Lela Bliss Movies

In his first Twilight Zone appearance, Burgess Meredith stars as Henry Bemis, a miopic bank clerk who wants nothing more out of life than to be left alone to read his precious books. He unexpectedly gets his wish when, while hiding in a bank vault with a book in his hands, a hydrogen bomb devastates the city around him. The sole survivor of this nuclear attack, Henry is at first stricken with panic, then becomes delighted at the prospect of reading to his heart's content, without being nagged by his wife (Jacqueline De Wit) or his boss (Vaughn Taylor). The episode's ironic payoff is so well known that it does not bear repeating here; suffice to say that the ending was invoked in the first few moments of 1983's Twilight Zone: The Movie. First telecast November 20, 1959, "Time Enough at Last" was scripted by Rod Serling from a short story by Lynn Venable. ~ Hal Erickson, All Movie Guide

A TV telethon is the "gimmick" in Allied Artists' The Big Tipoff. Richard Conte plays two-bit newspaper columnist Johnny Denton, who gains notoreity by printing tips on upcoming gangland activities. Denton heightens his fame by refusing to reveal the source of his information; the audience knows, however, that Denton's tip-off man is crime kingpin Bob Gilmore (Bruce Bennett), who is in the process of staging a phony telethon to scam the public. This plot element is mainly an excuse to offer a series of unrelated variety acts featuring such LA TV personalities as Spade Cooley, April Stevens, Chuy Reyes, and Ginny Jackson. The two male protagonists are given a chance for redemption through the auspices of Sister Joan (Cathy Downs), but an apparent murder muddies the proceedings. ~ Hal Erickson, All Movie Guide

The Bowery Boys once more frolic about in an "old dark house" setting in Ghost Chasers. The story finds Slip Mahoney (Leo Gorcey) and his gang endeavoring to expose a phoney seance racket. Slip's pal Sach is aided and abetted in this endeavor by a genuine ghost, a jovial 17th-century wraith named Edgar (Lloyd Corrigan). Naturally, no one but Sach can see or hear Edgar, leading to any number of delightfully comic complications. Director William "One-Take" Beaudine effectively mixes humor with horror, sustaining audience interest for a full seven reels. Ghost Chasers should not be confused with such previous and future Bowery Boys endeavors as Spook Busters and Spook Chasers, though many of the gags and comic setpieces are pretty much the same. ~ Hal Erickson, All Movie Guide

On the Loose was produced by the Filmakers Organization, consisting of producer Collier Young and director Ida Lupino (Mrs. Young at the time). Joan Evans stars as Jill Bradley, a teenager with an undeserved reputation as a "bad girl." No one -- not even her parents Melvyn Douglas and Lynn Bari -- will give Jill the benefit of the doubt. Only when the girl attempts suicide are her selfish parents awakened to her plight. Intriguingly, On the Loose was scripted by the husband-and-wife team of Dale Eunson and Katherine Albert, who happened to be the real-life parents of star Joan Evans. Though most Filmakers productions were directed by Ida Lupino, On the Loose was helmed by screenwriter Charles Lederer. ~ Hal Erickson, All Movie Guide

In this 1951 comedy Irene Dunne stars as Kay, a Manhattan-based songwriter who marries widowed rodeo cowboy Chris (Fred MacMurray). In the tradition of The Egg and I, Kay suffers a great deal of culture shock when she moves into Chris' western ranch. When she isn't being bedeviled by her new step-children, poor Kay is subjected to bumps and bruises as she tries to become an expert horsewoman. Nothing happens in Never a Dull Moment that isn't thoroughly predictable, though the stars bring a degree of freshness to the proceedings. This film was one of several produced for RKO by Harriet Parsons, daughter of gossip columnist Louella Parsons. ~ Hal Erickson, All Movie Guide

George Stevens's charming film version of Kathryn Forbes' collection of short stories entitled Mama's Bank Account features Irene Dunne as Mama in one of her finest and most ingratiating performances. The film is narrated by Mama's daughter Katrin (Barbara Bel Geddes), recalling the trials and tribulations of her family in turn-of-the-century San Francisco. Mama tries to keep her house in order and her family on their toes as a motley assortment of eccentric relatives, boarders, and friends -- including Uncle Chris (Oscar Homolka), Mr. Hyde (Cedric Hardwicke), Dr. Johnson (Rudy Vallee), Mr. Thorkelson (Edgar Bergen) -- weave in and out of their lives. ~ Paul Brenner, All Movie Guide

"A woman loses her mind and is confined to a mental institution." That's the usual TV-listing encapsulation of The Snake Pit -- and like most such encapsulations, it only scratches the film's surface. Olivia de Havilland stars as an outwardly normal young woman, married to loyal, kindly Mark Stevens. As de Havilland's behavior becomes more and more erratic, however, Stevens comes to the sad conclusion that she needs professional help. She is sent to an overcrowded state hospital for treatment -- a curious set-up, in that, while de Havilland is treated with compassion by soft-spoken psychiatrist Leo Genn, she is sorely abused by resentful matrons and profoundly disturbed patients. Throughout the film, she is threatened with being clapped into "the snake pit" -- an open room where the most severe cases are permitted to roam about and jabber incoherently -- if she doesn't realign her thinking. In retrospect, it seems that de Havilland's biggest "crime" is that she wants to do her own thinking, and that she isn't satisfied with merely being a loving wife. While this subtext may not have been intentional, it's worth noting that de Havilland escapes permanent confinement only when she agrees to march to everyone else's beat. Amazingly, Olivia de Havilland didn't win an Academy Award for her harrowing performance in The Snake Pit (the only Oscar won by the film was for sound recording). While some of the psychological verbiage in this adaptation of Mary Jane Ward's autobiographical novel seems antiquated and overly simplistic today, The Snake Pit was rightly hosannahed as a breakthrough film in 1948. ~ Hal Erickson, All Movie Guide

Song of Love is the MGM-ified version of the lives and loves of 19th century musicians Clara Wieck Schumann (Katharine Hepburn), Robert Schumann (Paul Henreid) and Johannes Brahms (Robert Walker, who the previous year had played another composer, Jerome Kern, in Til the Clouds Roll By). Clara gives up her thriving career as a concert pianist to devote herself to her struggling composer husband Robert. Unable to cope with disappointment and failure, Robert dies in an asylum, leaving poor Clara to cope with seven children and mounting debts. At this point, the eminently successful Brahms, who has loved Clara all along, proposes to her, but Clara insists upon going it alone, perpetuating her husband's memory on the concert stage. Also represented in this musical "through the years" pageant is Franz Liszt, played with remarkable understatement by Henry Daniell. Clearly designed to capitalize on the popularity of Columbia's Chopin biopic A Song to Remember, Song of Love is slow and poky at times, though it's fascinating to see Katharine Hepburn at the piano (reportedly, she learned to play enough classical music to get by in the close-up scenes, though her music is dubbed in medium and long shots). ~ Hal Erickson, All Movie Guide

Edmund Gwenn plays Kris Kringle, a bearded old gent who is the living image of Santa Claus. Serving as a last-minute replacement for the drunken Santa who was to have led Macy's Thanksgiving Parade, Kringle is offered a job as a Macy's toy-department Santa. Supervisor Maureen O'Hara soon begins having second thoughts about hiring Kris: it's bad enough that he is laboring under the delusion that he's the genuine Saint Nick; but when he begins advising customers to shop elsewhere for toys that they can't find at Macy's, he's gone too far! Amazingly, Mr. Macy (Harry Antrim) considers Kris' shopping tips to be an excellent customer-service "gimmick," and insists that the old fellow keep his job. A resident of a Long Island retirement home, Kris agrees to take a room with lawyer John Payne during the Christmas season. It happens that Payne is sweet on O'Hara, and Kris subliminally hopes he can bring the two together. Kris is also desirous of winning over the divorced O'Hara's little daughter Natalie Wood, who in her few years on earth has lost a lot of the Christmas spirit. Complications ensue when Porter Hall, Macy's nasty in-house psychologist, arranges to have Kris locked up in Bellevue as a lunatic. Payne represents Kris at his sanity hearing, rocking the New York judicial system to its foundations by endeavoring to prove in court that Kris is, indeed, the real Santa Claus! We won't tell you how he does it: suffice to say that there's a joyous ending for Payne and O'Hara, as well as a wonderful faith-affirming denouement for little Natalie Wood. 72-year-old Edmund Gwenn won an Oscar for his portrayal of the "jolly old elf" Kringle; the rest of the cast is populated by such never-fail pros as Gene Lockhart (as the beleaguered sanity-hearing judge), William Frawley (as a crafty political boss), and an unbilled Thelma Ritter and Jack Albertson. Based on the novel by Valentine Davies, Miracle on 34th Street was remade twice: once for TV in 1973, and a second time for a 1994 theatrical release, with Richard Attenborough as Kris Kringle. ~ Hal Erickson, All Movie Guide

Olivia De Havilland, with the assistance of some eye-popping special photographic effects, plays twins in The Dark Mirror. One twin commits a murder: The "good" twin is blamed, but provides no alibi in her own defense, since she can't believe that the "bad" twin is guilty. Psychologist Lew Ayres and detective Thomas Mitchell try to get to the truth, a task made difficult by the bad twin's habit of imitating her sister to perfection. Ayres solves the mystery and sorts out which twin is which, but not before nearly ending up on a slab in the morgue himself. Based on a novel by Vladimir Pozner (the same), The Dark Mirror was remade for television in 1984, with Jane Seymour in the lead--er, leads. ~ Hal Erickson, All Movie Guide

Virtually all of the Chesterfield Pictures efforts of the 1930s served as starring vehicles for Hollywood's best character actors. It was Henrietta Crossman who headed the cast of the 1936 Chesterfield production Hitch Hike to Heaven, sharing star billing with former silent-movie matinee idol Herbert Rawlinson. Crossman plays Deborah Delaney, manager of a small but intrepid band of touring repertory actors, while Rawlinson is cast as Deborah's son Melville De la Ney, a famous movie actor (which puts him on the outs with his mom, who despises movies). One of the members of Delaney's company is Melville's son Daniel (Russell Gleason), who is in love with the troupe's ingenue Jerry Daley (Polly Ann Young). Through a series of misunderstandings, Jerry winds up as a correspondent in the divorce action between Melville and his wife Nadia (Lela Bliss). The ensuing scandal finishes Melville in Hollywood, but by film's end, his reputation has been restored while Jerry also becomes a prominent film star -- not to mention the bride of Daniel Delaney. ~ Hal Erickson, All Movie Guide