written with B-Western supporting actor Glenn Strange. Dean is a Cattlemen's Association agent investigating a serious rash of rustlings along with sidekicks Soapy (Roscoe Ates) and Waco (Lee Bennett. The latter bears a striking resemblance to Lawrence ranch foreman Bert Ford (also Bennett, who has been the target of several assassination attempts. Rancher Lawrence (Lee Roberts and Eddie decide that Waco shall impersonate Ford, who is hiding out in a hotel room. The leader of the gang of rustlers attempts to turns the tables by calling in a circuit judge (William Fawcett) but Ford, from his hotel room, recognizes the man as an imposter. Loading up on fireworks and dynamite, Eddie, Soapy and Ford defend the hotel from gang leader Ringo Evans (Jack O'Shea) and his men until the law arrives. Stars Over Texas was produced and directed by Robert Emmett Tansey. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Eddie Dean, Roscoe Ates, (more)
- 1946
A nasty rancher orders his men to kill his own half-brother for a piece of valuable ranch land in this low-budget PRC oater starring singing cowboy Eddie Dean. Bill Ryan (Kermit Maynard) is indeed cowardly ambushed by Brad Barton's (Bob Duncan) henchmen, and the following day, Barton and his equally crooked attorney, Alton Small (Ted Adams), issue an order evicting Bill's daughter, Robin (Shirley Patterson), and son, Freckles (Johnny McGovern), from their home. After courageously standing up to Barton's threats, Robin and Freckles find allies in drifters Eddie Dean and Soapy Jones (Roscoe Ates), who are secretly in league with a very much alive Bill. Eddie manages to turn one of Barton's hirelings, Gringo (Jack O'Shea), and with the further assistance of the sheriff (Frank Ellis), the Ryan ranch is saved. In between the gun play, Eddie Dean sings "Tumbleweed Trail," "Lonesome Cowboy," and "Careless Darlin'." ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Eddie Dean, Roscoe Ates, (more)
- 1946
Gilbert Roland dominates the action in a colorful performance as the bandit hero the Cisco Kid, this time up against a surprisingly vicious plot by a local doctor to steal land from the local peasants and small ranchers by poisoning them to drive them off, and then reselling the property to absentee European landlords. He finds an unexpected ally in Jeanne DuBois (Ramsay Ames), who starts out as part of the plot but is turned around by Roland's charm and charisma after a few fireworks. The direction is uneven, with William Nigh not quite able to make the flatter parts of the script as entertaining or smooth as they ought to be. Evidently, the producers knew they were in trouble with this downbeat script and took steps to rescue the picture. Seeing the sparks fly in the scenes in the first third of the picture, in which Ames is disguised as a man (which evokes echoes -- albeit very distant -- of Shakespeare's As You Like It) and verbally jousts with Roland, more material was written on the spot for the two of them, depicting a competition that becomes much more heated when her gender is revealed. By her own account, Nigh and Ames were friends, and she was a good sport on this shoot whatever they had her doing, and it's a pity they didn't go further with the rivalry between Roland's and Ames' characters, who might've been the Antonio Banderas and Catherine Zeta-Jones of their era. Roland also wrote some of his own dialogue and poetry for this effort, which seems very hackneyed today, but played just fine for audiences in 1946. (Note: In early TV prints of Beauty And The Bandit, all references to the Cisco Kid and O. Henry in the credits were blacked out, and mentions of the Cisco Kid and "Cisco" in the dialogue awkwardly dubbed over as "Chico" -- one suspects this was because the exclusive TV rights to the Cisco Kid had been sold to another producer for the TV series starring Duncan Renaldo and Leo Carrillo). ~ Bruce Eder, All Movie Guide
