Harry Strang Movies

20th Century-Fox's Western Union was loosely based on a story by Zane Grey. The basic historical facts behind the connecting of telegraph wires between Omaha and Salt Lake City serve as a backdrop for a fictional story straight out of Manhattan Melodrama. Randolph Scott and Barton MacLane are cast as brothers who pursue wildly divergent paths in adulthood: Scott, an ex-outlaw, goes to work for Western Union, while MacLane remains a criminal, leading a concerted effort to sabotage the telegraph company. The Indians, too often merely villains in films of this nature, are treated with relative sympathy. When they do attack the whites, it is principally because they have been falsely accused of crimes committed by MacLane and his bunch. Western Union was the second Technicolor western effort from director Fritz Lang; the first was the equally popular The Return of Frank James. ~ Hal Erickson, All Movie Guide

"Mr. and Mrs. North" started as a series of comic articles about a Park Avenue married couple, written by Richard and Frances Lockridge. One of these articles was "The Norths Solve a Murder", which was adapted as a stage play by Owen Davis Sr. and was later spun off into a popular radio and TV comedy-mystery series. The Davis play made it to the screen in 1941 as Mr. and Mrs. North, with Gracie Allen (in a rare appearance without George Burns) as dizzy socialite Pamela North and William Post Jr. as her long-suffering husband Jerry. Upon returning home from a vacation, Pam North opens her closet door--and out pops a dead body. As it turns out, all the suspects are close friends of the Norths, a fact that encourages Pam to gently interfere in the ongoing murder investigation conducted by Lt. Weygand (Paul Kelly). A second murder serves only to send Pam off on another flight of convoluted logic, but somehow or other the case is solved and justice is served. ~ Hal Erickson, All Movie Guide

Though history is distorted almost beyond recognition in Warner Bros.' They Died With Their Boots On, audiences in 1941 ate it up like cotton candy. In the gospel according to Warners, General George Armstrong Custer (Errol Flynn) is neither an arrogant fool nor a rabid Indian hater. Instead, he is a flamboyant but brilliant cavalry officer, who during the Civil War defies his superiors' orders and becomes a hero as a result. After a period of forced retirement in the postwar years, Custer is put in charge of the 7th Cavalry in the Dakota Territory. Here he whips this ragtag group into spit-and-polish shape, and also does his best to extend a neighborly hand to the local Indian tribes. Custer even goes so far as to promise Chief Crazy Horse (Anthony Quinn) that the white man will never set foot in the sacred Black Hills. Alas, Custer is betrayed by greedy gold prospectors, whipped into a frenzy by scheming (and fictional) land speculator Ned Sharp (Arthur Kennedy). Forced by circumstances to do battle against Crazy Horse to prevent tribal retaliation, Custer and his command ride towards a rendezvous with destiny at the Little Big Horn on June 25, 1876. Though some of the historical inaccuracies in the film are real howlers, blame cannot be laid solely at the feet of Warner Bros.; the Custer legend had previously been perpetrated by the general's loyal widow Elizabeth Bacon (played herein by Olivia de Havilland), then eagerly elaborated upon by Eastern news journalists and dime novels. This film represented the final screen pairing of Errol Flynn and Olivia de Havilland, a fact that lends poignancy to their classic parting scene. Though an extremely long film, They Died With Their Boots On is never dull, especially during the spectacular Custer's Last Stand finale. ~ Hal Erickson, All Movie Guide

Despite the title, the Cisco Kid (Cesar Romero) doesn't feel too lucky at the beginning of this film. It seems that someone else has been committing crimes while passing himself off as Cisco. The scheme was cooked up by a corrupt judge (Willard Robertson), who hopes to drive the settlers off the land and buy it up himself, all the while placing the blame for the reign of terror on the Kid's shoulders. But with the help of his paunchy pal Gordito (Chris-Pin Martin), our hero puts an end to the skullduggery. As a bonus, he finds time for romance in the arms of gorgeous widow Mrs. Lawrence (Evelyn Venable). Mary Beth Hughes has one of her better earlier roles as a brassy dance-hall doxie. ~ Hal Erickson, All Movie Guide

A fast-paced, enjoyable entry in the long-running Three Mesqueteers Western series, Heroes of the Saddle featured the three cowboy pals promising to look after Peggy Bell (Patsy Lee Parsons), the little daughter of mortally wounded rodeo champ Montana (Kermit Maynard). Legal technicalities, however, halt the adoption proceeding and Stony (Robert Livingston), Rusty (Raymond Hatton), and Rico (Duncan Renaldo) can only watch as the little girl is placed in the county orphanage. On a visit, the Mesqueteers discover that Peggy has been injured and Melloney the superintendent (sour-faced Byron Foulger) claims that the institution cannot pay for the necessary treatment. Stony wins the amount in a boxing match against "Killer" McCulley (Jack Roper), only to learn that Melloney is threatening the child to keep quiet about something. The "something" is the fact that Melloney and county supervisor Crone (William Royle) are not only mistreating the children in their care but cooking the books as well. Aided by a pretty nurse, Ruth Miller (Loretta Weaver of the Weaver hillbilly act), the Mesqueeters "kidnap" Peggy and the other kids and bring them to their spacious ranch. There is a final shootout before the three heroes can round up the gang and celebrate the election of a new county supervisor, nurse Ruth. A comic highlight of this Western has Duncan Renaldo pretending to be a department store dummy in order to fool drunken watchman Al Taylor. Heroes of the Saddle was one of the final films of ace villain William Royle, who later that year would appear in perhaps his best-remembered role as Sir Neyland Smith in the serial Drums of Fu Manchu (1940). ~ Hans J. Wollstein, All Movie Guide

In this entry in the long running saga of the "Dead End Kids," the East Side boys leave the Big Apple and go to California to seek their fortunes. They'd rather not have to work for their money, but end up working on the ranch of an aged Italian woman who treats her employees kindly (unlike other farmers of the era, who often treated their migrant workers worse than animals). Her son disappeared as a baby and one of the boy's decides to convince her that he is the long lost child in hopes of getting an inheritance. After a while, he is so moved by her kindness that he changes his mind and tries to help her for real when the truckers team up with a union to keep her harvest from reaching the market. ~ Sandra Brennan, All Movie Guide

The adaptation of Nobel Prize-winner John Steinbeck's Pulitzer Prize-winning novel of dirt-poor Dust Bowl migrants by 4-time Oscar-winning director John Ford starred Henry Fonda as Tom Joad, who opens the movie returning to his Oklahoma home after serving jail time for manslaughter. En route, Tom meets family friend Casey (John Carradine), a former preacher who warns Tom that dust storms, crop failures, and new agricultural methods have financially decimated the once prosperous Oklahoma farmland. Upon returning to his family farm, Tom is greeted by his mother (Oscar-winner Jane Darwell), who tells him that the family is packing up for the "promised land" of California. Warned that they shouldn't expect a warm welcome in California--they've already seen the caravan of dispirited farmers, heading back home after striking out at finding work--the Joads push on all the same. Their first stop is a wretched migrant camp, full of starving children and surrounded by armed guards. Further down the road, the Joads drive into an idyllic government camp, with clean lodging, indoor plumbing, and a self-governing clientele. When Tom ultimately bids goodbye to his mother, who asks him where he'll go, he delivers the film's most famous speech: "I'll be all around...Wherever there's a fight so hungry people can eat...Whenever there's a cop beating a guy, I'll be there...And when the people are eatin' the stuff they raise and livin' in the houses they build. I'll be there too." ~ Hal Erickson, All Movie Guide

A tough, bitter fugitive's travels lead him to a grungy rundown oil town. There the transient is taken in by an oil-rigger who gives him a job working a well. They must work double-quick for the well's lease is due to expire. Unfortunately, they become so focused on striking oil quickly, they forget about safety and several men are hurt. Meanwhile the kindly crew boss and the fugitive vie for the affections of a life-hardened woman until tragedy strikes the supervisor. Suddenly the fugitive must take on the responsibility of reaching the oil. In so doing, he makes some important decisions about taking responsibility for his actions as well. ~ Sandra Brennan, All Movie Guide

In this low-budget musical, two sets of politically ambitious parents attempt to pair up their youngsters who unfortunately despise each other and only pretend to like each other to please their parents. On the nights they are to go out, they sneak out with their respective true loves. It all works well until the unwilling couple find themselves falling in love for real. songs include: "I'm Nobody's Sweetheart Now", and "Got Romance". ~ Sandra Brennan, All Movie Guide

In his final Our Gang appearance, Tommy Bond essays his usual role as the Gang's eternal nemesis Butch. This time, Butch wins the heart of little Darla Hood, leaving heartbroken Carl "Alfalfa" Switzer to cry in his alphabet soup. Mistaking the boy's doldrums for indigestion, Alfalfa's dad (William Newell) prepares to give his son a good dose of Seidlitz Powder -- or, as Alfie calls it, "Settles-It" Powder. Later on, the kids pay a visit to Butch's jerry-built chemistry lab, where the young troublemaker is mixing up what he thinks is an explosive. Recognizing the mixture as Settles-It Powder, the crafty Alfalfa offers himself as Butch's guinea pig, "bravely" downing the concoction in hopes of impressing Darla. Alas, the powders haven't been properly combined, and before long a bloated Alfalfa is floating into the sky, while the rest of the gang frantically scurries to his rescue. Filmed in November of 1939, the one-reel Bubbling Troubles was held back from release until May 25, 1940. ~ Hal Erickson, All Movie Guide

Gene Autry rescues a young boy from a gang of kidnappers in this delightful musical-Western from Republic Pictures. Having lost their jobs with the rodeo, Gene and sidekick Frog Millhouse (Smiley Burnette) are heading west when they discover a young British stowaway, Ronnie Willoughby (Clifford Severn Jr.), who mistakenly assumes that the two cowboys represent his father's large "Rancho San Quentin." Gene, however, doesn't have the heart to tell the boy that San Quentin is no ranch at all, but the state penitentiary. Along the way, the merry little group picks up a couple of pretty hitchhikers, runaway society bride-to-be Joyce Halloway (June Storey) and her kid sister, Patsy (Mary Lee), and they, too, keep mum about "Rancho San Quentin." In fact, Joyce nobly arranges for her own family ranch to be renamed after the prison lest the boy should learn the truth. Wrongly assuming that Gene and company are kidnappers, Ronnie's father, Frederick (Lester Matthews), makes a daring escape from San Quentin but Gene manages to make it appear as if the escapee is returning from a long and arduous cattle drive. The real kidnappers turn up soon enough, of course, and after the inevitable chase, Willoughby's establishes his innocence and Gene agrees to stay on as Joyce's foreman. Gene Autry, Smiley Burnette, and girl singer Mary Lee perform no less than seven musical numbers, including the title tune, "The Singing Hills," "Give out With a Song," Headin' for the Wild Open Spaces," and "Wooing of Kitty MacFuty." A television print entitled Keep Rollin' also exists, but without many of the songs and all the Mexican cantina production numbers. ~ Hans J. Wollstein, All Movie Guide

An above-average entry in Republic Pictures' long-running "Three Mesqueteers" series, The Trail Blazers is something as unusual as a Christmas western that includes comic sidekick Rufe Davis' rendition of "Jingle Bells". The Mesqueteers -- who in addition to Davis' Lullaby Joslin also numbered Robert Livingston as Stony Brooke and Bob Steele as "Tucson" Smith -- come to the aid of Jim Chapman (Carroll Nye), an engineer assigned to build a telegraph for the army. But a group of powerful local businessmen, headed by crooked newspaper publisher Jeff Bradley (Weldon Heyburn), do their utmost to sabotage the project. Yet despite the inevitable setbacks, the Mesqueteers, aided by Army Major Kelton (Tom Chatterton) and his daughter Marcia (Pauline Moore), make sure that the life-saving telegraph is erected on time. In an effort to duplicate the success of the "Three Mesqueteers" films, small-scale Monogram begun their own trio series in 1943, confusingly entitled "The Trail Blazers," a moniker the studio most likely "stole" from this western. ~ Hans J. Wollstein, All Movie Guide