Ralph Strait Movies

When a priceless Torah is stolen by a particularly mean-spirited smuggler, Magnum (Tom Selleck) teams with Higgins' old friend, Rabbi Asher Solomon (Nehemiah Persoff), to retrieve the sacred document. A battle-scarred survivor of European persecution against the Jewish race, Rabbi Solomon had managed at great personal sacrifice to save the Torah from destruction during the Holocaust, and he's not about to give it up to thieves at this point. Not surprisingly, as the case progresses, the viewer learns that there is lot more than the Torah at stake! ~ Hal Erickson, Rovi

The only installment of the Halloween series to abandon the Michael Myers story line, Halloween III: Season of the Witch is an intricate sci-fi horror hybrid. A week before Halloween, an older man named Harry Grimbridge (Al Berry) is wounded by a mysteriously dispassionate group of assailants in an industrial parking lot. After receiving treatment at a local hospital from Dr. Dan Challis (Tom Atkins) -- a hard-drinking divorced father of two -- Grimbridge is killed by an assassin who later sets himself on fire. Blowing off his own kids, Challis teams up with Grimbridge's daughter, Ellie (Stacey Nelkin), to find out why the middle-aged toy salesman was murdered. The duo's search soon leads them to a Halloween-mask factory run by inventor and practical joker Conal Cochran (Dan O'Herlihy). In between bouts of passionate lovemaking, Ellie and Challis begin to realize that the sinister old businessman has something other than treats in mind for America's kids -- something to do with the Silver Shamrock masks that Challis' children and thousands of other youngsters have bought for the holiday. Original screenwriter Nigel Kneale, whose scripts for Britain's Quatermass TV series made him a beloved science fiction fixture, sued the producers of Halloween III to have his name removed from the credits after seeing the gory finished product; director Tommy Lee Wallace ultimately received screenplay credit. John Carpenter, director of the first Halloween film, co-produced the third installment with Debra Hill, who would later soldier on without Carpenter for additional, belated sequels. ~ Brian J. Dillard, Rovi

This low-budget entry into the sword-and-sorcery cycle of the early '80s wasn't successful during its initial release, but has steadily built a strong cult following over the years. The Beastmaster tells the story of Dar (Marc Singer), the son of a king who was stolen from his mother's womb by a witch under the command of vicious sorcerer Maax (Rip Torn). A poor villager saves Dar from being sacrificed and raises him as his own son, teaching Dar how to fight and witnessing the boy's ability to telepathically communicate with animals. Their happiness is destroyed when their village is attacked by the evil Jun horde, a race of beast-like warriors controlled by Maax. Dar vows revenge and journeys to his father's former kingdom to destroy Maax. Along the way, he falls in love with gorgeous slave girl Kiri (Tanya Roberts) and teams up with former royal guard Seth (John Amos). Dar also uses his powers to enlist the aid of an eagle, a panther and two adorable ferrets named Kodo and Podo. Together, Dar and his unlikely but brave team square off with Maax in an impressive two-part finale that involves a swordfight on the side of a pyramid and a showdown with the Jun horde near a flaming moat. The resulting film was full of action and eccentric surprises, but failed to make an impression at a box office already glutted with fantasy films. However, The Beastmaster eventually became a serious cult favorite thanks to home video and extensive exposure on cable (it is the second most aired movie on TBS after Gone With the Wind). This enduring popularity led to two sequels and a syndicated television series chronicling the further adventures of Dar. ~ Donald Guarisco, Rovi